Steeped in nostalgia, this beautiful, diverse and definitive collection features posters from over 20 countries with work by over 150 art directors and illustrators

The most comprehensive overview of movie posters ever published, 1001 Movie Posters is a definitive coffee-table volume from world authority on the art form, Tony Nourmand. Spanning more than a century of global imagery, the book celebrates the most arresting, aesthetically powerful examples of the genre, including a number of posters that have never been published before.
There has always been a raw immediacy to film posters: provoking and enticing, shocking and seducing audiences across the threshold of the movie theater. The artists tasked with communicating that have been at the forefront of design: groundbreaking visionaries such as Saul Bass and Paul Rand; Eastern European artists using poetic, surreal and often disturbing imagery in highly original and subversive concepts. Other poster artists have woven contemporaneous movements in art and popular culture into their designs, creating a time capsule of the obsessions and concerns of a different era.
Iconic posters for films such as Metropolis, The Man with the Golden Arm, Breakfast at Tiffany's and Goldfinger sit alongside more unexpected and lesser-known artwork for films such as 2001, Star Wars, Taxi Driver and The Birds. Nearly all cinematic movements are included, from early silent masterpieces through German Expressionism, film noir of the 1940s, 1950s science fiction, the psychedelic imagery of the 1960s, the gritty violence and retribution of the 1970s and 1980s, and then onward into the 21st century, where the stripped-back graphics nod back to the Bass minimalism of the 1950s.
An extraordinary visual compendium, 1001 Movie Posters is the final word on movie posters and a must for film lovers and anyone interested in the power of advertising and design.

How Black culture reinvented and subverted the Ivy Look

Named one of the best books of 2021 by The Financial Times

From the most avant-garde jazz musicians, visual artists and poets to architects, philosophers and writers, Black Ivy: A Revolt in Style charts a period in American history when Black men across the country adopted the clothing of a privileged elite and made it their own. It shows how a generation of men took the classic Ivy Look and made it cool, edgy and unpredictable in ways that continue to influence today's modern menswear.
Here you will see some famous, infamous and not so famous figures in Black culture such as Amiri Baraka, Charles White, Malcolm X, Martin Luther King Jr., James Baldwin, Miles Davis, John Coltrane and Sidney Poitier, and how they reinvented Ivy and Prep fashion--the dominant looks of the time. The real stars of the book--the Oxford cloth button-down shirt, the hand-stitched loafer, the soft shoulder three-button jacket and the perennial repp tie--are all here. What Black Ivy explores is how these clothes are reframed and redefined by a stylish group of men from outside the mainstream, challenging the status quo, struggling for racial equality and civil rights.
Boasting the work of some of America's finest photographers and image-makers, this must-have tome is a celebration of how, regardless of the odds, great style always wins.

Page, Plant and Jones have collaborated with Reel Art Press to publish the first illustrated book celebrating 50 years since Led Zeppelin formed

Led Zeppelin by Led Zeppelin is the first and only official illustrated book ever to be produced in full collaboration with the members of the band. Celebrating 50 years since their formation, this definitive 400-page volume charts the group's unparalleled musical career from the very first performance in a tiny club, to their performance at London's O2 Arena, when 20 million fans broke the world record for highest demand for tickets for a single concert.

The book features over 300 photographs--many seen here for the first time--of Jimmy Page, Robert Plant, John Paul Jones and John Bonham from photographers around the world, and photographs from the band members' personal collections. The band are seen on and off stage, in candid moments and in the recording studio. Accompanying the photographs is rare and unseen artwork from the Led Zeppelin archives, and fascinating documents and images from the Atlantic Records vaults.

Once Upon a Time in the West was the movie that made me consider filmmaking.-Quentin Tarantino

Sergio Leone's film Once Upon a Time in the Westset out to be the ultimate Western--a celebration of the power of classic Hollywood cinema, a meditation on the making of America and a lament for the decline of one of the most cherished film genres in the form of a dance of death. With this film, Leone said a fond farewell to the noisy and flamboyant world of the Italian Western, which he had created with A Fistful of Dollars and sequels, and aimed for something much more ambitious--an exploration of the relationship between myth (Once Upon a Time...), history (...in the West) and his own autobiography as an avid film-goer. This would be a horse opera in which the arias aren't sung, they are stared. Once Upon a Time has since inspired several generations of filmmakers worldwide. Its combination of film about film with an angry historical epic, told with great style, has resonated for half a century, and its reputation has steadily grown. This book, by the world-renowned authority on Sergio Leone, Christopher Frayling, includes revealing personal interviews with all the key players involved in the movie (in front of the camera and behind it) a wealth of never-before-published documents, designs and photographs, and the latest research into the making of a masterpiece, shot by shot. It is introduced with a foreword by Quentin Tarantino. This year is the 50th anniversary of Once Upon a Time in the West and this richly illustrated book is a suitably spectacular birthday tribute.

Compiled writings and interviews from the director who pioneered the spaghetti Western film genre

Between the worldwide box-office success of his Dollars trilogy and his untimely death in April 1989 at the age of 60, Sergio Leone gave several interviews to selected film journalists. He also wrote a series of thoughtful essays about his cinematic influences such as Charlie Chaplin, Federico Fellini, Henry Fonda, Robert Aldrich and John Ford. To accompany his final film, Once Upon a Time in America (1984), he published several articles about his obsessive quest to make the film and how it eventually happened. Most of these writings have never before appeared in English; as a collection they have never before appeared anywhere. Sergio Leone by Himself, compiled by Leone's acclaimed biographer Christopher Frayling, gathers all his significant interviews, essays and articles to create a director's-eye view of a body of work that over the past half century has had a decisive influence on world cinema. The book is illustrated with previously unseen photographs, posters and related ephemera from the Leone family collection and the Angelo Novi archive, both now housed in the Cineteca in Bologna.
The architect of cinema's American West, Sergio Leone (1929-89) did not speak English. His spaghetti Westerns were filmed in Italy and Spain and received both critique and acclaim for their violence, grittiness and camera work. Leone is best remembered for his two trilogies'' of films: the Dollars trilogy starring Clint Eastwood and his Once Upon a Time films.
Christopher Frayling is the leading scholar on the life and legacy of Sergio Leone and is the author of his bestselling biography, Something to Do with Death. He served as rector of the Royal College of Art from 1996 to 2009 and as chairman of Arts Council England from 2005 to 2009. As Sergio Leone once said to him, it took an Englishman to take my films seriously.

The legacy of denim in America, as seen through early FSA photographs of blue collar workers

There is perhaps no other fabric so inextricably associated with a country as is denim with the United States of America. First popularized by Levi's iconic jean designs in the mid-1800s, denim quickly became the material of choice for working-class Americans, spurring an influx of other brands making workwear with the durable and ubiquitous fabric--from Wrangler and Lee to OshKosh and Carhartt. In the 1950s, denim moved from a work fabric to leisurewear. A large part of this transition was a new generation trying to connect with the rugged, patriotic spirit that the ordinary worker had come to symbolize after the onset of World War II.
This volume traces the origins of this shift through a compendium of photos, drawn primarily from the archive of the Farm Security Administration (FSA), featuring American workers in denim. In both black and white and color, we see ordinary American laborers in the fields, dam construction workers, women toiling on the Chicago railroad, unemployed miners and steelworkers preparing the country for war, all donning denim overalls, jeans, jackets and shirts.
The selection of 250 images represents an incredible feat of curation, drawing from an archive of over 170,000 images containing well-known stories and untold histories, but which has never been looked at through the prism of fashion history before. The images have all been rescanned from the original negatives and are reproduced here in exquisite quality such that the details of the denim--the heft of the weave, white stitching stark against indigo, cuffed hems--appear startlingly modern.

The official book on Queen, one of the greatest ever rock bands, photographed by one of the greatest ever rock photographers--with text by Brian May and Roger Taylor and intimate accounts from Neal Preston revealing the stories behind the pictures

Neal Preston is one of the most prolific and highly regarded rock photographers of all time. He began working with Queen in the mid 1970s as their tour photographer. He was present on the legendary South America tour in 1981, Live Aid in 1985, and the band's last tour with Freddie Mercury in 1986, among others. Brian May has commented, Neal just has the knack, the skill, to always be in the right place at the right time.

This official book, produced in collaboration with the band, features over 200 images and is an exhilarating ride through their years on the road together. It is the first time Preston and Queen have collated this work in one volume: glimpses of life backstage, live performances, post-performance highs and lows, and outtakes--many of which have never been seen before--are accompanied by memories and anecdotes from Preston with forewords by Queen guitarist Brian May and drummer Roger Taylor. The pages vibrate with a palpable energy.

The authoritative portrait of the bestselling metal classic, with unseen photographs from the recording sessions and tours

Following its release in August 1991, Metallica's landmark self-titled album--better known by fans as the Black Album--debuted at number one in ten countries and spent four consecutive weeks at the top of the Billboard 200. It has since become one of the bestselling albums of all time, selling more than 35 million copies worldwide, spawning numerous singles and earning various industry accolades, including a Grammy, MTV and American Music Awards. The tour that accompanied it was equally gargantuan, with the band clocking in nearly 300 shows in three years.

Official photographer Ross Halfin was in the recording studio with the band and documented the tour that followed. Between 1991 and 1993, he shot thousands of film rolls of the hectic performing schedule and many unique portrait sessions, backstage documentary-style photography, rehearsals, interviews and band meetings. This official Metallica book features many previously unpublished images, with introductions by Ross Halfin, James Hetfield, Lars Ulrich, Kirk Hammett, Jason Newsted and Robert Trujillo. Printed with a metallic silver jacket with block-foil lettering, it is an epic celebration of one of rock's greatest creations.

Ross Halfin is one of the world's leading photographers and has been photographing Metallica since 1984 and has traveled with the band to every continent and almost every country in the world, covering every aspect of the band's career: in the studio, backstage, on the road and at home. He has photographed almost every major artist and continues to work and travel as first choice photographer for the biggest bands in the world.

The very best portrait photography of the film-noir era, with previously unpublished images from beloved gems such as The Night of the Hunter and Sweet Smell of Success

With its singular focus on the very best portrait photography of the 1940s and 1950s Hollywood film noir era, every page of this coffee-table volume is rich in brooding atmosphere. The portraits gathered here, of actors such as Rita Hayworth, Orson Welles, Humphrey Bogart, Lauren Bacall, Barbara Stanwyck, Robert Mitchum, Jane Greer, Gene Tierney, Burt Lancaster, Ava Gardner, Jack Palance, Joan Crawford and Richard Widmark, were taken by premier studio photographers such as Robert Coburn, Ernest Bachrach and A.L. Whitey Schafer. Their remarkable ability to exaggerate the play of shadow and light to dramatic effect is the reason that their work still has the same ability to arrest the viewer as it did in the 1940s. The photographs remain some of the most innovative and striking portraits in the history of cinema.

Carefully curated, the photographs are taken from the collection of MPTV, one of the world's most exclusive archives of entertainment photography. The book includes many previously unseen images, including hitherto unpublished outtakes from The Night of the Hunter (1955) and Sweet Smell of Success (1957); and classic moments from films such as Gilda (1946), Double Indemnity (1944), The Lady from Shanghai (1947) and celebrated B-noirs such as Gun Crazy (1950) and The Hitch-Hiker (1953). Reel Art Press' exquisite print quality serves to emphasize the timeless power of the black-and-white studio portraiture.

An unmissable gift book, A Small Book of Jewish Comedians is a perfect (please God) post-pandemic pick-me-up

A New York Times Book Review 2021 holiday gift guide pick

In 1978, Time magazine estimated that around 80 percent of professional American comics were Jewish, and Jewish humor remains a foundation stone of American popular culture and humor. This book is not intended as a definitive tome but is instead a joyful and irreverent celebration of great photography and some of the greatest one-liners of the 20th century, ripe in satire, anecdote, self-deprecation and irony.
Featuring photographs of comedians such as Larry David, Fran Lebowitz, Mel Brooks, Sid Caesar, Lenny Bruce, Rita Rudner, Joan Rivers and George Burns, the book's portraits are accompanied by one-liners such as: Outside of a dog, a book is a man's best friend. Inside of a dog, it's too dark to read. (Groucho Marx); When I was a boy the Dead Sea was only sick. (George Burns); It was a Jewish porno film ... one minute of sex and nine minutes of guilt. (Joan Rivers); You know who wears sunglasses inside? Blind people and assholes. (Larry David); I am not the type who wants to go back to the land; I am the type who wants to go back to the hotel. (Fran Lebowitz).

The definitive collection of Leonard Freed's acclaimed photographs of the New York police department during the turbulent 1970s

Magnum photographer Leonard Freed worked alongside the New York police for several years, documenting the gritty reality of life on the beat at a notorious time of soaring crime and great social unrest, with the city near bankruptcy. Of his near-decade with the police department, Freed observed that What I saw were average people doing a sometimes boring, sometimes corrupting, sometimes dangerous and ugly and unhealthy job. His nuanced essay has a poignancy and grace, capturing the camaraderie of officers alongside the people they are hired to protect.

Freed accompanied the NYPD on murder investigations, drug raids, public demonstrations and community outreach initiatives, as well as documenting the ordinary daily grind of the job. This reedited and redesigned take on Freed's original 1980 book features several unseen photographs from the archive. It is a celebration of this complex and compassionate body of work, which has a social resonance and relevance in today's climate.

Born in Brooklyn, New York, photojournalist Leonard Freed (1929-2006) rose to prominence for his portrayal of societal and racial injustices, particularly in relation to the black community during the American civil rights movement in the 1960s. He is also renowned for his numerous insightful photo essays on the Jewish community in Amsterdam and Germany, the Yom Kippur War, Asian immigration in England, North Sea oil development, Spain after Franco and his essays on the New York police department in the 1970s, among others.

A century of classic vampire cinema--in posters, stills and artwork--from Murnau to True Blood and beyond

This visual feast celebrates classic vampire cinema--mainstream and niche--through the many colorful ways in which the key films have been marketed and consumed.
F.W. Murnau's haunting film Nosferatu had its premiere in Berlin in March 1922. Bram Stoker's widow, Florence, tried hard to sue the production company for breach of copyright but had to settle in the end for a court order to destroy all prints and negatives. The film kept resurrecting, though, and is now considered the first, and one of the greatest, of all vampire movies--the founder of a dynasty of prints of darkness.
The bloodline has spread from Nosferatu to Hollywood's Dracula and progeny (1931-48); from Hammer's Dracula/Horror of Dracula and sequels (1958-74) to versions of Sheridan Le Fanu's story Carmilla and other lesbian vampires (1970-2020); from the bestselling novels 'Salem's Lot and Interview with the Vampire to vampires who have shed their capes, hereditary titles and period trappings to become assorted smalltown oddballs, addicts, delinquents, psychopaths, rednecks, fashionistas, gay icons, comedians and even comic-book heroes (1975-2022).
This book is dripping with stills, posters, artworks, press books--many of which have not seen the light of day for a very long time--and is authored by cultural historian and connoisseur of the Gothic Christopher Frayling, who has been called the Van Helsing de nos jours.
Christopher Frayling (born 1946) is a recognized authority on Gothic fiction and horror movies. His study Vampyres (1978, 1990, 2016) and his classic four-part television series Nightmare: The Birth of Horror (1996) have helped to move Gothic horror from margin to mainstream. He is the author of Frankenstein and Once upon a Time in the West.

A visual feast, these images recount the diverse and historic journey of the Black film industry from the earliest days of Hollywood to the present day

This magnificent volume is a celebration of the first 100 years of black film poster art. A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to the present day, accompanied by insightful accompanying text, a foreword by black history authority and renowned academic Henry Louis Gates, Jr. and an afterword by Hollywood director Spike Lee. These posters have meaning for young and old alike, and possess the power to transcend ethnicity. They capture the spirit and energy of an earlier time, reminding people of the pioneers of the past, those courageous and daring African American filmmakers, entertainers and artists whose dreams and struggles paved the way for future generations. The wealth of imagery on these pages is taken from the Separate Cinema Archive, maintained by archive director John Kisch. The most extensive private holdings of African-American film memorabilia in the world, it contains over 35,000 authentic movie posters and photographs from over 30 countries. This stunning coffee table book represents some of the archive's greatest highlights.

The ultimate backstage pass: a photographic inside look at the making of the pioneering hip hop documentary Rhyme & Reason

In the mid-1990s, documentary filmmaker Peter Spirer embarked on a three-year odyssey to create a realistic portrait of hip hop, interviewing over 80 artists. Spirer captured a seminal moment as the culture balanced on the cusp of the mainstream. As Ice-T comments in the introduction to the book, Rhyme & Reason is one of the few films that was there to document us before hip hop truly exploded.
While filming, Spirer took stills using a medium-format Rolleiflex camera. These photographs form The Book of Rhyme & Reason. Spirer writes: The Rollei allowed me to capture some amazing moments: Puffy getting a trim in his office while doing three tasks at once, Biggie opening record plaques on his couch, Ice-T and Mack 10 hanging with their homies, Heavy D at the barber, playing pool. There was the Jack The Rapper convention with Death Row making a statement, at a Disney World Hotel, that ended in chaos. There were magical moments such as Redman and Erick Sermon freestyling on the mic to amazed onlookers at a block party in Newark and watching Wu-Tang Clan chop it up on the block in Staten Island on a cold winter's day before they exploded.
This coffee-table volume features over 130 of Spirer's photographs from 1994 to 1997. As hip hop commemorates its 50th anniversary in 2023, it is particularly fitting that many of these images from this formative period are being published for the first time.
Peter Spirer (born 1963) is an Academy Award- and Emmy Award-nominated director and producer. His catalog of over 32 films includes Rhyme & Reason (1997), Tupac Shakur: Thug Angel, Life of an Outlaw (2002), the BEEF series (2003-5), Notorious B.I.G.: Bigger Than Life (2007) and The Legend of 420 (2017).

A deluxe visual treasure trove of photographs, letters, diaries and more from the iconic fashion model, photographer, wife of George Harrison and Eric Clapton, and one of the most famous muses of the 20th century

Pattie Boyd (born 1944) was at the epicenter of the London music and pop-culture scene in the 1960s and 1970s. Pattie Boyd: My Life in Pictures features over 300 photographs and artworks, with Boyd sharing full and intimate access to her personal archive for the first time. Former wife of George Harrison and Eric Clapton, Boyd is famously the inspiration for Harrison's Something and Clapton's Layla and Wonderful Tonight. Boyd's love of photography developed around the time of her marriage to Harrison. She documented their life together, and later also her second marriage to Clapton, capturing a vast archive of images not just as part of two of the most famous marriages of all time, but also documenting their close friends and contemporaries, including Twiggy, David Bailey, Mick Jagger, Billy Preston and the Beatles.
Boyd's archive also includes letters from her marriages and from friends, including John and Yoko. It includes diary entries, artifacts and artworks, most famously the original Layla album cover painting by Emile Frandsen. It features extensive photographs from her early modeling career for Vogue and Vanity Fair among other publications, giving a fascinating snapshot into the sea change that occurred in the modeling industry from the postwar demure black-and-white approach to the psychedelic, short-skirt, swinging '60s. It includes portraits and photographs of Boyd taken by some of the greatest photographers of the 20th century, such as David Bailey, Eric Swayne, Terence Donovan, Robert Freeman and Robert Whitaker. The pictorial feast is further animated by Boyd's accompanying stories and recollections.

The Ramones knocked me over like an atomic wind. --Danny Fields

Danny Fields first saw the Ramones play at CBGBs in New York in 1974, and instantly offered to manage them, also setting them up with a record deal. Originally published in a rare limited edition, My Ramones features more than 200 photographs from Danny's personal collection of one of the most loved and well-known bands from the last four decades.

Danny managed the band from the ground up, accompanying them across Europe and America, while also photographing them at work with fans and during more informal moments. Taken between 1975 and 1977, Field's photographs offer a rare insight into the lives of the band on tour, backstage and recording their first album. The images are further brought alive by his accompanying commentary and memories and recollections from Michael Stipe, Seymour Stein and David Johansen. This is a unique and special volume of a mythical time.

A legendary manager, publicist, journalist and label exec, Danny Fields (born 1941) was at the heart of every significant movement in rock music for two decades and was present for for the birth of punk in both America and the UK. He was a significant player in launching the careers of the Doors, the Ramones, the MC5, the Stooges and others, and was the ultimate scenester of the '60s and '70s, hanging out with Warhol, Nico, Linda McCartney, Edie Sedgwick, Alice Cooper and Lou Reed. In a recent documentary on his life, Danny Says, Alice Cooper remarked that he seemed to be at the pulse of the underground, and Iggy Pop observed that Danny's a connector, he's a fuel line, a place where things are liable to erupt.

I want the reader at the end of this book to feel like they've just spent a year on the road with Zeppelin with one day off, then six months with Guns 'n' Roses, with one day off and then five years with Bruce Springsteen. Exhilarated and exhausted. -Neal Preston

Neal Preston is one of the greatest rock photographers of all time. Exhilarated and Exhausted is a no-holds-barred complete retrospective of his 40-year career. Produced in collaboration with Preston, this book marks the first time he has allowed unrestricted access to his legendary archive, which is considered one of the music industry's most significant and extensive photo collections.

This exceptional volume is a who's who of rock royalty. Preston was the official tour photographer for Led Zeppelin, Queen, Bruce Springsteen and The Who, and has also extensively shot The Rolling Stones, Fleetwood Mac, Michael Jackson and many more. The book includes his portraits, backstage moments, live performances, post-performance highs and lows, and outtakes.

Preston's photographs vibrate with a palpable and inimitable intensity. He is a true insider, and the images are brought alive by his accompanying text--a mind-bending insight into life on the road as a rock-'n-roll photographer.

Los Angeles-based Neal Preston (born 1952) is considered the greatest rock photographer alive today. His career spans more than 40 years and his archive is one of the music industry's largest and most significant photo collections. He has worked extensively with almost everyone in rock music, including Led Zeppelin, Queen, The Who, The Rolling Stones, Springsteen, Fleetwood Mac and many more.

Marilyn Manson behind the scenes and onstage, in classic and previously unpublished images by his foremost portraitist

I often get asked, 'Who was your favorite person to photograph?' or 'Who is the best person you've photographed?' says photographer Perou. It's always 'Marilyn Manson.' Which is just as well, considering how many times I've photographed him. Perou has been photographing Marilyn Manson since a 1998 magazine cover shoot. Twenty-one years of collaborating have resulted in this unique book, featuring over 350 photographs including previously unpublished work, conceptual portraits, onstage and informal behind-the-scenes images, giving a rare insight into Manson's world.

The accompanying text is formed from conversations between the two, discussing the work and their friendship--funny, honest and at times a raw reflection on their individual histories and collaboration. Manson comments, I just remember the first time you showed up you had more rings than me. You look still, and did at the time, like you were going to be in that movie Romper Stomper: bomber jacket, high laced boots, fully British, barely understandable. Manson later reflects, I became automatically comfortable around you and that's the most important part. This rapport and mutual respect for each other's artistry is evident in the work. Of his favourite subject, Perou muses, Probably all music photographers wanted to be in a band ... I've always enjoyed dressing up and used to enjoy being the center of attention. Sometimes that's been a problem, when you turn up looking cooler than the 'talent, ' but I never turned up looking cooler than Marilyn Manson, ever.

British photographer Perou (born 1970) is one of the world's leading portrait photographers. He has worked with many famous bands, artists and personalities, such as Al Gore, Gillian Anderson, David Attenborough, Led Zeppelin, Coldplay, Damien Hirst, David Beckham, Jay-Z, Missy Elliott, the Spice Girls, Tracey Emin and U2.

A diaristic compendium of Hurn's digital missives, spanning his momentous 60-year career

Magnum's David Hurn (born 1934) is one of Britain's most influential documentary photographers, noted for his portrayal of ordinary people in their everyday lives. In 2016, Hurn started an Instagram account to share photography tidbits: technical tips, book recommendations, exhibitions and work that he found interesting. His engagement with the app has become progressively intimate, as evinced in his reflections on photographs from his 60-year career and his own mortality. On his feed, scrollers can find photographs from the Hungarian revolution in 1956, the set of the Beatles' A Hard Day's Night in 1964, trips to Arizona in the 1970s and '90s as well as Halloween celebrations in his local Welsh village during the pandemic.
This compendium collates these individual posts from the past seven years, underscoring Hurn's generosity as a teacher and his willingness to authentically share his course as a photographer.