Should I buy or rent? Do I ask for a promotion? Should I tell people I'm pregnant? What salary do I deserve? Should I just quit this job? Common anxieties about life are often grounded in economics. In an increasingly win-lose society, these economic decisions--where to work, where to live, even how to live--have a way of feeling fixed and mistakes terminal.

Daryl Fairweather is no stranger to these dynamics. As the first Black woman to receive an economics PhD from the famed University of Chicago, she saw firsthand how concepts of behavioral economics and game theory were deployed in the real world--and in her own life--to great effect. Hate the Game combines Fairweather's elite knowledge of these principles with her singular voice in describing how they can be harnessed. Her great talent, unique among economists, is her ability to articulate economic trends in a way that is not just informative, but also accounts for life's other anxieties.

In Hate the Game, Fairweather fixes her expertise and service on navigating the earliest economic inflection points of adult life: whether to go to college and for how long; partnering, having kids, both, or neither; getting, keeping, and changing jobs; and where to live and how to pay for it. She speaks in actionable terms about what the economy means for individual people, especially those who have the sneaking suspicion they're losing out. Set against her own experiences and enriched with lessons from history, science, and pop culture, Fairweather instructs readers on how to use game theory and behavioral science to map out options and choose directions while offering readers a sense of control and agency in an economy where those things are increasingly rare.

Much has happened in the years since the publication of the seventeenth edition of The Chicago Manual of Style. The world has transformed, and the Manual has risen to meet the moment. The eighteenth edition of this classic guide for writers, editors, and publishers is the most extensive revision in two decades.

Every chapter has been reexamined with diversity and accessibility in mind, and major changes include updated and expanded coverage of pronoun use and inclusive language, revised guidelines on capitalization, a broader range of examples, new coverage of Indigenous languages, and expanded advice on making publications accessible to people with disabilities. The Manual's traditional focus on nonfiction has been expanded to include fiction and other creative genres in coverage of topics such as punctuation and dialogue, and the needs of self-published authors receive wider attention.

The citation chapters have been thoroughly reorganized for the benefit of new and experienced users alike, and the key concepts for editing mathematics have been integrated into the chapters where they will be most useful to generalists. Evolving technologies--from open-access publishing models to AI--are covered throughout. And naturally, there are some well-considered updates to familiar rules, including changes intended to align the Manual's recommendations more closely with real-world usage.

As with every new edition, devotees of the Manual will find much to discover and ponder.

When this book was first published it received some attention from the critics but none at all from the public. Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.

That's Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He's right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did--what we've seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest.

They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer's book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name Kronenberg. These ten men were not men of distinction, Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.

A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

With more than a million copies sold since its first publication, The Craft of Research has helped generations of researchers at every level--from high-school students and first-year undergraduates to advanced graduate students to researchers in business and government. Conceived by seasoned researchers and educators Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams, this fundamental work explains how to choose significant topics, pose genuine and productive questions, find and evaluate sources, build sound and compelling arguments, and convey those arguments effectively to others.

While preserving the book's proven approach to the research process, as well as its general structure and accessible voice, this new edition acknowledges the many ways research is conducted and communicated today. Thoroughly revised by Joseph Bizup and William T. FitzGerald, it recognizes that research may lead to a product other than a paper--or no product at all--and includes a new chapter about effective presentations. It features fresh examples from a variety of fields that will appeal to today's students and other readers. It also accounts for new technologies used in research and offers basic guidelines for the appropriate use of generative AI. And it ends with an expanded chapter on ethics that addresses researchers' broader obligations to their research communities and audiences as well as systemic questions about ethical research practices.

This new edition will be welcomed by a new and more diverse generation of researchers.

Elegantly redesigned, A River Runs through It includes a new foreword by Robert Redford, director of the Academy Award-winning 1992 film adaptation of River. Based on Maclean's own experiences as a young man, the book's two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean's own words, a little of the love I have for the earth as it goes by.

First published by the University of Chicago Press on September 18, 1944, The Road to Serfdom garnered immediate, widespread attention. The first printing of 2,000 copies was exhausted instantly, and within six months more than 30,000 books were sold. In April 1945, Reader's Digest published a condensed version of the book, and soon thereafter the Book-of-the-Month Club distributed this edition to more than 600,000 readers. A perennial best seller, the book has sold 400,000 copies in the United States alone and has been translated into more than twenty languages, along the way becoming one of the most important and influential books of the century.

With this new edition, The Road to Serfdom takes its place in the series The Collected Works of F. A. Hayek. The volume includes a foreword by series editor and leading Hayek scholar Bruce Caldwell explaining the book's origins and publishing history and assessing common misinterpretations of Hayek's thought. Caldwell has also standardized and corrected Hayek's references and added helpful new explanatory notes. Supplemented with an appendix of related materials ranging from prepublication reports on the initial manuscript to forewords to earlier editions by John Chamberlain, Milton Friedman, and Hayek himself, this new edition of The Road to Serfdom will be the definitive version of Hayek's enduring masterwork.

A work of striking originality, The Human Condition is in many respects more relevant now than when it first appeared in 1958. In her study of the state of modern humanity, Hannah Arendt considers humankind from the perspective of the actions of which it is capable. The problems Arendt identified then--diminishing human agency and political freedom, the paradox that as human powers increase through technological and humanistic inquiry, we are less equipped to control the consequences of our actions--continue to confront us today. This new edition, published to coincide with the sixtieth anniversary of its original publication, contains Margaret Canovan's 1998 introduction and a new foreword by Danielle Allen.

A classic in political and social theory, The Human Condition is a work that has proved both timeless and perpetually timely.

For one hundred and sixty-nine years, a first-person slave narrative written by John Swanson Jacobs-brother of Harriet Jacobs-was buried in a pile of newspapers in Australia. Jacobs's long-lost narrative, The United States Governed by Six Hundred Thousand Despots, is a startling and revolutionary discovery. A document like this-written by an ex-slave and ex-American, in language charged with all that can be said about America outside America, untampered with and unedited by white abolitionists-has never been seen before. A radical abolitionist, sailor, and miner, John Jacobs has a life story that is as global as it is American. Born into slavery, by 1855, he had fled both the South and the United States altogether, becoming a stateless citizen of the world and its waters. That year, he published his life story in an Australian newspaper, far from American power and its threats. Unsentimental and unapologetic, Jacobs radically denounced slavery and the state, calling out politicians and slaveowners by their names, critiquing America's founding documents, and indicting all citizens who maintained the racist and intolerable status quo.

Reproduced in full, this narrative-which entwines with that of his sister and with the life of their friend Frederick Douglass-here opens new horizons for how we understand slavery, race, and migration, and all that they entailed in nineteenth-century America and the world at large. The second half of the book contains a full-length, nine-generation biography of Jacobs and his family by literary historian Jonathan Schroeder. This new guide to the world of John Jacobs will transform our sense of it-and of the forces and prejudices built into the American project. To truly reckon with the lives of John Jacobs is to see with new clarity that in 1776, America embarked on two experiments at once: one in democracy, the other in tyranny.

This new edition filters decades of expertise into modern standards. While previous editions incorporated digital forms of research and writing, this edition goes even further to build information literacy, recognizing that most students will be doing their work largely or entirely online and on screens. Chapters include updated advice on finding, evaluating, and citing a wide range of digital sources and also recognize the evolving use of software for citation management, graphics, and paper format and submission. The ninth edition is fully aligned with the recently released Chicago Manual of Style, 17th edition, as well as with the latest edition of The Craft of Research.

Teachers and users of the previous editions will recognize the familiar three-part structure. Part 1 covers every step of the research and writing process, including drafting and revising. Part 2 offers a comprehensive guide to Chicago's two methods of source citation: notes-bibliography and author-date. Part 3 gets into matters of editorial style and the correct way to present quotations and visual material. A Manual for Writers also covers an issue familiar to writers of all levels: how to conquer the fear of tackling a major writing project.

Through eight decades and millions of copies, A Manual for Writers has helped generations shape their ideas into compelling research papers. This new edition will continue to be the gold standard for college and graduate students in virtually all academic disciplines.

• Bestselling, trusted, and time-tested advice for writing research papers
• The best interpretation of Chicago style for higher education students and researchers
• Definitive, clear, and easy to read, with plenty of examples
• Shows how to compose a strong research question, construct an evidence-based argument, cite sources, and structure work in a logical way
• Essential for anyone interested in learning about research
• Everything any student or teacher needs to know concerning paper writing

Ball's marvelous book is both wide-ranging and deep. . . . I could not put it down.--Siddhartha Mukherjee, author of The Song of the Cell and the Pulitzer Prize-winning The Emperor of All Maladies

A new, cutting-edge vision of biology that revises our understanding of what life itself is, how to enhance it, and what possibilities it offers.

Biology is undergoing a quiet but profound transformation. Several aspects of the standard picture of how life works--the idea of the genome as a blueprint, of genes as instructions for building an organism, of proteins as precisely tailored molecular machines, of cells as entities with fixed identities, and more--have been exposed as incomplete, misleading, or wrong.

In How Life Works, Philip Ball explores the new biology, revealing life to be a far richer, more ingenious affair than we had guessed. Ball explains that there is no unique place to look for an answer to this question: life is a system of many levels--genes, proteins, cells, tissues, and body modules such as the immune system and the nervous system--each with its own rules and principles. How Life Works explains how these levels operate, interface, and work together (most of the time).

With this knowledge come new possibilities. Today we can redesign and reconfigure living systems, tissues, and organisms. We can reprogram cells, for instance, to carry out new tasks and grow into structures not seen in the natural world. As we discover the conditions that dictate the forms into which cells organize themselves, our ability to guide and select the outcomes becomes ever more extraordinary. Some researchers believe that ultimately we will be able to regenerate limbs and organs, and perhaps even create new life forms that evolution has never imagined.

Incorporating the latest research and insights, How Life Works is a sweeping journey into this new frontier of the life sciences, a realm that will reshape our understanding of life as we know it.

A good book may have the power to change the way we see the world, but a great book actually becomes part of our daily consciousness, pervading our thinking to the point that we take it for granted, and we forget how provocative and challenging its ideas once were--and still are. The Structure of Scientific Revolutions is that kind of book. When it was first published in 1962, it was a landmark event in the history and philosophy of science. Fifty years later, it still has many lessons to teach.

With The Structure of Scientific Revolutions, Kuhn challenged long-standing linear notions of scientific progress, arguing that transformative ideas don't arise from the day-to-day, gradual process of experimentation and data accumulation but that the revolutions in science, those breakthrough moments that disrupt accepted thinking and offer unanticipated ideas, occur outside of normal science, as he called it. Though Kuhn was writing when physics ruled the sciences, his ideas on how scientific revolutions bring order to the anomalies that amass over time in research experiments are still instructive in our biotech age.

This new edition of Kuhn's essential work in the history of science includes an insightful introduction by Ian Hacking, which clarifies terms popularized by Kuhn, including paradigm and incommensurability, and applies Kuhn's ideas to the science of today. Usefully keyed to the separate sections of the book, Hacking's introduction provides important background information as well as a contemporary context. Newly designed, with an expanded index, this edition will be eagerly welcomed by the next generation of readers seeking to understand the history of our perspectives on science.

Sing, goddess, the anger of Peleus' son Achilleus / and its devastation. For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation--the gold standard for generations of students and general readers.

This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century--while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses--with their memorably phrased heroic epithets and remarkable fidelity to the Greek--remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book.

The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived--and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.

From a pair of male swans raising young to splitgill mushrooms with over 23,000 mating types, sex in the natural world is wonderfully diverse. Josh L. Davis considers how, for many different organisms--animals, plants, and fungi included--sexual reproduction and sex determination rely on a surprisingly complex interaction among genes, hormones, environment, and chance. As Davis introduces us to fascinating biological concepts like parthenogenesis (virgin birth), monoecious plants (individuals with separate male and female flowers), and sex-reversed genitals, we see turtle hatchlings whose sex is determined by egg temperature; butterflies that embody male and female biological tissue in the same organism; and a tomato that can reproduce three different ways at the same time. Davis also reveals animal and plant behaviors in nature that researchers have historically covered up or explained away, like queer sex among Adélie penguins or bottlenose dolphins, and presents animal behaviors that challenge us to rethink our assumptions and prejudices. Featuring fabulous sex-fluid fishes and ant, wasp, and bee queens who can choose both how they want to have sex and the sex of their offspring, A Little Queer Natural History offers a larger lesson: that the diversity we see in our own species needs no justification and represents just a fraction of what exists in the natural world.

Some things are up to us and some are not.

Epictetus was born into slavery around the year 50 CE, and, upon being granted his freedom, he set himself up as a philosophy teacher. After being expelled from Rome, he spent the rest of his life living and teaching in Greece. He is now considered the most important exponent of Stoicism, and his surviving work comprises a series of impassioned discourses, delivered live and recorded by his student Arrian, and the Handbook, Arrian's own take on the heart of Epictetus's teaching.

In Discourses, Epictetus argues that happiness depends on knowing what is in our power to affect and what is not. Our internal states and our responses to events are up to us, but the events themselves are assigned to us by the benevolent deity, and we should treat them--along with our bodies, possessions, and families--as matters of indifference, simply making the best use of them we can. Together, the Discourses and Handbook constitute a practical guide to moral self-improvement, as Epictetus explains the work and exercises aspirants need to do to enrich and deepen their lives. Edited and translated by renowned scholar Robin Waterfield, this book collects the complete works of Epictetus, bringing to modern readers his insights on how to cope with death, exile, the people around us, the whims of the emperor, fear, illness, and much more.

CUSTOMER NOTE: THE HARDCOVER IS FOR LIBRARIES AND HAS NO JACKET.

A visual exploration of the transit histories of twenty-three US and Canadian cities.

Every driver in North America shares one miserable, soul-sucking universal experience--being stuck in traffic. But things weren't always like this. Why is it that the mass transit systems of most cities in the United States and Canada are now utterly inadequate?

The Lost Subways of North America offers a new way to consider this eternal question, with a strikingly visual--and fun--journey through past, present, and unbuilt urban transit. Using meticulous archival research, cartographer and artist Jake Berman has successfully plotted maps of old train networks covering twenty-three North American metropolises, ranging from New York City's Civil War-era plan for a steam-powered subway under Fifth Avenue to the ultramodern automated Vancouver SkyTrain and the thousand-mile electric railway system of pre-World War II Los Angeles. He takes us through colorful maps of old, often forgotten streetcar lines, lost ideas for never-built transit, and modern rail systems--drawing us into the captivating transit histories of US and Canadian cities.

Berman combines vintage styling with modern printing technology to create a sweeping visual history of North American public transit and urban development. With more than one hundred original maps, accompanied by essays on each city's urban development, this book presents a fascinating look at North American rapid transit systems.

Alongside Maclean's now-canonical A River Runs through It and Other Stories, Young Men and Fire is recognized today as a classic of the American West. This twenty-fifth anniversary edition of Maclean's later triumph--the last book he would write--includes a powerful new foreword by Timothy Egan, author of The Big Burn and The Worst Hard Time. As moving and profound as when it was first published, Young Men and Fire honors the literary legacy of a man who gave voice to an essential corner of the American soul.

In this updated edition of Lakoff and Johnson's influential book, the authors supply an afterword surveying how their theory of metaphor has developed within the cognitive sciences to become central to the contemporary understanding of how we think and how we express our thoughts in language.

A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades it has helped hundreds of thousands of students learn the craft. Now in its tenth edition, Writing Fiction is more accessible than ever for writers of all levels--inside or outside the classroom.

This new edition continues to provide advice that is practical, comprehensive, and flexible. Burroway's tone is personal and nonprescriptive, welcoming learning writers into the community of practiced storytellers. Moving from freewriting to final revision, the book addresses showing not telling, characterization, dialogue, atmosphere, plot, imagery, and point of view. It includes new topics and writing prompts, and each chapter now ends with a list of recommended readings that exemplify the craft elements discussed, allowing for further study. And the examples and quotations throughout the book feature a wide and diverse range of today's best and best-known creators of both novels and short stories.

This book is a master class in creative writing that also calls on us to renew our love of storytelling and celebrate the skill of writing well. There is a very good chance that one of your favorite authors learned the craft with Writing Fiction. And who knows what future favorite will get her start reading this edition?

In this short book, celebrated biologist Marty Crump leads readers on a worldwide field trip in search of frogs. Each chapter of Frog Day covers a single frog during a single hour, highlighting how twenty-four different species spend their time. Our day begins at midnight in Indonesia, with the rustle of leaves above. It's not a bird, but Wallace's flying frog, using its webbed feet and emerald-green skin flaps to glide through the forest canopy. In the early hours of the morning, we hear a horned marsupial frog bopping and a wood frog quacking to attract mates. At six o'clock in the morning, beneath a streetlight in Honolulu, we meet a corpulent, invasive cane toad slurping insects--and sometimes snakes, lizards, turtles, birds, and mice. At noon, we watch parenting in action as an African bullfrog bulldozes a path through the mud to free his tadpoles from a drying pond. At dusk, in a Peruvian rain forest, we observe the ultimate odd couple--a hairy tarantula and what looks like a tiny amphibian pet taking shelter in the spider's burrow. Other frogs make a tasty meal for this tarantula, but the dotted humming frog is a friend, eating the ants that might otherwise make a meal of the tarantula's eggs.

For each hour in our Frog Day, award-winning artist Tony Angell has depicted these scenes with his signature pen and ink illustrations. Working closely together to narrate and illustrate these unique moments in time, Crump and Angell have created an engaging read that is a perfect way to spend an hour or two--and a true gift for readers, amateur scientists, and all frog fans.

The stars of this book, vectors and tensors, are unlikely celebrities. If you ever took a physics course, the word vector might remind you of the mathematics needed to determine forces on an amusement park ride, a turbine, or a projectile. You might also remember that a vector is a quantity that has magnitude and (this is the key) direction. In fact, vectors are examples of tensors, which can represent even more data. It sounds simple enough--and yet, as award-winning science writer Robyn Arianrhod shows in this riveting story, the idea of a single symbol expressing more than one thing at once was millennia in the making. And without that idea, we wouldn't have such a deep understanding of our world.

Vector and tensor calculus offers an elegant language for expressing the way things behave in space and time, and Arianrhod shows how this enabled physicists and mathematicians to think in a brand-new way. These include James Clerk Maxwell when he ushered in the wireless electromagnetic age; Einstein when he predicted the curving of space-time and the existence of gravitational waves; Paul Dirac, when he created quantum field theory; and Emmy Noether, when she connected mathematical symmetry and the conservation of energy. For it turned out that it's not just physical quantities and dimensions that vectors and tensors can represent, but other dimensions and other kinds of information, too. This is why physicists and mathematicians can speak of four-dimensional space-time and other higher-dimensional spaces, and why you're likely relying on vectors or tensors whenever you use digital applications such as search engines, GPS, or your mobile phone.

In exploring the evolution of vectors and tensors--and introducing the fascinating people who gave them to us--Arianrhod takes readers on an extraordinary, five-thousand-year journey through the human imagination. She shows the genius required to reimagine the world--and how a clever mathematical construct can dramatically change discovery's direction.