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The Way Hollywood Tells It: Story and Style in Modern Movies
The Way Hollywood Tells It: Story and Style in Modern Movies
Paperback - English

Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition-one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960, from romantic comedies like Jerry Maguire and Love Actually to more imposing efforts like A Beautiful Mind. He also draws upon testimony from writers, directors, and editors who are acutely conscious of employing proven principles of plot and visual style. Within the limits of the "classical" approach, innovation can flourish. Bordwell examines how imaginative filmmakers have pushed the premises of the system in films such as JFK, Memento, and Magnolia. He discusses generational, technological, and economic factors leading to stability and change in Hollywood cinema and includes close analyses of selected shots and sequences. As it ranges across four decades, examining classics like American Graffiti and The Godfather as well as recent success like The Lord of the Rings: The Two Towers, this book provides a vivid and engaging interpretation of how Hollywood moviemakers have created a vigorous, resourceful tradition of cinematic storytelling that continues to engage audiences around the world.

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ADDITIONAL INFO

ISBN
0520246225
EAN
9780520246225
Publisher
Publication Date
10 Apr 2006
Pages
309
Weight (kg)
0.58
Dimensions (cm)
22.8 x 15.5 x 1.7
About Author
David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include "The Films of Carl Theodor Dreyer" (University of California Press, 1981), "Narration in the Fiction Film" (University of Wisconsin Press, 1985), "Ozu and the Poetics of Cinema" (Princeton University Press, 1988), "Making Meaning: Inference and Rhetoric in the Interpretation of Cinema" (Harvard University Press, 1989), "The Cinema of Eisenstein" (Harvard University Press, 1993), "On the Hist
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