Red and green chiles share the spotlight with delectable sweets in these easy-to-follow recipes. The reader will find many useful hints and interesting variations on familiar dishes, all happily perfected by generations of the Ortiz family. The Ortiz tradition of New Mexican cooking brought raves from patrons of La Mancha Restaurant in Galisteo, New Mexico and these family recipes are now shared with you in this collection of flavorful Southwestern dishes. ...the restaurant that had the most wonderful New Mexican food I've every tasted. -Los Angeles Times, ...such is the fame of these and other Ortiz dishes that visitors from all over the world made a detour to their restaurant from Santa Fe. -St. Louis Dispatch

Hiking New Mexico's Chaco Canyon is a guidebook for informed hikers who want a substantive yet accessible guide to hiking and camping at Chaco Canyon in New Mexico, a World Heritage Site that the Zuni, Hopi, Acoma and other pueblos consider their ancestral homeland. The guide offers advice about what to bring to the canyon, information on camping at Chaco's Gallo Campground, and personal accounts of hiking Downtown Chaco and the longer, sometimes remote mesa trails. Included is a summary of the canyon's history before, during, and after the Ancestral Puebloan occupation, as well as an overview of current research in the canyon and a bibliography for those who want to learn more. One thousand years ago Chaco Canyon was a metropolis of massive stone structures at the center of Chaco culture. The book also includes maps and over fifty of the author's photographs.

Sayings and proverbs are priceless verbal traditions for all to share. And everyone has a favorite. They are unique because in a few words, a deeply serious message can be woven. It is impossible to read proverbs and sayings without learning something important, and perhaps feeling that each one was written especially for you. The proverbs and sayings in this book cause a glow that makes you want to return to them again and again. Also included are rhymes (chiquillados), riddles (adivinanzas), beliefs (creencias) and a bibliography. The Spanish/English text is set in dictionary format for easy reading. A must for those interested in Spanish culture.

The owner of a prestigious art gallery is found murdered in his gallery on Canyon Road, the artistic center of old Santa Fe. Turns out Sonny Davis had been shot several times by a pistol registered to Ruby Montez, who happens to be one of Detective Fernando Lopez's oldest and best friends. When Ruby calls Fernando from the downtown police station and asks him to find the real killer, Fernando launches an investigation into the sexual entanglements of the bawdy characters who surround Sonny. What he discovers confounds him. Not only has Ruby's gun exchanged hands multiple times, absolutely everyone associated with Sonny considers him a sexual predator and wishes him dead. Everyone wanted to kill Sonny Davis.

Who built the mysterious spiral staircase in the little chapel at Loretto Inn in Santa Fe, New Mexico? Was it a master craftsman or the work of good St. Joseph? Archbishop John B. Lamy had the chapel, patterned after the Sainte-Chapelle of Paris, built for the Sisters of Loretto and the young ladies of the academy. When the school closed after more than a century of outstanding service, the site was sold. Old and new owners agreed that the chapel, and the famous staircase, must be preserved for its beauty and peace--now and in the future.

Winter in Taos starkly contrasts Luhan's memoirs, published in four volumes and inspired by Marcel Proust's Remembrances of Things Past. They follow her life through three failed marriages, numerous affairs, and ultimately a feeling of being nobody in myself, despite years of psychoanalysis and a luxurious lifestyle on two continents among the leading literary, art and intellectual personalities of the day. Winter in Taos unfolds in an entirely different pattern, uncluttered with noteworthy names and ornate details. With no chapters dividing the narrative, Luhan describes her simple life in Taos, New Mexico, this new world she called it, from season to season, following a thread that spools out from her consciousness as if she's recording her thoughts in a journal. My pleasure is in being very still and sensing things, she writes, sharing that pleasure with the reader by describing the joys of adobe rooms warmed in winter by aromatic cedar fires; fragrant in spring with flowers; and scented with homegrown fruits and vegetables being preserved and pickled in summer. Having wandered the world, Luhan found her home at last in Taos. Winter in Taos celebrates the spiritual connection she established with the deep living earth as well as the bonds she forged with Tony Luhan, her mountain. This moving tribute to a land and the people who eked a life from it reminds readers that in northern New Mexico, where the seasons can be harshly beautiful, one can bathe in the sunshine until 'untied are the knots in the heart, ' for there is nothing like the sun for smoothing out all difficulties. Born in 1879 to a wealthy Buffalo family, Mabel Dodge Luhan earned fame for her friendships with American and European artists, writers and intellectuals and for her influential salons held in her Italian villa and Greenwich Village apartments. In 1917, weary of society and wary of a world steeped in war, she set down roots in remote Taos, New Mexico, then publicized the tiny town's inspirational beauty to the world, drawing a steady stream of significant guests to her adobe estate, including artist Georgia O'Keeffe, poet Robinson Jeffers, and authors D.H. Lawrence and Willa Cather. Luhan could be difficult, complex and often cruel, yet she was also generous and supportive, establishing a solid reputation as a patron of the arts and as an author of widely read autobiographies. She died in Taos in 1962.

Bataan, the last bastion stemming the Japanese tidal wave across the Pacific, was about to fall. In the midst of crashing bombs and depleted stores, the vastly outnumbered lines broke and commands disintegrated. Only one unit, 'Old Two Hon'erd, a small band of New Mexico National Guardsmen, remained intact. With only rifles, a few rounds of ammunition, and an unshakable esprit de corps, they prepared to die but not surrender. In her award-winning history, Dorothy Cave follows the members of a small unit who played a key role in this pivotal moment in history. They were the first unit to fire when the Japanese struck. They guarded the bridges of the strategic retreat as all others crossed into Bataan to make the now-famous stand. They were the last to lay down arms, and did so only when ordered by the high command. Then followed the Death March, starvation, and brutality of Japanese POW camps and Hell Ships. Laughing at their captors, they sabotaged the Japanese war machine at every chance. They were still fighting in Uncle Sam's army and only half returned. Amid human depravity, described in graphic detail, they kept their faith, honor, and a profound love of their country. Theirs is a legacy of courage and something beyond. Dorothy Cave's literary credits include two Southwest Writers' Awards, the Simon Scanlon Award, and the International Literary Award. She has served as historical consultant for two film documentaries on the Battle of Bataan and the ensuing POW experience, and appears in both films as commentator. This book, now, classic, is widely regarded as the definitive volume on the subject. Cave's other books, all from Sunstone Press, include Four Trails to Valor, Mountains of the Blue Stone, Song on a Blue Guitar, and God's Warrior: Father Albert Braun, O.F.M., Last of the Frontier Priests.

Here, in a highly readable style, is a lively chronicle of the Navajo people from prehistory to 1868. It is a sympathetic history of a great people who depended on their tenacity and creative adaptability to survive troubled times. The hardships and rewards of early band life, encounters with the Pueblos that revolutionized Navajo culture, the adversity of Spanish colonization, the expansion of Navajo land, the tragic cycle of peace and war with the Spanish, Mexican, and American forces, the Navajo leaders' long quest to keep their people secure, the disaster of imprisonment at Fort Sumner-all combine to express the relevancy of Navajo history to their people today. This book with its extensive archival illustrations and photographs weaves a complex but understandable story in which Navajos changed the future of the Southwestern United States. * * * * * Lawrence D. Sundberg taught for many years among the Navajo in Arizona and has a solid background in not only education and curriculum development, but in Navajo history, language and culture. He has also created materials for Navajo students in Navajo literacy, Navajo as a second language, and Navajo culture and ethnohistory. Mr. Sundberg holds a bachelor's degree in Anthropology from California State University, Fullerton, and a master's degree in Bilingual Education from Northern Arizona University. He is also the author of Red Shirt, The Life and Times of Henry Lafayette Dodge, from Sunstone Press.

From 1914 to 1955 there were at least forty-eight Greek immigrant-owned businesses located in and around downtown Santa Fe. These businesses were mainly restaurants and cafés, but they also included candy shops, pool halls, grocery stores, cigar stores, bars, and a bakery. This book takes you on a walking tour in and around downtown Santa Fe, pointing out the historic locations of these Greek immigrant-owned businesses. This book also provides historical background on the Santa Fe Plaza and on the Greek immigrants and their families, making an important contribution to the history of Santa Fe and to Greek-American studies.

This book explores the world of contemporary American Indian Art in the Southwest, a subject that has long been overlooked-until now. At the heart of the book is how these artists are trapped in a world over which they have little control. If they paint what the tourists expect them to paint, such as Indians on horseback hunting buffalo, then they're going to find gallery representation and sell work. Conversely, if they paint the subject of their choice (like Anglo artists do), they have a hard time finding a gallery and making sales. Native Genius tells the compelling stories of some of these indigenous artists and how they've found a way to flourish and create works of great substance.

Rude, raucous and often funny in a newsroom, Larry McCoy has stuck to that winning combination in this memoir covering his life from an inexperienced writer at UPI to news director at CBS Radio to a retired journalist who is as appalled as non-journalists by what many news organizations consider news these days. Too old to be hired again now, he pokes fun at former employers and many of their products and practices. He denounces performance reviews, the U.S. media's obsession with the British royal family, broadcasters who talk down to their audience, journalists who make up stories, know-nothing bosses, and a universe where virtually everyone feels the need to tweet. Never comfortable swimming with the tide, McCoy says the best journalist he ever met didn't even finish high school and that newswomen may ask better questions than newsmen. As a public service to workers in all professions, he provides guidelines on how to write a smart, snappy note to your boss and, if that doesn't do the trick, to your boss's boss. But he has kind words for writers, producers, overseas stringers, desk assistants, technicians and, yes, even a few anchors. McCoy was a writer, editor, and producer at UPI, ABC, CBS and Radio Free Europe. While a manager at CBS, the radio newsroom won two treasured Peabody Awards. He wrote or edited copy for some of the biggest names in broadcasting, including Walter Cronkite, Dan Rather, Ed Bradley, Charles Osgood, Dallas Townsend, Douglas Edwards, Christopher Glenn and Ted Koppel and has a story or two about each of them. LARRY McCOY grew up in Indiana and lives on Long Island, New York with his wife, Irene, also a writer. More than half a century ago, a radio station owner told him, Sarcasm doesn't go in a small market. He's still trying to prove her wrong.

This series of line drawings by legendary Santera (saint-maker) Marie Romero Cash, depict many of the popular saints painted by the santeros of the eighteenth and nineteenth centuries in Northern New Mexico. The saints have always been an integral part of the culture, Marie says, so much so that in the eighteenth and nineteenth centuries in New Mexico the art of the religious folk art of the santero became a part of its history. In creating this coloring book, my goal was to not only impart knowledge about the santero culture, but to provide images that could be colored in by children or adults, and could also be used for many other purposes, including embroidery or various decorative arts. Each full-page image is suitable for coloring by children at playtime or in a classroom setting. Easy to read information on many popular patron saints is included, as is the feast day of each saint. Teachers will find this coloring book a valuable teaching tool. There is also an author preface and an article about Marie Romero Cash by well-known journalist, Kay Lockridge. Born in Santa Fe, Marie Romero Cash has been a Santera (saint-maker) for over thirty years. Her award-winning works are in major museums and private collections throughout the United States, Mexico, Africa and The Vatican. She has written several books and magazine articles on the culture and religion of Northern New Mexico and has lectured widely on the subject for the New Mexico Endowment for the Humanities.

A mysterious note is slipped under Scott Hunter's door late at night. It turns out to be a plea from an unknown person wanting to meet him late the following night. With much trepidation, he meets the person in a darkened building in Santa Fe's Railyard District. Scott is faced with a beautiful, terrified, woman who convinces him that her life is in danger. Before she can give details, their conversation is cut short by a loud noise in the building. She hands Scott a frightening note she has received, asks him to meet again the following night, and rushes out. The next night, Scott enters the pitch-dark restaurant where no one responds to his calling out. He is shocked when he stumbles over a dead body in the restaurant kitchen. As he works on the case, Scott uncovers greed, jealousy, lust, and even lunacy as motivations for this homicide. The most unlikely suspects emerge, including some of the Santa Fe's well-known business leaders and exemplary chefs. During his inquiries, Scott's own life is threatened, motivating him to act quickly to find the murderer. Includes Readers Guide

Outside a saloon in Evanston, Wyoming on July 2, 1889, a Cheyenne elder, Nahkohemahta'sooma, which means Spirit Bear in English, confronts Johnny Redarrow, the son of Johnny Redfeather, the principal character of Raven Mountain: A Mythic Tale, the previous book in the author's Green River Saga. Spirit Bear, who also calls himself Nesemoo'o, or Spirit Guide, urges Redarrow to abandon his job as a railroad mechanic and begin a search for his father's spirit. Nesemoo'o and Redarrow venture first to Eagle Canyon, where Johnny Redfeather is buried, and where Redarrow finds his father's arrows. They then travel to Redfeather's cabin on Raven Mountain, where Redarrow senses his father's spirit. They meet Mary White Eagle, the only surviving daughter of Tall Bull, a Cheyenne chief, at Fort Laramie. Guided by his father's spirit, Redarrow agrees to participate in a Cheyenne ritual of spiritual renewal, accompanied by Mary White Eagle. Includes Readers Guide.

Jack Lacy, a decorated Marine sniper now working as a professional assassin, arrives in Santa Fe with a contract to kill a government official. When the hit has to be cancelled, the employer demands that Lacy return the sizeable advance he was given. Lacy refuses. In response, Lacy's employer contracts Silva Archivada, the head of the Sinaloa Cartel in New Mexico, to force Lacy to return the advance or face the consequences. Private Investigator Fernando Lopez finds himself drawn into the bloody war that develops between Lacy and the Sinaloa Cartel in the streets of Santa Fe.

In September, 1922, the internationally known British writer D. H. Lawrence arrived with his wife, Frieda, at the railroad station in Lamy, New Mexico. They had traveled from Australia to San Francisco, then to Lamy, to come to Taos at the invitation of Mabel Dodge Sterne, later Mabel Dodge Luhan, the patroness of arts and culture in Taos. It was the beginning of an intense, sometimes strained, relationship. Mabel, daughter of a well-to-do Buffalo, New York family, had a long history of cultivating arts and letters, surrounding herself with famous artists and writers in her salons in Florence, Italy and in New York City. She continued her support of literature and the arts in Taos. Lawrence encouraged Mabel to write about her own exciting life and, while back in Italy in 1925, continued corresponding with Mabel and edited manuscripts she sent to him. Her book, Lorenzo in Taos, is written loosely in the form of letters to and from D. H. Lawrence, Frieda Lawrence, and Robinson Jeffers, the celebrated poet who had been a guest of Mabel's in Taos, with references to Dorothy Brett and Spud Johnson among others. The book is a highly personal and most informative account of an intense relationship with a great writer. It is an important work and its reprinting is welcomed by scholars and those of us who have come increasingly to respect Mabel's contributions in the world of arts and letters through her support of many individuals and her own creative spirit. Born in 1879 to a wealthy Buffalo family, Mabel Dodge Luhan earned fame for her friendships with American and European artists, writers and intellectuals and for her influential salons held in her Italian villa and Greenwich Village apartments. In 1917, weary of society and wary of a world steeped in war, she set down roots in remote Taos, New Mexico, then publicized the tiny town's inspirational beauty to the world, drawing a steady stream of significant guests to her adobe estate, including artist Georgia O'Keeffe, poet Robinson Jeffers, and authors D. H. Lawrence and Willa Cather. Luhan could be difficult, complex and often cruel, yet she was also generous and supportive, establishing a solid reputation as a patron of the arts and as an author of widely read autobiographies. She died in Taos in 1962.

It's hard to be romantic in the twenty-first century. Personal encounters and thoughtful letters have given way to terse emails and unintelligible text messages. The divisiveness that pervades today's social conversation chills the romantic spirit and limits the special moments that inspire true romance. The sensibilities of lovers, young and old, have become increasingly cautious and cynical, diminishing romantic instincts and expectations of loving relationships. It's past time to return to traditional values. This book is a retrospective about true love found and lost in the sway of the love generation and explains why those experiences have meaning and value in the twenty-first century. It demonstrates how poetry can inspire hope and passion for those in search of romanticism. Its central message is that hope lies in the journey, whether one is navigating the chaos of the love generation or the artificial intelligence of the modern world.

It has been said that mineral and rock collecting is one of the most popular hobbies throughout the world and one that can be very rewarding and pleasurable for both the serious collector and for the weekend amateur. This guide was compiled to spread the collecting word and to share the localities in the Land of Enchantment. It has a detailed listing of collectable New Mexico minerals, agates and petrified wood and includes over 125 collecting sites and how to get to them as well as 32 county maps indicating collecting locations. The authors have also noted access problems, such as private property, government lands and the necessity for four-wheel drive vehicles, and they have provided the reader with collecting and safety tips. The listings are divided by counties, then localities with the rocks and minerals that can be collected there. There is also a cross-referenced index of localities, maps and minerals.

In 1826 a seventeen-year-old Christopher Kit Carson ran away from his job as apprentice to a saddler in Franklin, Missouri and joined a merchant caravan bound for Santa Fe in the far Southwest. The flight marked his entry into the pages of history. In the decades that followed, Carson gained renown as a trapper, hunter, guide, rancher, army courier, Indian agent, and military officer. Along the way, his varied career as a frontiersman elevated him to the status of a national hero, on a par with Daniel Boone. In 1856, while at home with his family in Taos, New Mexico, Kit (being illiterate) dictated his autobiography, which dealt with the innumerable adventures he had experienced to that point. However, some of the most significant episodes in his life would unfold in the ensuing years, leading up to his death in 1868. Since Taos artist and writer Blanche Chloe Grant first edited and published the Carson manuscript in 1926, it has become the central source for all subsequent biographers. In 1935 Milo Milton Quaife annotated another edition under the title of Kit Carson's Autobiography, published by Lakeside Press of Chicago, and afterward reprinted by the University of Nebraska Press. Western historian Harvey Lewis Carter followed suit with publication of the most heavily edited version yet, with his 'Dear Old Kit': The Historical Christopher Carson (Norman: University of Oklahoma Press, 1968). Sunstone Press by electing to bring back into print Miss Grant's original 1926 book, regarded perhaps as the handiest of the three published versions, calls attention anew to this pioneering memoir of the celebrated Kit Carson.