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A compelling portrait of a beloved poet from one of today's most acclaimed novelists
In this book, novelist Colm T ib n offers a deeply personal introduction to the work and life of one of his most important literary influences--the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, T ib n creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and T ib n. For T ib n, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop's famous attention to detail, T ib n describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop's attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents--and how this connection finds echoes in T ib n's life as an Irish writer who has lived in Barcelona, New York, and elsewhere. Beautifully written and skillfully blending biography, literary appreciation, and descriptions of T ib n's travels to Bishop's Nova Scotia, Key West, and Brazil, On Elizabeth Bishop provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today's most acclaimed novelists.
Ulysses is widely regarded as the greatest novel of the twentieth century. Commemorating the 1922 publication of this modernist masterwork, One Hundred Years of James Joyce's Ulysses tells the story of the writing, revising, printing, and censorship of the novel.
Edited by world-renowned Irish novelist and literary critic Colm Tóibín, this book presents ten essays by preeminent Joyce scholars and by curators of his manuscripts and early editions, as well as an interview with Sean Kelly, the New York gallery owner who donated his extensive Joyce collection to The Morgan Library & Museum. Beginning with Tóibín's expert interpretation of the Dublin context for Ulysses, the volume follows Joyce in Trieste, Zurich, and Paris from 1914 up through the novel's publication--and the international scandal and fame that ensues. It draws on Joyce's notebooks and letters, as well as extant manuscripts and proofs, to provide new insights into Joyce's life, the narrative and place of Ulysses, and the printed book.
Rich and illuminating, this volume is essential for scholars, fans, and readers of the novel. Along with the editor, contributors include Ronan Crowley, Maria DiBattista, Derick Dreher, Catherine Flynn, Anne Fogarty, Rick Gekoski, Joseph M. Hassett, James Maynard, and John McCourt.
Colm T ib n retoma la nica obra conservada del teatro griego antiguo y la revisa con maravillosa sensibilidad, centr ndose en la historia de Clitemnestra, una mujer audaz, capaz de usar los instintos m s lujuriosos para orquestar tu venganza y defender su rol de madre.
Rese a:
Esta novela es una puesta en valor de hombres y mujeres que a n parecen respirar delante de nosotros despu s de miles de a os.
The Washington Post
From the thrilling imagination of bestselling, award-winning Colm T ib n comes a retelling of the story of Clytemnestra--spectacularly audacious, violent, vengeful, lustful, and instantly compelling--and her children.
I have been acquainted with the smell of death. So begins Clytemnestra's tale of her own life in ancient Mycenae, the legendary Greek city from which her husband King Agamemnon left when he set sail with his army for Troy. Clytemnestra rules Mycenae now, along with her new lover Aegisthus, and together they plot the bloody murder of Agamemnon on the day of his return after nine years at war.
Judged, despised, cursed by gods she has long since lost faith in, Clytemnestra reveals the tragic saga that led to these bloody actions: how her husband deceived her eldest daughter Iphigeneia with a promise of marriage to Achilles, only to sacrifice her because that is what he was told would make the winds blow in his favor and take him to Troy; how she seduced and collaborated with the prisoner Aegisthus, who shared her bed in the dark and could kill; how Agamemnon came back with a lover himself; and how Clytemnestra finally achieved her vengeance for his stunning betrayal--his quest for victory, greater than his love for his child.
In House of Names, Colm T ib n brings a modern sensibility and language to an ancient classic, and gives this extraordinary character new life, so that we not only believe Clytemnestra's thirst for revenge, but applaud it. He brilliantly inhabits the mind of one of Greek myth's most powerful villains to reveal the love, lust, and pain she feels. Told in fours parts, this is a fiercely dramatic portrait of a murderess, who will herself be murdered by her own son, Orestes. It is Orestes' story, too: his capture by the forces of his mother's lover Aegisthus, his escape and his exile. And it is the story of the vengeful Electra, who watches over her mother and Aegisthus with cold anger and slow calculation, until, on the return of her brother, she has the fates of both of them in her hands.
This book collects, for the first time, Colm Tóibín's critical essays on Henry James. Shortlisted for the Booker Prize for his novel about James's life, The Master, Tóibín brilliantly analyzes James from a novelist's point of view.
Known for his acuity and originality, Tóibín is himself a master of fiction and critical works, which makes this collection of his writings on Henry James essential reading for literary critics. But he also writes for general readers. Until now, these writings have been scattered in introductions, essays in the Dublin Times, reviews in the New York Review of Books, and other disparate venues.
With humor and verve, Tóibín approaches Henry James's life and work in many and various ways. He reveals a novelist haunted by George Eliot and shows how thoroughly James was a New Yorker. He demonstrates how a new edition of Henry James's letters along with a biography of James's sister-in-law alter and enlarge our understanding of the master. His Afterword is a fictional meditation on the written and the unwritten.
Tóibín's remarkable insights provide scholars, students, and general readers a fresh encounter with James's well-known texts.
This book collects, for the first time, Colm Tóibín's critical essays on Henry James. Shortlisted for the Booker Prize for his novel about James's life, The Master, Tóibín brilliantly analyzes James from a novelist's point of view.
Known for his acuity and originality, Tóibín is himself a master of fiction and critical works, which makes this collection of his writings on Henry James essential reading for literary critics. But he also writes for general readers. Until now, these writings have been scattered in introductions, essays in the Dublin Times, reviews in the New York Review of Books, and other disparate venues.
With humor and verve, Tóibín approaches Henry James's life and work in many and various ways. He reveals a novelist haunted by George Eliot and shows how thoroughly James was a New Yorker. He demonstrates how a new edition of Henry James's letters along with a biography of James's sister-in-law alter and enlarge our understanding of the master. His Afterword is a fictional meditation on the written and the unwritten.
Tóibín's remarkable insights provide scholars, students, and general readers a fresh encounter with James's well-known texts.
Depicting characters like the eponymous young sculptor in Roderick Hudson and spaces like the crowded galleries in The Wings of the Dove, Henry James's iconic novels reflect the significance of the visual culture of his society. In this book, novelist and critic Colm Tóibín joins art historian Marc Simpson and Declan Kiely of The Morgan Library & Museum to reveal how essential the language and imagery of the arts--and friendships with artists--were to James's writing.
The authors consider the paintings, photographs, drawings, and sculpture produced by artists in James's circle, assess how his pictorial aesthetic developed, and discuss why he destroyed so many personal documents and what became of those that survived. In examining works by figures such as John La Farge, Hendrik Andersen, and John Singer Sargent alongside selections from James's novels, personal letters, and travel writings, Tóibín, Simpson, and Kiely explore the novelist's artistic and social milieu. They show him to be a writer with a painterly eye for colors and textures, shapes and tastes, and for the blending of physical and psychological impressions. In many cases, the characters populating James's fiction are ciphers for his artist friends, whose demeanors and experiences inspired James to immortalize them on the page. He also wrote critically about art, most notably about the work of his friend Sargent.
A refreshing new perspective on a master novelist who was greatly nourished by his friendships with artists, Henry James and American Painting reveals a James whose literary imagination, in Tóibín's words, seemed most at ease with the image and the work of creating fully realized portraits of his characters.
