In poems that bring together traditional American patriotic songs and current American horrors--and in which Yeats' famous apocalyptic figure of the Rough Beast takes a painting class, wears a spacesuit, and listens to public service announcements--[ominous music intensifying] takes on the too-muchness of contemporary, apocalypse-prone America with humor, conscience, and the occasional fiddle duel. In this fourth book of poetry, Alexandra Teague expands her subject matter to include chronic pain, generational poverty, and what it means to stay safe--physically and psychologically. Her new poems are reckonings with sexism and dental trauma, Mitch McConnell and UFOs, torture devices and sad clown paintings--and with some of the most urgent crises of our time: gun violence, pandemics, and climate change.

Rosal finds trouble he isn't asking for in his unforgettable new poems, whether in New York City, Austin, Texas, or the colonized Philippines of his ancestors. But trouble is everywhere, and Rosal, acclaimed author of My American Kundiman, responds in kind, pulling no punches in his most visceral, physical collection to date. My hand's quick trip from my hip to your chin, across / your face, is not the first free lesson I've given, Rosal writes, and it's true--this new book is full of lessons, hard-earned, from a poet who nonetheless finds beauty in the face of violence.

We Call to the Eye and to the Night is an amalgam of eminent poets --Hayan Charara, Leila Chatti, Nathalie Handal, Fady Joudah, and Naomi Shihab Nye, among them--and those who have just begun to make their mark. These poets are descended from diverse countries and represent a breathtaking intersection of voices, experiences, and perspectives. Divided into whimsical sections (named for lines from poems they include), the anthology features an evocative array of erotic and romantic selections, as well as ones portraying love of family, friends, heritage, and homeland. Exquisitely curated and introduced by acclaimed authors Hala Alyan and Zeina Hashem Beck, We Call to the Eye and to the Night is at once sexy, sensuous, adventurous, and nostalgic--a treasury of love emanating from the Arab world and its diaspora.

Striking and big-hearted, Glass Jaw depicts the grit and glamor of women's boxing based on the poet's time training as a fighter in New York City. Beginning on the ropes, fighting back against the limitations of gender, Raisa Tolchinsky situates us within the dynamic context of the boxing gym, through both a chorus of named women boxers and a single fighter battling for her selfhood. In a Dantean reimagining, we follow the boxer as she descends into the hellish rings of an abusive relationship with her coach. In a count-down from 34 to 1, sputtering at times, the fighter gets closer and closer to the heart of her brutal, solitary metamorphosis. Winner of the 2023 Lexi Rudnitsky First Book Prize in Poetry, Glass Jaw explores a quest as spiritual as it is physical through poems that are muscular, musical, ecstatic.

Published in 1993, America Street was the very first collection of stories about young people growing up in our diverse society. It has informed and inspired hundreds of thousands of readers. Now this influential and much-loved anthology is expanded and updated for a new generation. Twenty stories, twelve new and eight returning favorites, focus on life issues, from the personal to the political.

Authors included are: Duane Big Eagle, Marina Budhos, Norma Elia Cant , Sandra Cisneros, Lan Samantha Chang, Tope Folarin, Rivka Galchen, Joseph Geha, Veera Hiranandani, Langston Hughes, Gish Jen, Edward P. Jones, Francisco Jim nez, Mary K. Mazotti, Toshio Mori, Naomi Shihab Nye, Susan Power, Gary Soto, Justin Torres, and Michele Wallace.

This collection of prose poems chronicles a woman's childhood onset and adult journey through obsessive-compulsive disorder (OCD), which manifests in fearful obsessions and counting compulsions that impact her relationship to motherhood, religion, and the larger world. Cynthia Marie Hoffman's unsettling, image-rich poems chart the interior landscape of the obsessive mind. Along with an angel who haunts the poems' speaker throughout her life, she navigates her fear of guns and accidents, fears for the safety of her child, and reckons with her own mortality, ultimately finding a path toward peace.

Like nothing before it, in Rocket Fantastic explores the landscape and language of the body in interconnected poems that entwine a fabular past with an iridescent future by blurring, with disarming vulnerability, the real and the imaginary. Sorcerous, jazz-tinged, erotic, and wide-eyed, this is a pioneering work by a space-age balladeer.

A dance of self-discovery, subverting our assumptions of gender and the body. . . Both innovative and sensual, Rocket Fantastic is a vital book for our time.--Diana Whitney, San Francisco Chronicle

Straddling genres--prose poetry, micro memoir, fairy tale, autofiction--Where Will We Live If the House Burns Down is first and foremost the story of a marriage. Borrowing elements from surrealist writers and artists, it explores the effects of chronic illness, disability, and a spouse's gender transition. All of these issues swirl through the central marital relationship and the daily lives of its two lead characters, Sergeant and Grim--even as the book's narrator, unreliable and unobjective, increasingly takes center stage. Reminiscent as much of contemporary fiction by writers like Sabrina Orah Mark and Sarah Shun-Lien Bynum as of poets or memoirists, this book is as engrossing as it is experimental, traversing complicated difficult domestic and emotional terrain by way of Allison Blevins' vivid imagination.

It begins with haiku suites, an invented form through which her mother's dementia and the poet's growing disability are glimpsed by the light of a blossoming world. The lyric narratives that follow portray a widening family circle that also includes estranged children, God, targeted trans women, and Trump-era America. The book concludes with Autobiography of My Whiteness, a reckoning with Ladin's belated awareness of her place in America's racial hierarchy. Written with an open heart and a formal grace, Family is the latest important work of poetry from a Lambda Literary Award finalist and National Jewish Book Award winner.

The peerless translations of this haunted and haunting Holocaust poet, including ten new poems and an illuminating essay by the translator. Paul Celan is one the twentieth century's most essential poets, and twenty-two years after its publication, Poems of Paul Celan continues to be the single truest access for English-speakers to this poet's work. This new edition adds ten more poems and a significant essay, On Translating Celan by Michael Hamburger.

The heralded debut collection of poems by the author of What the Living Do (Norton, 1997). Selected by Margaret Atwood as a winner in the 1987 Open Competition of the National Poetry Series, this unique collection was the first sounding of a deeply authentic voice. Howe's early writings concern relationship, attachment, and loss, in a highly original search for personal transcendence. Many of the thirty-four poems in The Good Thief appeared in such prestigious journals and periodicals as The Atlantic, The American Poetry Review, Poetry, Ploughshares, The Agni Review, and The Partisan Review.

For nearly two decades, Patrick Rosal has been one of the most beloved and admired poets in the United States, bringing together the most dynamic aspects of literary and performance poetry. The son of Filipino immigrants (his father was a lapsed Catholic priest), he has made a life of bridging worlds--literary, ethnic, national, spiritual--through his poetry, and has been recognized with some of the highest honors and countless devoted readers. The Last Thing: New & Selected Poems, gives us a substantial playlist of new work--hard-hitting and big-hearted--along with ample selections from his first four books. Bursting with music, infused with love and awe, this is essential reading from a poet of vigor and conscience.

Haunted by the voices of those committed to the notorious Virginia State Colony, epicenter of the American eugenics movement in the first half of the twentieth century, this evocative debut marks the emergence of a poet of exceptional poise and compassion, who grew up in the shadow of the Colony itself.

American Analects uses the Analects of Confucius as an inspiration to mediate upon the life, death, and the subsequent loss of the poet's influential, beloved mentor--the painter Gene Holtan. These poems are juxtaposed with poems about other losses--of parents, of friends and friends of friends. Some of these deaths were caused by the COVID-19 pandemic, others by age and the inescapable journey we all take. Still, this is not a dour book. Many poems celebrate our ability to inspire, to comfort, and to nurture one another, and the collection is leavened with poems about family, about poetry, and about the healing influence of landscape and of nature. In the end, American Analects is about resiliency, about moving on from personal loss, from the pandemic, and from catastrophic fires, to rejoice in what remains. These poems encourage us to acknowledge the fragility of our lives and of those we love, while we celebrate those who guide us, even in memory.

Set against the media environment that saturates even our most intimate spaces, Dispatch attends to, revises, and thinks adjacent to the news of racial/gendered violence in the US, from the nineteenth century to the present day. These poems ask: What kind of revisions will make this a world/a story that is concerned with my people's flourishing? How ought I pay attention, how to register perpetual bad news without letting it fatally intrude? Cameron Awkward-Rich is among the most bracing voices to emerge in recent years, a dazzling exemplar of poetry's (and humanity's) possibilities.

This compassionate, constructive volume by renowned author Joy Ladin collects eleven essays written between 2008, on the cusp of what Time called America's transgender tipping point, and 2021, as anti-trans laws began metastasizing around America. Dr. Ladin, the first openly transgender employee of an Orthodox Jewish institution (Yeshiva University), a nationally known speaker on transgender identities and issues, and founding figure in trans poetry and trans theology, has lived through and contributed to gender's bitterly debated and still unfolding transformation. Drawing on her experiences as a trans parent, spouse, teacher, and author, she writes honestly and insightfully about gender, exploring its intersections with feminisms, psychotherapy, divinity, ontology, and even the poems of Emily Dickinson. Written for any curious reader, these essays teach us about who we are, who we can be, and what it means to be human.

Cyril Connolly (1903-1974) was one of the most influential book reviewers and critics in England, contributing regularly to The New Statesmen, The Observer, and The Sunday Times. His essays have been collected in book form and published to wide acclaim on both sides of the Atlantic. The Unquiet Grave is considered by many to be his most enduring work. It is a highly personal journal written during the devastation of World War II, filled with reflective passages that deal with aging, the break-up of a long term relationship, and the horrors of the war around him. It is also a wonderfully varied intellectual feast: a collection of aphorisms, epigrams, and quotations from such masters of European literature as Horace, Baudelaire, Sainte-Beuve, Flaubert, and Goethe. Dazzlingly original in both form and content, The Unquiet Grave has continued to influence generations of writers.

These small essays are not unlike Dutch paintings of the sixteenth century. They are clear and precisely rendered, and are either thematically domestic scenes or pedestrian in their observations of the ordinary. There is a delirious joy in Soto's writings, and heartbreak. This collection features his much-lauded essays The Jacket and Like Mexicans, along with new essays such as Childhood Worries, or Why I Became a Writer, Getting It Done, and the title essay in which Soto fashions himself to be Fresno's own Knut Hamsun, the Norwegian writer of the 1920s who lived on nothing more than his five senses.

Poet and critic Christopher Buckley said of his poetry, [Soto has] mastered his form, has found his voice, and has the life experiences to provide meaningful content. He could have been speaking of his prose as well. Soto is at home with the essay; he is able to paint moments that would otherwise seem dull and not worthy of comment. He picks up hitchhikers, sorts through the mystery of finding a wife, and pulls together his wits to solve the hunger of stray dogs. He is tender and outrageous; he is reflective on worldly matters and cagey with his family and friends. In all, his dazzling effects of language will keep the reader continually surprised.These portraits are set in his hometown, Fresno, and in his current residence, the San Francisco Bay area. They therefore mark his time and place, but honor the instincts of the master Knut Hamsun, who walked around his town, a spectacle of wonder.

This volume includes forty-eight pieces: all of the personal narratives formerly collected in Small Faces, the best of Lesser Evils--both volumes long out-of-print--as well as five new essays.

Bound is a collection of poems that seeks to carve a space for Blackness and queerness in the world that isn't defined by trauma or lack, where Black and queer folks can seriously play, can create and conjure the worlds they want to live and love in. Beginning with a takedown of the God concept and moving through an incitement to revolution, Bound, along the way, plays with conventional notions of race, sex, sexuality, gender and pleasure, tearing down what we didn't build to make room for what's coming.

In dialogues with three celestial ladies, Reason, Rectitude, and Justice, Christine de Pizan (1365-ca. 1429) builds an allegorical fortified city for women using examples of the important contributions women have made to Western Civilization and arguments that prove their intellectual and moral equality to men. Earl Jeffrey Richards' acclaimed translation is used nationwide in the most eminent colleges and universities in America, from Columbia to Stanford.