2024 Best Book Awards; Finalist - Parenting & Family

Gather your party, it's time to level up your parenting game!
For years, millions of fans have looked to the beloved role-playing game Dungeons & Dragons for fun, friendship, and entertainment. And now parents and parents-to-be can use it to gain inspiration and how-to when it comes to their most challenging and rewarding role yet. Dungeon Masters are not just expert storytellers and arbiters of the rules, they're compassionate, creative, quick-thinking leaders who embody the same traits that make a great parent.
Where do you find an adventuring party who will have your back? What must-have starting equipment should you own before venturing into babyland? How does your gaming style reflect your parenting style? You don't have to know how to be a Dungeon Master to master parenting--just think like one. Kids may not come with rulebooks, but now their parents do.

Lucas Mann turns his attention, tenderness, self-reflection, and humor to contemporary fatherhood. He looks closely at all the joys, frustrations, subtleties, and contradictions within an experience that often goes under-discussed. At once intimate and expansive, Mann chronicles his own life with his young daughter, but also looks outward to the cultural and political baggage that surrounds and permeates these everyday experiences. Moving through memoir, lyric essay, literary analysis, and pop culture criticism, Attachments treats the subject of fatherhood with the depth, curiosity, and vivid emotion that it deserves.

A Debutiful Most Anticipated Debut Book of 2024
One of Electric Literature's Most Exciting Debut Short Story Collection of 2024
Named a Best Book of 2024 by Debutiful and Electric Literature

The stories in The Man in the Banana Trees take place in the past, present, and future--from the American Gulf South to the orbit around Jupiter. We meet teachers and students, ghosts and aliens. An ice cream consultant in the year 2036 predicts a devastating flavor trend and a disgruntled New England waiter investigates a mysterious tanker crash. Although wildly varied in setting, length, and genre, a thread of the fantastic unites these stories, as characters struggle to understand that thing lurking at the edge of their perception: something sinister, or maybe--miraculous.

This is the story of the Garrison family, who live in Lents, an outer neighborhood of Portland, Oregon. At the heart of it all, there are the three Garrison sisters: Sara, the eldest, a fiery soccer star on the precipice of pulling herself out of the life of poverty she's always known; Elaine, shy and struggling with the weight she carries both physically and mentally; and Rachel, a reader and poet whose imagination stalls at trying to picture a better life.

As the Garrisons struggle to communicate with each other, as they battle self-doubts and self-sabotage, they too draw on a fierce shared strength that allows them to push back at the reality that's been handed to them. Each Garrison fights to hold on to their dignity--often through daily acts of grace and good humor, to say nothing of quiet perseverance--and to prove to themselves and each other that they shouldn't be underestimated.

In A Potter's Workbook, renowned studio potter and teacher Clary Illian presents a textbook for the hand and the mind. Her aim is to provide a way to see, to make, and to think about the forms of wheel-thrown vessels; her information and inspiration explain both the mechanics of throwing and finishing pots made simply on the wheel and the principles of truth and beauty arising from that traditional method.

Each chapter begins with a series of exercises that introduce the principles of good form and good forming for pitchers, bowls, cylinders, lids, handles, and every other conceivable functional shape. Focusing on utilitarian pottery created on the wheel, Illian explores sound, lively, and economically produced pottery forms that combine an invitation to mindful appreciation with ease of use. Charles Metzger's striking photographs, taken under ideal studio conditions, perfectly complement her vigorous text.

It's 1970, and on the Windy Creek Reservation in South Dakota, amidst the rise of AIM in neighboring Pine Ridge, a baby boy appears nestled in a box of Styrofoam peanuts on the doorstep of St. Rose Catholic Church. His appearance disrupts the predictable, lonely life of longtime reservation priest Father Joe Kreitzer. The child, whom they name Bear, finds refuge under the care of Father Joe's closest friend and ally, Alice Nighthawk.
Thirteen years pass without event, when Alice's older son, Albert, is mysteriously murdered outside a bar in Rapid City, and Bear is accused of attempting to kill the only person who knows what happened that night. At the same time, Father Joe receives a letter from a person from his past, the only woman who made him question the path of priesthood. She has reached out to Father Joe as one of the few who might help her.
To keep Bear's case from federal prosecution, Father Joe and Alice begin a search for Bear's long-lost mother. But their journey unearths more than they bargained for, plunging Father Joe into a labyrinth of secrets and revelations. He is forced not only to confront the choices he's made and the secrets he keeps, but also to see the truth of the lives of the people around him.
High Hawk is a rich tapestry of love and history, delving into the delicate intricacies of the past and the redemptive power of second chances. Through evocative prose, the lives of those on the fringes of American culture come alive, navigating adversity and forging
connections against all odds.

2024 NBCC Award Finalist, Autobiography

A family murder kept secret, the mysterious disappearance of her father, the systematic erasing of family photographs, a turbulent relationship with her mother, layers of trauma and abuse. In Mother Archive, Erika Morillo reconciles these demons of her past by searching for and seeking out the roots of her family. Intertwining memories with archival family photographs, news clippings, film stills, and artistic images, Morillo revisits her childhood growing up in the Dominican Republic, a place and time riddled with a history of violence and a tradition of erasure.
Spanning three generations across three different countries, this memoir works as a map in which the author traces incidents in her family history to help her understand herself and her own experience as a mother.

The Body Alone is an inquiry into the experience, meaning, and articulation of pain. It is a personal hybrid account incorporating research, scholarship, and memoir to examine chronic pain through the multi-lens of medicine, theology, and philosophy. Broken bodies tell broken stories. Nina Lohman's pain experience is portrayed through a cyclical narrative of primers, vocabulary lessons, prescription records, and hypothesized internal monologues--fractured not for the sake of experimentation but because the story itself demands it.

In both form and content, The Body Alone represents boundary-pressing work that subverts the traditional narrative by putting pressure on the medical, cultural, and political systems that impact women's access to fair and equal healthcare. This is more than an illness narrative, it is a battle cry demanding change.

At the heart of Israel Rosenfield and Edward Ziff 's inquiry is the nature of brain function. The sensory world is disordered and chaotic. There are no labels for tables, chairs, or airplanes, and indeed there are no colors, sounds, or smells, only photons, airwaves, odorant molecules, and so on, which are unlabeled and impossible to know.
To make sense of this chaos, the brain must simplify the sensory inputs by creating, or inventing, the colors, sounds, smells, forms, and faces that are perceived in consciousness, which become a proxy for the chaotic world in which we live. The brain's ability to generalize and categorize these invented perceptions, and to relate them to one another, enables it to form memories, which are not fixed representations of things past, but a dynamic and malleable function of the brain that is relational.
When formation of these worlds breaks down, neurological differences arise. Although the mechanisms that transform sensory chaos into the simplified perceptions experienced in consciousness remain elusive, Rosenfield and Ziff relate what they have learned by means of imaging brain activity and by mapping the neural circuits that comprise memory traces. In addition, the authors offer perspectives for future studies of consciousness.

Jim Finley--a recently retired English teacher living alone on the shifting edge of San Francisco--has been set, unwittingly, on the back porch of life. Trying to harmonize the voices in his head, he sits most days by his stack of to-do books until, one day, his daughter comes home with the worst news of her life. Everything changes. As his broken heart reengages, he steps back into a new world. He sees his ex-wife has launched into a larger life than the one they'd shared. He is surprised to find it easier to talk to his son's immigrant girlfriend, or even the remains of a Russian saint, than to the young man he's raised. He misconnects with Carol--his first date in decades--a woman he enjoys talking with but doesn't quite hear. Set in the pre-tech calm before the turn of this century, Outer Sunset is a deeply felt story about the intimate place where long-lasting growth occurs in our lives; how we revise, or live without, our dreams; how to love the flaws of those closest to you and watch a child grow away into someone better than you'd imagined; and how to be shaken by beauty amidst unimaginable loss and remain standing.

Safe as Houses, the debut story collection of Marie-Helene Bertino, proves that not all homes are shelters. The titular story revolves around an aging English professor who, mourning the loss of his wife, robs other people's homes of their sentimental knick-knacks. In Free Ham, a young dropout wins a ham after her house burns down and refuses to accept it. Has my ham done anything wrong? she asks when the grocery store manager demands that she claim it. In Carry Me Home, Sisters of Saint Joseph, a failed commercial writer moves into the basement of a convent and inadvertently discovers the secrets of the Sisters of Saint Joseph. A girl, hoping to talk her brother out of enlisting in the army, brings Bob Dylan home for Thanksgiving dinner in the quiet, dreamy North Of. In The Idea of Marcel, Emily, a conservative, elegant girl, has dinner with the idea of her ex-boyfriend, Marcel. In a night filled with baffling coincidences, including Marcel having dinner with his idea of Emily, she wonders why we tend to be more in love with ideas than with reality. In and out of the rooms of these gritty, whimsical stories roam troubled, funny people struggling to reconcile their circumstances to some kind of American Ideal and failing, over and over. The stories of Safe as Houses are magical and original and help answer such universal and existential questions as: How far will we go to stay loyal to our friends? Can we love a man even though he is inches shorter than our ideal? Why doesn't Bob Dylan ever have his own smokes? And are there patron saints for everything, even lost socks and bad movies?

All homes are not shelters. But then again, some are. Welcome to the home of Marie-Helene Bertino.

A Vulture Best Book of 2024

In December 2018, we meet Rudy Coyle, a bar owner's son from Flushing, Queens, in the throes of a major quarter-life crisis. Cut out of the family business, he gets a Hail Mary job as a night doorman in a storied Park Avenue apartment building, where he comes under the wing of the family in 4E, the Cohens.

Jacob Jake Cohen, the fast-talking patriarch, is one of a generation of financiers who made hundreds of millions of dollars in the cutthroat taxi medallion industry in the early 2000s, largely by preying on the hopes and dreams of impoverished immigrant drivers. As Jake tries to stop the bleed from the debt crisis now plaguing his company, clawing back his assets from an increasingly dangerous coterie of Russian American associates, Rudy gets promoted from doorman to errand boy to bodyguard to something like Jake's right-hand man.

By turns a gripping portrait of corruption and a tender family dramedy, Atta Boy combines the urban cool of Richard Price with the glossy, uptown charm of Taffy Brodesser-Akner. Here is a novel richly attuned to its time and place, but with something for everyone--high-wire prose and a story wedding ripped from the headlines, social realism with the warmth, angst, and humor of its indelible voices.

In a remarkable career that has spanned nearly fifty years, Wini Moranville has witnessed the American restaurant landscape transform from the inside out. At just shy of fourteen, she began a ten-year stretch working in a kaleidoscope of quintessential midwestern eateries of the time. Moranville's hands-on experiences weave a vivid tapestry of the American restaurant landscape in the 1970s and 1980s. In the mid-1990s, the tables turned as Moranville became a prolific food and wine writer for national publications, as well as the dining critic for the Des Moines Register and dsm Magazine.
Amidst the vast changes that have occurred over the years, Love Is My Favorite Flavor underscores the timelessness of what it is we seek when we entrust restaurateurs with our hard-earned money and our hard-won leisure time. Dining out may have changed dramatically since the 1970s, but the joys of being in the hands of people who care deeply about our time at their tables have not.

At the heart of the stories in Everything Flirts are some of life's trickiest questions: Why is it so hard to make the first move on a date? How do we find the person we will love? If you finally find a person to love, how do you convince them to love you back?
With a mixture of humor and reverence, Sharon Wahl hijacks classic works of philosophy and turns their focus to love. The philosopher Wittgenstein helps us consider the limits of language: Does there exist an argument, a logical deduction, that will cause another person to love us? The philosopher Zeno's laws of motion stipulate that we can only ever cross half of any distance. This principle is applied to a first date, where making a first move becomes more and more impossible because the movie this couple goes to see is a depressing mood-killer. A woman afraid of love applies Bentham's utilitarian principles to find her perfect match, testing every man she meets until she finds one who aces every one of her tests. Nonetheless, she wonders: Is he right for her? Is she ready to fall in love forever? The sublime and the ridiculous come together to playfully examine why love just might be a topic too hard for philosophers to explain.

The Lengest Neoi embraces and complicates what it means to err--to wander or go astray; a deviation from a code of behavior or truth; a mistake, flaw, or defect. Beginning with the collection's title, which combines a colloquial Cantonese phrase (Leng Neoi / Pretty Girl) and the English suffix for the superlative degree (--est), these poems wander, deviate, and flow across bodies, geographies, and languages. In this collection from Stephanie Choi, you'll find the poet's tongue writing herself, learning to speak.

2023 Midwest Book Awards in Nonfiction - Nature, winner

In the last 200 years, Iowa's prairies and other wildlands have been transformed into vast agricultural fields. This massive conversion has provided us with food, fiber, and fuel in abundance. But it has also robbed Iowa's land of its native resilience and created the environmental problems that today challenge our everyday lives: polluted waters, increasing floods, loss and degradation of rich prairie topsoil, compromised natural systems, and now climate change.

In a straightforward, friendly style, Iowa's premier scientists and experts consider what has happened to our land and outline viable solutions that benefit agriculture as well as the state's human and wild residents.

You know, I actually think about that an awful lot, like, what is our purpose in life? Why am I here? I always think about some little kid being like, 'What'd you do with your life?' And me being like, 'Well, I sold a bunch of floors.'

These are the words of Bjarki Thor Gunnarsson, the young man who manufactures the widest, purest, most metaphorical pine floorboards on the planet.

As Matthew Clark--a carpenter by trade--begins researching a magazine-style essay about Bjarki and his American Dream Boards, he comes to discover that nothing is quite as it seems. Santa Claus arrives by helicopter. A wedding diamond disappears. A dead coyote jumps to its feet. And then, at a Thai restaurant in central Maine, Bjarki is transformed into an eggplant.

In Bjarki, Not Bjarki, Clark wants nothing less than to understand everything, to make the world a better place, for you and him to love each other, and to be okay. He desires all of this sincerely, desperately even, and at the same time he proceeds with a light heart, playfully, with humor and awe. As Clark reports on the people and processes that transform the forest into your floor, he also ruminates on gift cards, crab rangoon, and Jean Claude Van Damme. He considers North American colonization, masculinity, the definition of disgusting, his own uncertain certainty. When the boards beneath our feet are so unstable, always expanding and cupping and contracting, how can we make sense of the world? What does it mean to know another person and to connect with them, especially in an increasingly polarized America?

The language of Molly Brodak's first full-length collection, A Little Middle of the Night, is ever shifting, brightly sonic, and disarming while exploring the margin between nature and art, darkness and beauty, dreams and awakenings. As echoed in one epigraph from Emerson, these poems capture the Exact and the Vast of consciousness in intense lyric verse with an angular and almost scientific sensitivity. Here is a speaker intent on discovery: Oh whole world, we choose / another.
This award-winning collection simmers with wit as Brodak confronts tragedy, childhood losses, transcendent love, and the question of art itself. Tinged with a suffering--I was the littlest wastebasket. / I was my own church. Except-- / scared, scared--that rises above personal sorrow, her fierce and painterly poems redefine nature and art and what exists between: Lately, there is spangled shade in my space / and a cold apple orchard to tend in place of consciousness. As Reginald Shepherd said about the poems in Brodak's first collection, the chapbook Instructions for a Painting, her world is 'small enough / to sing in all directions, ' and large enough to take us there.

The poems in I Always Carry My Bones tackle the complex ideation of home--the place where horrid and beautiful intertwine and carve a being into existence--for marginalized and migrant peoples. Felicia Zamora explores how familial history echoes inside a person and the ghosts of lineage dwell in a body. Sometimes we haunt. Sometimes we are the haunted. Pierced by an estranged relationship to Mexican culture, the ethereal ache of an unknown father, the weight of racism and poverty in this country, the indentations of abuse, and a mind/physicality affected by doubt, these poems root in the search for belonging--a belonging inside and outside the flesh. This powerful collection is a message of longing for a sanctuary of self, the dwelling of initial energy needed for the collective fight for human rights.

Jessica Laser has given her generation a voice and a name in this masterful, funny, and heartbreaking collection, The Goner School. Members of this school, despairing and hopeful, count themselves among the self-aware, trauma-informed inheritors of a warming, warring planet. Childhood, the gym, plant medicine ceremonies, PhD programs, Jews, evangelicals, everyone you've slept with, Lake Michigan, the Bay Area, William James, and Taylor Swift may seem incongruous, but they all take place in one world from which, try as we might, there is no escape.