It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a sissy. Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. Sinister and strangely alluring (Mark Harris, Entertainment Weekly) The Talented Mr. Ripley serves as an unforgettable introduction to this smooth confidence man, whose talent for self-invention is as unnerving--and unnervingly revealing of the American psyche--as ever.

A chance encounter between two lonely women leads to a passionate romance in this lesbian cult classic. Therese, a struggling young sales clerk, and Carol, a homemaker in the midst of a bitter divorce, abandon their oppressive daily routines for the freedom of the open road, where their love can blossom. But their newly discovered bliss is shattered when Carol is forced to choose between her child and her lover.
Author Patricia Highsmith is best known for her psychological thrillers Strangers on a Train and The Talented Mr. Ripley. Originally published in 1952 under a pseudonym, The Price of Salt was heralded as the novel of a love society forbids. Highsmith's sensitive treatment of fully realized characters who defy stereotypes about homosexuality marks a departure from previous lesbian pulp fiction. Erotic, eloquent, and suspenseful, this story offers an honest look at the necessity of being true to one's nature. The book is also the basis of the acclaimed 2015 film Carol, starring Cate Blanchett and Rooney Mara.

A chance encounter between two lonely women leads to a passionate romance in this lesbian cult classic. Therese, a struggling young sales clerk, and Carol, a homemaker in the midst of a bitter divorce, abandon their oppressive daily routines for the freedom of the open road, where their love can blossom. But their newly discovered bliss is shattered when Carol is forced to choose between her child and her lover.

Originally published in 1952, The Price of Salt was heralded as the novel of a love society forbids. Highsmith's sensitive treatment of fully realized characters who defy stereotypes about homosexuality marks a departure from previous lesbian pulp fiction.

Patricia Highsmith's story of romantic obsession may be one of the most important, but still largely unrecognized, novels of the twentieth century. First published in 1952 and touted as the novel of a love that society forbids, the book soon became a cult classic.

Based on a true story plucked from Highsmith's own life, The Price of Salt (or Carol) tells the riveting drama of Therese Belivet, a stage designer trapped in a department-store day job, whose routine is forever shattered by a gorgeous epiphany--the appearance of Carol Aird, a customer who comes in to buy her daughter a Christmas toy. Therese begins to gravitate toward the alluring suburban housewife, who is trapped in a marriage as stultifying as Therese's job. They fall in love and set out across the United States, ensnared by society's confines and the imminent disapproval of others, yet propelled by their infatuation. The Price of Salt is a brilliantly written story that may surprise Highsmith fans and will delight those discovering her work.

Just in time for the centennial celebration of groundbreaking noir fiction writer Patricia Highsmith comes a reissue of her propulsive, engrossing debut, Strangers on a Train, with a new introduction by best-selling author Paula Hawkins. Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he'll murder Haines's wife if Haines will murder Bruno's father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith's perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock's classic 1951 film, Strangers on a Train launched Highsmith's prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

The legendary writer Patricia Highsmith is best remembered today for her chilling psychological thrillers The Talented Mr. Ripley and Strangers on a Train. A critically acclaimed best seller in Europe, Highsmith has for too long been underappreciated in the United States. Starting in 2011, Grove Press will begin to reissue nine of Highsmith's works. Eleven is Highsmith's first collection of short stories, an arresting group of dark masterpieces of obsession and foreboding, violence and instability. Here naturalists meet gruesome ends and unhinged heroes disturb our sympathies. This is a captivating, important collection from one of the truly brilliant short-story writers of the twentieth century (Otto Penzler). Includes an introduction by Graham Greene.

Three classic psychological crime thrillers by a master of the macabre appear here together in hardcover for the first time. THE INSPIRATION FOR THE NETFLIX SERIES STARRING ANDREW SCOTT, JOHNNY FLYNN, AND DAKOTA FANNING.

Suave, agreeable, and completely amoral, Patricia Highsmith's hero, the inimitable Tom Ripley, stops at nothing--not even murder--to accomplish his goals. In achieving for himself the opulent life that he was denied as a child, Ripley shows himself to be a master of illusion and manipulation and a disturbingly sympathetic combination of genius and psychopath. As Highsmith navigates the mesmerizing tangle of Ripley's deadly and sinister games, she turns the mystery genre inside out and takes us into the mind of a man utterly indifferent to evil.

The Talented Mr. Ripley - ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME
In a chilling literary hall of mirrors, Patricia Highsmith introduces Tom Ripley. Like a hero in a latter-day Henry James novel, Ripley is sent to Italy with a commission to coax a prodigal young American back to his wealthy father. But Ripley finds himself very fond of Dickie Greenleaf. He wants to be like him--exactly like him. Suave, agreeable, and utterly amoral, Ripley stops at nothing--certainly not only one murder--to accomplish his goal. Turning the mystery form inside out, Highsmith shows the terrifying abilities afforded to a man unhindered by the concept of evil.

Ripley Under Ground
In this harrowing illumination of the psychotic mind, the enviable Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But such a gracious life has not come easily. One inopportune inquiry, one inconvenient friend, and Ripley's world will come tumbling down--unless he takes decisive steps. In a mesmerizing novel that coolly subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil.

Ripley's Game
Connoisseur of art, harpsichord aficionado, gardener extraordinaire, and genius of improvisational murder, the inimitable Tom Ripley finds his complacency shaken when he is scorned at a posh gala. While an ordinary psychopath might repay the insult with some mild act of retribution, what Ripley has in mind is far more subtle, and infinitely more sinister. A social slight doesn't warrant murder of course--just a chain of events that may lead to it.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

Now part of American film and literary lore, Tom Ripley, a bisexual psychopath and art forger who murders without remorse when his comforts are threatened (New York Times Book Review), was Patricia Highsmith's favorite creation. In these volumes, we find Ripley ensconced on a French estate with a wealthy wife, a world-class art collection, and a past to hide. In Ripley Under Ground (1970), an art forgery goes awry and Ripley is threatened with exposure; in The Boy Who Followed Ripley (1980), Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld; and in Ripley Under Water (1991), Ripley is confronted by a snooping American couple obsessed with the disappearance of an art collector who visited Ripley years before. More than any other American literary character, Ripley provides a lens to peer into the sinister machinations of human behavior (John Freeman, Pittsburgh Gazette).

Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime--forgery, extortion, serial murder--Ripley still finds his appetite unquenched and longs to get back in the game.

In Ripley's Game, first published in 1974, Patricia Highsmith's classic chameleon relishes the opportunity to simultaneously repay an insult and help a friend commit a crime--and escape the doldrums of his idyllic retirement. This third novel in Highsmith's series is one of her most psychologically nuanced--particularly memorable for its dark, absurd humor--and was hailed by critics for its ability to manipulate the tropes of the genre. With the creation of Ripley, one of literature's most seductive sociopaths, Highsmith anticipated the likes of Norman Bates and Hannibal Lecter years before their appearance.

The Boy Who Followed Ripley, the fourth novel in the Ripley series, is one of Patricia Highsmith's darkest and most twisted creations. Tom Ripley meets a young American runaway who has a dark secret that he is desperate to hide. Soon this unlikely pair is drawn into the seamy underworld of Berlin and a shocking kidnapping. In this masterful thriller, Highsmith shatters our perceptions of her most famous creation by letting us glimpse a more compassionate side of this amoral charmer.

Now part of American film and literary lore, Tom Ripley, a bisexual psychopath and art forger who murders without remorse when his comforts are threatened (New York Times Book Review), was Patricia Highsmith's favorite creation. In these volumes, we find Ripley ensconced on a French estate with a wealthy wife, a world-class art collection, and a past to hide. In Ripley Under Ground (1970), an art forgery goes awry and Ripley is threatened with exposure; in The Boy Who Followed Ripley (1980), Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld; and in Ripley Under Water (1991), Ripley is confronted by a snooping American couple obsessed with the disappearance of an art collector who visited Ripley years before. More than any other American literary character, Ripley provides a lens to peer into the sinister machinations of human behavior (John Freeman, Pittsburgh Gazette).

Vic and Melinda Van Allen's loveless marriage is held together only by a precarious arrangement whereby, in order to avoid the messiness of divorce, Melinda is allowed to take any number of lovers as long as she does not desert her family. Eventually, Vic can no longer suppress his jealousy and tries to win back his wife by asserting himself through a tall tale of murder--one that soon comes true. In this complex portrayal of a dangerous psychosis emerging in the most unlikely of places, Highsmith examines the chilling reality behind the idyllic facade of American suburban life.

2016 Reprint of 1952 Edition. The Price of Salt is Highsmith's only lesbian novel. She is best known for her Ripley detective novels. It is a fairly realistic look at lesbian life in the 1950s. Originally published under the pseudonym of Claire Morgan to protect Highsmith's identity, this novel tells the story of two women and a decision that each one had to make. For Therese happiness meant risking her future, for Carol it meant sacrificing her past, and for neither could the happiness, if chosen, be assured, for it lay outside of convention, scorned by society, condemned by law.---From the cover flap. Unlike other lesbian novels of the time, this struck a positive note for the relationship, making it a political statement of sorts, and an enduring classic for this genre.

Patricia Highsmith, author of Strangers On a Train, The Talented Mr.Ripley, Found In The Street, and many other books, is known as one of the finest suspense novelists. In this book, she analyzes the key elements of suspense fiction, drawing upon her own experience in four decades as a working writer. She talks about, among other topics; how to develop a complete story from an idea; what makes a plot gripping; the use (and abuse) of coincidence; characterization and the likeable criminal; going from first draft to final draft; and writing the suspense short story.
Throughout the book, Highsmith illustrates her points with plentiful examples from her own work, and by discussing her own inspirations, false starts, dead ends, successes, and failures, she presents a lively and highly readable picture of the novelist at work.

Anyone who wishes to write crime and suspense fiction, or who enjoys reading it, will find this book an insightful guide to the craft and art of a modern master.

In a small Pennsylvania town, Robert Forrester is recuperating from a nasty divorce and a bout of psychological trouble. One evening, while driving home, he sees a pretty young woman framed by her bright kitchen window. Soon, he can't keep himself away. But when Robert is inevitably discovered, obsession is turned on its head, and he finds himself unable to shake the young woman, nor entirely sure whether he should. Recently made into a major motion picture starring Julia Stiles and Paddy Considine, The Cry of the Owl is essential Highsmith, a modern classic ready to be reborn.

In a cruel twist of irony, Texas-born Patricia Highsmith (1921-1995) is being recognized only after her death for her inestimable genius in her native land. With the savage humor of Waugh and the macabre sensibility of Poe, she brought a distinctly contemporary acuteness to her prolific body of noir fiction. Including over 60 short stories written throughout her career, collected together for the first time, The Selected Stories reveals the stunning versatility and terrifying power of Highsmith's work.

These stories highlight the remarkable range of Highsmith's powers her unique ability to quickly, almost imperceptibly, draw out the mystery and strangeness of her subject, which appears achingly ordinary to our naked eye. Whether writing about jaded wives or household pets, Highsmith continually upsets our expectations and presents a world frighteningly familiar to our own, where danger lurks around every turn. Stories from The Animal-Lovers Book of Beastly Murders portray, with incisive humor, the murderously competitive desires of our most trusted companions. In this viciously satirical reprise of Kafka, cats, dogs, and cockroaches are no longer necessary aspects of a happy home but actually have the power to destroy it. In the short sketches that make up the Little Tales of Misogyny, Highsmith rediscovers predictable female characters The Dancer, The Female Novelist, The Prude and, through scathing humor, invests them with uniquely destructive powers. As a writer, Highsmith was all too well aware of the stolid patriarchal conventions that ruled her day her publisher rejected her second book out of hand because of its homosexual content. She is not a polemicist, but, as stories like Oona the Jolly Cave Woman and The Mobile Bed-Object reveal, her bizarre, haunting fiction continually betrays the inadequacy of our conventional understanding of female character. Highsmith eventually moved away from these coolly satiric, darkly comic exercises, and in her later collections, The Black House, Slowly, Slowly in the Wind, and Mermaids on the Golf Course, she uses the warm familiarities of middle-class life the manicured lawns, the cozy uptown apartments, the local pubs as the backbone for her chilling portrayals. The Black House, for instance, explores the small-town male camaraderie and the destructive secret it masks: in this world, the fact that everyone knows your name is more likely a curse than a blessing. In the title story of the final collection presented here, Mermaids on a Golf-Course, a man's extraordinary brush with death endows his everyday desires with fantastically devastating consequences. In her later work, Highsmith adds a dimension of penetrating psychological insight, evoked most vividly in stories like A Curious Suicide and The Stuff of Madness, where the precarious line between fantasy and reality is blurred and we experience the terrifying possibility of slipping between them. Great writers view the world askew, and in their art they reflect our world back to us, slightly distorted.

The Selected Stories reveals Highsmith's deft and exacting style, her incisive satirical intelligence, and her faultless eye for depicting the inner tremblings of human character. Her world remains all the more frightening because we recognize it as our own.

From a writer dubbed one of the finest crime novelists by the New York Times, a sinister story of madness, dread, and murder, set in 1950s suburban America

An unlikely encounter between Therese, a young sales clerk, and Carol, a lonely homemaker, leads to an amorous romance in this classic work of lesbian fiction. Struggling against the oppressive routines of their daily lives and the strict social norms governing mid-century femininity, the new lovers take to the open road where their new relationship can thrive. But their dreamy, blissful adventure is sharply interrupted when Carol must make a difficult choice between her child and her lover.

Patricia Highsmith is famous for penning thrillers like Strangers on a Train and The Talented Mr. Ripley, but her keen ability to create compelling characters and narratives truly shines in this oft-overlooked classic. Published under a pseudonym in 1952, Highsmith's lyrical prose and sensitive, well-rounded treatment of lesbian characters marked a significant departure from the stereotyped lesbian pulp fiction that had historically dominated the marketplace. A work that demands our respect and attention, The Price of Salt is an honest and profound meditation on love and the importance of following one's heart.

Centering on an unlikely romance between a young sales clerk and a lonely housewife, this lesbian cult classic is an engrossing tale of passion and self-discovery. Therese, a young sales clerk, and Carol, a housewife in the throes of a bitter divorce, meet by chance, but their instant connection is no accident. Fleeing the oppressive routines of their daily lives, they pursue their blossoming romance down the open highway in search of freedom and bliss. But their honeymoon is cut short when Carol is faced with the painful choice between caring for her child and being with her new love.

Best known for her psychological thrillers, Strangers on a Train and The Talented Mr. Ripley, Patricia Highsmith published The Price of Salt under a pseudonym to avoid suffering from 1952's disparaging view of homosexuality. But Highsmith's complex and insightful treatment of lesbian characters continues to defy stereotypes about the LGBT community. A landmark in the history of American feminist and lesbian literature, The Price of Salt is a sensual, articulate, and engaging treatise on the importance of being true to one's self.

The Tremor of Forgery is considered by many to be Patricia Highsmith's finest novel. Set in Tunisia in the mid-1960s, it is the story of Howard Ingham, an American writer who has gone abroad to gather material for a movie too sordid to be set in America. Ingham is cool towards Ina, the girlfriend he left behind in New York, but his feelings start to change when she doesn't answer his increasingly aggravated letters, and John Castlewood, the filmmaker who hired Ingham, fails to show in Tunisia. Amid the tea shops and alleys of the souk, the sun-blasted architecture, and the beaches and hotels frequented by international tourists, will Ingham's morality survive the withering heat? Includes an introduction by Francine Prose.