This collection of folk tales, legends, and narratives about the life of Francis of Assisi and his followers appeared about seventy-five years after the saint's death, in the early fourteenth century. The writings have remained popular ever since due to their beauty and charm, and because they are the nearest thing to a biography of Francis that exists. They are the source of many of the most famous stories about Francis--including the accounts of his preaching to the birds and of his receiving of the stigmata--and they are based on stories that circulated about him in the years after his death.
Robert Hopcke and Paul Schwartz provide the first truly new translation of the Fioretti in forty years, and in doing so they bring the spiritual classic up to date, using contemporary language to show Francis to be a living, breathing human being who walked the streets of Assisi in a state of spiritual, physical, and social enlightenment, through his own existence making Christ real in the world.
The translators have also edited the work to present the stories that most powerfully present Francis's spirit and teaching.
When Thomas Merton entered a Trappist monastery in December 1941, he turned his back on secular life--including a very promising literary career. He sent his journals, a novel-in-progess, and copies of all his poems to his mentor, Columbia professor Mark Van Doren, for safe keeping, fully expecting to write little, if anything, ever again. It was a relatively short-lived resolution, for Merton almost immediately found himself being assigned writing tasks by his Abbot--one of which was the autobiographical essay that blossomed into his international best-seller The Seven Storey Mountain. That book made him famous overnight, and for a time he struggled with the notion that the vocation of the monk and the vocation of the writer were incompatible. Monasticism called for complete surrender to the absolute, whereas writing demanded a tactical withdrawal from experience in order to record it. He eventually came to accept his dual vocation as two sides of the same spiritual coin and used it as a source of creative tension the rest of his life.
Merton's thoughts on writing have never been compiled into a single volume until now. Robert Inchausti has mined the vast Merton literature to discover what he had to say on a whole spectrum of literary topics, including writing as a spiritual calling, the role of the Christian writer in a secular society, the joys and mysteries of poetry, and evaluations of his own literary work. Also included are fascinating glimpses of his take on a range of other writers, including Henry David Thoreau, Flannery O'Connor, Dylan Thomas, Albert Camus, James Joyce, and even Henry Miller, along with many others.