One of the great novels of the century. Suddenly and unexpectedly, the late 20th century has produced a novel on the level of Joyce, Proust, Mann, Kafka, and Nabokov.--Boston Globe

Structured around a single moment in time -- 8:00 p.m. on June 23, 1975 -- Perec's spellbinding puzzle begins in an apartment block in the XVIIth arrondissement of Paris where, chapter by chapter, room by room, like an onion being peeled, an extraordinary rich cast of characters is revealed in a series of tales that are bizarre, unlikely, moving, funny, or (sometimes) quite ordinary.

From the confessions of a racing cyclist to the plans of an avenging murderer, from a young ethnographer obsessed with a Sumatran tribe to the death of a trapeze artist, from the fears of an ex-croupier to the dreams of a sex change pop star to an eccentric English millionaire who has devised the ultimate pastime, Life A User's Manual is a manual of human irony, portraying the mixed marriages of fortunes, passions and despairs, betrayals and bereavements, of hundreds of lives in Paris and around the world.

But the novel is more than an extraordinary range of individual stories; it is a closely observed account of life and experience. The apartment block's one hundred rooms are arranged in a magic square, and the book as a whole is peppered with a staggering range of literary puzzles and allusions, acrostics, problems of chess and logic, crosswords, and mathematical formula. All are there for the reader to solve.

The celebrated, National Book Award-winning, translation of Baudelaire's masterpiece. It is the English edition to acquire.--Washington Post

Pulitzer Prize winning poet and translator, Richard Howard, gives readers the true voice of Baudelaire in this masterful translation. Charles Baudelaire's 1857 masterwork was scandalous in its day for its portrayals of sex, same-sex love, death, the corrupting and oppressive power of the modern city and lost innocence, Les Fleurs Du Mal (The Flowers of Evil) remains powerful and relevant for our time.

In Spleen et idéal, Baudelaire dramatizes the erotic cycle of ecstasy and anguish--of sexual and romantic love. Tableaux Parisiens condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. Le Vin centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of Fleurs du Mal while rebellion is at the heart of Révolte.

Howard's achievement is such that we can be confident that his Flowers of Evil will long stand as definitive, a superb guide to France's greatest poet.--The Nation

A mind-bending mysterious comedy from the author of Life A User's Manual.

A Void is a great linguistic adventure and a metaphysical whodunit, chock-full of plots and subplots, of trails in pursuit of trails, all of displays Georges Perec's virtuosity as a verbal magician. It is also an outrageous verbal stunt: a 300-page novel that never once employs the letter E.

The year is 1968, and as France is torn apart by social and political anarchy, the noted eccentric and insomniac Anton Vowl goes missing. Ransacking his Paris flat, his best friends scour his diary for clues to his whereabouts. At first glance these pages reveal nothing but Vowl's penchant for word games, especially for lipograms, compositions in which the use of a particular letter is suppressed. But as the friends work out Vowl's verbal puzzles, and as they investigate various leads discovered among the entries, they too disappear, one by one by one, and under the most mysterious circumstances . . .

A book that only Georges Perec could have conceived, The New York Times called A Void, a rollicking story, wildly amusing and easily accessible to all of us who don't mind slipping, sliding and being tripped.

Someone is wrecking wild birds' nesting places on the lake and selling eggs to out-of-town collectors. It's the Coot Club Bird Protection Society to the rescue

Dick and Dorothea Callum came to the Norfolk Broads during the Easter holidays, eager to learn to sail. There, they run into the Coot Club--children who protect the local birds from thoughtless tourists.

Trouble begins when a coot's nest is disturbed by a ship full of Hullabaloos--rude holiday boaters. The children try to convince the Hullabaloos to moor their noisy boat somewhere else. This fails and frantic chases, calamitous boat collisions, daring rescues (including by a dog, William the pug), and rewards ensue

Friendship and resourcefulness, dangers and excitement: Arthur Ransome's Swallows and Amazons series has stood the test of time. More than just great stories, each one celebrates independence and initiative with a colorful, large cast of characters. Coot Club (originally published in 1934) was ahead of its time in its concern for protecting wildlife. It is the fifth title in the Swallows and Amazons series, books for children or grownups, anyone captivated by a world of adventure, exploration, and imagination.

The most important work of fiction by a major Latin America author.

On Heroes and Tombs is woven around a violent crime: the scion of a prominent Argentinian family, Alejandra, shoots her father and burns herself alive over his corpse. The story shifts between perspectives to reveal the lives of those closest to her, telling of Mart n, her troubled lover; Bruno, a writer who loved her mother; and Fernando, her father--who believes himself hunted by a secret, international organization of the blind.

Exploring the tumult of Buenos Aires in the 1950s, characters are illuminated against burning churches and corporate greed. An examination of Argentinian history and culture, it reveals the country at every level, leading its reader into a world of passion, philosophy, and paranoia.

An affectionate portrait of mid-century Paris and a daring pointillist autobiography by Georges Perec, a master of postmodern fiction.

The text of this memoir-through-memories consists of 480 numbered statements, all beginning identically with I remember -- all limited to pieces of public knowledge, brand names and folk wisdom, actors and illnesses, places and things (I remember Herm s handbags, with their tiny padlocks).

As playful and puzzling as the best of Perec's novels, I Remember began as a simple writing exercise, and grew into an expansive, exhilarating work of art: the image of one unmistakable and irreplaceable life, shaped from the material of our collective past. For this edition, Perec's 480 memories, sometimes obvious, sometimes obscure, have been elucidated and explained by critic, translator, and Perec biographer, David Bellos.

An amnesic searches for his identity, from Polynesia to Rome, in this novel by master storyteller Patrick Modiano: winner of the Nobel Prize in Literature

Guy Roland is in pursuit of the identity he lost in the murky days of the Paris Occupation. For ten years, he has lived without a past. His current life and name were given to him by his recently retired boss, Hutte, who welcomed him, a onetime client, into his detective agency. Guy makes full use of Hutte's files--directories, yearbooks, and papers of all kinds going back half a century--but his leads are few. Could he really be the person in that photograph, a young man remembered by some as a South American attaché? Or was he someone else, perhaps the disappeared scion of a prominent local family? He interviews strangers and is tantalized by half-clues until, at last, he grasps a thread that leads him through the maze of his own repressed experience.

Published in France as Rue des Boutiques obscures this is both a detective mystery and a haunting meditation on the nature of the self, Patrick Modiano's spare, hypnotic prose, superbly translated by Daniel Weissbort, draws readers into the intoxication of a rare literary experience.

From master storyteller J. M. G. Le Clézio, winner of the Nobel Prize in Literature, the search for treasure in a childhood Eden.

For as long as I can remember, the author writes, I heard the sea. At the turn of the century on the island of Mauritius, and young Alexis L'Etang enjoys an idyllic existence with his parents and beloved sister: sampling the pleasures of privilege, exploring the constellations and tropical flora, and dreaming of treasure buried long ago by the legendary Unknown Corsair.

But with his father's death, Alexis must leave his childhood paradise and enter the harsh world of privation and shame. Years later, Alexis has become obsessed with the idea of finding the Corsair's treasure and, through it, the lost magic and opulence of his youth. He abandons job and family, setting off on a quest that will take him from remote tropical islands to the hell of World War I, and from a love affair with the elusive Ouma to a momentous confrontation with the search that has consumed his life.

Rich with sensuality and haunting resonance, by turns harsh and lyrical, pointed and nostalgic, The Prospector is a parable of the human condition (Le Monde) by one of the most significant literary figures in the world today.

An engrossing mystery of a life from master storyteller Patrick Modiano: winner of the Nobel Prize in Literature

Jean B., the narrator of Patrick Modiano's Honeymoon, is submerged in a world where day and night, past and present, have no demarcations. Having spent his adult life making documentary films about lost explorers, Jean suddenly decides to abandon his wife and career, and takes what seems to be a journey to nowhere.

He pretends to fly to Rio to make another film, but instead returns to his own Parisian suburb to spend his solitary days recounting or imagining the lives of Ingrid and Rigaud, a refugee couple he had met twenty years before, and in whom he had recognized a spiritual anomie that seemed to reflect and justify his own. Little by little, their story takes on more reality than Jean's daily existence, as his excavation of the past slowly becomes an all-encompassing obsession.

The New Yorker wrote, Turning to invention to get at deeper realities of experience is fiction's righteous mission, and Honeymoon performs it beautifully. We all hold the keys to mysteries of our own making, Modiano tells us. If only we knew where we hid them. This is a singular literary experience, a masterpiece of world literature.

A puzzling mystery and the last, unfinished work by Georges Perec--a writer Italo Calvino called, One of the most singular literary personalities in the world. The narrator, a teacher in a tropical French colony, is trying to track down the famous crime-writer Robert Serval, who has mysteriously disappeared. Serval has left behind the manuscript of his last, unfinished novel, which may contain clues to his fate.
Before his death, Perec completed 11 of a planned 28 chapters but left extensive drafts and notes for his friends and frequent collaborators, Harry Mathews and Jacques Roubaud. The two assembled the unfinished mystery and, through notes, provide a fascinating view into the author's mind as he fashioned his literary labyrinth of mirror-stories.

An absurdly dark tragi-comedy of language and literature. Czeslaw Przęśnicki is an Eastern-European immigrant writer who survived the long toilet paper lines of communist Poland, the loss of his lover Ernest Hemingway following a passionate affair, and the beatings of the Antarctic literary community for his forays into novel-writing in their native tongue. In The Palimpsests, we find him languishing in a Belgium asylum (a country, we are persistently reminded, that has had no government for the past year), undergoing Bartlebian therapy to strip away his knowledge of any language that is not Polish, his native tongue.
Despite, or perhaps because of, its absurdity, The Palimpsests (originally written in Spanish by Polish writer Aleksandra Lun) is characterized by an unquestionable timeliness, relevant to today's discussions on immigration, senses of cultural belonging and ownership, and personal relationships to language, complicated and simple, adopted and native. Peppered with appearances by Vladimir Nabokov, Samuel Beckett, Joseph Conrad, and of course, Przęśnicki's former lover Ernest Hemingway, it is the perfect book for lovers of the art of writing.

A high-water mark of postwar German literature, a profoundly skeptical meditation on the fragility of human communities and the pitfalls and contradictions of making art.

A knocking on the barn door drags us out of our sleep. No, the knocking isn't inside us, it's outside, where the other people are. With that, six blind beggars--ragged, profane, irascible--find themselves waking to yet another grim day in the dark. Today, however, something is different. Today these men have an appointment with a painter: they have been hired as models, to pose for Pieter Bruegel's grotesque masterpiece-in-the-making.

With tremendous verbal ingenuity and black humor, Gert Hofmann's novel follows this tattered sextet's shambling progress across a landscape in 16th century Flanders, peopled by half-heard voices and unseen dangers, towards their ultimate encounter with the great, capricious artist, and (perhaps) their own immortality.

Mariano Fortuny, scion of an artistic dynasty, inventor, photographer, and costumier of genius, was a touchstone of the Belle poque: he built stages for Wagner, designed dresses for Sarah Bernhardt, and was a crucial inspiration for Proust's philosophy of memory. The list of his illustrious acquaintances range from D'Annunzio to Chaplin, from Caruso to Isadora Duncan, and in this, the first novel by Spain's Pere Gimferrer to be translated into English, they gather like actors on a stage, in Venetian palaces, in Parisian apartments, and in the village squares of the small towns of Catalonia, forming a historical tableau of the vigor and dissipation of Europe's artistic demimonde from the end of the Third Republic to the outbreak of the Second World War.