FROM THE BELOVED AUTHOR OF ANNE OF GREEN GABLES

Discover L. M. Montgomery's own favourite character in the Emily of New Moon trilogy. It features a spirited heroine who will beguile readers of all ages. Emily's story is heart-rending, magical and completely unforgettable.

Emily Starr has never known what it is to be unloved. But when her father dies, she is left in the care of her mother's family. Emily is a stranger to the proud Murrays, none of whom think they can cope with such a heartbroken, headstrong girl. They decide to draw lots for her, and Emily is sent to live at New Moon with stern Aunt Elizabeth, the head of the clan. Kind Aunt Laura and friendly, eccentric Cousin Jimmy also live at New Moon, though, so she is not without hope.

Emily is enchanted by New Moon, but cannot believe she will ever belong there. With her lively imagination and dreams of being a famous writer, she seems to have a talent for scandalising her family. Before long, though, she has made firm friends: Ilse, a tomboy with a blazing temper, Teddy, an aspiring artist, and Perry, the ambitious houseboy. She brings so much life to New Moon, perhaps one day even Aunt Elizabeth will consider herself lucky to have 'won' Emily.

Emily's story continues in: Emily Climbs and Emily's Quest, both available from Virago Modern Classics

'Engaging, modern fables with a feminist tang' Sunday Times

DARK, POTENT AND UNCANNY, HAG BURSTS WITH THE UNTOLD STORIES OF OUR ISLES, CAPTURED IN VOICES AS VARIED AS THEY ARE VIVID.

Here are sisters fighting for the love of the same woman, a pregnant archaeologist unearthing impossible bones and lost children following you home. A panther runs through the forests of England and pixies prey upon violent men.

From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today.

'A thoroughly original package that has a hint of Angela Carter' The Times

'Sharp writing and cleverly done' Spectator

A fun and fearless anthology of feminist tales, by sixteen bestselling, award-winning writers.

'Wonderful . . . all killer, no filler' Red Magazine
'Dazzling stories, as inventive as they are inspiring' Daily Mirror
'Where power and feminist rage meet' Stylist

BANSHEE. DRAGON. TYGRESS. SHE-DEVIL. HUSSY. SIREN. WENCH. HARRIDAN. MUCKRAKER. SPITFIRE. VITUPERATOR. CHURAIL. TERMAGANT. FURY. WARRIOR. VIRAGO.

For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story. In this blazing cauldron of a book, sixteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time.

STORIES BY: Margaret Atwood, Susie Boyt, Eleanor Crewes, Emma Donoghue, Stella Duffy, Linda Grant, Annie Hodson, Claire Kohda, CN Lester, Kirsty Logan, Caroline O'Donoghue, Chibundu Onuzo, Helen Oyeyemi, Rachel Seiffert, Kamila Shamsie, Ali Smith, with an Introduction by Sandi Toksvig

The beloved author of Anne of Green Gables continues the adventures of Emily Starr, L.M. Montgomery's own favourite character, in Emily Climbs, the second instalment of the Emily of New Moon trilogy.
Emily never imagined Aunt Elizabeth would allow her to go to high school in Shrewsbury, and she's thrilled, especially as her close friends Ilse, Teddy and Perry will be there. But there are certain conditions: for the whole three years Emily must board with hateful Aunt Ruth, and she must promise to stop writing stories. To Emily, this is unthinkable, but she wants an education, and reluctantly agrees.

With the move from her beloved home at New Moon to Aunt Ruth's house, Emily's world is turned upside down. Not only must she prove herself at school, despite rejection and jealousy, but she can no longer count on her friends. Her happy childhood friendships - especially with Teddy and Perry - start to turn into something more complicated and in a small-town, the merest hint of gossip can cause scandal.
Heart-rending, magical and utterly unforgettable, Emily's story continues in Emily's Quest, also available from Virago Modern Classics.

'The mystery element kept me turning the pages but it was the superb characterisation that made the story stay with me. It taught me that it's never too late to remake yourself into someone better' MALORIE BLACKMAN, TELEGRAPH

'The Secret Garden should be on every child's bookshelf' THE TIMES

'There is an old-fashioned tenderness and joy to it; the sense that magic happens if you are observant and quiet and know it will' SOPHIE DAHL

'A blend of power, beauty, vivid interest and honest goodness. Yes, if this is magic, it is good magic' NEW YORK TIMES

'She put her hand in her pocket, drew out the key, and found it fitted the keyhole . . . she held back the swinging curtain of ivy and pushed back the door which opened slowly. Then she slipped through it, looking about her and breathing quite fast with excitement and wonder and delight. She was standing inside the secret garden'

Everybody at Misselthwaite Manor agrees that Mary Lennox is the most disagreeable child they have ever met. Pale, selfish and spoilt, the ten-year-old orphan has been sent from India to her uncle's estate and she is determined to hate everything about it. But the isolated house on the Yorkshire moors holds secrets that Mary cannot resist exploring: pitiful crying that echoes down the corridors at night and a hidden walled garden. When a robin leads Mary to the buried key, not only is the garden unlocked, but also her heart. And as the garden blooms, for the first time in her life, Mary discovers friendship. This is where the magic begins . . .

A collection that will be coveted by children and adults alike, this list is the best in children's literature, curated by Virago. These are timeless tales with beautiful covers, that will be treasured and shared across the generations. Some titles you will already know; some will be new to you, but there are stories for everyone to love, whatever your age. Our list includes Nina Bawden (Carrie's War, The Peppermint Pig), Rumer Godden (The Dark Horse, An Episode of Sparrows), Joan Aiken (The Serial Garden, The Gift Giving) E. Nesbit (The Psammead Trilogy, The Bastable Trilogy, The Railway Children), L. M. Montgomery (The Anne of Green Gables series) and Susan Coolidge (The What Katy Did Trilogy). Discover Virago Children's Classics.

'Wonderful . . . all killer, no filler' Red Magazine
'Dazzling stories, as inventive as they are inspiring' Daily Mirror
'Where power and feminist rage meet' Stylist
______________________________

A fun and fearless anthology of feminist tales, by fifteen bestselling, award-winning writers:

Margaret Atwood, Susie Boyt, Eleanor Crewes, Emma Donoghue, Stella Duffy, Linda Grant, Claire Kohda, CN Lester, Kirsty Logan, Caroline O'Donoghue, Chibundu Onuzo, Helen Oyeyemi, Rachel Seiffert, Kamila Shamsie and Ali Smith - introduced by Sandi Toksvig.

DRAGON. TYGRESS. SHE-DEVIL. HUSSY. SIREN. WENCH. HARRIDAN. MUCKRAKER. SPITFIRE. VITUPERATOR. CHURAIL. TERMAGANT. FURY. WARRIOR. VIRAGO.

For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story.

In this blazing cauldron of a book, fifteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time.

'A slick collection of clever tales, with something for bluestockings and banshees alike' Guardian

'Delightful, thought-provoking' Louisa Young, Perspectives

Beware the women who are called witches, or those who claim the name for themselves...

Banshees - a howling night-witch and harbinger of death; She-devils - Lilith and her daughters; or Bitches - Hecate, whose chariot is drawn by dogs.

Alluring women, enchantresses, seekers of revenge, wise old women and badly-behaved girls. As Shahrukh Husain says, witches are 'womanhood in all its complexity'.

Over fifty stories of crones and nixies, shape shifters and beauties are here, including the loving fox witch of Japan; Italy's Witch-Bea-Witch; Scotland's Goodwife of Laggan; Biddy Earl and the terrifying Kali and Baba Yaga who comes in many forms to haunt, entice, possess, transform and challenge.

From every corner of the globe, with tom-foolery, fun, strife and victory, these folklore and legends celebrate women who step out of line.

From the beloved author of Anne of Green Gables comes the story of Emily Starr, L.M. Montgomery's own favourite character, in the Emily of New Moon trilogy.

There are two things in life Emily Starr is certain of - that she will be a great writer and that she and Teddy Kent were destined to be together. School is over and one by one her friends leave to follow their dreams, including Teddy, who goes to art school in Montreal. Emily chooses to stay at New Moon, and though she misses her friends, she knows the path of a writer is a solitary one.

With each visit home Emily's friends seem more distant, especially Teddy. Desolate, but determined to hide her feelings, she throws herself into finishing her novel. When it is rejected, though, her confidence is shattered. To banish all thoughts of Teddy, Emily agrees to marry a man she doesn't love and give up on her dreams forever. But can she really have been so wrong about everything?

Heart-rending, magical and vibrant, Emily's unforgettable story concludes in Emily's Quest, a Virago Modern Classic.

'A disturbing and necessary book for our times ... Una has held up a chilling mirror for us, and leaves us with a choice - what kind of world will we make for ourselves?' JACKY FLEMING

In the near future, in a world that seems just like our own, Eve grows up in a loving family that is increasingly threatened by a society which seems to be sleepwalking into totalitarianism. After a catastrophe that changes everything, Eve must set off on her own, over the wild Yorkshire moors, to try to find a new way to live.

Eve is a book of mothers, daughters, human relationships, trust and community, human weakness, conflict, hopeful futures and painful pasts. It is speculative fiction that feels incredible timely: Una explores the rise of authoritarianism on both the political right and left and imagines where it might all lead.

'As with all good speculative fiction, it predicts a set of circumstances that are rooted in reality so could easily happen, and often do' BIG ISSUE NORTH

'A prescient tale of gender, the environment and a dystopian future' WINNIE M LI

'Big, imaginative and confrontational' STRONG WORDS

'EVE's gripping narrative and poetic, haunting imagery of a world sliding into dystopia has stayed with me' MOMA.CO.UK,

For the first time since the war, the Christmas peal is ringing at St Paul's Cathedral. There is joy. There is new hope. It is Christmas Eve, the carol service has ended, and a woman with three small boys leaves the cathedral, the children swooping like pigeons.

'Why weren't there any wild animals at the crib? Haven't they got something to give?' asked one of the children.
And I heard myself say, 'Yes, they have.'
Was it true, what I told them? Did I dream it? Where it came from I do not know but I seemed to remember every word, just as if I had heard it . . .

Outside the cathedral, the children are told the nativity story from a unique perspective: that of a fox. Despite the scorn of the other animals, he enters the stable to offer the child a gift that only he can give.

Jane and her mother live in a gloomy old mansion, where their lives are ruled by her ovebearing grandmother. For most of her life Jane has believed that her father is dead. Then, one dull April morning, a letter comes. Not only is her father alive and well, but he wants Jane to spend the summer with him on Prince Edward Island.

For a blissful summer she lives at her father's cottage on Lantern Hill, making friends, having adventures and discovering that life can be wonderful after all. And she dares to dream that there could be such a house where she, Mother and Father could live together without Grandmother's disapproval - a house that could be called home.

One of the most enchanting books about cats ever written, Minka and Curdy describes the adventures - and misadventures - of two very different kittens.

Victoria, a real tyrant of a cat, spent so many years training her owner to be the ideal hostess that Mrs Bell feels it would be disrespectful to replace that formidable creature. But her resolve is worn down, and she finally agrees to take a marmalade kitten - and is immediately offered a Siamese that she also simply cannot resist. This is the story of a writer seduced by the contrasting charms of two kittens: Curdy, lively and mischievous; and Minka, elegant, imperious, and disdainful of the ginger upstart.

Delightfully illustrated with line drawings, this is a witty and charming love letter to feline companionship from the author of Frost in May, and the perfect book for all cat lovers.

NOW A BRITISH DRAMA FILM AND A MAJOR BBC TELEVISION ADAPTATION.

A preface by Shirley Williams, an introduction by Marion Shaw and an epitaph by Vera Brittain.

'Rich in humour and worldly insight' INDEPENDENT

'The novel undoubtedly remains a fascinating depiction of a time and place' GUARDIAN

'Holtby's personal masterpiece . . . I can't say enough good things about this book' SARAH WATERS

When Sarah Burton returns to her hometown as headmistress she is full of ambition, determined to create a great school and to inspire her girls to take all they can from life. But in the aftermath of the First World War, the country is in depression and ideals are hard won. Lydia Holly, the scholarship girl from the shacks, is the most brilliant student Sarah has ever taught, but when her mother's health fails, her education must be sacrificed.

Robert Carne of Maythorpe Hall stands for everything Sarah despises: his family has farmed the South Riding for generations, their position uncontested. Yet Sarah cannot help being drawn to this proud, haunted - and almost ruined - man.

South Riding is a rich, panoramic novel, bringing vividly to life a rural community on the brink of change.

As the war continues it brings its own set of trials to the the village of Northbridge. Eight officers of the Barsetshire Regiment have been billeted at the rectory, and Mrs Villars, the Rector's wife, is finding the attentions of Lieutenant Holden (who doesn't seem to mind that she is married to his host) quite exhausting. The middle-aged ladies and gentlemen who undertake roof-spotting from the church tower are more concerned with their own lives than with any possible parachutist raids. There is the love triangle of Mr Downing, his redoubtable hostess Miss Pemberton and the hospitable Mrs Turner at the Hollies. And, to add to Mrs Villar's woes, egocentric, imperious Mrs Spender, the Major's wife, is foisted on the rectory when she is bombed out of her London home.

First published in 1941, Northbridge Rectory is a captivating comedy of an English village in the War years.

In 1980 seven-year-old Sabine Kuegler and her family went to live in a remote jungle area of West Papua among the recently discovered Fayu - a tribe untouched by modern civilisation. Her childhood was spent hunting, shooting poisonous spiders with arrows and chewing on pieces of bat-wing in place of gum. She also learns how brutal nature can be - and sees the effect of war and hatred on tribal peoples.

After the death of her Fayu-brother, Ohri, Sabine decides to leave the jungle and, aged seventeen, she goes to a boarding school in Switzerland - a traumatic change for a girl who acts and feels like one of the Fayu. 'Fear is something I learnt here' she says. 'In the Lost Valley, with a lost tribe, I was happy. In the rest of the world it was I who was lost.'

Here is Sabine Kuegler's remarkable true story of a childhood lived out in the Indonesian jungle, and the struggle to conform to European society that followed.

When Clara returns home from the convent of her childhood to begin life at a local girls' school, she is at a loss: although she has comparative freedom, she misses the discipline the nuns imposed and worries about keeping her faith in a secular world. Against the background of the First World War, Clara experiences the confusion of adolescence - its promise, and its threat of change. She longs for love, yet fears it, and wonders what the future will hold. Then tragedy strikes and her childhood haltingly comes to an end as she realises that neither her parents nor her faith can help her.

The Lost Traveller is the first in the trilogy sequel to Frost in May, which continues with The Sugar House and Beyond the Glass. Although each is a complete novel in itself, together they form a brilliant portrait of a young girl's journey to adulthood.

THE BESTSELLING NOVEL FOLLOW-UP TO WITTY BESTSELLER LIVE ALONE AND LIKE IT

Orchids on Your Budget gives advice on all manner of subjects, from entertaining and creating the perfect capsule wardrobe to relinquishing the family estate. Lest you worry about how to put the advice into practice, each chapter concludes with a case study providing examples of women who heeded - and those lamentable souls who ignored - Marjorie's wise words.

'It's not difficult to have fun out of economising (up to a point), both because of the sense of achievement it gives you and because everyone else is doing it, too . . . A slight financial pressure sharpens the wits, though it needn't sharpen the disposition. But it takes an interesting person to have an attractive menage on a shoe-string and to run it with gaiety and charm . . . Maybe you would rather play polo than pingpong, but if you've got an old pingpong set and no ponies, you'll get a lot more fun out of life from being a pingpong champion than from taking a dispirited whack with a polo mallet every now and then.'

INTRODUCED BY MAGGIE O'FARRELL

'A great work of literature, the product of a questing, burning intellect' MAGGIE O'FARRELL

'Even if the themes being explored might seem irrelevant . . . that this is not the case' GUARDIAN

'I loved the unnerving, sarcastic tone, the creepy ending' PARIS REVIEW

'It is stripped off - the paper - in great patches . . . The colour is repellent . . . In the places where it isn't faded and where the sun is just so - I can see a strange, provoking, formless sort of figure, that seems to skulk about . . . '

Based on the author's own experiences, The Yellow Wallpaper is the chilling tale of a woman driven to the brink of insanity by the 'rest cure' prescribed after the birth of her child. Isolated in a crumbling colonial mansion, in a room with bars on the windows, the tortuous pattern of the yellow wallpaper winds its way into the recesses of her mind.

Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. In addition to her masterpiece The Yellow Wallpaper, this edition includes a selection of her best short fiction and extracts from her autobiography.