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The Photographer's Eye
The Photographer's Eye
by Szarkowski, John , Friedlander, Lee , Evans, Walker
Paperback - English

A bestselling and indispensable introduction to the visual language of photography, from the legendary MoMA director and curator John Szarkowski

The Photographer's Eye by John Szarkowski is a twentieth-century classic--an indispensable introduction to the visual language of photography. Based on a landmark exhibition at The Museum of Modern Art in 1964, and originally published in 1966, the book has long been out of print. It is now available again to a new generation of photographers and lovers of photography in this duotone printing that closely follows the original. Szarkowski's compact text eloquently complements skillfully selected and sequenced groupings of 172 photographs drawn from the entire history and range of the medium. Celebrated works by such masters as Cartier-Bresson, Evans, Steichen, Strand, and Weston are juxtaposed with vernacular documents and even amateur snapshots to analyze the fundamental challenges and opportunities that all photographers have faced. Szarkowski, the legendary curator who worked at the Museum from 1962 to 1991, has published many influential books. But none more radically and succinctly demonstrates why--as U.S. News & World Report put it in 1990--"whether Americans know it or not," his thinking about photography "has become our thinking about photography."

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ADDITIONAL INFO

ISBN
087070527X
EAN
9780870705274
Publisher
Publication Date
01 Mar 2007
Pages
156
Weight (kg)
0.64
Dimensions (cm)
22.7 x 21.7 x 1.3
About Author
John Szarkowski is director emeritus of the Department of Photography at The Museum of Modern Art, New York. As director of the department from 1962 through 1991, he oversaw the presentation of more than 100 exhibitions. He also oversaw the publication of more than 30 books and catalogues, the inauguration of the Museum's first photography collection galleries in 1964 and their expansion in 1984 and the establishment of endowments to support the department's programs. Throughout his tenure, he supervised the development of the collection, which now includes more than 25,000 works spanning the
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