A long overdue account of the pioneering life and work of controversial African American Congressman Arthur Wergs Mitchell of Chicago
A Carpetbagger in Reverse offers a landmark reassessment of the life, career, and accomplishments of groundbreaking Congressman Arthur W. Mitchell, the first Black Democrat elected to Congress and the only Black member of Congress during his four terms of service from 1935 to 1943.Born to former enslaved people in Alabama in 1883, Mitchell studied with Booker T. Washington at Tuskegee Institute and later moved to Washington DC and became a lawyer. He continued his career in Chicago, where the Great Migration had helped transform the city's South Side into a vibrant, multiracial enclave.
As a congressman, Mitchell helped to create an enduring alliance between Black Americans and the Democratic party. Seeing his primary role as representing the South's disempowered Black population, his belief that solutions to the region's racial problems should arise from a new cadre of locally trained leaders brought him into frequent, vituperative conflict with the NAACP, the Republican Party, and the Black press. The first Black lawyer to argue successfully before the Supreme Court, his unanimous victory in Mitchell v. United States would have long-term consequences for the Civil Rights Movement.
A Carpetbagger in Reverse is the first publication significantly based on Mitchell's papers, an essential and often overlooked source of insights about the development of Black political and culture life in the 1930s and 1940s.
Southern Footprints celebrates more than fifty years of archaeological research along the Gulf Coast by the University of South Alabama and the Center for Archaeological Studies. Archaeologists Gregory A. Waselkov and Philip J. Carr, the former and current directors of the center, present the greatest hits that have transformed knowledge of human history on the Alabama and Mississippi Gulf Coast from the Ice Age until recently. Each archaeological site, from surface collections to premiere archaeological preserves, such as Old Mobile and Holy Ground, offers clues to the past.
The chapters in this collection are arranged chronologically and survey the history and archaeology of a wide range of significant sites, including the Gulf Shores canoe canal, Bottle Creek Mounds, Old Mobile, Fort Mims, Spanish Fort, Spring Hill College, and Mobile River Bridge.
Waselkov and Carr take care to acknowledge in these stories populations who have been historically underdocumented, now recognizing the contributions of Native Americans and African Americans that have been uncovered through archaeology. The authors reveal the dire impacts of climate change, environmental disasters, development, and neglect--and convey their urgency to protect these areas of shared history--as a result of the meticulous excavation, analysis, and preservation of artifacts from these sites. Color photographs showcase the archaeology as it unfolds, often with the help of dedicated volunteers. Southern Footprints will serve as an indispensable reference on the rich Gulf Coast heritage for all to appreciate.
Sheyann Webb was eight years old and Rachel West was nine when Dr. Martin Luther King Jr. arrived in Selma, Alabama, on January 2, 1965. He came to organize non-violent demonstrations against discriminatory voting laws. Selma, Lord, Selma is their firsthand account of the events from that turbulent winter of 1965--events that changed not only the lives of these two little girls but the lives of all Alabamians and all Americans. From 1975 to 1979, award-winning journalist Frank Sikora conducted interviews with Webb and West, weaving their recollections into this luminous story of fear and courage, struggle and redemption that readers will discover is Selma, Lord, Selma.
The Story Quilts of Yvonne Wells is an introduction and definitive guide to the self-taught quilter whose expansive body of work serves as testament to the sweeping tides of American life and Wells's significance as a major figure within the folk art and art world writ large.
Beginning when she was nearly 40 years old and without formal training, Wells created her first quilt for practical use but was soon hand stitching appliqué figures into bold, original designs that unleashed her voice as a storyteller. Incorporating a wide variety of symbolic materials and unconventional objects--anything I can stick a needle in--Wells's vivid story quilts reveal a fearless and encyclopedic vision ranging from the intimately autobiographical to iconic scenes from African American history, the Bible, Southern culture, and contemporary headlines.
The result of years of close collaboration between Stacy I. Morgan and Wells herself, The Story Quilts of Yvonne Wells is richly illustrated with more than 100 quilts accompanied by narratives about each, told in the artist's own words, and interspersed with in-depth essays documenting Wells's unique artistic practice and creative journey during her five-decade art career.
Pinpoints the persuasive strategies that typified Wells's efforts to shape broader cultural conversations concerning the causes of racial, social, and gender inequity
Born into the brutal reality of slavery, Ida B. Wells rose to become an audacious journalist, teacher, and activist for racial and gender justice. In Radical Advocate, Mary E. Triece examines the rhetorical strategies employed by Wells to challenge deeply rooted systems of oppression, strategies that remain powerful and relevant today.
Triece introduces the concept of radical embodied advocacy to give an account of Wells's unique position as a Black woman whose personal encounters with white violence were palpable, experienced physically and mentally. White men lynched Wells's friends and threatened her own life, forcing her into exile after destroying the very press on which she wrote and edited. From this perspective, Wells understood lynching as linked to white economic and political control. Through a close analysis of Wells's speeches, writings, and journalism, Triece reveals how Wells pioneered a form of intersectional journalism that centered the voices of those marginalized by race, gender, and class.
By examining Wells's work through the lens of philosophy, rhetoric, and Black feminism, Triece underscores the epistemic challenges faced by marginalized advocates and the importance of their perspectives in shaping social change. Radical Advocate ultimately positions Wells as a prophetic figure whose insights into the systemic nature of racism remain profoundly relevant in today's world.
Asks who gets the right to call themselves a good person in a morally bankrupt world
In The Flat Woman, women exclusively are blamed for the climate crisis. Seagulls drop dead from the sky, and the government, instead of taking responsibility, scapegoats a group of female ecoterrorists. When a girl's mother is incarcerated for climate crimes, she is forced to raise herself alone. As a young woman, she begins a romance with an environmental activist whose passion makes her question her own role in the world. By turns hilarious, deadly serious, and completely absurd, The Flat Woman asks who gets the right to call themselves a good person in a world ripe with disaster.Driven by complex academic and moral questions, The Flat Woman is certain to appeal to fans of feminist and experimental literature, as well as fans of Margaret Atwood, Renee Gladman, Bhanu Kapil, Maggie Nelson, Kelly Link, and Anne Carson.
A collection of 56 flash fictions, micro-essays, and contemporary fables about the burden on women and families
The Pillow Museum is a collection of 56 flash fictions, micro-essays, and contemporary fables set in various simulacra of our world. Claire Bateman's gorgeous prose captures the imagination with closely observed details of people and places that are startlingly familiar yet unreal, where nothing can be taken for granted, including narrative logic: It was snowing the night they had the fight about the glass piano whose music provided all the light in the house.
In an authoritative voice that offers no apologies or justifications, The Pillow Museum evokes a closely observed slipstream strangeness that refuses to take any moment or detail for granted--a fruitful, delirious disruption.
Illuminates how algorithms, intertwined with human biases, damage political discourse and civic engagement
Algorithmic Worldmaking is an urgent exploration of the dynamic relationship between algorithms that encode their human creators' assumptions and the humans whose choices are shaped by these algorithms in search engines, social media, and other digital spaces. Transcending discussions of one or the other, Jeremy David Johnson traces the corrupting political and social influences that arise from their mutual interaction.
Johnson uses the concept of kosmos in its sense of a dynamic order to frame the interplay between algorithms, humans, and their environments. He first shows how algorithms, far from being objective or unbiased, perpetuate human errors. Johnson then suggests a framework of four parts--navigation, exploration, maintenance, and monetization--to map the variety of political consequences to a society influenced by these four factors.
Citing controversies at major platforms such as Google, YouTube, and Facebook, Johnson demonstrates how algorithms limit and shape human thought. He makes several persuasive arguments. First, algorithms and humans share agency but humans have exceptional responsibility. Second, the algorithmic kosmos mirrors and shapes social oppression. Third, algorithms incentivize capitalist exploitation. Last, these influences damage democratic deliberation.
This landmark study is essential for scholars and students of political science, media studies, and those interested in the perilous implications of algorithmic systems on civic and political life.
Weaves the author's own four-month cross-country sojourn in a VW van with thoughts on travel narratives across the history of American literature
In Driving Lessons, Christopher B. Strain sets out on a quintessential American road trip, exploring not just the roads and byways of the country but the road trip's place in American culture. Strain dives into the well of American travel writing, illuminating fascinating aspects of the road trip, such as how race, class, and gender shape the experiences of road trippers.
In the summer of 1998, amid a professional crisis of confidence, Strain settled on a plan to reconnect with both himself and the country he studies. He purchased a 1972 Volkswagen Westfalia van and set off on his own cross-country odyssey. In the weeks that followed, he ruminated on his own ongoing journey alongside great journeys from the past and how they reveal the heart of the traveler as well as the landscape of the nation.
Visiting archives and landmarks across the United States, Strain's journey became a parallel to the stories he studied--an opportunity to see and experience the cities, national parks, and monuments that define US history. Driving Lessons is a compelling blend of literary analysis and memoir, offering readers an insightful and heartfelt reflection on the enduring power of the American road trip.
A timely and lively summary and analysis of the Supreme Court's justifications for overruling nearly 300 prior rulings in its history
An audacious US Supreme Court is overturning a number of long-standing precedents, and Overturned offers a lively account of the court's history of overturning prior cases and examples and analyses of 300 cases overruled in its history. The immense controversy surrounding the case of Dobbs v. Jackson Women's Health Organization in 2022, which overruled Roe v. Wade and erased the constitutional right to abortion in the United States, has focused public attention on how and why the Supreme Court knocks down long-established precedents. In his vivid and accessible style, scholar Clarke Rountree recounts the rhetorical pirouettes and linguistic acrobatics the court has deployed to explain its reversal of Dobbs and numerous other landmark decisions. He reviews strategies the court uses to undermine a previous court's standing without undermining its own. He analyzes overrulings across time, by type (constitutional cases versus statutory and common law cases), by the ages of the overturned precedents, with changes in the court's membership, and through other variables. Rountree gives engrossing accounts of pivotal overrulings in the past, such as when Lincoln's Treasury Secretary Salmon Chase used the Legal Tender Act in 1862 to raise money for the Civil War then ruled the same law unconstitutional in 1870 when he served as chief justice. Rountree retells Thomas Edison's attempt to monopolize the burgeoning film industry, which was stopped only when the Supreme Court overturned an earlier patent-rights case in 1917. Finally, Rountree applies his myriad insights to the politically fraught Dobbs case. Overturned makes a valuable contribution to law, rhetoric, politics, and history, and readers interested in the role and function of America's highest court will find Rountree's account fast-paced, lively, and engaging.To an American, oligarchy is something that happens somewhere else. In Oligarchy in America, Luke Winslow reveals oligarchy's deep intellectual roots and alarming growth in America. The book provides conceptual tools the lack of which have prevented Americans from recognizing oligarchy at home.
Winslow argues that generic labels like billionaires for a class of ultra-rich masks the pervasive structures that entrench their power. He introduces instead the concept of democratic oligarchy--an institutional arrangement in which the ultra-rich form a class consciously creating and leveraging state power to accumulate wealth.
Like a master class in political ideas, Winslow traces the intellectual lineage of oligarchy in the US. His lively and compulsively readable survey examines key rhetorical sources such as Herbert Spencer, Andrew Carnegie, Friedrich Hayek, Lewis Powell, Milton Friedman, Charles Koch, Donald Trump, Tucker Carlson, and others.
Oligarchy in America maps the connective web of oligarchic ideas uniting these disparate figures. By offering a lucid framework through which to view oligarchic ideas ambient in American culture, Winslow makes a vital contribution to readers and scholars of communication and rhetorical studies, public address, economics, and political science.