In this masterful translation and commentary on Tokmé Zongpo's Thirty-Seven Practices of a Bodhisattva, Ken McLeod shines the light of wisdom on the challenges of contemporary life and illuminates a path the modern reader can take to freedom, peace and understanding.

Thirty-Seven Practices of a Bodhisattva is one of the most revered and loved texts in the Tibetan Buddhist tradition. While this text has been translated many times, Ken McLeod's plain and simple English beautifully reflects the simplicity and directness of the original Tibetan. McLeod's commentary is full of striking images, provocative questions and inspiring descriptions of what it means to be awake and present in your life. Practical instruction, brief and to the point, is found in each of the verse commentaries, providing straightforward responses to the question, How do I practice this? McLeod is clearly writing from his own experience. Yet, instead of anecdotes and personal history, he challenges the reader to engage various scenarios, and consider how compassion, clarity, presence and balance could take expression in his or her life.

The book is divide into three parts. The first is an introduction to the text and to Tokmé Zongpo. The second is McLeod's translation of Tokmé Zongpo's Thirty-Seven Practices of a Bodhisattva. The third section is the main part of the book, a traditional verse-by-verse commentary. At 184 pages, Reflections on Silver River is a highly accessible introduction to Tibetan Buddhist practice as well as a valuable resource for the experienced practitioner, regardless of his or her tradition of training.

18th century Tibetan mystic Jigm Lingpa wrote a number of poems on the practice of Dzogchen, one of the great wisdom traditions of Tibetan Buddhism. In A Trackless Path renowned translator and teacher Ken McLeod offers a beautiful and evocative translation of one of these poems. Illumined by his own lucid commentary, McLeod makes this ancient poem relevant and accessible to today's seeker.The Jigm Lingpa poem has three sections: how conceptual thinking corrupts deep contemplative practice; the timeless freedom of direct awareness (the Buddhist equivalent of gnosis in Christianity); and subtle errors one often makes in this practice and how to correct them. McLeod's book is likewise divided into three sections. The first is a thoughtful introduction to the text and McLeod's relationship with it; the second is his beautiful and evocative translation of Jigm Lingpa's poem; the third and main part of the book is his verse-by-verse commentary through which he illuminates the meaning of the poem. McLeod is clearly writing (and writing clearly) for the seeker in today's world who is called to pursue the awareness that Jigm Lingpa describes.McLeod's lucid practice-oriented commentary is enriched by the seamless interweaving of experiences from his own spiritual journey. What emerges is a picture of a person who felt a profound calling to pursue contemplative practice and the direct and personal ways he found to meet the challenges and he encountered. With great clarity, McLeod communicates the central theme of the poem - namely, that when you rest and do nothing, you find the wisdom of the ages present within you. This is a book for the practitioner of any contemplative tradition--Buddhism, Islam, Christianity, Hinduism, Taoism, Judaism or non-dual awareness.

A moving description of a life in practice which goes far beyond text-based ideas of prayer, devotion, guru-connection, or meditation, and most especially of tantric practice. -- Anne Klein, former Chair of the Department of Religion at Rice University.

A ground-breaking book, The Magic of Vajrayana opens new doors to the Tibetan Buddhist tradition of Vajrayana, one of the most vibrant traditions of mystical practice in the world today. Ken McLeod deftly deploys his considerable skills in translation, teaching, and writing to weave a rich tapestry of the core practices of this tradition and his experience with them. In simple clear English he immerses the reader in the practice of Vajrayana, bridging the gap between classical instruction and idealized descriptions of insights and understandings.

For each of the three pillars of Vajrayana practice -- teacher, deity, and protector, Ken McLeod shows the reader how to bring a traditional practice text to life. In the teacher or guru section, the reader steps into a world of faith, devotion, prayer, and meditation and learns how these elements work together to open a door to mahamudra and dzogchen, the principal direct awareness practices in the Tibetan tradition. In the deity or yidam section, the reader enters a realm of magic and mystery, an enchanted world that radically shifts his or her understanding of life and self. And in the protector section, the reader comes face to face with the power of the protectors and how that power guides a practitioner through the many traps and pitfalls of spiritual practice.

Not for the faint-hearted, this intimate portrait of Vajrayana practice is in effect an empowerment. It plants seeds in the reader which, if nurtured, uncover direct awareness, non-referential compassion, and a profoundly different relationship with life. Along with two of his previous books, Reflections on Silver River and A Trackless Path, The Magic of Vajrayana completes a trilogy of experiential instruction and guidance in the Tibetan tradition of Buddhism.

The Heart Sutra is the most widely known and widely recited scripture in Mahayana Buddhism. This exciting, trail-blazing, non-traditional commentary takes the reader right into the emptiness of all experience through a delightfully irreverent combination of wit, irony, prose and poetry. In the words of Stephen Batchelor, author of Buddhism Without Beliefs, Written in a voice that is neither pious nor academic, hectoring nor detached, An Arrow to the Heart is a fine example of the new wave in contemporary Buddhist writing. In its quietly relentless way, this pithy and unorthodox commentary to the Heart Sutra leaves you with nowhere to stand but right here.

This second edition contains a new introduction by Peter Clothier, an internationally-known writer who specializes in writing about art and artists, McLeod's precise yet lucid translation of the Heart Sutra, and a line-by-line commentary on this enigmatic scripture. Each commentary starts with a short poem that raises questions or presents a series of images. The poem is followed by a short prose section that questions the text more deeply. A few interspersed notes provide information about the images, allusions, and references in the poetry and prose sections. The result is a kind of dance-a dance with words, ideas, images, quotations, and stories. Not infrequently the reader falls into a complete and unexpected stillness to dwell on a revealing line or a quotation, before being swept off again into a new direction. In this way McLeod realizes his aim-to elicit the experience of the sutra in the reader, rather than explain its meaning.

In the words of one reader of the first edition, What I love most about it is that it's not even a book, really - more the literary equivalent of yellowcake uranium, meant to blow the mind open to ultimate reality. This is book as verb, not noun - book as instigator of awareness.

The key to becoming fully alive and joyful is to develop our natural capacity for attention and to be fully present here and now. In this informative guidebook to practical Buddhism you discover:

• How to live life with equanimity, loving-kindness, compassion, and joy

• How to cut through obsessions with the external world, relationships, harmful emotions, pleasure and power, and self

• Tried-and-true methods for cultivating active attention with your body and mind.

En esta traducción y comentario magistral sobre la obra, Las treinta y siete prácticas de un bodhisattva, de Tokme Zongpo, Ken McLeod brilla la luz de la sabiduría sobre los desafíos de la vida contemporánea e ilumina un sendero que el lector moderno puede tomar hacia la libertad, la paz y la comprensión.

Las treinta y siete prácticas de un bodhisattva es uno de los textos más reverenciados y amados en la tradición budista tibetana. Aunque este texto ha sido traducido muchas veces, el lenguaje llano y sencillo de Ken McLeod refleja maravillosamente la sencillez y franqueza del original tibetano.

El comentario de McLeod está lleno de imágenes impactantes, preguntas provocativas y descripciones inspiradoras sobre lo que significa estar despierto y presente en tu vida. En los comentarios sobre cada verso, se encuentran instrucciones prácticas, breves y al punto, que brindan respuestas directas a la pregunta: Cómo practico esto? McLeod claramente escribe desde su propia experiencia. Sin embargo, en vez de anécdotas e historias personales, desafía al lector a involucrarse en varios escenarios y a considerar cómo la compasión, la claridad, la presencia y el equilibrio podrían expresarse en su vida.

El libro está dividido en tres partes. La primera es una introducción al texto y a Tokmé Zongpo. El segundo es la traducción de McLeod de Las treinta y siete prácticas de un bodhisattva. La tercera sección es la parte principal del libro, un comentario tradicional verso por verso. En 184 páginas, Reflejos en el Río Plata es una introducción muy accesible a la práctica budista tibetana, así como un recurso valioso para el practicante experimentado, independientemente de su tradición de formación.

En esta maravillosa guía el respetado maestro Ken McLeod deconstruye el budismo tibetano para convertirlo en un sendero accesible al lector occidental.

Con abundante material anecdótico e ilustrativo, aborda un vasto número de enseñanzas, desde las Cuatro Nobles Verdades, pasando por las meditaciones de muerte y la impermanencia, el karma, el entrenamiento mental, y las prácticas de visión profunda. Especialmente atractivas y relevantes para lectores occidentales son las secciones sobre el desmantelamiento del apego al éxito convencional y el trabajo con emociones reactivas (ira, codicia, deseo, celos y orgullo).

La clave para estar plenamente vivos y alegres en nuestra vida, nos plantea McLeod. es desarrollar nuestra capacidad natural de atención y estar plenamente presentes aquí y ahora. En esta guía -que es una verdadera enciclopedia- sobre el budismo práctico descubrirá

1. Cómo vivir la vida con ecuanimidad, bondad amorosa, compasión y alegría.
2. Cómo superar las obsesiones con el mundo externo, las relaciones, las emociones dañinas, el placer y el poder, y con el propio ego.
3. Métodos probados y efectivos para cultivar la atención activa con el cuerpo y la mente.

Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art, and reveals how music and sound are used to suture the putative divide between human and non-human.

This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture.

The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions.

Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title.

Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art, and reveals how music and sound are used to suture the putative divide between human and non-human.

This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture.

The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions.

Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title.

Sports and popular music are synergistic agents in the construction of identity and community. They are often interconnected through common cross-marketing tactics and through influence on each other's performative strategies and stylistic content. Typically only studied as separate entities, popular music and sport cultures mutually 'play' off each other in exchanges of style, ideologies and forms. Posing unique challenges to notions of mind - body dualities, nationalism, class, gender, and racial codes and sexual orientation, Dr Ken McLeod illuminates the paradoxical and often conflicting relationships associated with these modes of leisure and entertainment and demonstrates that they are not culturally or ideologically distinct but are interconnected modes of contemporary social practice. Examples include how music is used to enhance sporting events, such as anthems, chants/cheers, and intermission entertainment, music that is used as an active part of the athletic event, and music that has been written about or that is associated with sports. There are also connections in the use of music in sports movies, television and video games and important, though critically under-acknowledged, similarities regarding spectatorship, practice and performance. Despite the scope of such confluences, the extraordinary impact of the interrelationship of music and sports on popular culture has remained little recognized. McLeod ties together several influential threads of popular culture and fills a significant void in our understanding of the construction and communication of identity in the late twentieth and early twenty-first centuries.

Sports and popular music are synergistic agents in the construction of identity and community. They are often interconnected through common cross-marketing tactics and through influence on each other's performative strategies and stylistic content. Typically only studied as separate entities, popular music and sport cultures mutually 'play' off each other in exchanges of style, ideologies and forms. Posing unique challenges to notions of mind - body dualities, nationalism, class, gender, and racial codes and sexual orientation, Dr Ken McLeod illuminates the paradoxical and often conflicting relationships associated with these modes of leisure and entertainment and demonstrates that they are not culturally or ideologically distinct but are interconnected modes of contemporary social practice. Examples include how music is used to enhance sporting events, such as anthems, chants/cheers, and intermission entertainment, music that is used as an active part of the athletic event, and music that has been written about or that is associated with sports. There are also connections in the use of music in sports movies, television and video games and important, though critically under-acknowledged, similarities regarding spectatorship, practice and performance. Despite the scope of such confluences, the extraordinary impact of the interrelationship of music and sports on popular culture has remained little recognized. McLeod ties together several influential threads of popular culture and fills a significant void in our understanding of the construction and communication of identity in the late twentieth and early twenty-first centuries.