This is the Revised 1831 Edition of FRANKENSTEIN; OR, THE MODERN PROMETHEUS, a novel written by the English author Mary Wollstonecraft Shelley about the young science student Victor Frankenstein, who creates a grotesque but sentient creature in an unorthodox scientific experiment. Shelley started writing the story when she was eighteen, and the novel was published when she was twenty. The first edition was published anonymously in London in 1818. Shelley's name appears on the second edition, published in France in 1823. Shelley had travelled through Europe in 1814, journeying along the river Rhine in Germany with a stop in Gernsheim which is just 17 km away from Frankenstein Castle, where, two centuries before, an alchemist was engaged in experiments. Later, she travelled in the region of Geneva (Switzerland)-where much of the story takes place-and the topic of galvanism and other similar occult ideas were themes of conversation among her companions, particularly her lover and future husband, Percy Shelley. Mary, Percy, Lord Byron, and John Polidori decided to have a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made; her dream later evolved into the novel's story.

Shelley completed her writing in May 1817, and Frankenstein; or, The Modern Prometheus was first published on 11 March 1818 by the small London publishing house of Lackington, Hughes, Harding, Mavor, & Jones. The second edition of Frankenstein was published on 11 August 1822 in two volumes (by G. and W. B. Whittaker) following the success of the stage play Presumption; or, the Fate of Frankenstein by Richard Brinsley Peake; this edition credited Mary Shelley as the author.

On 31 October 1831, the first popular edition in one volume appeared, published by Henry Colburn & Richard Bentley. This edition was heavily revised by Mary Shelley, partially because of pressure to make the story more conservative, and included a new, longer preface by her, presenting a somewhat embellished version of the genesis of the story. This edition tends to be the one most widely read now, although editions containing the original 1818 text are still published. Many scholars prefer the 1818 text, arguing that it preserves the spirit of Shelley's original publication.

THE TRIAL is a novel written by Franz Kafka from 1914 to 1915 and published in 1925. One of his best-known works, it tells the story of a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor to the reader. Heavily influenced by Dostoyevsky's Crime and Punishment and The Brothers Karamazov, Kafka even went so far as to call Dostoevsky a blood relative. Like Kafka's other novels, The Trial was never completed, although it does include a chapter which brings the story to an end.

After Kafka's death in 1924 his friend and literary executor Max Brod edited the text for publication by Verlag Die Schmiede. The original manuscript is held at the Museum of Modern Literature, Marbach am Neckar, Germany. The first English language translation, by Willa and Edwin Muir, was published in 1937. In 1999, the book was listed in Le Monde's 100 Books of the Century and as No. 2 of the Best German Novels of the Twentieth Century.

The Most Dangerous Game, also published as The Hounds of Zaroff, is a story by Richard Connell, first published in Collier's on January 19, 1924. The story features a big-game hunter from New York City who falls off a yacht and swims to what seems to be an abandoned and isolated island in the Caribbean, where he is hunted by a Russian aristocrat. The story is inspired by the big-game hunting safaris in Africa and South America that were particularly fashionable among wealthy Americans in the 1920s. The story has been adapted numerous times, most notably as the 1932 RKO Pictures film The Most Dangerous Game, starring Joel McCrea and Leslie Banks, and for a 1943 episode of the CBS Radio series Suspense, starring Orson Welles. It has been called the most popular short story ever written in English. Upon its publication, it won the O. Henry Award.

ALICE'S ADVENTURES IN WONDERLAND (commonly shortened to Alice in Wonderland) is an 1865 novel written by English author Charles Lutwidge Dodgson under the pseudonym Lewis Carroll. It tells of a girl named Alice falling through a rabbit hole into a fantasy world populated by peculiar, anthropomorphic creatures. The tale plays with logic, giving the story lasting popularity with adults as well as with children. It is considered to be one of the best examples of the literary nonsense genre. Its narrative course and structure, characters and imagery have been enormously influential in both popular culture and literature, especially in the fantasy genre.

Dodgson's tale was published in 1865 as Alice's Adventures in Wonderland by Lewis Carroll with illustrations by John Tenniel. The first print run of 2,000 was held back because Tenniel objected to the print quality. A new edition was quickly printed, released in December of the same year but carrying an 1866 date.

The entire print run sold out quickly. Alice was a publishing sensation, beloved by children and adults alike. Among its first avid readers were Queen Victoria and the young Oscar Wilde. The book has never been out of print. Alice's Adventures in Wonderland has been translated into at least 174 languages. There have now been over a hundred English-language editions of the book, as well as countless adaptations in other media, especially theatre and film.

THE YELLOW WALLPAPER is a story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.

Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Foregoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment she is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a temporary nervous depression - a slight hysterical tendency, a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. The room's windows are barred to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate.

The story depicts the effect of under-stimulation on the narrator's mental health and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper. It is the strangest yellow, that wall-paper It makes me think of all the yellow things I ever saw - not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper - the smell ... The only thing I can think of that it is like is the color of the paper A yellow smell. . . . (more on www.wsiehouse-classics.com)

The Awakening, originally titled A Solitary Soul, is a novel by Kate Chopin, first published in 1899. Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle to reconcile her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics.

The novel's blend of realistic narrative, incisive social commentary, and psycho¬logical complexity makes The Awakening a precursor of American modernist literature; it prefigures the works of American novelists such as William Faulkner and Ernest Hemingway and echoes the works of contemporaries such as Edith Wharton and Henry James. It can also be considered among the first Southern works in a tradition that would culminate with the modern master¬pieces of Faulkner, Flannery O'Connor, Eudora Welty, Katherine Anne Porter, and Tennessee Williams.

THE IMPORTANCE OF BEING EARNEST, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious person to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play's humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde's artistic career so far. Its high farce and witty dialogue have helped make THE IMPORTANCE OF BEING EARNEST Wilde's most enduringly popular play.

The successful opening night marked the climax of Wilde's career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde's lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Soon afterwards their feud came to a climax in court, where Wilde's homosexual double life was revealed to the Victorian public and he was eventually sentenced to imprisonment. His notoriety caused the play, despite its early success, to be closed after 86 performances. After his release, he published the play from exile in Paris, but he wrote no further comic or dramatic work. (more on www.wisehouse-classics.com)

Now published by Wisehouse Classics, this is the unabridged Anniversary Edition of the original 1911 published novel Peter and Wendy (or Peter Pan) with the original therteen illustrations by F. D. Bedford.
Peter and Wendy or Peter Pan is J. M. Barrie's most famous work, in the form of a 1904 play and a 1911 novel. Both versions tell the story of Peter Pan, a mischievous yet innocent little boy who can fly, and has many adventures on the island of Neverland that is inhabited by mermaids, fairies, Native Americans and pirates. The Peter Pan stories also involve the characters Wendy Darling and her two brothers, Peter's fairy Tinker Bell, the Lost Boys, and the pirate Captain Hook. The play and novel were inspired by Barrie's friendship with the Llewelyn Davies family. Barrie continued to revise the play for years after its debut until publication of the play script in 1928. The play debuted in London on 27 December 1904 with Nina Boucicault, daughter of playwright Dion Boucicault, in the title role. A Broadway production was mounted in 1905 starring Maude Adams. It was later revived with such actresses as Marilyn Miller and Eva Le Gallienne. The play has since been adapted as a pantomime, stage musical, a television special, and several films, including a 1924 silent film, the 1953 Disney animated film, and a 2003 live action production. In the U.S., the original version has also been supplanted in popularity by the 1954 musical version, which became popular on television. The novel was first published in 1911 by Hodder & Stoughton in the United Kingdom, and Charles Scribner's Sons in the United States. The original book contains a frontispiece and 11 half-tone plates by artist F. D. Bedford. The novel was first abridged by May Byron in 1915, with Barrie's permission, and published under the title Peter Pan and Wendy, the first time this form was used. This version was later illustrated by Mabel Lucie Attwell in 1921. In 1929, Barrie gave the copyright of the Peter Pan works to Great Ormond Street Hospital, a children's hospital in London.

TREASURE ISLAND is an adventure novel by Scottish author Robert Louis Stevenson, narrating a tale of buccaneers and buried gold. It was originally serialized in the children's magazine Young Folks between 1881 through 1882 under the title Treasure Island, or the mutiny of the Hispaniola, credited to the pseudonym Captain George North. It was first published as a book on 14 November 1883 by Cassell & Co.
Treasure Island is traditionally considered a coming-of-age story, and is noted for its atmosphere, characters, and action. It is also noted as a wry commentary on the ambiguity of morality-as seen in Long John Silver-unusual for children's literature. It is one of the most frequently dramatized of all novels. Its influence is enormous on popular perceptions of pirates, including such elements as treasure maps marked with an X, schooners, the Black Spot, tropical islands, and one-legged seamen bearing parrots on their shoulders.

Thomas Tom Sawyer is the title character of the Mark Twain novel THE ADVENTURES OF TOM SAWYER (1876). He appears in three other novels by Twain: ADVENTURES OF HUCKLEBERRY FINN (1884), TOM SAWYER ABROAD (1894), and TOM SAWYER, DETECTIVE (1896). Sawyer also appears in at least three unfinished Twain works, HUCK AND TOM AMONG THE INDIANS, SCHOOLHOUSE HILL and TOM SAWYER'S CONSPIRACY. While all three uncompleted works were posthumously published, only Tom Sawyer's Conspiracy has a complete plot, as Twain abandoned the other two works after finishing only a few chapters.

The fictional character's name may have been derived from a jolly and flamboyant fireman named Tom Sawyer with whom Twain was acquainted in San Francisco, California, while Twain was employed as a reporter at the San Francisco Call. Twain used to listen to Sawyer tell stories of his youth, Sam, he would listen to these pranks of mine with great interest and he'd occasionally take 'em down in his notebook. One day he says to me: 'I am going to put you between the covers of a book some of these days, Tom.' 'Go ahead, Sam, ' I said, 'but don't disgrace my name.' Twain himself said the character sprang from three people, later identified as: John B. Briggs (who died in 1907), William Bowen (who died in 1893) and Twain; however Twain later changed his story saying Sawyer was fully formed solely from his imagination, but as Robert Graysmith says, The great appropriator liked to pretend his characters sprang fully grown from his fertile mind.

The Papyrus of Ani is a papyrus manuscript with cursive hieroglyphs and illustrations created c. 1250 BCE, in the 19^th dynasty of the New Kingdom of ancient Egypt. Egyptians compiled an individualized book for certain people upon their death, called the Book of Going Forth by Day, more commonly known as the Book of the Dead, typically containing declarations and spells to help the deceased in their afterlife. The Papyrus of Ani is the manuscript compiled for the Theban scribe Ani.

It was stolen from an Egyptian government storeroom in 1888 by Sir E. A. Wallis Budge, as described in his two-volume By Nile and Tigris, for the collection of the British Museum where it remains today. Before shipping the manuscript to England, Budge cut the seventy-eight foot scroll into thirty-seven sheets of nearly equal size, damaging the scroll's integrity at a time when technology had not yet allowed the pieces to be put back together.

This Papyrus of Ani, a full version of the Theban recension, is presented here by Dr. Budge, who later became perhaps the world's most renowned Egyptologist. Reproduced in full are a clear copy of the Egyptian hieroglyphs, an interlinear transliteration of their sounds (as reconstructed), a word-for-word translation, and separately a complete smooth translation. All this is preceded by an introduction of more than 150 pages. As a result of this multiple apparatus the reader has a unique opportunity to savor all aspects of the Book of the Dead, or as it is otherwise known, The Book of the Great Awakening.

The Hound of the Baskervilles is the third of the crime novels written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes. Originally serialized in The Strand Magazine from August 1901 to April 1902, it is set largely on Dartmoor in Devon in England's West Country and tells the story of an attempted murder inspired by the legend of a fearsome, diabolical hound of supernatural origin. Sherlock Holmes and his companion Dr. Watson investigate the case. This was the first appearance of Holmes since his intended death in The Final Problem, and the success of The Hound of the Baskervilles led to the character's eventual revival.

In 2003, the book was listed as number 128 of 200 on the BBC's The Big Read poll of the UK's best-loved novel. In 1999, it was listed as the top Holmes novel, with a perfect rating from Sherlockian scholars of 100.

Now published by Wisehouse Classics, this is the unabridged Anniversary Edition of the original 1911 published novel Peter and Wendy (or Peter Pan) with the original therteen illustrations by F. D. Bedford.
Peter and Wendy or Peter Pan is J. M. Barrie's most famous work, in the form of a 1904 play and a 1911 novel. Both versions tell the story of Peter Pan, a mischievous yet innocent little boy who can fly, and has many adventures on the island of Neverland that is inhabited by mermaids, fairies, Native Americans and pirates. The Peter Pan stories also involve the characters Wendy Darling and her two brothers, Peter's fairy Tinker Bell, the Lost Boys, and the pirate Captain Hook. The play and novel were inspired by Barrie's friendship with the Llewelyn Davies family. Barrie continued to revise the play for years after its debut until publication of the play script in 1928. The play debuted in London on 27 December 1904 with Nina Boucicault, daughter of playwright Dion Boucicault, in the title role. A Broadway production was mounted in 1905 starring Maude Adams. It was later revived with such actresses as Marilyn Miller and Eva Le Gallienne. The play has since been adapted as a pantomime, stage musical, a television special, and several films, including a 1924 silent film, the 1953 Disney animated film, and a 2003 live action production. In the U.S., the original version has also been supplanted in popularity by the 1954 musical version, which became popular on television. The novel was first published in 1911 by Hodder & Stoughton in the United Kingdom, and Charles Scribner's Sons in the United States. The original book contains a frontispiece and 11 half-tone plates by artist F. D. Bedford. The novel was first abridged by May Byron in 1915, with Barrie's permission, and published under the title Peter Pan and Wendy, the first time this form was used. This version was later illustrated by Mabel Lucie Attwell in 1921. In 1929, Barrie gave the copyright of the Peter Pan works to Great Ormond Street Hospital, a children's hospital in London.

The Papyrus of Ani is a papyrus manuscript with cursive hieroglyphs and illustrations created c. 1250 BCE, in the 19^th dynasty of the New Kingdom of ancient Egypt. Egyptians compiled an individualized book for certain people upon their death, called the Book of Going Forth by Day, more commonly known as the Book of the Dead, typically containing declarations and spells to help the deceased in their afterlife. The Papyrus of Ani is the manuscript compiled for the Theban scribe Ani.

It was stolen from an Egyptian government storeroom in 1888 by Sir E. A. Wallis Budge, as described in his two-volume By Nile and Tigris, for the collection of the British Museum where it remains today. Before shipping the manuscript to England, Budge cut the seventy-eight foot scroll into thirty-seven sheets of nearly equal size, damaging the scroll's integrity at a time when technology had not yet allowed the pieces to be put back together.

This Papyrus of Ani, a full version of the Theban recension, is presented here by Dr. Budge, who later became perhaps the world's most renowned Egyptologist. Reproduced in full are a clear copy of the Egyptian hieroglyphs, an interlinear transliteration of their sounds (as reconstructed), a word-for-word translation, and separately a complete smooth translation. All this is preceded by an introduction of more than 150 pages. As a result of this multiple apparatus the reader has a unique opportunity to savor all aspects of the Book of the Dead, or as it is otherwise known, The Book of the Great Awakening.

DRACULA is an 1897 Gothic horror novel by Irish author Bram Stoker. Famous for introducing the character of the vampire Count Dracula, the novel tells the story of Dracula's attempt to move from Transylvania to England so he may find new blood and spread the undead curse, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing. DRACULA has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel and invasion literature. Although Stoker did not invent the vampire, he defined its modern form, and the novel has spawned numerous theatrical, film and television interpretations.

The tale begins with Jonathan Harker, a newly qualified English solicitor, visiting Count Dracula in the Carpathian Mountains on the border of Transylvania, Bukovina, and Moldavia, to provide legal support for a real estate transaction overseen by Harker's employer. At first enticed by Dracula's gracious manners, Harker soon realizes that he is Dracula's prisoner. Wandering the Count's castle against Dracula's admonition, Harker encounters three female vampires, called the sisters, from whom he is rescued by Dracula. After the preparations are made, Dracula leaves Transylvania and abandons Harker to the sisters. Harker barely escapes from the castle with his life . . . (more on www.wisehouse-classics.com)

This is the complete and authoritative edition of the folk and fairy tales of the brothers Grimm, with 212 tales, and including the tale of The Starving Children (which was removed after the 1819 edition).
THE FOLK & FAIRY TALES OF THE BROTHERS GRIMM (German: Kinder- und Hausm rchen - Vollst mdige Ausgabe) is a collection of German fairy tales first published in 1812 by the Grimm brothers, Jacob and Wilhelm. The collection is commonly known in English as Grimm's Fairy Tales. The work of the Brothers Grimm influenced other collectors, both inspiring them to collect tales and leading them to similarly believe, in a spirit of romantic nationalism, that the fairy tales of a country were particularly representative of it, to the neglect of cross-cultural influence. Among those influenced were the Russian Alexander Afanasyev, the Norwegians Peter Christen Asbj rnsen and J rgen Moe, the English Joseph Jacobs, and Jeremiah Curtin, an American who collected Irish tales. There was not always a pleased reaction to their collection. Joseph Jacobs was in part inspired by his complaint that English children did not read English fairy tales; in his own words, What Perrault began, the Grimms completed.

THE ADVENTURES OF HUCKLEBERRY FINN is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry Huck Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

Perennially popular with readers, ADVENTURES OF HUCKLEBERRY FINN has also been the continued object of study by literary critics since its publication. It was criticized upon release because of its coarse language and became even more controversial in the 20th century because of its perceived use of racial stereotypes and because of its frequent use of the racial slur nigger, despite strong arguments that the protagonist and the tenor of the book are anti-racist.