What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Azem's powerfully imaginative novel. Set in contemporary Tel Aviv forty eight hours after Israelis discover all their Palestinian neighbors have vanished, the story unfolds through alternating narrators, Alaa, a young Palestinian man who converses with his dead grandmother in the journal he left behind when he disappeared, and his Jewish neighbor, Ariel, a journalist struggling to understand the traumatic event. Through these perspectives, the novel stages a confrontation between two memories. Ariel is a liberal Zionist who is critical of the military occupation of the West Bank and Gaza, but nevertheless believes in Israel's project and its national myth. Alaa is haunted by his grandmother's memories of being displaced from Jaffa and becoming a refugee in her homeland. Ariel's search for clues to the secret of the collective disappearance and his reaction to it intimately reveal the fissures at the heart of the Palestinian question.

The Book of Disappearance grapples with both the memory of loss and the loss of memory for the Palestinians. Presenting a narrative that is often marginalized, Antoon's translation of the critically acclaimed Arabic novel invites English readers into the complex lives of Palestinians living in Israel.

Most people know of Valhalla, the World-Tree and the gods of Norse mythology, or the strange hunts and voyages of the ancient lrish tales. Yet few people realise the significance of the similarities and contrasts between the religions of the pre-Christian people of north-western Europe.

The Celts and Germans and Scandinavians had much in common in their religious practices and beliefs, and this is the first serious attempt that has been made to compare them. There are striking resemblances in their ideas about battle-goddesses and protective spirits, holy places, sacrificial rituals, divination and ideas about the Other World; and Myths and Symbols in Pagan Europe poses questions like: do such parallels go back to early times or are they owing to late Viking contact?

Hilda Ellis Davidson has worked for many years on pre-Christian Scandinavian and Germanic religion and now compares them with the Celts from the background of previous studies, using evidence from archaeology, iconography, later literature and folklore, in a search for basic patterns which will add to our knowledge of the early peoples in Europe.

Aimed at teachers and libraries but also accessible to students of history, religion and Celtic, Norse and German languages and cultures.

On March 27, 1933, representatives from across the American religious spectrum came to Madison Square Garden, united in a shared purpose to speak out against the rise of fascism in Germany and Adolph Hitler's seizure of power. This rally--the first of several held at the Garden before, during, and after World War II--represents an unexplored moment of Jewish and Christian relations, challenging assumptions about Christian leaders' indifference to the Jewish plight and their guilt as the realities of the Holocaust came to light. In Uncommon Allies, Alan Shore uses an impressive range of primary and secondary sources, including English and Yiddish newspapers of the time and neglected histories of various religious organizations, to shine a light on these pivotal rallies.

From the groundbreaking 1933 rally to a series of events in 1943 as the reality of Hitler's Final Solution came to light, and ending in a postwar rally in 1945, as religious groups struggled with finding a way to help displaced and struggling Jews, Shore unearths the united religious front in the face of the horror of Nazism. Each rally is vividly presented and analyzed in terms of its background, planning, execution, content, and press coverage. Tracing the impact of these rallies through the years, Shore draws a clear line to the partnership between Christian and Jewish Zionists and the rhetorical use of Judeo-Christian values.

First serialized in the journal The Dark Blue and published shortly thereafter in the short story collection In a Glass Darkly, Le Fanu's 1872 vampire tale is in many ways the overlooked older sister of Bram Stoker's more acclaimed Dracula. A thrilling gothic tale, Carmilla tells the story of a young woman lured by the charms of a female vampire.

This edition includes a student-oriented introduction, tracing the major critical responses to Carmilla, and four interdisciplinary essays by leading scholars who analyze the story from a variety of theoretical perspectives. Ranging from politics to gender, Gothicism to feminism, and nineteenth-century aestheticism to contemporary film studies, these critical yet accessible articles model the diverse ways that scholars can approach a single text. With a glossary, biography, bibliography, and explanatory notes on the text, this edition is ideal for students of Irish and British nineteenth-century literature.

Of all the groups of wild mushrooms, none have engendered more enthusiasm and affection than the boletes. Their inherent beauty, abundance, and, for many, culinary appeal have firmly established them in the hearts of mushroom hunters around the world. The habitats, geographic distribution, and ecology of boletes--including the intriguing relationships they have with trees and shrubs--only add to their interest.

Boletes of Eastern North America, Second Edition offers readers a comprehensive field guide, providing extensive descriptions and more than 450 rich color photographs. Each species listing includes the most recent scientific name with existing synonyms; common names when applicable; and an overview with field impressions, similar species, and detailed information about habitat, fruiting frequency, and geographic distribution. Updated and expanded from the previous release to incorporate new photos and an improved, more readable layout, this is an indispensable resource for mycologists, mushroom hunters, foragers, and cooks alike.

As universities rethink their approaches to student and faculty mental health, this volume showcases academics who openly and proudly embrace the identity of Mad scholar. In twenty-three essays--from contributors working in nearly a dozen disciplines and across three continents--Mad Scholars explores how neurodivergent scholars' work and lived experiences are richer because of their difference, not in spite of it. In doing so, these essays both expose the deep-rooted ableism that undergirds traditional mental health interventions and envision a more rigorous, more inclusive, and more outward-facing future for scholarly community and engagement, within and outside traditional academia.

A long-awaited corrective by scholars accustomed to having their stories told for them, this collection draws on Mad perspectives at the intersection of various marginalized identities, boldly dreaming of a future where all students and educators can thrive. By offering concrete steps and strategies that radically reimagine the current academic landscape, Mad Scholars opens our eyes to much-needed innovations in research, pedagogy, and community, ones which promise to transform higher education and create vital paths for scholarly innovation.

Edith Wharton's The Decoration of Houses (1897), co-written with the architect Ogden Codman Jr., brought transatlantic fame to a writer best known as a chronicler of Gilded Age New York. In their decorating guidebook, Wharton and Codman, who collaborated on the design of the author's Massachusetts home, The Mount, advocated for simple but classically informed choices that resonate profoundly today. The book crystallizes what Wharton found to be troubling in Americans' enthusiasm for ostentation at the turn of the twentieth century--the late Victorian equivalent of the modern McMansion.

This annotated edition includes a comprehensive introduction that provides relevant biographical information on Wharton, as well as her literary work and how her perspectives on homeownership and décor informed her writing. The reproduction of the book's original illustrations alongside new annotations allows readers to visualize how Wharton's aesthetic preferences informed her writing, life, and charitable works. Valuable to Wharton scholars as well as students of design, The Decoration of Houses presents a definitive look at the tastes of a literary icon.

Traditional Anishinaabe (Ojibwe or Chippewa) knowledge, like the knowledge systems of indigenous peoples around the world, has long been collected and presented by researchers who were not a part of the culture they observed. The result is a colonized version of the knowledge, one that is distorted and trivialized by an ill-suited Eurocentric paradigm of scientific investigation and classification. In Our Knowledge Is Not Primitive, Wendy Makoons Geniusz contrasts the way in which Anishinaabe botanical knowledge is presented in the academic record with how it is preserved in Anishinaabe culture. In doing so she seeks to open a dialogue between the two communities to discuss methods for decolonizing existing texts and to develop innovative approaches for conducting more culturally meaningful research in the future.

As an Anishinaabe who grew up in a household practicing traditional medicine and who went on to become a scholar of American Indian studies and the Ojibwe language, Geniusz possesses the authority of someone with a foot firmly planted in each world. Her unique ability to navigate both indigenous and scientific perspectives makes this book an invaluable contribution to the field of Native American studies and enriches our understanding of the Anishinaabe and other native communities.

A collection of poems by Palestinian poet Mahmoud Darwish. The poems range from dreamy reflections to bitter longings for the Palestine that was lost when Israel was created in 1948.Mahoud Darwish has published more than thirty books of petry and prose. He is the recipient of many international literary awrds and his work has been translated into more thant twenty-two languages.

Here is one of the classics of modern Gaelic literature--the autobiography of Peig Sayers, a remarkable woman who lived forty years at the edge of survival on barren Great Blasket Island, and who came to be recognized as one of the last of Ireland's traditional storytellers.

Here is a story as unforgettable as it is simple. It reveals with fidelity, humor, and poignancy a woman's life in a bleak world where survival itself was a triumph and death as familiar as life. Peig said of her son Tomás, who was killed in a fall from a clifftop: Instead of his body being out in the broad ocean, there he was on the smooth detached stone. . . . laid out as expertly and as calmly as if twelve women had tended him. Her own farewell to life had the same clear-eyed simplicity: People will yet walk into the graveyard where I'll be lying; I'll be stretched out quietly and the old world will have vanished.

Peig died in 1958, when she was 85. She is buried a short distance from the townland where she was born, above the sea on the Dingle Peninsula, within sight of the Great Blasket Island.

Through this American edition, Peig will reach a new international audience. As Eoin McKiernan, President of the Irish American Cultural Institute, notes in his introduction, Peig has the quality of honesty and sincerity, of life lived at the bone. Long loved in Ireland, this autobiography will now be seen for what it truly is--one of the great heart-cries of the Irish people.

Castleman and Podrazik present a season-by-season narrative that encompasses the eras of American television from the beginning in broadcast, through cable, and now streaming. They deftly navigate the dizzying array of contemporary choices so that no matter where you start on the media timeline, Watching TV provides the context and background to this multi-billion-dollar enterprise. Drawing on decades of research, the authors weave together personalities, popular shows, corporate strategies, historical events, and changing technologies, enhancing the main commentary with additional elements that include fall prime time schedule grids for every season, date box timelines, highlighted key text, and selected photos.

Full of facts, firsts, insights, and exploits from now back to the earliest days, Watching TV is the standard chronology of American television, and reading it is akin to channel surfing through history. The fourth edition updates the story into the 2020s and looks ahead to the next waves of change. This new edition is the first to also be available in a digital format.

The Adirondack Atlas offers a detailed geographic portrait of the largest protected area in the contiguous United States and the largest region of protected temperate forests in the world. Generously illustrated-complete with 450 full-color maps and 250 figures, graphs, tables, charts, and scientific drawings-this volume covers 130 topics on the six-million-acre Adirondack Park. As the first book of its kind, it is both a work of art and an authoritative reference.

The Park has a complex history. It is one of the only parks in the world to combine large wilderness areas with extensive private lands and a substantial residential population. Jerry Jenkins explores this connection between the wild and human communities within a protected landscape. As he maps out the diverse and ever-changing environment--the recreational growth, conflicts between users, development, pollution, and climate change--he highlights elements that threaten to alter the Park and undo the protection it now enjoys.

Jenkins includes old stories of fur routes and battles, log drives and Shea engines; new stories about school taxes and education, conservation easements and local economies, artistic ferment and social ills, about healthy towns, dying trees, and deer harvests. As a comprehensive and standard resource, the Atlas captures the full scope of the park's topographic, hydrographic, and ecological history for a wide audience of geographers, historians, and Adirondack enthusiasts.

It is 1946. World War II is over. As the rest of Europe struggles to rebuild itself, Greece--which had bitterly resisted Nazi occupation--is ripped apart by civil war. Thousands are dead or dying of starvation. In the face of such epic disaster, one Greek athlete takes valiant action.

This is the true story of Stylianos Kyriakides, champion Greek runner who against all odds entered the 1946 Boston, Marathon, a race he had lost eight years before. Now Kyriakides ran not just to win, but to wake the world to the plight of his people.

Although ravaged by hunger, Kyriakides pushed his wracked body to the limits. Boston doctors urged him to quit. You will die in the streets, they warned. Fueled by dauntless devotion to his countrymen and bolstered by the love of his wife, the runner persevered and triumphed.

But winning the marathon was only the first step. With characteristic grit, Kyriakides remained in the United States long enough to raise money, equipment, and medical supplies for his country. A grateful Greece proclaimed him a hero. Nearly one million welcomed him home.

Drawing on interviews and unprecedented access to family photos and papers, the authors vividly chronicle the real-life drama of Kyriakides: a runner who raced not for gold or glory, but for the betterment of his people and the survival of his homeland.

From the shadowy Berlin Olympics to the dark days of Nazi Greece and its aftermath, Running with Pheidippides speaks vividly of war and deprivation, of athletic competition and camaraderie, of genuine valor in a world bereft of heroes.

For those of us who were young and Greek-American, recalls former Massachusetts Governor Michael Dukakis, his victory in the 1946 Boston Marathon and the response of so many Americans to his pleas for help for his people was one of the most searing experiences of our young lives.

At the turn of the twentieth century, New York City philanthropist, arts patron, and scholar Archer M. Huntington became the foremost collector and face of Spanish art in the United States with the founding of the Hispanic Society of America. This organization, which served as a bridge between artists in Spain and wealthy patrons in the States, was the culmination of a lifetime of scholarship and passion for Spanish culture for Huntington, one he would grapple with throughout his public and intellectual life.

In Archer M. Huntington: Founder of the Hispanic Society of America, Patricia Fernández Lorenzo offers, for the first time in English, a complete biography of Huntington, tracing his enthusiasm for Spain and the arts from his childhood, to his marriage to sculptor Anna Hyatt and his crisis of conscience in the wake of the violence of the Spanish Civil War. Drawing heavily from Archer's correspondence and from Anna Hyatt Huntington's papers, housed at Syracuse University, Fernández Lorenzo offers a full, deeply human portrait of one of the great patrons of Spanish art, giving a comprehensive look at Huntington's role in defining Hispanicism in the United States.

In 1517, the Ottoman Empire had finally defeated the Mamluk Sultanate in Egypt, completing their conquest of the Middle East and turning Egypt into a province of the Ottoman Empire. While much has been documented about the Mamluk period until 1517, publication on the historical record about the sixteenth century reveals little from distinctly Egyptian perspectives. In Empires in Friction, Nelly Hanna explores this transitional period and provides insight into the intricate dynamics of imperial control and political transition.

With an original approach to understanding empire, Hanna challenges traditional narratives that emphasize the centralization of power and the dominance of the capital. Instead, she proposes a nuanced paradigm that focuses on the imperial problem of distance, the autonomy of provinces, and the continuity of local customs and economic activities across different imperial regimes.

Hanna dives into the financial, economic, and commercial domains where Ottomanization happened. In each, the new ruling power faced challenges in understanding the existing processes, but ultimately the ability of Egyptian merchants to prosper under Ottoman rule shows how Egypt remained under the Ottomans for so many centuries. Hanna deftly demonstrates the strain and areas of conformity in transferring from one imperial system with specific traditions to another. Fused together through the continuation of provincial operation, the Mamluk and Ottoman rules are not observably differentiable during the sixteenth century as the periphery operates at an arm's length from the Ottoman capital.