We are witnessing a new surge of interpersonal and institutional violence against women, including new witch hunts. This surge of violence has occurred alongside an expansion of capitalist social relations. In this new work that revisits some of the main themes of Caliban and the Witch, Silvia Federici examines the root causes of these developments and outlines the consequences for the women affected and their communities. She argues that, no less than the witch hunts in sixteenth- and seventeenth-century Europe and the New World, this new war on women is a structural element of the new forms of capitalist accumulation. These processes are founded on the destruction of people's most basic means of reproduction. Like at the dawn of capitalism, what we discover behind today's violence against women are processes of enclosure, land dispossession, and the remolding of women's reproductive activities and subjectivity.

As well as an investigation into the causes of this new violence, the book is also a feminist call to arms. Federici's work provides new ways of understanding the methods in which women are resisting victimization and offers a powerful reminder that reconstructing the memory of the past is crucial for the struggles of the present.

Embark on an alphabetic odyssey through culture and heritage.

Imagine a world where every letter of the alphabet unlocks the colorful tapestry of a rich and ancient culture. This enchanting book does just that, guiding young readers on a journey through language, history, and traditions with each turn of the page.

Can we sing the ABC anywhere? With a woolly bear or on thin air? Set off on an alphabetic adventure to Palestine, a land that tells a story with every letter. From the A that stands for Arabic, a beautiful language sung by millions, to the Z for za'atar, a flavor that's as bold as the history it accompanies, P Is for Palestine is more than just an ordinary ABC.

It's also an odyssey through heritage, a cultural immersion that connects young minds to the world beyond their own. It's where the traditional T for thob dresses meets the modern, where the ancient Q for Quds (Jerusalem) sits at the heart of spirituality, and where the resilience symbolized by I for intifada teaches the value of standing up for what is right.

With engaging illustrations and sweet rhymes, this book is a celebration of identity, a bridge spanning generations, and an invitation to friendship. Whether you're a child, a parent, or simply a lover of wisdom and wonder, let this journey inspire you with every letter you explore.

Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960-1990 examines how political violence and resistance was represented in arthouse and cult films from 1960 to 1990.

This historical period spans the Algerian war of independence and the early wave of post-colonial struggles that reshaped the Global South, through the collapse of Soviet Communism in the late '80s. It focuses on films related to the rise of protest movements by students, workers, and leftist groups, as well as broader countercultural movements, Black Power, the rise of feminism, and so on. The book also includes films that explore the splinter groups that engaged in violent, urban guerrilla struggles throughout the 1970s and 1980s, as the promise of widespread radical social transformation failed to materialize: the Weathermen, the Black Liberation Army and the Symbionese Liberation Army in the United States, the Red Army Faction in West Germany and Japan, and Italy's Red Brigades.

Many of these movements were deeply connected with and expressed their values through art, literature, popular culture, and, of course, cinema. Twelve authors, including academics and well know film critics, deliver a diverse examination of how filmmakers around the world reacted to the political violence and resistance movements of the period and how this was expressed on screen. This includes looking at the financing, distribution, and screening of these films, audience and critical reaction, the attempted censorship or suppression of much of this work, and how directors and producers eluded these restrictions.

Including over two hundred illustrations, the book examines filmmaking movements like the French, Japanese, German, and Yugoslavian New Waves; subgenres like spaghetti westerns, Italian poliziotteschi, Blaxploitation, and mondo movies; and films that reflect the values of specific movements like feminists, Vietnam War protesters, and Black militants. The work of influential and well-known political filmmakers such as Costa-Gavras, Gillo Pontecorvo, and Glauber Rocha is examined side by side with grindhouse cinema and lessor known titles by a host of all-but forgotten filmmakers, including many from the Global South, that are deserving of rediscovery.

Queercore: How to Punk a Revolution: An Oral History is the very first comprehensive overview of the movement that defied both the music underground and the LGBT mainstream community--queercore.

Through exclusive interviews with protagonists like Bruce LaBruce, G.B. Jones, Jayne County, Kathleen Hanna of Bikini Kill and Le Tigre, film director and author John Waters, Lynn Breedlove of Tribe 8, Jon Ginoli of Pansy Division, and many more, alongside a treasure trove of never-before-seen photographs and reprinted zines from the time, Queercore traces the history of a scene originally fabricated in the bedrooms and coffee shops of Toronto and San Francisco by a few young, queer punks to its emergence as a relevant and real revolution. Queercore gets a down-to-details firsthand account of the movement explored through the people that lived it--from punk's early queer elements, to the moments Toronto kids decided they needed to create a scene that didn't exist, to the infiltration of the mainstream by Pansy Division, and the emergence of riot grrrl as a sister movement--as well as the clothes, zines, art, film, and music that made this movement an exciting in-your-face middle finger to complacent gay and straight society. Queercore will stand as both a testament to radically gay politics and culture and an important reference for those who wish to better understand this explosive movement.

Inspired by the legacy of radical and queer black feminists of the 1970s and '80s, Revolutionary Mothering places marginalized mothers of color at the center of a world of necessary transformation. The challenges we face as movements working for racial, economic, reproductive, gender, and food justice, as well as anti-violence, anti-imperialist, and queer liberation are the same challenges that many mothers face every day. Oppressed mothers create a generous space for life in the face of life-threatening limits, activate a powerful vision of the future while navigating tangible concerns in the present, move beyond individual narratives of choice toward collective solutions, live for more than ourselves, and remain accountable to a future that we cannot always see. Revolutionary Mothering is a movement-shifting anthology committed to birthing new worlds, full of faith and hope for what we can raise up together.

Contributors include June Jordan, Malkia A. Cyril, Esteli Juarez, Cynthia Dewi Oka, Fabiola Sandoval, Sumayyah Talibah, Victoria Law, Tara Villalba, Lola Mondragón, Christy NaMee Eriksen, Norma Angelica Marrun, Vivian Chin, Rachel Broadwater, Autumn Brown, Layne Russell, Noemi Martinez, Katie Kaput, alba onofrio, Gabriela Sandoval, Cheryl Boyce Taylor, Ariel Gore, Claire Barrera, Lisa Factora-Borchers, Fabielle Georges, H. Bindy K. Kang, Terri Nilliasca, Irene Lara, Panquetzani, Mamas of Color Rising, tk karakashian tunchez, Arielle Julia Brown, Lindsey Campbell, Micaela Cadena, and Karen Su.

Settlers is a uniquely important book in the canon of the North American revolutionary left and anticolonial movements. First published in the 1980s by activists with decades of experience organizing in grassroots anticapitalist struggles against white supremacy, the book soon established itself as an essential reference point for revolutionary nationalists and dissident currents within the predominantly colonialist Marxist-Leninist and anarchist movements at that time.

Always controversial within the establishment Left Settlers uncovers centuries of collaboration between capitalism and white workers and their organizations, as well as their neocolonial allies, showing how the United States was designed from the ground up as a parasitic and genocidal entity. Settlers exposes the fact that America's white citizenry have never supported themselves but have always resorted to exploitation and theft, culminating in acts of genocide to maintain their culture and way of life. As recounted in painful detail by Sakai, the United States has been built on the theft of Indigenous lands and of Afrikan labor, on the robbery of the northern third of Mexico, the colonization of Puerto Rico, and the expropriation of the Asian working class, with each of these crimes being accompanied by violence.

This new edition includes Cash & Genocide: The True Story of Japanese-American Reparations and an interview with author J. Sakai by Ernesto Aguilar.

Surviving the Future is a collection of the most current ideas in radical queer movement work and revolutionary queer theory. Beset by a new pandemic, fanning the flames of global uprising, these queers cast off progressive narratives of liberal hope while building mutual networks of rebellion and care. These essays propose a militant strategy of queer survival in an ever precarious future. Starting from a position of abolition--of prisons, police, the State, identity, and racist cisheteronormative society--this collection refuses the bribes of inclusion in a system built on our expendability. Though the mainstream media saturates us with the boring norms of queer representation (with a recent focus on trans visibility), the writers in this book ditch false hope to imagine collective visions of liberation that tell different stories, build alternate worlds, and refuse the legacies of racial capitalism, anti-Blackness, and settler colonialism. The work curated in this book spans Black queer life in the time of COVID-19 and uprising, assimilation and pinkwashing settler colonial projects, subversive and deviant forms of representation, building anarchist trans/queer infrastructures, and more. Contributors include Che Gossett, Yasmin Nair, Mattilda Bernstein Sycamore, Adrian Shanker, Kitty Stryker, Toshio Meronek, and more.

Mass incarceration is a lived, sensory experience.

The most eye-popping statistics alone cannot relate the enormity of its psychological and societal impacts. This concise, illustrated primer is a collaboration between one of mass incarceration's sharpest opponents, James Kilgore, and information artist Vic Liu. It brings to life the histories and means of daily survival of the marginalized people ensnared in this racist, ableist system of class-based oppression. The book elegantly weaves together the most insightful activist scholarship with vivid testimonials by incarcerated people as they fight back against oppression and imagine freedom.

Those targeted for incarceration do not simply submit to a monochromatic existence behind bars. The Warehouse showcases the abolition futures being crafted from the inside as people resist through direct action and artistic expression. This book is designed to inform, enrage, and ultimately inspire the same radical hope propelling incarcerated underminers of the carceral state.

In the early-20th century, strikes and union battles were common in industrial centers throughout the US. But nothing compared to the class warfare of the West Virginia Mine Wars. The origins of this protracted rebellion were in the dictatorial rule of the coal companies over the proud, multi-racial, immigrant and native-born miners of Appalachia.

Our illustrated history begins with Mary Harris Mother Jones's arrival at the turn of the century. White-haired, matronly, and fiercely socialist, Jones became known as the miners' angel, and helped turn the fledgling United Mine Workers into the nation's most powerful labor union. Pray for the dead and fight like hell for the living, was her famous battle cry.

In 1912, miners led by stubborn Frank Keeney struck against harsh conditions in the work camps of Paint and Cabin Creeks. Coal operators responded by enlisting violent Baldwin-Felts guards. The ensuing battles and murderous events caused the governor to declare and execute martial law on a scale unprecedented in the US.

On May 19, 1920, in response to evictions by coal company agents, gunshots rang through the streets of a small-town in Bloody Mingo county. In an event soon known as the Matewan Massacre; the pro-union, quick-draw chief of police Smilin' Sid Hatfield became an unexpected celebrity--but also a marked man.

Events climax with the dramatic Battle of Blair Mountain that pitched the spontaneous Red Neck Army of 10,000 armed strikers against a paid army of gun thugs in the largest labor uprising in US history and the largest armed uprising since the American Civil War.

This graphic interpretation of people's history features unforgettable main characters while also displaying the diverse rank and file workers who stood in solidarity during this struggle.

Written between 1974 and 2016, Revolution at Point Zero collects four decades of research and theorizing on the nature of housework, social reproduction, and women's struggles on this terrain--to escape it, to better its conditions, to reconstruct it in ways that provide an alternative to capitalist relations.

Indeed, as Federici reveals, behind the capitalist organization of work and the contradictions inherent in alienated labor is an explosive ground zero for revolutionary practice upon which are decided the daily realities of our collective reproduction.

Beginning with Federici's organizational work in the Wages for Housework movement, the essays collected here unravel the power and politics of wide but related issues including the international restructuring of reproductive work and its effects on the sexual division of labor, the globalization of care work and sex work, the crisis of elder care, the development of affective labor, and the politics of the commons.

This revised and expanded edition includes three additional essays and a new preface by the author.

Silvia Federici is one of the most important contemporary theorists of capitalism and feminist movements. In this collection of her work spanning over twenty years, she provides a detailed history and critique of the politics of the commons from a feminist perspective. In her clear and combative voice, Federici provides readers with an analysis of some of the key issues and debates in contemporary thinking on this subject.

Drawing on rich historical research, she maps the connections between the previous forms of enclosure that occurred with the birth of capitalism and the destruction of the commons and the new enclosures at the heart of the present phase of global capitalist accumulation. Considering the commons from a feminist perspective, this collection centers on women and reproductive work as crucial to both our economic survival and the construction of a world free from the hierarchies and divisions capital has planted in the body of the world proletariat. Federici is clear that the commons should not be understood as happy islands in a sea of exploitative relations but rather autonomous spaces from which to challenge the existing capitalist organization of life and labor.

One hundred years after his death, Peter Kropotkin is still one of the most inspirational figures of the anarchist movement. It is often forgotten that Kropotkin was also a world-renowned geographer whose seminal critique of the hypothesis of competition promoted by Social Darwinism helped revolutionize modern evolutionary theory. An admirer of Darwin, he used his observations of life in Siberia as the basis for his 1902 collection of essays Mutual Aid: A Factor of Evolution. Kropotkin demonstrated that mutually beneficial cooperation and reciprocity--in both individuals and as a species--plays a far more important role in the animal kingdom and human societies than does individualized competitive struggle. Kropotkin carefully crafted his theory making the science accessible. His account of nature rejected Rousseau's romantic depictions and ethical socialist ideas that cooperation was motivated by the notion of universal love. His understanding of the dynamics of social evolution shows us that the power of cooperation--whether it is bison defending themselves against a predator or workers unionizing against their boss. His message is clear: solidarity is strength

Every page of this new edition of Mutual Aid has been beautifully illustrated by one of anarchism's most celebrated current artists, N.O. Bonzo. The reader will also enjoy original artwork by GATS and insightful commentary by David Graeber, Ruth Kinna, Andrej Grubacic, and Allan Antliff.

Y'all Means All is a celebration of the weird and wonderful aspects of a troubled region in all of their manifest glory! This collection is a thought-provoking hoot and a holler of we're queer and we're here to stay, cause we're every bit a piece of the landscape as the rocks and the trees echoing through the hills of Appalachia and into the boardrooms of every media outlet and opportunistic author seeking to define Appalachia from the outside for their own political agendas. Multidisciplinary and multi-genre, Y'all necessarily incorporates elements of critical theory, such as critical race theory and queer theory, while dealing with a multitude of methodologies, from quantitative analysis, to oral history and autoethnography.

This collection eschews the contemporary trend of reactive or responsive writing in the genre of Appalachian studies, and alternatively, provides examples of how modern Appalachians are defining themselves on their own terms. As such, it also serves as a toolkit for other Appalachian readers to follow suit, and similarly challenge the labels, stereotypes and definitions often thrust upon them. While providing blunt commentary on the region's past and present, the book's soul is sustained by the resilience, ingenuity, and spirit exhibited by the authors; values which have historically characterized the Appalachian region and are continuing to define its culture to the present.

This book demonstrates above all else that Appalachia and its people are filled with a vitality and passion for their region which will slowly but surely effect long-lasting and positive changes in the region. If historically Appalachia has been treated as a mirror of the country, this book breaks that trend by allowing modern Appalachians to examine their own reflections and to share their insights in an honest, unfiltered manner with the world.

No one is immune to the byproducts of compulsory schooling and standardized testing. And while reform may be a worthy cause for some, it is not enough for countless others still trying to navigate the tyranny of what schooling has always been. Raising Free People argues that we need to build and work within systems truly designed for any human to learn, grow, socialize, and thrive, regardless of age, ability, background, or access to money.

Families and conscious organizations across the world are healing generations of school wounds by pivoting into self-directed, intentional community-building, and Raising Free People shows you exactly how unschooling can help facilitate this process.

Individual experiences influence our approach to parenting and education, so we need more than the rules, tools, and bad adult guilt trips found in so many parenting and education books. We need to reach behind our behaviors to seek and find our triggers; to examine and interrupt the ways that social issues such as colonization still wreak havoc on our ability to trust ourselves, let alone children. Raising Free People explores examples of the transition from school or homeschooling to unschooling, how single parents and people facing financial challenges unschool successfully, and the ways unschooling allows us to address generational trauma and unlearn the habits we mindlessly pass on to children.

In these detailed and unabashed stories and insights, Richards examines the ways that her relationships to blackness, decolonization, and healing work all combine to form relationships and enable community-healing strategies rooted in an unschooling practice. This is how millions of families center human connection, practice clear and honest communication, and raise children who do not grow up to feel that they narrowly survived their childhoods.

The Society of the Spectacle is a carefully considered effort to clarify the most fundamental tendencies and contradictions of the society in which we find ourselves--in order to facilitate its overthrow.

Guy Debord was the founder of the Situationist International, the notorious avant-garde group that helped trigger the May 1968 revolt in France, which brought the entire country to a standstill for several weeks. His book The Society of the Spectacle, originally published in Paris in 1967, has been translated into more than twenty other languages and is arguably the most important radical work of the twentieth century. Ken Knabb's meticulous new translation is the first edition in any language to include extensive annotations, clarifying the historical allusions and revealing the sources of Debord's quotations and détournements.

Contrary to popular misconceptions, Debord's book is neither an ivory tower philosophical discourse nor a mere expression of protest. This makes the book more of a challenge, but it is also why it remains so pertinent more than half a century after its original publication, while countless other social theories and intellectual fads have come and gone.

It has, in fact, become even more pertinent than ever, because the spectacle has become more all-pervading and glaringly obvious than ever. As Debord noted in his follow-up work, Comments on the Society of the Spectacle (1988), spectacular domination has succeeded in raising an entire generation molded to its laws.

Debord's book remains the best guidebook to understanding that mold and breaking it.

From the cooks who have quietly fed rebels and revolutionaries to the collective kitchens set up after hurricanes and floods, food has long played a crucial role in resistance, protest, and mutual aid. Until very recently, food-based work--steadfast and not particularly flashy--slipped under the radar or was centered on celebrity chefs and well-funded nonprofits. Adding to a growing constellation of conversations that push against this narrative, Nourishing Resistance centers the role of everyday people in acts of culinary solidarity.

Twenty-three contributors--cooks, farmers, writers, organizers, academics, and dreamers--write on queer potlucks, BIPOC-centered farms and gardens, rebel ancestors, disability justice, indigenous food sovereignty, and the fight against toxic diet culture, among many other topics. They recount bowls of biryani at a Delhi protest, fricasé de conejo on a Puerto Rican farm, pay-as-you-want dishes in a collectively-run Hong Kong restaurant, and lemon cake cooked in a New Jersey disaster relief kitchen. They chronicle the communal kitchens and food distribution programs that emerged in Buenos Aires and New York City in the wake of COVID-19, which caused surging food insecurity worldwide. They look to the past, revealing how Bella Ciao was composed by striking women rice workers, and the future, speculating on postcapitalist worlds that include both high-tech collective farms and herbs gathered beside highways.

Through essays, articles, poems, and stories, Nourishing Resistance argues that food is a central, intrinsic part of global struggles for autonomy and collective liberation.

Navigating the broad river of anarchy, from Taoism to Situationism, from Ranters to Punk rockers, from individualists to communists, from anarcho-syndicalists to anarcha-feminists, Demanding the Impossible is an authoritative and lively study of a widely misunderstood subject. It explores the key anarchist concepts of society and the state, freedom and equality, authority and power, and investigates the successes and failure of the anarchist movements throughout the world. While remaining sympathetic to anarchism, it presents a balanced and critical account. It covers not only the classic anarchist thinkers, such as Godwin, Proudhon, Bakunin, Kropotkin, Reclus and Emma Goldman, but also other libertarian figures, such as Nietzsche, Camus, Gandhi, Foucault and Chomsky. No other book on anarchism covers so much so incisively.

In this updated edition, a new epilogue examines the most recent developments, including post-anarchism and anarcho-primitivism as well as the anarchist contribution to the peace, green and Global Justice movements.

Demanding the Impossible is essential reading for anyone wishing to understand what anarchists stand for and what they have achieved. It will also appeal to those who want to discover how anarchism offers an inspiring and original body of ideas and practices which is more relevant than ever in the twenty-first century.

Portland, Oregon, 1988: the brutal murder of Ethiopian immigrant Mulugeta Seraw by racist skinheads shocked the city.

In response disparate groups quickly came together to organize against white nationalist violence and right-wing organizing throughout the Rose City and the Pacific Northwest.

It Did Happen Here compiles interviews with dozens of people who worked together during the waning decades of the twentieth century to reveal an inspiring collaboration between groups of immigrants, civil rights activists, militant youth, and queer organizers. This oral history focuses on participants in three core groups: the Portland chapters of Anti-Racist Action and Skinheads Against Racial Prejudice, and the Coalition for Human Dignity.

Using a diversity of tactics--from out-and-out brawls on the streets and at punk shows, to behind-the-scenes intelligence gathering--brave antiracists unified on their home ground over and over, directly attacking right-wing fascists and exposing white nationalist organizations and neo-Nazi skinheads. Embattled by police and unsupported by the city, these citizen activists eventually drove the boneheads out of the music scene and off the streets of Portland. This book shares their stories about what worked, what didn't, and ideas on how to continue the fight.

Taking the State out of the Body is a guidebook in deconstructing nationalism through trauma-informed praxis.

Embedded in the political theory and practice of Jewish anti-Zionism, it invites readers of all backgrounds to build an embodied sense of safety that has the power to make militarized borders, policing, and nation-states obsolete. We need the resources offered in this book: from understanding geopolitical impacts of intergenerational trauma, to self-regulation in conflict, to transformative approaches to harm, to cultivating long-haul relationships, to building solidarity across our movements. The book's framework is situated in the lineages of healing justice and politicized healers including many antifascist Ashkenazi Jewish practitioners in 1930s Europe.

More than ever, the body is today at the center of radical and institutional politics. Feminist, antiracist, trans, ecological movements--all look at the body in its manifold manifestations as a ground of confrontation with the state and a vehicle for transformative social practices. Concurrently, the body has become a signifier for the reproduction crisis the neoliberal turn in capitalist development has generated and for the international surge in institutional repression and public violence. In Beyond the Periphery of the Skin, lifelong activist and best-selling author Silvia Federici examines these complex processes, placing them in the context of the history of the capitalist transformation of the body into a work-machine, expanding on one of the main subjects of her first book, Caliban and the Witch.

Building on three groundbreaking lectures that she delivered in San Francisco in 2015, Federici surveys the new paradigms that today govern how the body is conceived in the collective radical imagination, as well as the new disciplinary regimes state and capital are deploying in response to mounting revolt against the daily attacks on our everyday reproduction. In this process she confronts some of the most important questions for contemporary radical political projects. What does the body mean, today, as a category of social/political action? What are the processes by which it is constituted? How do we dismantle the tools by which our bodies have been enclosed and collectively reclaim our capacity to govern them?