This book is the first to explore the history of Le Corbusier's studio at 35 rue de Sèvres in Paris, known as 35S. It looks at the many artists with whom Le Corbusier worked, including Charlotte Perriand, André Wogenscky, Sahakura, Roger Aujame and Pierre Jeanneret. It includes many previously unpublished documents. Text in English and French.
As one of the key players of modern jewelry in the '20s, Paul Brandt worked with the most famous jewelers of his time, like Fouquet or Sandoz.
He followed eclectic studies in Paris (jewelry, painting, sculpture, medals and stones engraving, chiselling, etc) and finally decided to specialize in jewelry design. With his first creations he joined the art nouveau movement before focusing on an art deco style. He took part in the International Exhibition of Decorative Art of 1925 both as an artist and a jury member. Paul Brandt considered his jewelry as works of art in their own right and displayed them during exhibitions where the scenography kept getting more innovative. From the '30s, he extended his activity to interior design.
This monograph displays the talent of this major artist who left his mark in France and abroad. Recounting his whole career, it highlights the extent of Paul Brandt's skills, not only in jewelry but also in medal making, decoration and interior design.
Text in French.
- Accompanies the exhibition Paris, Pearl Capital from 7 November 2024
If Paul Lévi and Jean-Paul Poirot are to be believed, rue Lafayette, which has been home to the majority of Parisian gem dealers since the 19th century, is thought to have been home to almost 300 fine pearl merchants between the two world wars, between numbers 1 and 100. The sheer size of this number is striking when compared with the current state of the fine pearl market, both within the capital and worldwide. As well as unraveling the final mysteries surrounding this biomineral, the main aim is to show the extent to which pearls inspired Parisian jewelers and artists of all kinds, both young and old. They all seem to have been driven by the same pearlomania, whatever their medium, from opera to cinema, painting, photography, posters or illustrated books, to the point of making the pearl one of the symbolic forms of the Roaring Twenties. Text in English and French
The life of Gustave Caillebotte is shrouded in legend - untimely death, hidden genius, generous patron of Monet, Pissaro, Sisley and Degas - making him one of the most appreciated and mysterious painters of the Impressionist movement. This biography, written by a descendant of the painter, journalist and producer of programs on France Culture, is illustrated with numerous previously unpublished photographic documents. It takes a detailed look at Gustave Caillebotte's history and career, placing his pictorial work in the context of his family, social and economic environment, for the life of Gustave Caillebotte is above all a lesson in history and geography, that of the Parisian bourgeoisie under the Third Reich and the blossoming of the Impressionist movement in the Ile-de-France region. The biography describes Gustave's father Martial Caillebotte's meteoric rise in the textile industry, his education and pictorial training in Bonnat's studio and at the Beaux-Arts in Paris, his participation in the 1870 war at the age of 22, and his decisive encounter with the Impressionist group, led by Renoir, Monet and Degas. Thanks in particular to family archives, the book revisits Caillebotte's decisive role in the diffusion of the movement, including the organisation of the group's third exhibition, as well as the genesis and presentation of his own works, including the famous Raboteur.
Text in English and French.
- The only comprehenive monograph on Jean Dunand, key figure in the Art Deco movement, with 2000 works presented
A key figure in the Art Deco movement, artist Jean Dunand (1877-1942) stands out for his multiple talents as a sculptor, goldsmith, copper maker, but also lacquerer, bookbinder and decorator. After having excelled in finishing hammer-mounted vases and brassware, he met Seizo Sugawara in 1912 who led him to become passionate about lacquer, which he made his signature on both his vases and his panels, furniture and bindings. At the head of an important workshop, he participated in the major international exhibitions of his time, in Paris in 1925, 1931 and 1937, in New York in 1939, and was regularly exhibited at the Georges Petit gallery and at the Salon des Artistes Décorateurs. . His singularity and the quality of his creations lead him to become one of the most sought-after portrait painters, immortalizing personalities in fashion and the arts such as Jeanne Lanvin, Louise Boulanger, Joséphine Baker as well as from the world of finance such as the Lazards, Carnegie or Louis-Dreyfus. Jean Dunand also worked on remarkable sets in France and the United States such as the music salons of Solomon R. Guggenheim, the apartments of Madame Agnès or Templeton Croker, as well as on the shipyards of the Atlantic and Normandy liners which will crown a rich career of more than two thousand works, presented in a repertoire at the end of the book. Text in French.
- 600 pairs of Sneakers, films, archive documents... present all the facets of this iconic object, from its success with New York breakdancers to the cutting-edge technological research
Basketball shoe, tennis shoe, trainer or sneaker, regardless of the name, they have influenced the way we live, and the way we dress, since the early 20th century. Worn by millions of people the world over, sneakers have, in just a few decades, become a mass-market product that transcends gender, age, and social and cultural background. But how did a simple sports shoe make the leap from the pitch to become a genuine fashion accessory or even a piece of art? With over 600 pairs, films, archive documents, photos and personal accounts, this book presents all the facets of this iconic object, from its success with New York breakdancers to the cutting-edge technological research that goes on with that. Text in English and French.