This new edition is gender neutral, better organized, updated to reflect modern technology and social media, and has a 2020 copyright date Best of all, this Student Workbook is just that... a true individual workbook for each student, loose-leaf three-hole punched and ready to drop into a binder.

We've retained all the elements that made the first edition of this book a top-selling theatre arts curriculum text year after year, such as daily bell work, fun puzzles, and quizzes and tests to make classroom management easier. This classroom-tested, year-long curriculum covers the entire spectrum of theatre: theatre history, scene work, acting, characterization, publicity, play production, games and improvisations, and more. This book is designed to energize your Theatre 1 class by engaging students in the idea of learning by doing.

Far from your standard text on speech education, this delightfully illustrated book encourages lively participation in each activity and focuses on fun exercises for students of all ages. This whole year of creative assignments will aid preparation for any speaking, from formal, research-based presentations to simple retellings of personal experiences. Sample activities include rap, pantomime, charades, a game show, readers theatre, TV news, a mock trial, talk show improvisation, and dozens more, including a bonus section of extra activities. The ten chapters cover a wide gamut, from interpersonal and intrapersonal communication to impromptu speaking, storytelling, acting, and non-verbal communication. Each chapter contains terms to learn, objectives, assignment instructions, and topic ideas.

When students arrive for a theatre class, they appreciate a game or exercise that will loosen them up and activate their right brain - the artistic side. A good warm-up allows class members to tune in to their creative natures and readies them for the adventures ahead. The games and exercises in this book are designed to be used as warm-ups at the beginning of a theatre class period. They are organized into sections focusing on one of 12 specific skills - cooperation, focus, improvisation, listening, stage movement, voice, and several more. The games were initially created for middle school students but can easily be adapted for use with younger children, older teens, and even adults. Each game involves most, if not all, of the students in a class, has simple easy-to-implement directions, offers a practical benefit, and, most important, is fun for your students.

The SECOND EDITION of everyone's favorite theatre arts curriculum book, Introduction to Theatre Arts, Volume 1, is now available

This new edition is gender neutral, better organized, updated to reflect modern technology and social media, and has a 2020 copyright date The Teacher's Guide still includes every page from the Student Workbook, yet is better organized with the notes to the teacher now appearing alongside the corresponding student page. Four additional sections in the Teacher's Guide supplement the material with teaching tools, evaluation tools, production tools, and tests and major projects. Tests even include two levels of difficulty.

Classroom-tested, the year-long curriculum covers the entire spectrum of theatre: theatre history, scene work, acting, characterization, publicity, play production, games and improvisations, and more. Energize your Theatre 1 class by engaging students in the idea of learning by doing.

Mick has been the catalyst for the most messed-up, funny, smart, low-budget, loud, subversive, hilarious, mind-expanding improv shows of his time. Bob Odenkirk, star of Better Call Saul. In this follow-up to his highly regarded book Improvise. Scene from the Inside Out, globally acclaimed improviser, director, and instructor Mick Napier focuses on the complexities and theories of long-form improvisation. This extended form of improvisation invites performers to be inspired for at least thirty minutes by a single suggestion as they push their creativity to the limit. Napier taps into more than 30 years of experience and distills his tools for success into practical, engaging lessons: -The art of introductions and edits -Different approaches to openers -Pros and cons of the backline -Why it's okay to be funny -Finding the dominant energy -Sustaining a solid character

There's so much more to drama class than just teaching students how to act! Working on individual and group projects devoted to drama components helps students learn everything that the world of drama encompasses. From costumes, scenery, and props to memorization, character development, and creative writing, there is a vast array of skills to develop and explore. This book is an excellent resource for any drama teacher who wants to provide alternative ways to develop unique drama-related skills. Sixteen projects each contain an objective, an overview, a project timeline, idea variations, tips and tricks, fun facts, and more. Most tasks can be modified to be individual or group projects and can take from one to five class periods, depending on how much time you want to devote to a particular topic or component. A few chapters even include fun worksheets for the students to complete independently or in a group.

With an emphasis on believable characterizations, you'll love these short duet scenes for winning auditions and competitions. This theatre book is designed for serious actors seeking roles in professional stage productions, TV shows, and commercials. Performed in theatres, classes, and showcases, they include some of the most used original audition scenes for all the major networks. Divided fairly evenly between comedy and drama, these scenes for two people are fun to perform, even if sad, funny, poignant, and sometimes very dramatic. Most scenes are generic and non-specific, so any combination of actors can perform them.

Appropriate for both beginning and advanced courses in directing, this is the only theatre text that combines theory with active student participation. The 42 exercises detailed here provide both the instructor and the student a 'user-friendly' workshop structure. With the basic concepts of directing presented progressively, the approach is totally hands-on. The student discovers the demands and problems of directing by actually doing it step-by-step, and through the process, his or her own directing style emerges. Every exercise is presented in great detail and includes both an overview and a section on how to critique a student's work whether you're the director or a classmate. Creativity and confidence building are the central benefits of this excellent workshop text that includes seven sequential chapters: Creating the Directing Workshop, The Silent Seven, Justifying Movement, Ground Plan Exercises, Open Scene Exercises, Closed Scene Exercises and Supporting Parts.

These royalty-free scenes are laugh-out-loud funny and clever, to boot! Based on familiar nursery rhyme characters, Ewen put a comedic spin on their situations. For instance, ESPN newscasters are interviewing Jack at the track where he is training for candlestick jumping. The 20 scenes are evenly split between five-minute scenes for 2 to 3 characters and ten-minute scenes for 5 to 20 characters. Most of the characters may be played by either gender, and several scenes can be expanded to accommodate an entire classroom. Unlike most scene books, the table of contents indicates the cast size and genders along with a one-line summary. Easy to use and fun for all ages, you'll love the colorful characters and creative situations in these short, hysterical scenes.

Many middle school performers are uncomfortable taking the stage by themselves. Who can blame them? Acting solo can be very intimidating! That's why these ten-minute plays are perfect for younger actors... and they're royalty-free! Ranging from duos to groups of up to seven, the 18 plays in each book offer short, age-appropriate material and themes that reflect the interests and issues of teens today. With a variety of materials to choose from, some will make you laugh, others will make you cry, and some will do both! Don't worry about inappropriate language - these books were written with teachers and students in mind! These plays all stand-alone, and many parts are gender flexible, so whether you're just doing a staged reading without props or costumes or staging a complete production, you can make any of these plays work for you! Topics include: how to be popular, jealousy, shoplifting, pranks, and more.

This unique book of 100 monologues invites elementary school students to explore a wide range of emotions, developing empathy as well as acting skills. Part I contains 20 monologues that each have two contrasting scenarios which alter the feel of the selection (e.g. You just learned your family is moving out of state. Are you excited or sad?). Part II has 30 pairs of monologues that present the same situation from different points of view (e.g. You're insulted that you and your younger sister have the same bedtime. Your sister is glad that the two of you are treated equally.). Part III includes 20 monologues that provide situations without identifying emotions in order to encourage discussion (e.g. Your mom finally made it to one of your baseball games, but you hit a foul ball through her windshield.). All the monologues in this exciting collection are between one and two minutes long, and a comprehensive list of emotions in the appendix will help kids better clarify their own feelings and empathize with others. Most of the selections are gender neutral, with the rest divided evenly between boys and girls. Elementary-aged students will enjoy the many pieces from their own perspective and will be challenged by others from an older or younger point of view. Not just for the young actor, this book can help any child build stronger relationships with their peers, parents, siblings, and teachers.

Drama teachers everywhere have enjoyed Ms. Johnson's first survival kit so much that she wrote another one! While the first book focuses on everything about a complete stage production, this one covers every aspect of classroom theatre arts. Students will learn group activities, improvisation, technical theatre, choral reading, mime, stage fighting, and more. The book includes a step-by-step 10-day assignment using monologues for character development and a unit that teaches students how to write their own show. Examples, illustrations, and photos help the reader understand how to use these proven ideas. Reproducible forms, tests, handouts, and a list of additional resources add value to this survival kit. Both beginning and seasoned drama directors will find this book to be an invaluable aid. As with the original book, it will banish your stress and guarantee your success!

Intended as a text for those who are developing their craft in the field of stage lighting design, this book also can serve as a reference for drama teachers and directors who wish to expand their insight into the total process of stage lighting design. The focus of this book is on the process of design rather than the latest developments in lighting and control technology. Effective design, after all, relies more on a thoughtful approach to the work than on the ever-expanding capabilities of the fixtures. Twelve chapters are divided into three sections. First, Tools and Terminology covers all of the basics-lighting fixtures, how stage lights work, terminology and the quality of light. Next, Manipulating the Light addresses the controllable qualities of light-angle, intensity, movement and color-as well as developing the lighting key. The final portion of the book devotes itself to the Collaborative Process, since no lighting director should ever work in a vacuum. Enhanced with 40 illustrations and photos, this is an indispensable reference.

Finally a collection of duets from the best-selling author of Winning Monologs for Young Actors and her granddaughter. These humorous and thoughtful scenes present distinctive viewpoints on issues meant to provoke and inspire discussion as well as to entertain. Most roles can be played by either gender. The short length of each scene makes it easy for students to memorize their lines. Sample titles include How Not to Get a Job, Cutesy-Wutesy Doggie-Woggie, The Alibi, My Rotten Roommate, Prince Not-So-Charming, The Tooth Fairy Conspiracy, Mall Survey, Hair Salon Gossip, That's How Rumors Start, Backstage Pass, and Goody, Two Shoes. Fifty-four scenes in all. For use in a wide variety of settings, from speech contests and auditions to acting practice or comedy revue shows. A valuable resource for teachers and theatre libraries.

Teens love to act crazy, push boundaries, take chances, and explore opportunities, so why not channel their energy and excitement onto the stage? These 30 short plays, ranging in length from three to seven minutes, allow actors to create outrageous characters in the context of situations they know so well. With natural dialog and believable situations, young actors will love that there are no complex issues and no lessons to learn - just real-life teen dilemmas presented in a comedy format. Written for mixed casts of two to six actors, each play has stage directions, simple props, and a setting. Contemporary situations enable students, actors, and the audience to relate easily to the material, such as Un-Identical Twins, Four Boyfriends, Last Free Summer, and The Babysitter. Suitable for all ages, even inexperienced young actors will have the opportunity to entertain audiences as they show off their talents and do what teens do best - laugh!