Fans of Kristin Hannah's The Nightingale or Kate Quinn's books will be caught up in this story of a courageous woman.―Library Journal (starred review)

Exquisitely written, profoundly affecting, and undoubtedly one of the best books I will read this year.―Louise Fein, author of The London Bookshop Affair

Hana Babic is a quiet, middle-aged librarian in Minnesota who wants nothing more than to be left alone. But when a detective arrives with the news that her best friend has been murdered, Hana knows that something evil has come for her, a dark remnant of the past she and her friend had shared.

Thirty years before, Hana was someone else: Nura Divjak, a teenager growing up in the mountains of war-torn Bosnia--until Serbian soldiers arrived to slaughter her entire family before her eyes. The events of that day thrust Nura into the war, leading her to join a band of militia fighters, where she became not only a fierce warrior but a legend--the deadly Night Mora. But a shattering final act forced Nura to flee to the United States with a bounty on her head.

Now, someone is hunting Hana, and her friend has paid the price, leaving her eight-year-old grandson in Hana's care. To protect the child without revealing her secret, Hana must again become the Night Mora--and hope she can find the killer before the past comes for them, too.

Joe King Oliver's beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She's lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B's pure ask has opened King's heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man--a man defined by women, a man protected by women, a man he wants to know. Although Chief was released from prison years ago, he's been living underground ever since. Now, King must not only find his father, but prove his innocence, and protect the future of his entire family.

Simultaneously, King finds himself in a moral bind. Marigold Hart, the wife of a powerful Californian billionaire, has gone missing, along with their seven-year-old daughter. Orr is brutish and dangerous, and King realizes after locating her that it's in her best interest to stay hidden. But are his motives pure? There is something magnetic about Marigold; he can't help but want her near.

In the latest installment in the Joe King Oliver series, no good deed goes unpunished. Emotionally stirring, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his best.

A convict is brutally murdered in his locked cell deep in the heart of Scotland's most infamous prison. Sleeping in a cell across the floor lies John Rebus, the equally notorious detective. Stripped of his badge and estranged from his police family, he is now fighting for his own life - protected by an old nemesis but always one wrong move away from the shank. As new allies and old enemies circle, and the days and nights bleed into each other, even this legendary figure struggles to keep his head.

They say old habits die hard, though. The death stirs Rebus's deductive - and manipulative - impulses, setting off a domino-chain of scheming criminals, corrupt prison guards and perhaps only one or two good souls who may see it all through.

But how do you find a killer in a place full of them?

Feral with grief, Bimbo has become unrecognizable, taking no prisoners in his search for names. Soon, they learn Maria was gunned down by guys working for the drug kingpin of Puerto Rico. No one has ever gone up against him and survived. As the boys strategize, a storm gathers far from the coast. Hurricanes are known to carry evil spirits in their currents and bring them ashore, spirits which impose their own order.

Blurring the boundaries between myth, mysticism, and the grim realities of our world, House of Bone and Rain is a harrowing coming of age story; a doomed tale of devotion, the afterlife of violence, and what rolls in on the tide.

A superlative piece of crime fiction. --Sunday Times (UK)
The work of a master storyteller. --Daily Telegraph (UK)
A scrupulous plotter and master of misdirection, Galbraith keeps the pages turning . . . Strike and Ellacott remain one of crime's most engaging duos. --Guardian (UK)
No one can deny [Robert Galbraith, pseudonym of ] J. K. Rowling's formidable talents as a crime writer. --Daily Mail (UK)
Strike is a compelling creation . . . This is terrifically entertaining stuff. --Irish Times (UK)

This stirring and brutal bildungsroman tells the story of young Luke Crosswhite, who after years apart from his criminal family returns to their flock deep in the California desert. Luke's father is serving time for a brutal murder that Luke himself witnessed; now, his uncle vies for power and rival biker gangs encroach on the family's various criminal enterprises. A sensitive boy grown hard man, Luke navigates the vicious pressures of home, and the loyalties to his old friend, Cassie, who has hatched a scheme with her boyfriend Pretty Baby to escape the control of the gang, the Combine. Hanging over these desperate, lonesome parties is the gang's motto, tattooed indelibly across the heart: Blood is Love.

The Last King of California is a story of the West unlike any you will read.

When I say The Last King of California subverts the stereotypical American Outlaw Mythos, it's the highest praise I can give it. No one is thinking deeper about what crime fiction is than Jordan Harper.-- S. A. Cosby
Burns bright and fast-- Peter Swanson
Darkly irresistible -- Megan Abbott
Urgent and beautiful -- Lauren Beukes

After calling off her engagement in the wake of a tragic revelation, Yuko Moriguchi had nothing to live for except her only child, four-year-old child, Manami. Now, following an accident on the grounds of the middle school where she teaches, Yuko has given up and tendered her resignation.

But first she has one last lecture to deliver. She tells a story that upends everything her students ever thought they knew about two of their peers, and sets in motion a diabolical plot for revenge.

Narrated in alternating voices, with twists you'll never see coming, Confessions probes the limits of punishment, despair, and tragic love, culminating in a harrowing confrontation between teacher and student that will place the occupants of an entire school in danger. You'll never look at a classroom the same way again.

January 1970 finds Ezekiel Easy Rawlins, LA's premier Black detective, at 50 years of age despite all expectations. He has a loving family, a beautiful home, and a thriving investigation agency. All is right with the world... and then Amethystine Stoller, his own personal Helen of Troy, arrives. Her ex-husband is missing. A simple enough case. But even as Easy takes his first step in the investigation he trips. He falls into the memory of things past. Little things, like loss, love, a world war, and a hunger that has eaten at him since he was a Black boy on his own on the streets of Fifth Ward, Houston, Texas.

The missing ex, a young white man named Curt Fields, is found dead. Easy's only real friend in the LAPD, Melvin Suggs, has gone into hiding rather than allow his femme fatale wife to go to the gas chamber. And that's only the beginning.

Easy finds himself pressed into a reckoning. All of his success cannot succor his heart. The 1970's have ushered in new expectations of men and women, Black and White, and Easy has to make a choice that will almost certainly hasten a permanent descent, one that might sunder his soul.

In Bluebird, Bluebird Attica Locke had both mastered the thriller and exceeded it.-Ann Patchett

When it comes to law and order, East Texas plays by its own rules -- a fact that Darren Mathews, a black Texas Ranger, knows all too well. Deeply ambivalent about growing up black in the lone star state, he was the first in his family to get as far away from Texas as he could. Until duty called him home.

When his allegiance to his roots puts his job in jeopardy, he travels up Highway 59 to the small town of Lark, where two murders -- a black lawyer from Chicago and a local white woman -- have stirred up a hornet's nest of resentment. Darren must solve the crimes -- and save himself in the process -- before Lark's long-simmering racial fault lines erupt. From a writer and producer of the Emmy winning Fox TV show Empire, Bluebird, Bluebird is a rural noir suffused with the unique music, color, and nuance of East Texas.

A new mom in need of help opens her door to her long-estranged mother--only to invite something much darker inside--in this fast-paced and frightening debut (Rachel Harrison) about the long shadows cast by family secrets.

Flora is a new mom enamored of her baby girl, Iris, who has arrived a few weeks early. But with her husband still deployed, Flora must navigate the newborn stage alone. As the sleepless nights pass in the loneliness of their half-empty home, the edges of her reality begin to blur.

Just as Flora becomes convinced she is losing her mind, a surprising guest shows up to help: Flora's own mother, to whom she hasn't spoken in years. Can they mend their fraught relationship? Or is there more that Flora's mother isn't telling her about the events that led to their estrangement?

As stranger and scarier events unfold, Flora begins to fear that her mother's secrets have allowed something truly evil to enter her home. She must decide: is her hold on reality slipping dangerously away? Or is she, in fact, the only thing standing between a terrifying visitor and her baby?

From award-winning author Elizabeth Hand comes the first-ever novel authorized to return to the world of Shirley Jackson's The Haunting of Hill House--an eerily beautiful, strangely seductive, and genuinely upsetting (Alix E. Harrow) new story of isolation and longing perfect for our present time.

**Named a Best Book of the Year by The New Yorker, The Washington Post, and Harper's Bazaar**

Open the door . . . .

Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play Witching Night, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the mansion, nearly hidden outside a remote village. It's enormous, old, and ever-so eerie--the perfect place to develop and rehearse her play.

Despite her own hesitations, Holly's girlfriend, Nisa, agrees to join Holly in renting the house for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house's peculiarities are made known: strange creatures stalk the grounds, disturbing sounds echo throughout the halls, and time itself seems to shift. All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone . . .

A fitting--and frightening--homage. --New York Times Book Review

It's thrilling to find this is a true hybrid of these two ingenious women's work--a novel with all the chills of Jackson that also highlights the contemporary flavor and evocative writing of Hand. --Washington Post

Only the brilliant Elizabeth Hand could so expertly honor Jackson's rage, wit, and vision. --Paul Tremblay

After narrowly escaping with his life at the hands of a murderous Hollywood pimp, detective Happy Doll, bullet-ridden but healing, has landed on a remote Mexican beach. In a humble shack and with his dog for company, Doll settles into a peaceful idyll of Buddhist study. But then trouble, as it always does, comes to paradise. Doll is the witness to a murder for which he is framed, and now, with an expired passport and the Mexican authorities on his tail, he must sneak across the border back to L.A. by any means necessary, with the goal of bringing the true murderer to justice.

But it's not just trouble that expels Doll from paradise! His dark past reaches for him, like a hand from the grave, old enemies want him dead, including the Jalisco Cartel, and Doll, a reluctant instrument of mayhem, yearns to end this cycle of violence and tip the karmic scales in his favor. But how can he do this without getting blood on his hands?

Karma Doll marks the third installment in a madcap, bloody, and impossibly fun series, bringing us back in the good company of Happy Doll: a beloved, introverted anti-hero who has taken more hits to the head than a linebacker, yet still always manages to come out on top.

Journalist Joe Talbert investigates the murder of the father he never knew, and must reckon with his own family's past, in this brilliant sequel to the national bestseller The Life We Bury (Publishers Weekly)

Joe Talbert, Jr. has never once met his namesake. Now out of college, a cub reporter for the Associated Press in Minneapolis, he stumbles across a story describing the murder of a man named Joseph Talbert in a small town in southern Minnesota.

Full of curiosity about whether this man might be his father, Joe is shocked to find that none of the town's residents have much to say about the dead man-other than that his death was long overdue. Joe discovers that the dead man was a loathsome lowlife who cheated his neighbors, threatened his daughter, and squandered his wife's inheritance after she, too, passed away -- an inheritance that may now be Joe's.

Mired in uncertainty and plagued by his own devastated relationship with his mother, who is seeking to get back into her son's life, Joe must put together the missing pieces of his family history -- before his quest for discovery threatens to put him in a grave of his own.

It's something parents do every morning: Rachel Klein drops her daughter at the bus stop and heads into her day. But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die.

You are not the first. And you will certainly not be the last.Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals--and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago.

But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.

McKinty is one of the most striking and most memorable crime voices to emerge on the scene in years. His plots tempt you to read at top speed, but don't give in: this writing--sharply observant, intelligent and shot through with black humor--should be savored.
--Tana French

A masterpiece. You have never read anything quite like The Chain and you will never be able to forget it. --Don Winslow

Diabolical, unnerving, and gives a whole new meaning to the word relentless. Adrian McKinty just leapt to the top of my list of must-read suspense novelists. He's the real deal.
--Dennis Lehane

Pairing an irresistible concept with a winner protagonist, The Chain promises to be your new addiction once you succumb to the first enticing page.
--Alafair Burke

A grade-A-first-rate-edge-of-your-seat thriller. I can't believe what went through my mind while reading it. --Attica Locke

- NEW YORK TIMES BEST CRIME NOVEL OF THE YEAR -

Things are going well for Jane Murphy, or so it seems. She's making it in New York, a sort of wunderkind at the social media marketing startup where she works. She's put an experimental writer, Jeremy Miller, on the map by helping him concoct a viral internet novel, told in fragments through various fake social media accounts. But privately, Jane feels trapped, ruled by her routines and her compulsions with food and social media, caught up in an endless cycle of soothing and punishing herself. There is so much that she has to keep hidden, especially from Jeremy as their professional relationship transforms into something more.

But then, tragedy strikes, and the story changes track. As the perspective shifts, so too does our image of Jane and those in her orbit as what we think we know begins to unravel.

Audacious, emotionally precise and head-spinning in its ingenuity, Swallow the Ghost interrogates our public identities and private realities through the kaleidoscopic portrait of one woman's life.

Minnie Polson is dead. Burned to a crisp in a fire so big and bad it had to be deliberate. The only thing worse is that Hap and Leonard could have prevented it. Maybe. Minnie had a feeling she was being targeted, shaken down by some shadowy force. However, when she'd solicited Hap & Leonard, all it took was one off color joke to turn her sour and she'd called them off the investigation. Wracked with a guilty conscience, the two PIs--along with Hap's fleet-footed wife, Brett--tuck in to the case. As they look closer, they dredge up troublesome facts: for one, Minnie's daughter, Alice, has recently vanished. She'd been hard up after her pet grooming business went under and was in line to collect a whopping insurance sum should anything happen to her mother. The same was due to Minnie's estranged husband, Al, whose kryptonite (beautiful, money-grubbing women) had left him with only a run-down mobile home. But did Minnie's foolish, cash-strapped family really have it in them to commit a crime this grisly? Or is there a larger, far more sinister scheme at work?
Irreverent, wise-cracking, and full of atmosphere and bite, Sugar on the Bones is not to be missed.

Lila Nash is on the verge of landing her dream job--working as a prosecutor under the Hennepin County Attorney--and has settled into a happy life with her boyfriend, Joe Talbert. But when a woman is pulled from the Mississippi River, barely alive, things in the office take a personal turn.

The police believe the woman's assailant is local photographer Gavin Spenser, but the case quickly flounders as the evidence wears thin. It seems Gavin saw this investigation coming--and no one can imagine how carefully he has prepared.

The more determined Lila is to put Gavin behind bars, the more elusive justice becomes. Battling a vindictive new boss and haunted by the ghosts of her own unspeakable attack, which she's kept a dark secret for eight long years, Lila knows the clock is ticking down. In a race against an evil mastermind, it will take everything Lila's got to outsmart a killer--and to escape the dark hold of her own past.

A near-perfect thriller, The Stolen Hours is a true nail-biter that will have you reading long into the night. --Book Reporter

Even readers who predict the tale's biggest twist before it arrives will still have the breath knocked out of them by the surprises that follow. --Kirkus Reviews (starred review)

There's not a moment misplaced or a second lost. With the precision of a watchmaker, Eskens assembles the fine parts of a mystery and sets them to the tempo of a thriller, leaving the reader breathless. --Craig Johnson, author of the Walt Longmire Mysteries

The truth is never skin deep.

It was supposed to be a romantic getaway weekend in New York City. Breanna's new boyfriend, Ty, took care of everything--the train tickets, the dinner reservations, the rented four-story luxury rowhouse in Jersey City with a beautiful view of the Manhattan skyline. But when Bree comes downstairs their final morning, she's shocked. There's a stranger laying dead in the foyer, and Ty is nowhere to be found.

A Black woman alone in a new city, Bree is stranded and out of her depth--especially when it becomes clear the dead woman is none other than Janelle Beckett, the missing woman the entire Internet has become obsessed with. There's only one person Bree can turn to: her ex-best friend, a lawyer with whom she shares a very complicated past. As the police and a social media mob close in, all looking for #JusticeForJanelle, Bree realizes that the only way she can help Ty--or herself--is to figure out what really happened that last night.

But when people only see what they want to see, can she uncover the truth hiding in plain sight?

Fantastic. Only Garrett could craft a tale so adroitly attuned to our everyday fears. --S. A. Cosby, New York Times bestselling author of All the Sinners Bleed

A propulsive murder mystery with relatable characters and heart-stopping twists.―Mary Kubica, New York Times bestselling author of Local Woman Missing and Just the Nicest Couple

Bree is unforgettable . . . you are in for such a ride. --Rachel Hawkins, New York Times bestselling author of The Villa