AUTHOR OF THE INSTANT NATIONAL BESTSELLER, JAMES - AUTHOR OF ERASURE, now adapted for the screen as the OSCAR-WINNING FILM, AMERICAN FICTION - Percival Everett is diving back into poetry with his spellbinding new collection, SONNETS FOR A MISSING KEY
One of the most profoundly talented writers of all time.--Robin Coste Lewis, winner of the National Book Award for Poetry - VERDICT For enthusiasts of Percival's writing.--Library Journal - Your favorite writer's writer.--Entertainment Weekly - Percival Everett is poised for a big year.--The Wall Street Journal - Percival Everett puts cherry on top of novels with new book of sonnets.--Pasadena Star-News - Wry and epigrammatic.--Publisher's Weekly - A mesmerizing collection that transcends the boundaries of conventional poetry.--Amsterdam News
Inspired by the Preludes of Chopin and the piano solos of Art Tatum, these sonnets leap and turn through philosophical musings accrued across a life well lived, with inventive language, crystalline imagery, and turns of phrase that lift off the page and glimmer. Everett's sonnets soar through the musical scale, from A Minor to A Major, exploring relationships, spirituality, compassion, despair, and how the stories we tell ourselves shape our realities.
Everett continuously defies convention with every creative expression and brings his literary audacity back to his poetic roots with this, his sixth collection with Red Hen Press.
Sonnets for a Missing Key is a mesmerizing feat of language that reinforces Percival Everett as one of the great wordsmiths of the century.
AUTHOR OF THE BESTSELLER, ZABELLE - AUTHOR OF THE NEW YORK TIMES REVIEWED, ALL THE LIGHT THERE WAS - In vivid, poetic prose, Nancy Kricorian's The Burning Heart of the World tells the story of a Beirut Armenian family before, during, and after the Lebanese Civil War.
You won't be able to put this book down.--Marie Myung-Ok Lee, author of The Evening Hero - vivid, reverberating life.--Aram Saroyan, author of Still Night in L.A.
Returning to the fabular tone of Zabelle, her popular first novel, Kricorian conjures up the lost worlds and intergenerational traumas that haunt a family in permanent exile. Leavened with humor and imbued with the timelessness of a folktale, The Burning Heart of the World is a sweeping saga that takes readers on an epic journey from the mountains of Cilicia to contemporary New York City.
A Professional Lola is a collection of short stories that blend literary fiction with the surreal to present the contemporary Filipino American experience and its universal themes of love, family, and identity. A family hires an actress to play their beloved grandmother at a party; a couple craving Filipino food rob a panaderya; a coven of Filipino witches cast a spell on their husbands; a Lolo transforms into a Lola. These are just a few of the stories in the collection that represent its roster of stories beautifully grounded in culture and vividly and meticulously painted to make the absurd seem mundane and the commonplace, sinister. A Professional Lola embodies the joy, mystery, humor, sadness, hunger, and family that inhabit modern-day Filipino American virtues.
An impulsive, madcap, and newly concussed young woman comes of age as she navigates her Ghanaian American identity, her relationships, and the muddled landscape of history, memory, imagination, and delusion.
Twenty-four-year-old Akosua is easily knocked off her feet. When she falls and hits her head, she's too preoccupied with her latest dramas to fully absorb the shock. In the span of three months, she has broken up with her boyfriend Wisdom, discovered that her deadbeat dad has moved back to the States from Ghana, and dropped so many classes that she believes she's the only history grad student in the history of grad students to be registered for just one partial-credit class. Instead of facing her problems, Akosua seeks distraction in Daniel, a good Ghanaian man. But as her head injury worsens, she questions whether she can continue to run away from her father any more than she can keep ignoring her brain and its traumas. Vibrant, funny, and bittersweet, Blood on the Brain is a novel about the complications of family, romance, and culture--and how coming of age can feel like a blow to the head.
Don't look back.
Did Eurydice want to return from the underworld? Did anybody ask?
In this brilliant portrait of rage and resilience, a Korean woman tries to connect with her younger brother and grapple with family tragedy through bedtime stories that weave together Greek mythology, neuroscience, and tales from their grandmother's slipping memory.
Recasting the myths of Eurydice, Orpheus, Persephone, and Hades through the lens of a Korean American family, Eunice Hong's debut novel offers a moving and darkly funny exploration of grief, love, and the inescapability of death.
In her second collection, My Infinity, Didi Jackson continues her exploration of the paradoxical meaning of a world where joy and sorrow simultaneously coexist.
These poems investigate both sacred and natural spaces. Her poems move grief and emotional suffering to language as a site of recovery and renewal. Much of this collection is ordered around the work of the Swedish visual artist Hilma af Klint. As the first artist to arguably use abstraction, her radical work brims with enigmatic botanical images painted to grasp the seemingly boundless and hermetic realm of the dead. Similarly, Jackson's poems explore plant life and natural species in the Green Mountains of Vermont, where perceived thresholds blur in acts of spiritual reimagining. This is a book that questions all that is endless, all that has been thought as limiting, and all that remains unknown.
*Recommended in the New York Times*
A Punishing Breed, the first in a series of novels featuring Detective DJ Arias, is a murder mystery that takes place in Los Angeles, the city of angels, freeways, Santa Ana winds, and honeysuckle slithering through chain-link fences and perfuming LA's dark streets and neighborhoods.
Detective Arias hunts for a murderer on a liberal arts campus that prides itself on its progressive curriculum but is rife with jealousy, racial and sexual tensions, and a hierarchy as real and destructive as a medieval fortress. DJ Arias, good at his job because he sees the worst in people, is challenged by the college community, a neighborhood recluse, and a young Latino gardener he sent to jail ten years ago for a hit-and-run accident. Through the course of his investigation, Arias will find out no one is who they appear to be. He begins to reclaim his humanity by adopting a dog he names Evidence and finding the clues to a crime born from a dark secret not contained in the past but alive in the present, which will cast destruction and murder on the denizens of the small liberal arts campus.
The Bearable Slant of Light asks what the burden and gift of madness brings to a family, to our world.
What can we bear and what can we lift when a beloved, when our world, is light-struck and mad? The Bearable Slant of Light documents a web of clinical assessments, medications, the terrible beauties of delusion, and the fragile gifts of darkness. Poems that reach across the history of writers and artists who fought and sometimes lost their own battles against mental illness are set against the urgencies of our anxious world and the intimate struggle of one family.
Ben and Corinthia spent years abducting college coeds, until one night they took the wrong victim.
No one knew witnessing their first murder at seven would propel Ben and his twin toward a killing spree in Pennsylvania. Racked with guilt, they vow to take just one more victim. Too bad they snatched the wrong woman . . .
In Self Portrait of Icarus as a Country on Fire, Jason Schneiderman confronts the rise of extremism and antisemitism in the United States while grappling with the end of his marriage and finding his feet as a newly single gay man.
Following up on his landmark collection Hold Me Tight, Jason Schneiderman extends his personal and historical explorations in Self Portrait of Icarus as a Country on Fire. Schneiderman's signature sense of humor works as a connective tissue across the book, even as the juxtapositions become more unlikely (Kafka and Hillary Clinton?), the historical scope becomes wider, and the personal revelations cut deeper than ever before. These poems represent Schneiderman's most direct and explicit exploration of Jewish heritage and history, bringing to the surface a theme that has often been missed in his work. The strength of these poems is in their power to trace the wound as a form of healing, to confront the agonizing in order to make way for joy and, yes, love.
Blindspot in America gives a provocative depiction of some of the realities immigrants face in the United States--racism and discrimination--but also their hopes and faith in a country that promises freedom and opportunity to all.
Kamao is the son of a prominent Ghanaian academic and incumbent minister of health and is devoted to all that America symbolizes. After immigrating to the United States in pursuit of higher education and the American Dream, he becomes unwittingly entangled with American politics when he meets Lindsey McAdams, the daughter of an influential, anti-immigration senator. As the couple's feelings grow, so too does the senator's animosity toward Kamao. Despite support from fellow immigrants Lazo, Ayefumi, and Dania--who follow American Dreams of their own--Kamao soon finds himself drawn into intrigues hidden from the American public that make him question himself and his adopted country. When Kamao is implicated in a murder, Lindsey's loyalties are tested, Dania must decide if she is willing to risk her own future and security for the sake of justice, and Kamao discovers how far he'll go to fulfill his American Dream.
American Quasar, a visual-textual collaboration, addresses personal and political trauma, the emotional craters left by family, and the ways in which one learns to love not only as son, brother, student, or lover, but from the space one occupies as citizen.
In her intimately compelling debut collection Moon Jar, Didi Jackson explores the life-altering and heart-rending loss of a husband to suicide. In an effort to understand this unforeseen and inexplicable act, she maps with immense candor the emotional difficulty of continuing her responsibility as a mother while attempting to regain a sense of normalcy. While grief never fully subsides, Jackson allows herself over time to rediscover love as she contends with the brutal and haunting grip of human trauma. These affirmative poems, precise and grace-begetting, exhibit an admirable self-devotion to healing and recovery that is metamorphic and cathartic. Turning to biblical narratives as well as seminal works of art by the likes of Hildegard of Bingen, Pablo Picasso, Sappho, Mark Rothko, Kazimir Malevich, Hieronymus Bosch, and Fr d ric Chopin, she orchestrates a tableau of conversations around human suffering, the natural world, and impermanence. And like the Korean porcelain moon jar, these poems mark and celebrate the imperfection of existence. At once raw and vulnerable, Moon Jar shows lyric poetry to be a fundamental and permanent force for survival.
Queenie Rivers was raised by her grandparents in coastal Los Angeles. As she approaches thirty, her erratic lifestyle is forced back on course by a car accident and her grandmother's intervention.
But her recovery is interrupted by a break-in and Gran's death. Gran's last act was to set Queenie up with a job at an upscale seaside bistro with a shady reputation--the owner of which, it turns out, was once a close friend. As Queenie digs into Gran's past for answers about the break-in, the murder, and the unnerving circumstances surrounding the restaurant and her new boss, she discovers that her grandmother, a Romani Holocaust survivor, kept many secrets, some of them otherworldly--secrets that become hers to unravel when she becomes a suspect in Gran's murder case.
INDIES INTRODUCE SELECTION - DEBUT AUTHOR, MOLLY OLGUÍN brings us THE SEA GIVES UP THE DEAD, a collection of stories sprinkled into the soil of fairy tales, left to take root and grow wild there.
A wunderkammer of beauty and sorrow.--Carmen Maria Machado, author of In the Dream House - Witty, witchy, darkly brilliant--Andrea Barrett, author of Natural History and Ship Fever - Mix the wildness of fairy tales with horror.--Kim Brock, Joseph-Beth Booksellers - Fantastical, queer, wildly inventive stories.--Austin Carter, Pocket Books Shop - A mouthwatering ride.--Desirae Wilkerson, Paper Boat Booksellers - Absolutely fantastic!--Randy Schiller, Left Bank Books, St. Louis, MO
A lovesick nanny slays a dragon. The devil tries to save her mother. A girl drowns and becomes a saint. Three kids plot to blow up their dad, a grieving mother sails the sea to find her son's grave, a scientist brings a voice to life, and a mermaid falls into the power of a witch. Here, historical fiction, horror, and fantasy tangle together in a queer garden of love, grief, and longing.
What Monsters You Make of Them interrogates ecology and injustice through shifting landscapes and ancient cities.
Stand astonished at a painting, venerate the mugshot of a poet, riff on a comedian's quip, and recall a mentor persevering through grief. Speak of headhunters, of word origins, of saints and gods stitched into a newfound pantheon, of the multiverse as a source of reincarnation. Visit ancient cities, national parks, a sundry of gardens, and the ruins of a farmhouse. A teacher fails to help a student. A student explains war to her teacher. Seize back the forgotten. Kneel to not knowing. Interrogate ecology and injustice through shifting landscapes and know What Monsters You Make of Them.