Limited edition containing foil-gilded page edges and a black satin ribbon marker. The FIRST PRINTING has RED gilding, and the SECOND PRINTING has BLUE.

As featured in Pitchfork, Empire, MovieMaker, Nerdist, NPR, The Wall Street Journal, The A.V. Club, Mashable, Wired, Yahoo's It List, IGN, SFX, The Wrap, Gizmodo and more!

I see many things. I see plans within plans.

Following his underground hit Eraserhead and critically acclaimed The Elephant Man, visionary filmmaker David Lynch set his sights on bringing Frank Herbert's beloved sci-fi novel Dune to the screen. The project had already vexed directors such as Alejandro Jodorowsky (El Topo) and Ridley Scott (Alien). But by the early '80s Universal Pictures was prepared to give Lynch the keys to the kingdom - and the highest budget in the studio's history at the time - so that he could lend his surrealistic chops to this sprawling story of feuding space dynasties. They would also hopefully be creating a Star Wars for adults franchise-starter.

As the hot young filmmaker commanded a cast with 42 major speaking parts as well as a crew of 1,700 (plus over 20,000 extras) on 80 sets built on 8 sound stages in Mexico, what happened next became as wild, complex, and full of intrigue as Herbert's novel itself.

Film writer Max Evry goes behind the erratic ride of David Lynch's Dune like never before, with a years-in-the-making oral history culled from a lineup of new interviews with the film's stars (Kyle MacLachlan, Sean Young, Virginia Madsen, etc.), creatives, film executives, and insiders - not to mention Lynch himself.

David Lynch's Dune initially left many filmgoers and reviewers scratching their heads, most dismissing the film upon its release. However, four decades and a big-budget remake later, Lynch's Dune is finally poised to find its rightful place alongside the director's other masterpieces such as Blue Velvet and Mullholland Drive.

Max Evry's A Masterpiece in Disarray takes you back to 1984 with the deepest dive yet into the cult classic that is David Lynch's Dune.

As featured in Fangoria, Movieweb, ComingSoon, Queerty, Rue Morgue, Yahoo News, Bloody Disgusting, and more!

In 1983, Robert Hiltzik's Sleepaway Camp was quickly disregarded by film reviewers. Variety called it a tired version of teen oriented horror film formulas, The Philadelphia Enquirer had more thrills untangling paper clips, and The Cincinnati Post branded it more horrible than horrifying.

But fans saw something different. Very different. 40 years since its release, the film's unique blend of horror, tongue-in-cheek comedy, sexuality, and gender roles--along with an ending to end all endings, was seemingly ahead of its time. Sleepaway Camp is now discussed and debated more than when it was initially released.

Longtime official Sleepaway Camp webmaster, writer, and filmmaker Jeff Hayes goes behind the scenes like never before, revealing the development and making of the film, its immediate aftermath, and the more than four decades of fandom since its release. This definitive Sleepaway Camp compendium includes interviews with much of the cast and crew (with many new exclusives), more than 75 production and memorabilia images (including previously unreleased on-set stills), and takes you backstage to the reunions, retro screenings, and convention events that have united fans and reignited interest in this beloved horror tale.

Two sequels later, plus Hiltzik's retcon film Return to Sleepaway Camp, Sleepaway Camp continues to resonate in a big way with '80s film buffs, global horror fans, and the LGBT community, all of whom enjoy their horror films...with a twist.

Welcome to Sleepaway Camp. Meet you at the waterfront, after the social.

Dive into the dark and dazzling world of Repo! The Genetic Opera with this comprehensive guide by Hollywood historian Staci Layne Wilson. From on-set experiences to exclusive interviews spanning sixteen years, Wilson offers an unparalleled look at the 2009 cult classic that merged sci-fi, horror, and rock opera.

Features fresh insights from director Darren Lynn Bousman, new retrospectives with songwriter Darren Smith and star Bill Moseley, rare behind-the-scenes photos, and vintage interviews with Paris Hilton, Alexa Vega, Ogre, and more.

Whether you're a devoted fan or a curious newcomer, this book is your backstage pass to the phenomenon that's been hailed as the biggest cult hit since The Rocky Horror Picture Show. Uncover the secrets, relive the music, and experience the genetic revolution like never before!

BRAND NEW & EXPANDED EDITION! Now with 125 additional pages of film ads from the 1970s and a new foreword by director Joe Dante! As featured in Entertainment Weekly, The New York Times, The Wall Street Journal, Fangoria, and more.

Growing up in the 1970s and 1980s, Michael Gingold became obsessed with horror movies, and his love of the genre led him to become a Fangoria writer and editor for over 30 years, as well as a contributor to Rue Morgue and others. But before all that, he took his scissors to local newspapers, collecting countless ads for horror movies, big and small.

Ad Nauseam: Newsprint Nightmares from the '70s and '80s is a year-by-year deep dive into the Gingold archive, with more than 700 ads! Within these pages you'll see rare alternate art for film franchises such as Halloween, Friday the 13th, A Nightmare on Elm Street, Child's Play, Jaws, The Texas Chainsaw Massacre, and The Exorcist. You'll also revel in oddities including Invasion of the Blood Farmers, Psycho from Texas, Dracula Blows His Cool, Zombie Island Massacre, Twitch of the Death Nerve, and many more.

Gingold also provides personal recollections and commentary, and unearths vintage reviews to reveal what critics of the time were saying about these films.

Steel yourselves, genre junkies: Ad Nauseam is an unmatched journey into the wild world of 1970s and 1980s horror movies!

Also available: Ad Nauseam II: Newsprint Nightmares from the 1990s and 2000s and Ad Astra: 20 Years of Newspaper Ads For Sci-Fi & Fantasy Films (the 1980s and 1990s).

LIMITED FIRST EDITION contains red foil gilded page edges, foil cover elements, and a black satin ribbon marker. As featured in The New York Times, Rolling Stone, Entertainment Weekly, MovieMaker, SYFY, Fangoria, Yahoo's It List, SFX, Mental Floss, Total Film, Mashable, and more!

How did a low-budget British movie about Londoners battling zombies in a pub become a beloved global pop culture phenomenon?

You've Got Red on You details the previously untold story of 2004's Shaun of the Dead, the hilarious, terrifying horror-comedy whose fan base continues to grow and grow. After speaking with dozens of people involved in the creation of the film, author Clark Collis reveals how a group of friends overcame seemingly insurmountable odds to make a movie that would take bites out of both the UK and the US box office before ascending to the status of bona fide comedy classic.

Featuring in-depth interviews with director Edgar Wright, producer Nira Park, and cast members Simon Pegg, Nick Frost, Kate Ashfield, Bill Nighy, Lucy Davis, and Coldplay singer Chris Martin, the book also boasts a treasure trove of storyboards, rare behind-the-scenes photos, and commentary from famous fans of the movie, including filmmakers Quentin Tarantino and Eli Roth, Walking Dead executive producer Greg Nicotero, and World War Z author Max Brooks.

As Pegg's zombie-fighting hero Shaun would say, How's that for a slice of fried gold?

Softcover edition contains all-new hand-drawn cover artwork by HagCult! As featured in The New York Times, Rolling Stone, Entertainment Weekly, MovieMaker, SYFY, Fangoria, Yahoo's It List, SFX, Mental Floss, Total Film, Mashable, and more!

How did a low-budget British movie about Londoners battling zombies in a pub become a beloved global pop culture phenomenon?

You've Got Red on You details the previously untold story of 2004's Shaun of the Dead, the hilarious, terrifying horror-comedy whose fan base continues to grow and grow. After speaking with dozens of people involved in the creation of the film, author Clark Collis reveals how a group of friends overcame seemingly insurmountable odds to make a movie that would take bites out of both the UK and the US box office before ascending to the status of bona fide comedy classic.

Featuring in-depth interviews with director Edgar Wright, producer Nira Park, and cast members Simon Pegg, Nick Frost, Kate Ashfield, Bill Nighy, Lucy Davis, and Coldplay singer Chris Martin, the book also boasts a treasure trove of storyboards, rare behind-the-scenes photos, and commentary from famous fans of the movie, including filmmakers Quentin Tarantino and Eli Roth, Walking Dead executive producer Greg Nicotero, and World War Z author Max Brooks.

As Pegg's zombie-fighting hero Shaun would say, How's that for a slice of fried gold?

As featured in Rolling Stone, Pitchfork, The A.V. Club, Consequence, Mashable, Mental Floss, Book Riot and more!

Weird Al Yankovic continues as one of our most beloved comedians, actors, and musicians. A skilled accordion player and lyricist, the California native not only crafts meticulous parodies, but also creates hilarious originals and pop culture-themed polkas. Now in his fifth decade of recording and performing, Al has maintained a career that has outlasted many of the artists that he has lampooned.

Since 1980, Al's drummer Jon Bermuda Schwartz has been by his side, photographing and documenting his career. Jon has taken more than 20,000 images of Al in his element: on tour, in the studio, on video sets, and backstage.

Lights, Camera, Accordion! presents over 300 images of Al, culled from Jon's personal collection of color photography, all restored from the original negatives. This exhaustive volume represents the 25 years that Jon shot Al on 35mm color film, from 1981 to 2006, before switching to digital photography. Jon additionally provides previously unheard stories and anecdotes throughout.

From Eat It and Like a Surgeon to later classics such as Smells Like Nirvana, Amish Paradise, and the Star Wars parody The Saga Begins, Lights, Camera, Accordion! showcases a body of work that spans ten albums, five Grammys, and nearly 2,000 concerts to millions of fans - and is packed with the weirdness and fun that always surrounds the undisputed king of comedic music.

Listen to My Heart is a completely candid and passionate, heartbreaking yet often witty life story of one of rock music's most resilient lead singers, Marie Fredriksson from Roxette (It Must Have Been Love, Listen to Your Heart, The Look, Joyride).

Given only a few months to live following a harrowing diagnosis in 2002, Marie boldly forged ahead into a life with newfound courage and inspiration. She continued as both a solo singer and with Roxette, where she performed over 550 concerts, sold 75 million records, and released over 50 singles including several global hits. In all, Roxette is Sweden's biggest music group--second only to ABBA.

Filled with behind-the-scenes stories involving everyone from Tina Turner and Elton John to The Rolling Stones and Frank Sinatra, Listen to My Heart also explores her humble family beginnings, an early tragedy in the sudden loss of Marie's sister, her transition into the music industry as a solo artist, and the formation and challenges of being in one of the world's most successful pop groups. All while trying to maintain a stable marriage and being a mother to two young children in the face of a life-altering illness. Marie passed away in the aftermath of her diagnosis in December, 2019.

Heart-wrenching yet winning, and told with exceptional energy and sincerity, Listen to My Heart sheds new and revelatory light on the life and work of one of our generation's most talented and courageous artists.

Contains a foreword by Marie's longtime friend, director Jonas Akerlund (Madonna, Lady Gaga, Beyonce, U2) and over 100 personal photographs, live and backstage shots, and memorabilia images.

Once upon a time - the 1980s - in a galaxy not really all that far away - New York - Michael Gingold started a collection of newspaper advertisements for the science fiction, fantasy, and horror releases that stoked his passion as a genre fan. Eventually, he would grow up to become editor-in-chief of the horror magazine Fangoria, plus a writer for numerous other genre publications, a screenwriter, respected author, and all-around expert for films frightful and fanstastical.

As the years went by, Michael held on to this collection of weird and wonderful art, eventually publishing the best-selling, horror-themed Ad Nauseam: Newsprint Nightmares from the 1980s and its sequel, Ad Nauseam II: Newsprint Nightmares from the 1990s and 2000s. And now he presents Ad Astra: 20 Years of Newspaper Ads for Sci-Fi & Fantasy Films, a year-by-year look at the movies that shaped many a childhood in the '80s and '90s.

Inside this 270-page book, you'll find Star Trek to Starship Troopers, The Dark Crystal to Dark City, Blade Runner to The Running Man, RoboCop to Robot Jox, The Empire Strikes Back to Back to the Future, and many, many more. See alternate artwork for your favorite films, learn the fascinating behind-the-scenes stories of their marketing campaigns, and read the most entertaining and unexpected quotes from reviewers at the time all carefully curated by Michael.

So throw on your jetpack as we travel back in time to when print was king and movie marketing was an art form for the ages!

Also available: Ad Nauseam: Newsprint Nightmares from the '70s and '80s and Ad Nauseam II: Newsprint Nightmares from the 1990s and 2000s.

Mad movie ad collector Michael Gingold returns with Ad Nauseam II, a deep dive into his personal collection of horror movie newsprint notices from the 1990s and 2000s.

Feast your nostalgic eyes on more than 500 striking ads for the big-budget Gothics of the early and mid-'90s (Bram Stoker's Dracula, Interview with the Vampire), the slasher-film revival (Scream, I Know What You Did Last Summer, Halloween: H20), gruesome franchises (Saw, Final Destination), remakes (The Texas Chainsaw Massacre, Dawn of the Dead, The Ring), found footage films (The Blair Witch Project, Paranormal Activity) and more. Plus, unforgettable critic quotes of the time, fascinating facts about the films' releases, and Michael's always insightful commentary!

Also available: Ad Nauseam: Newsprint Nightmares from the '70s and '80s and Ad Astra: 20 Years of Newspaper Ads For Sci-Fi & Fantasy Films (the 1980s and 1990s).

BRAND NEW & EXPANDED EDITION! Packed with dozens of additional horror titles and containing limited edition enhanced packaging (gilded foil page edges + ribbon marker).

Are you obsessed with John Carpenter's iconic music for the Halloween series? Do you thrill to the unforgettable stabs of the Psycho score, or the pounding synths of Goblin's soundtrack to Suspiria? Do you find yourself being pulled into the hair-raising modern scores for the likes of Get Out, Hereditary, and It Follows?

You're not alone.

Blood on Black Wax is a defining horror soundtrack volume that spotlights iconic franchises such as A Nightmare on Elm Street, Friday the 13th, Jaws, The Exorcist, Child's Play, and George A. Romero's living dead films, highlighting both the music and the amazing, often rare artwork that graces the record sleeves. It also tells the stories behind the soundtrack, from the mouths of the musicians who made them, including John Carpenter, Fabio Frizzi, Christopher Young, Harry Manfredini, Charles Bernstein, Pino Donaggio, John Harrison, and more.

Aaron Lupton and Jeff Szpirglas, both of Rue Morgue magazine, have curated Blood on Black Wax to reflect their own passion for the darkest slabs of soundtrack music. Their journey into the fascinating history of horror movie scores contains reviews, release details, and the wild stories about the making of both iconic classics and the strange outliers of the genre - everything from the orchestral sounds of Hammer and Universal horror, to the truly experimental albums for The Texas Chainsaw Massacre and Eraserhead, to the outlandish punk and metal songs of '80s soundtrack albums like The Return of the Living Dead and Shocker.

Go back to your favorite horror films one more time, through the jaw-dropping, spine-tingling music that helped solidify their place in cinematic history!

LIMITED COLLECTOR'S EDITION that includes Marie's 2004 English-language solo album The Change on CD--previously unreleased in any physical format in North America--as well as bonus track Sea of Love (2017), the last song that Marie recorded. This edition also contains foil gilded page edges and a satin ribbon marker.

Listen to My Heart is a completely candid and passionate, heartbreaking yet often witty life story of one of rock music's most resilient lead singers, Marie Fredriksson from Roxette (It Must Have Been Love, Listen to Your Heart, The Look, Joyride).

Given only a few months to live following a harrowing diagnosis in 2002, Marie boldly forged ahead into a life with newfound courage and inspiration. She continued as both a solo singer and with Roxette, where she performed over 550 concerts, sold 75 million records, and released over 50 singles including several global hits. In all, Roxette is Sweden's biggest music group--second only to ABBA.

Filled with behind-the-scenes stories involving everyone from Tina Turner and Elton John to The Rolling Stones and Frank Sinatra, Listen to My Heart also explores her humble family beginnings, an early tragedy in the sudden loss of Marie's sister, her transition into the music industry as a solo artist, and the formation and challenges of being in one of the world's most successful pop groups. All while trying to maintain a stable marriage and being a mother to two young children in the face of a life-altering illness. Marie passed away in the aftermath of her diagnosis in December, 2019.

Heart-wrenching yet winning, and told with exceptional energy and sincerity, Listen to My Heart sheds new and revelatory light on the life and work of one of our generation's most talented and courageous artists.

Contains a foreword by Marie's longtime friend, director Jonas Akerlund (Madonna, Lady Gaga, Beyonce, U2) and over 100 personal photographs, live and backstage shots, and memorabilia images.

LIMITED FIRST EDITION contains blue foil gilded page edges and a white satin ribbon marker.

In the '70s and '80s Saturday Night Live, SCTV, and Monty Python ruled the television airwaves with sketch comedy. But then came the 1990s--and alongside grunge music and oversized denim, sketch comedy was turned up to 11. With the promise of low budgets, big laughs, more diverse cast members, and fresh content, an ever-expanding number of television stations each wanted their very own hit sketch show. Saturday Night Live was 'dead' anyway, right?

We're Not Worthy is the definitive account of '90s sketch comedy, the decade that forever changed what we laugh at. Author and comedian Jason Klamm goes behind the scenes of more than 50 sketch shows that ruled the '90s, including groundbreaking staples such as In Living Color, MTV's The State, Mr. Show, Kids in the Hall, The Ben Stiller Show, and Mad TV, along with several swiftly canceled gigs (The Dana Carvey Show, anyone?). Each show seemed to launch at least one big name into the stratosphere: The Wayans family, Ben Stiller, Jennifer Coolidge, Amy Poehler, Chris Rock, Adam Sandler, Jim Carrey, Will Ferrell, Judd Apatow, Janeane Garofalo . . . the list goes on and on.

Klamm brings readers back to the '90s comedy landscape like never before, through over 150 new and candid interviews with trailblazers such as Mike Myers, Bob Odenkirk, Carol Burnett, Tommy Davidson, Adam McKay, Dave Thomas, Patton Oswalt, Reno 911!'s Kerri Kenney-Silver, and a litany of additional favorites. Plus the producers, writers, directors, and other insiders that pulled it all together.

Steeped with hilarious stories, on-the-set antics, and head-turning television politics, We're Not Worthy is a revealing trip back to the decade that placed comedy on the razor's edge.

As featured in Rolling Stone, Entertainment Weekly, The A.V. Club, Nerdist, Gizmodo, Ultimate Classic Rock, and more!

Weird Al Yankovic is one of music's most beloved figures. A skilled accordion player and songwriter, the California native is known for his meticulous parodies of popular songs, hilarious originals, and, of course, for upbeat polkas!

For much of Al's career, one man has been by his side, photographing and documenting the fun and weirdness: longtime drummer Jon Bermuda Schwartz. Since meeting Al in 1980, Jon has taken more than 20,000 images of Al in his element: on tour, in the studio, and on video sets.

Black & White & Weird All Over presents hundreds of images of Al, culled from Jon's personal collection of black-and-white photography. These photos only existed on contact sheets - out of mind and out of sight - until now! From behind-the-scenes shots taken on the sets of Al's iconic videos for Ricky, I Love Rocky Road, Eat It, and Living With A Hernia, to studio sessions for Al's IN 3-D and Polka Party! LPs, Black & White & Weird All Over is the ultimate photographic essay of Weird Al's undisputed comedic genius.

For many Clevelanders, the accolades the city has finally begun to collect are a celebration of what residents have already known for years. One need look no further than the bartenders at Cleveland's regular haunts, the burgeoning comedians the city laughs along with, the musicians gaining national recognition, and the owners of the restaurants making Cleveland a foodie destination. For all the recognition the city has recently been earning, there are key residents that keep the gears in motion. Cleveland photographer Laura Wimbels has spent the last two years capturing their portraits. The final product is Faces of Cleveland.

Zooflakes is a series of animal-themed designs that resemble snowflakes, created by the husband/wife team of Brian and Becky Masuga. Guided by their mission, Conservation Through Creativity, Zooflakes are used to promote animal awareness and appreciation, while motivating viewers to become better stewards of the planet.

In keeping with an eco-conscious approach, $1 from the purchase of each book will be donated to Polar Bears International, in order to support the conservation of polar bears and the sea ice on which they depend for survival. Zooflakes is also printed in the US on paper that was certified by the Forest Stewardship Council (FSC), an organization whose mission is to promote environmentally sound, socially beneficial, and economically prosperous management of the world's forests.

In 2006 Melt Bar & Grilled was born from Cleveland musician and chef Matt Fish's love of two things: great craft beer and the humble grilled cheese sandwich. In 2008 underground comics creator John G brought to the table the idea of producing eye-popping gig posters to push Melt's punk rock concept even further.

Ten years and 250 posters later, the synergy of food + art has transformed Melt Bar & Grilled from a tiny rock 'n' roll bar into the biggest culinary buzz to hit the Midwest in decades.

What had been the best-kept local secret was thrust into the national spotlight, as Melt caught the attention of television series such as Man v. Food and Diners, Drive-Ins, and Dives. Everyone from Kevin Bacon to Mastadon to 'Weird Al' Yankovic was dropping by unannounced to snag both a sandwich and a poster.

Sandwich Anarchy collects ten years of Melt posters into one volume, from the Six Degrees of Kevin Bacon Melt to The Brat Pack Breakfast Club Melt (Pixy Stix included ), along with the stories behind the images. Perhaps the first book to document restaurant gig posters, Sandwich Anarchy serves clever artwork and design sure to entertain the senses.

Ten years ago, Josh Usmani quit his day job to pursue a career as a full-time artist. Months later, the 2008 economic meltdown sent Josh s aspirations into uncertainty. His lifelong monetary issues eventually became the inspiration for using currency as an art medium. What began as a form of tongue-in-cheek political protest has evolved into a visually spectacular exploration of value. By drawing on real currency, Josh encourages viewers to explore creative expression and question the concept of value itself. He has certainly altered these notes' worth, but whether Josh has increased or decreased their value is up for viewers to decide. Altered Value: The Art of Funny Money features more than 150 of Josh's fantastically colorful drawings on currency from the U.S. and more than 35 countries.

Horror movies are back from the dead!

Blockbuster box office. Critical acclaim and Oscars recognition. From A Quiet Place to The Substance, the horror genre is enjoying a glorious--and gory--golden age.

Screaming and Conjuring takes you behind the scenes and tracks the roots of this extraordinary renaissance, from the release of the groundbreaking Scream in 1996 to the arrival of 2013's The Conjuring, which spawned horror's initial multi-billion dollar franchise. Written by veteran entertainment journalist Clark Collis, Screaming and Conjuring is the first in-depth examination of this remarkably fertile and influential time for big screen tales of terror.
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In the early '90s, the horror movie genre was terrifyingly close to becoming box office death, as cinemagoers were exhausted from endless sequels, worn-out franchises, and tired tropes. Three decades on, the horror film has achieved a stunning turnaround. The genre is now widely regarded by Hollywood studios as a sure bet at the box office and by actors as one of the best ways to break into Hollywood (or breathe new life into their careers).

The nearly two decades detailed in Screaming and Conjuring saw the release of among the most acclaimed, beloved, and all-around unnerving big screen fright flicks ever made, including The Sixth Sense, The Blair Witch Project, the Nicole Kidman-starring The Others, and Guillermo del Toro's Oscar-winning Pan's Labyrinth. The era also birthed a string of new horror franchises, many of which endure today, including Final Destination, 28 Days Later, Resident Evil, Saw, Hostel, Paranormal Activity, and Insidious. Screaming and Conjuring covers the often difficult and tortuous making of all these films (and many more), giving readers the exclusive lowdown on productions which were at times every bit as intense as what ended up on screen.

Collis interviewed a myriad of genre notables for Screaming and Conjuring, everyone from actors Jamie Lee Curtis (Halloween) and Neve Campbell (Scream), to directors Eli Roth (Hostel) and Sam Raimi (Evil Dead, Drag Me to Hell), to legendary special effects artists such as Greg Nicotero (Scream, The Mist, The Walking Dead).

Blood. Sweat. Tears. More blood. Allow Clark Collis to take you behind the scenes, and the scares, with this frighteningly fascinating history of horror!