Whiskey making has been an integral part of American history since frontier times. In Kentucky, early settlers brought stills to preserve grain, and they soon found that the limestone-filtered water and the unique climate of the scenic Bluegrass region made it an ideal place for the production of barrel-aged liquor. And so, bourbon whiskey was born.

More than two hundred commercial distilleries were operating in Kentucky before Prohibition, but only sixty-one reopened after its repeal in 1933. As the popularity of America's native spirit increases worldwide, many historic distilleries are being renovated, refurbished, and brought back into operation. Unfortunately, these spaces, with their antique tools and aging architecture, are being dismantled to make way for modern structures and machinery. In The Birth of Bourbon, award-winning photographer Carol Peachee takes readers on an unforgettable tour of lost distilleries as well as facilities undergoing renewal, such as the famous Old Taylor and James E. Pepper distilleries in Lexington, Kentucky. This beautiful book also includes spaces that well-known brands, including Maker's Mark, Woodford Reserve, Four Roses, and Buffalo Trace, have preserved as a homage to their rich histories.

Using a technique known as high-dynamic-range imaging -- a process that produces rich saturation, intensely clarified details, and a full spectrum of light -- Peachee reveals the vibrant life lingering in artifacts from worn cypress fermenting tubs to extravagant copper stills. This lavish celebration of bourbon's heritage will delight whiskey aficionados, history buffs, and art lovers alike.

The motto of Berea College is God has made of one blood all peoples of the earth, a phrase underlying Berea's 150-year commitment to egalitarian education. The first interracial and coeducational undergraduate institution in the South, Berea College is well known for its mission to provide students the opportunity to work in exchange for a tuition-free quality education. The founders believed that participation in manual labor blurred distinctions of class; combined with study and leisure, it helped develop independent, industrious, and innovative graduates committed to serving their communities. These values still hold today as Berea continues its legendary commitment to equality, diversity, and cultural preservation and, at the same time, expands its mission to include twenty-first-century concerns, such as ecological sustainability.

In Berea College: An Illustrated History, Shannon H. Wilson unfolds the saga of one of Kentucky's most distinguished institutions of higher education, centering his narrative on the eight presidents who have served Berea. The college's founder, John G. Fee, was a staunch abolitionist and believer in Christian egalitarianism who sought to build a college that would be to Kentucky what Oberlin was to Ohio, antislavery, anti-caste, anti-rum, anti-sin. Indeed, the connection to Oberlin is evident in the college's abolitionist roots and commitment to training African American teachers, preachers, and industrial leaders. Black and white students lived, worked, and studied together in interracial dorms and classrooms; the extent of Berea's reformist commitment is most evident in an 1872 policy allowing interracial dating and intermarriage among its student body. Although the ratio of black to white students was nearly equal in the college's first twenty years, this early commitment to the education of African Americans was shattered in 1904, when the Day Law prohibited the races from attending school together. Berea fought the law until it lost in the U.S. Supreme Court in 1908 but later returned to its commitment to interracial education in 1950, when it became the first undergraduate college in Kentucky to admit African Americans. Berea's third president, William Goodell Frost, shifted attention toward Appalachian America during the interim, and this mission to reach out to Appalachians continues today. Wilson also chronicles the creation of Berea's many unique programs designed to serve men and women in Kentucky and beyond. A university extension program carried Berea's educational opportunities into mountain communities.

Later, the New Opportunity School for Women was set up to help adult women return to the job market by offering them career workshops, job experience on campus, and educational and cultural enrichment opportunities. More recently, the college developed the Black Mountain Youth Leadership Program, designed to reduce the isolation of African Americans in Appalachia and encourage cultural literacy, academic achievement, and community service.

Berea College explores the culture and history of one of America's most unique institutions of higher learning. Complemented by more than 180 historic photographs, Wilson's narrative documents Berea's majestic and inspiring story.

From the critically acclaimed, award-winning author of Blackberries, Blackberries and Water Street comes an astonishing new novel. A lyrical exploration of love and loss, The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness.

The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive.

Crystal Wilkinson offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love -- and love that's handed down -- can conquer. At once tragic and hopeful, this captivating novel is a story about another time, rendered for our own.

An exquisitely illustrated and heartfelt look at the traditions, history, and life of Appalachia, A is for Appalachia introduces young readers to the alphabet while providing an endearing look at a region with one of the oldest and most distinctive folk cultures in the United States. This treasured book tells the story of the Southern Appalachian Mountains by showcasing the day-to-day life of the people and their struggles, unique culture, and oral traditions.

Written with a sincere appreciation for the history of life in Appalachia, Linda Hager Pack's eloquent, educational, and even humorous introduction to the alphabet appeals to young and old alike. Featuring more than thirty bright and whimsical illustrations by Pat Banks, this collection of traditional folk tales, recipes, Jack Tales, expressions, music, and even ghost stories come to life on the page. Truly a unique journey back in time, A is for Appalachia provides an informative and entertaining representation of authentic Appalachian life.

A suicidal father looks to an older neighbor -- and the Cookie Monster -- for salvation and sanctuary as his life begins to unravel. A man seeking to save his estranged, drug-addicted brother from the city's underbelly confronts his own mortality. A chess match between a girl and her father turns into a master class about life, self-realization, and pride: Now hold on little girl.... Chess is like real life. The white pieces go first so they got an advantage over the black pieces.

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