An American literary take on the Nordic noir genre

Unfolding during the moody Pacific Northwest winter of 1951, we follow Bernadette Baston, scholar of child development and language acquisition, as she travels to a penitentiary on the remote island Elita in the Puget Sound to consult on a curious case: two guards have discovered an animal-like adolescent girl living alone in the cold woods beyond the prison's walls. There are few answers, but many people who know more than they are saying. According to official reports, the girl, dubbed Atalanta, does not speak. Is her silence protecting someone? The prison warden, court-appointed guardian, and police detective embroil Bernadette in resolving a secret that the tight-knit island community has long held, and her investment in the girl's case soon becomes more personal than professional. As a mother, wife, and woman bound by mid-twentieth-century expectations, Bernadette strategizes to retain the fragile control she has over her own freedom, identity, and future, which becomes inextricably tied to solving Atalanta's case.

Following desperate characters in desperate circumstances in the rural Midwest

In these colorful, darkly comic stories, veteran journalist and crime reporter John Counts takes readers to an often-ignored part of the country: a fictional Great Lakes coastal town in northern Michigan defined by beauty and bleakness. The cast of characters in these connected stories ranges from addicts to backwoods misfits to ruined lumber families, all bound together by their desire to obtain something just out of reach. Big Frank breaks out of a rehab facility trying to outrun grief. The women in the village of Brotherhood grapple with sterility resulting from an environmental calamity. A local politician must convince her mother to leave a nudist colony. And in the final, sweeping story, a splinter group from the local tribe attempts to reclaim its ancestral land by force. The people of Bear County and their predicaments encompass the wildly original and yet totally ordinary truths about American life off the beaten track.

Viola Spolin's improvisational techniques changed the very nature and practice of modern theater. The first two editions of Improvisation for the Theater sold more than 100,000 copies and inspired actors, directors, teachers, and writers in theater, television, film. These techniques have also influenced the fields of education, mental health, social work, and psychology.

Award-winning poet and essayist Cheryl Clarke's illustrious career has spanned more than four decades and culminates in Archive of Style: New and Selected Poems, a long-awaited retrospective of the indelible work of a Black feminist, community and LGBTQ activist, and educator. This collection features carefully curated poems from Narratives: Poems in the Tradition of Black Women (1982), Living as a Lesbian (1986), The Days of Good Looks: Prose and Poetry 1980-2005 (2006), By My Precise Haircut (2016), and Targets (2019). Together these works show a brilliant thinker who has profoundly impacted generations of writers and activists.

Clarke's poetry and essays, centered around the Black, lesbian, feminist experience, have attracted an audience around the world. Her essays, Lesbianism: an Act of Resistance and The Failure to Transform: Homophobia in the Black Community revolutionized the thinking about lesbians of color and the struggle against homophobia. Her poetry and non-fiction have been reprinted in numerous anthologies and assigned in women and sexuality courses globally. Having published since 1977, Clarke and her work have become a foundational part of LGBTQ literature and activism. Archive of Style is a celebration and homage to one of American literature's Black Women literary warriors.

Winner, 2011 National Book Award for Poetry
Winner, 2012 GCLS Award for Poetry
Winner, 2012 SIBA Book Award for Poetry
Nominee, 2012 NAACP Image Award for Outstanding Literary Work in Poetry

The poems in Nikky Finney's breathtaking new collection Head Off & Split sustain a sensitive and intense dialogue with emblematic figures and events in African American life: from civil rights matriarch Rosa Parks to former secretary of state Condoleezza Rice, from a brazen girl strung out on lightning to a terrified woman abandoned on a rooftop during Hurricane Katrina. Finney's poetic voice is defined by an intimacy that holds a soft yet exacting eye on the erotic, on uncanny political and family events, like her mother's wedding waltz with South Carolina senator Strom Thurmond, and then again on the heartbreaking hilarity of an American president's final State of the Union address.

Artful and intense, Finney's poems ask us to be mindful of what we fraction, fragment, cut off, dice, dishonor, or throw away, powerfully evoking both the lawless and the sublime.

In her debut short-story collection A Small Apocalypse, Laura Chow Reeve examines cultural inheritance, hybridity, queerness, and the stickiness of home with an eye for both the uncanny and the realistic: human bodies become reptilian, queer ghosts haunt their friends, a young woman learns to pickle memories, and a theater floods during an apocalyptic movie marathon. The characters in A Small Apocalypse weave in and out of its fourteen stories, confronting their sense of otherness and struggling to find new ways of being and belonging. Heavily steeped in the swampy, feral heat of Florida, these stories venture beyond the problems of constructing an identity to the frontier of characters living their truth in a world that doesn't yet have a place for them.

A deeply felt and humorous collection examining a year in the wake of extraordinary loss

In November 2010, on the morning after election day, Mirsky lost her three-year-old son, Lev. In the year that followed, she produced a profound and provocatively humorous body of work--tackling extreme loss as well as divorce, friendship, dating, sex, comedy, and art making, all while continuing her day job as a family liaison at the same children's hospital where Lev died. Every November, the anniversary of Lev's loss aligns with the churn of the election cycle.

A decade later, we find Mirsky in the heart of a different crisis: supervising COVID vaccine distribution in the polarized political climate of Austin, Texas. In An Addendum, she turns again to themes of grief and healing, this time on a societal scale, as she reckons with the tenth anniversary of Lev's passing. Through her un-extraordinary story of extraordinary loss, Mirsky offers proof that there is an afterward to grief.

Hugely successful when published in the 1960s, Death and the Dervish is an enduring classic made into a feature length film in 1974.

Winner, 2012 Northern California Book Award for Fiction in Translation

More faithful to the original text and its deeply resonant humor, this new translation of The Twelve Chairs brings Ilf and Petrov's Russian classic fully to life. The novel's iconic hero, Ostap Bender, an unemployed con artist living by his wits, joins forces with Ippolit Matveyevich Vorobyaninov, a former nobleman who has returned to his hometown to look for a cache of missing jewels hidden in chairs that have been appropriated by the Soviet authorities. The search for the chairs takes them from the provinces of Moscow to the wilds of the Transcaucasus mountains. On their quest they encounter a variety of characters, from opportunistic Soviet bureaucrats to aging survivors of the old propertied classes, each one more selfish, venal, and bungling than the last. A brilliant satire of the early years of the Soviet Union, as well as the inspiration for a Mel Brooks film, The Twelve Chairs retains its universal appeal.

Collected Stories is an authoritative new translation of the complete fiction of Bruno Schulz, whose work has influenced writers as various as Salman Rushdie, Cynthia Ozick, Jonathan Safran Foer, Philip Roth, Danilo Kis, and Roberto Bolaño.

Schulz's prose is renowned for its originality. Set largely in a fictional counterpart of his hometown of Drohobych, his stories merge the real and the surreal. The most ordinary objects-the wind, an article of clothing, a plate of fish-can suddenly appear unfathomably mysterious and capable of illuminating profound truths. As Father, one of his most intriguing characters, declaims: Matter has been granted infinite fecundity, an inexhaustible vital force, and at the same time, a seductive power of temptation that entices us to create forms.

This comprehensive volume brings together all of Schulz's published stories-Cinnamon Shops, his most famous collection (sometimes titled The Street of Crocodiles in English), The Sanatorium under the Hourglass, and an additional four stories that he did not include in either of his collections. Madeline G. Levine's masterful new translation shows contemporary readers how Schulz, often compared to Proust and Kafka, reveals the workings of memory and consciousness.

At a time when so many are dealing with collective and personal grief, award-winning author and journalist Michele Weldon's new collection of essays navigates the revelatory and upending nature of this extraordinary pandemic era through a lens of love and connection. Weldon explores pain and pleasure alike with emotional texture, empathy, wisdom, vulnerability, and humor. She interrogates moments of joy, despair, and triumph, offering readers the possibility for a richly cathartic experience. With honesty and agility, Weldon creates poignant intersections of her narrative with popular culture, history, media, news, consumerism, family traditions, and healthcare. Employing honest and daring language, Weldon examines the concepts of safety, importance of beloved objects, power of words, shift to remote relationships, concepts of feminism, betrayal of public lies, and more. Ultimately, with grace and heart, Weldon offers in these essays useful pathways toward framing this swath of time so that we might arrive at a sense of understanding, belonging, and peace with our new realities.

Spolin's improvisational techniques changed the nature and practice of modern theater. Her work has inspired actors, directors, teachers, and writers in theater, television, and film. Her techniques have also influenced the fields of education, mental health, social work, and psychology.

An award-winning author presents a portrait of Black America in the nineteenth century

Over the course of two decades, award-winning poet Patricia Smith has amassed a collection of rare nineteenth-century photographs of Black men, women, and children who, in these pages, regard us from the staggering distance of time.

Unshuttered is a vessel for the voices of their incendiary and critical era. Smith's searing stanzas and revelatory language imbue the subjects of the photos with dynamism and revived urgency while she explores how her own past of triumphs and losses is linked inextricably to their long-ago lives:

We ache for fiction etched in black and white. Our eyes never touch. These tragic grays and bustles, mourners'
hats plopped high upon our tamed but tangled crowns, strain to disguise what yearning does with us.

The poet's unrivaled dexterity with dramatic monologue and poetic form reanimates these countenances, staring back from such yesterdays, and the stories they may have told. This is one of American literature's finest wordsmiths doing what she does best--unreeling history to find its fierce and formidable lyric.