A New York Times 100 Best Books of the 21st Century Readers Pick

#1 New York Times Bestseller

A Washington Post and Los Angeles Times Bestseller

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise (Elizabeth Gilbert).

Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings--asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass--offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

NATIONAL BESTSELLER
A 2025 National Endowment for the Arts Big Reads Selection
A 2024 NPR Books We Love Selection

Whoever you are, you will find yourself and your own world in the expansiveness of this collection.
-Margaret Renkl, New York Times

Published in association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.

In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about nature poetry, illuminating the myriad ways our landscapes-both literal and literary-are changing.

You Are Here features fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author's local landscape-be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop-offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.

Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what nature and poetry are today, inviting readers to experience both anew.

Updated with a new introduction from Robin Wall Kimmerer, the special edition of Braiding Sweetgrass, reissued in honor of the fortieth anniversary of Milkweed Editions, celebrates the book as an object of meaning that will last the ages.

Beautifully bound with a new cover featuring an engraving by Tony Drehfal, this edition includes a deckled edge and five brilliantly colored illustrations by artist Nate Christopherson. In increasingly dark times, we honor the experience that more than 350,000 readers in North America have cherished about the book--gentle, simple, tactile, beautiful, even sacred--and offer an edition that will inspire readers to gift it again and again, spreading the word about scientific knowledge, indigenous wisdom, and the teachings of plants.

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise (Elizabeth Gilbert).

Drawing on her life as an indigenous scientist, a mother, and a woman, Kimmerer shows how other living beings--asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass--offer us gifts and lessons, even if we've forgotten how to hear their voices. In a rich braid of reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

A 2025 National Endowment for the Arts Big Reads Selection

Winner of the Minnesota Book Award

A haunting novel spanning several generations, The Seed Keeper follows a Dakhóta family's struggle to preserve their way of life, and their sacrifices to protect what matters most.

Rosalie Iron Wing has grown up in the woods with her father, Ray, a former science teacher who tells her stories of plants, of the stars, of the origins of the Dakhóta people. Until, one morning, Ray doesn't return from checking his traps. Told she has no family, Rosalie is sent to live with a foster family in nearby Mankato--where the reserved, bookish teenager meets rebellious Gaby Makespeace, in a friendship that transcends the damaged legacies they've inherited.

On a winter's day many years later, Rosalie returns to her childhood home. A widow and mother, she has spent the previous two decades on her white husband's farm, finding solace in her garden even as the farm is threatened first by drought and then by a predatory chemical company. Now, grieving, Rosalie begins to confront the past, on a search for family, identity, and a community where she can finally belong. In the process, she learns what it means to be descended from women with souls of iron--women who have protected their families, their traditions, and a precious cache of seeds through generations of hardship and loss, through war and the insidious trauma of boarding schools.

Weaving together the voices of four indelible women, The Seed Keeper is a beautifully told story of reawakening, of remembering our original relationship to the seeds and, through them, to our ancestors.

Honors for The Seed Keeper:

• Winner of the Minnesota Book Award in Fiction

• A BuzzFeed Best Book of Spring

• A Literary Hub Most Anticipated Book of the Year

• A Bustle Most Anticipated Debut Novel

• A Bon Appetit Best Summer Read

• A Thrillist Best New Book of Spring

• A Ms. Magazine Best Book of the Year

• A Books Are Magic Most Anticipated Book of the Year

• Named a Most Anticipated Book of the Year by The Millions

• A Daily Beast Best Summer Read

Hands-down one of the most beautiful books of the year. --NPR
A New York Times Bestseller
Barnes & Noble Book of the Year

Beloved author Aimee Nezhukumatathil's celebrated work of nonfiction, now including additional essays and illustrations.

As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted--no matter how awkward the fit or forbidding the landscape--she was able to turn to our world's fierce and funny creatures for guidance.

What the peacock can do, she tells us, is remind you of a home you will run away from and run back to all your life. The axolotl teaches us to smile, even in the face of unkindness; the touch-me-not plant shows us how to shake off unwanted advances; the narwhal demonstrates how to survive in hostile environments. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. For it is this way with wonder: it requires that we are curious enough to look past the distractions in order to fully appreciate the world's gifts.

Warm, lyrical, and gorgeously illustrated by Fumi Nakamura, World of Wonders is a book of sustenance and joy.

Winner of the Pacific Northwest Book Award

A People Magazine Best Non-Celebrity Memoir of 2024

A People Magazine Best New Book of the Month

A Kirkus Reviews Best Nonfiction of the Year Selection

A Book Riot Best Memoirs, Nonfiction Science, and Food Writing of the Last Year

I'm in awe of Chris La Tray's storytelling. Becoming Little Shell creates a multilayered narrative from threads of personal, family, community, tribal, and national histories.--Robin Wall Kimmerer, author of Braiding Sweetgrass

Growing up in Montana, Chris La Tray always identified as Indian. Despite the fact that his father fiercely denied any connection, he found Indigenous people alluring, often recalling his grandmother's consistent mention of their Chippewa heritage.

When La Tray attended his grandfather's funeral as a young man, he finally found himself surrounded by relatives who obviously were Indigenous. Who were they? he wondered, and Why was I never allowed to know them? Combining diligent research and compelling conversations with authors, activists, elders, and historians, La Tray embarks on a journey into his family's past, discovering along the way a larger story of the complicated history of Indigenous communities--as well as the devastating effects of colonialism that continue to ripple through surviving generations. And as he comes to embrace his full identity, he eventually seeks enrollment with the Little Shell Tribe of Chippewa Indians, joining their 158-year-long struggle for federal recognition.

Both personal and historical, Becoming Little Shell is a testament to the power of storytelling, to family and legacy, and to finding home. Infused with candor, heart, wisdom, and an abiding love for a place and a people, Chris La Tray's remarkable journey is both revelatory and redemptive.

Finalist for the 2024 National Book Award for Poetry

Winner of the 2024 Jackson Poetry Prize

From one of our most acclaimed contemporary writers, an urgent and essential collection of poems illuminating the visionary presence of Palestinians.

Fady Joudah's powerful sixth collection of poems opens with, I am unfinished business, articulating the ongoing pathos of the Palestinian people. A rendering of Joudah's survivance, [...] speaks to Palestine's daily and historic erasure and insists on presence inside and outside the ancestral land.

Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens-a world filled with ordinary desires, no matter how grand or tragic the details may be--and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But Repetition won't guarantee wisdom, Joudah writes, demanding that we resuscitate language before [our] wisdom is an echo. These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. [...] is a wonder. Joudah reminds us Wonder belongs to all.

FINALIST FOR THE NATIONAL BOOK AWARD

A finalist for both the National Book Award and the National Book Critics Circle Award, Bright Dead Things examines the dangerous thrill of living in a world you must leave one day and the search to find something that is disorderly, and marvelous, and ours.

A book of bravado and introspection, of feminist swagger and harrowing loss, this fourth collection considers how we build our identities out of place and human contact--tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth, and falls in love. Ada Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a huge beating genius machine striving to embrace and understand the fullness of the present moment. I am beautiful. I am full of love. I am dying, the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds, and Mark Doty, Limón's work is consistently generous, accessible, and effortlessly lyrical (New York Times)--though every observed moment feels complexly thought, felt, and lived.

An astonishing collection about interconnectedness-between the human and nonhuman, ancestors and ourselves--from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limóoacute;n.

I have always been too sensitive, a weeper / from a long line of weepers, writes Limón. I am the hurting kind. What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings--and to know that those beings are resolutely their own, that they do not / care to be seen as symbols?

With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions--incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.

Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. Slippery and waddle thieving my tomatoes still / green in the morning's shade, writes Limón of a groundhog in her garden, she is doing what she can to survive.

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD

FINALIST FOR THE PEN/JEAN STEIN BOOK AWARD

From U.S. Poet Laureate Ada Limón comes The Carrying--her most powerful collection yet.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility--What if, instead of carrying / a child, I am supposed to carry grief?--and a body seized by pain and vertigo as well as ecstasy. A nation convulses: Every song of this country / has an unsung third stanza, something brutal. And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. Fine then, / I'll take it, she writes. I'll take it all.

In Bright Dead Things, Limón showed us a heart giant with power, heavy with blood--the huge beating genius machine / that thinks, no, it knows, / it's going to come in first. In her follow-up collection, that heart is on full display--even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.

From New York Times contributing opinion writer Margaret Renkl comes an unusual, captivating portrait of a family--and of the cycles of joy and grief that inscribe human lives within the natural world.

Growing up in Alabama, Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents--her exuberant, creative mother; her steady, supportive father--and of the bittersweet moments that accompany a child's transition to caregiver.

And here, braided into the overall narrative, Renkl offers observations on the world surrounding her suburban Nashville home. Ringing with rapture and heartache, these essays convey the dignity of bluebirds and rat snakes, monarch butterflies and native bees. As these two threads haunt and harmonize with each other, Renkl suggests that there is astonishment to be found in common things: in what seems ordinary, in what we all share. For in both worlds--the natural one and our own--the shadow side of love is always loss, and grief is only love's own twin.

Gorgeously illustrated by the author's brother, Billy Renkl, Late Migrations is an assured and memorable debut.

The tragic tale of a Montana family ripped apart by scandal and murder: a significant and elegant addition to the fiction of the American West (Washington Post).

In the summer of 1948, twelve-year-old David Hayden witnessed and experienced a series of cataclysmic events that would forever change the way he saw his family. The Haydens had been pillars of their small Montana town: David's father was the town sheriff; his uncle Frank was a war hero and respected doctor. But the family's solid foundation was suddenly shattered by a bombshell revelation.

The Hayden's Sioux housekeeper, Marie Little Soldier, tells them that Frank has been sexually assaulting his female Indian patients for years--and that she herself was his latest victim. As the tragic fallout unravels around David, he learns that truth is not what one believes it to be, that power is abused, and that sometimes one has to choose between loyalty and justice.

Winner of the Milkweed National Fiction Prize

Offering a deeply necessary, clear-eyed look at who we are as flesh-and-bone bodies during the climate crisis, this is a book that searches and finds meaning in both the hard truths and the value of wonder.--Ada Limón

In this luminous collection of essays, Ellen Wayland-Smith probes the raw edges of human existence, those periods of life in which our bodies remind us of our transience and the boundaries of the self dissolve.

From the Old Testament to Maggie Nelson, these explorations are grounded in a rich network of associations. In an essay on the postpartum body, Wayland-Smith interweaves her experience as a mother with accounts of phantom limbs and Greek mythology to meditate on moments when pieces of our being exist outside our bodies. In order to comprehend diagnoses of depression and breast cancer, she delves into LA hippie culture's love affair with crystals and Emily Dickinson's geological poetry. Her experience with chemotherapy leads to reflection on Western medicine and its intolerance of death and the healing capacity of nature. And throughout, she challenges the false separation between the human and the primeval, animal mode of being.

At once intimate and expansive, The Science of Last Things peels back layers of human thought and behavior, breaking down our modern conceptions of individuality and reframing us as participants in a world of astounding elegance and mystery.

These stories are grounded in soul, a deep communion with the belief that we can--and must--rebuild our relationship with the planet.--Omar El Akkad, author of What Strange Paradise

Otherworldly but remarkably familiar, ancestral but firmly rooted in alternate futures, these twelve innovative stories--winners of the Imagine 2200 climate fiction contest organized by Grist--offer a glimpse of a future built on sustainability, inclusivity, and justice. A beekeeper finds purpose and new love after collaborating on a bee-based warning system for floods. An Indian family preserves its traditions through food, dance, and the latest communication fads. After an oceanic rapture, a lone survivor adapts to living in a tree on a small island with a vulture he befriends. Flickers of hope, even joy, illuminate these alternate realities.

Curated by Grist, the leading media organization dedicated to foregrounding stories of climate change, Metamorphosis is a visionary and speculative collection. Immersive, thought-provoking, and often surprising, these stories serve as a springboard for exploring how fiction can help us envision a tomorrow in which we flourish and thrive.

A Lit Hub Most Anticipated Book of 2025

A Kirkus Starred Review

A cunning writer with masterful timing and an outrageous sense of humor.--Gary Shteyngart

An irreverent, darkly comic novel dissecting the misjudgments, hypocrisies, and occasional good motives that drive our politics and our journalism, as well as our most intimate personal relations.

At his desk one day, prominent Washington commentator Adam Zweig receives a text message. Btw want to give you a heads-up abt some breaking news, it reads. Call soonest. These are the early rumblings of an eventual media storm generated by small-town reporter Valerie Iovine, who has gone public with her account of sexual harassment at the hands of esteemed editor and liberal icon Max Lieberthol. Twenty years have passed since the incident, and though Adam wasn't directly involved, he quickly finds himself implicated and entangled, his career under imminent threat.

Adam has never forgotten his history with Valerie: as former colleagues, their workplace collaboration had gradually tipped into a mutual romantic attraction. Or so he believed. Confronted by the claims against his former boss and a growing awareness of rampant sexism in his industry, Adam, who had always thought of himself as progressive, is forced to challenge his own assumptions over the years. What once seemed incidental becomes sinister; what once seemed like a blundering encounter helped derail a young woman's promising career.

Sly and ironic, A Hole in the Story explores one imperfect man's dilemmas as he tries to keep his feet in a shifting moral landscape.

NATIONAL BESTSELLER

The #1 bestselling and beloved poetry anthology, now in paperback!

Whoever you are, you will find yourself and your own world in the expansiveness of this collection.
-Margaret Renkl, New York Times

A lovely book to take with you to read at the end of your next hike.
-Los Angeles Times

Published in association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.

In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about nature poetry, illuminating the myriad ways our landscapes--both literal and literary--are changing.

You Are Here features fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author's local landscape--be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop--offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.

Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what nature and poetry are today, inviting readers to experience both anew.

Bold, passionate, and more urgent than ever, Debra Magpie Earling's powerful classic novel is reborn in this new edition.

On the Flathead Indian Reservation, summer is ending, and Louise White Elk is determined to forge her own path. Raised by her Grandmother Magpie after the death of her mother, Louise and her younger sister have grown up into the harsh social and physical landscape of western Montana in the 1940s, where Native people endure boarding schools and life far from home. As she approaches adulthood, Louise hopes to create an independent life for herself and an improved future for her family--but three persistent men have other plans.

Since childhood, Louise has been pursued by Baptiste Yellow Knife, feared not only for his rough-and-tumble ways, but also for the preternatural gifts of his bloodline. Baptiste's rival is his cousin, Charlie Kicking Woman: a man caught between worlds, torn between his duty as a tribal officer and his fascination with Louise. And then there is Harvey Stoner. The white real estate mogul can offer Louise her wildest dreams of freedom, but at what cost?

As tensions mount, Louise finds herself trying to outrun the bitter clutches of winter and the will of powerful men, facing choices that will alter her life--and end another's--forever.

An NPR Best Book of the Year

A 2025 National Endowment for the Arts Big Reads Selection

A National Geographic Best Travel Book

Winner of the CLMP Firecracker Award in Creative Nonfiction

Finalist for the Housatonic Book Award in Nonfiction

Honorable mention for the SEJ Rachel Carson Environment Book Award

The Quickening is a book of hope.--Elizabeth Kolbert, author of Under a White Sky

An astonishing, vital work about Antarctica, climate change, and community.

In 2019, fifty-seven scientists and crew set out onboard the Nathaniel B. Palmer. Their destination: the ominous Thwaites Glacier at Antarctica's western edge. Their goal: to learn as much as possible about this mysterious place, never before visited by humans. And with them is author Elizabeth Rush, who seeks, among other things, the elusive voice of the ice.

Rush shares her story of a groundbreaking voyage punctuated by both the sublime--the tangible consequences of our melting icecaps; the staggering waves of the Drake Passage; the torqued, unfamiliar contours of Thwaites--and the everyday moments of living and working in community. A ping-pong tournament at sea. Long hours in the lab. All the effort that goes into caring for the human and more-than-human worlds. Along the way, Rush takes readers on a personal journey around a more intimate question: What does it mean to create and celebrate life in a time of radical planetary change?

What emerges is a new kind of Antarctica story, one preoccupied not with flag planting and heroism but with the collective and challenging work of imagining a better future. With understanding the language of a continent where humans have only been present for two centuries. With the contributions and concerns of women, who were largely excluded from voyages until the last few decades, and of crew members of color, whose labor has often gone unrecognized. Urgent, brave, and vulnerable, The Quickening is an absorbing account of hope from one of our most celebrated and treasured contemporary authors.

Marginlands is a tour de force, a magnificent first book about India's marginalized landscapes and inhabitants, written with compassion, compressed elegance of observation, and urgent political force.--Robert Macfarlane

As a child growing up in Mumbai, Arati Kumar-Rao's parents instilled in her an abiding love for the natural world and a passion for storytelling. Years later, adrift in a corporate job and concerned by the unbridled development of her country, she asked herself, When will you stop doing what you can do and start doing what you really want to do?

Animated by an instinctive sense that our fate is bound to that of the earth and the more-than-human world, Kumar-Rao sets out on a journey across India, listening along the way to stories the land and its people share with her. In the Thar Desert, often reduced to the value of extractable commodities, she learns about ancient methods of harvesting rainwater from shepherds with deep ancestral memories. In the delta formed by the confluence of the Ganges, Brahmaputra, and Meghna Rivers at the Bay of Bengal, she walks ancient shorelines and mangrove forests with a marine biologist, exploring tidepools and learning of the extent to which this astonishingly diverse ecology is increasingly endangered by commercial trawlers and overfishing. And on India's northernmost plateau, surrounded by the Himalaya and home to snow leopards, ibex, and numerous endangered species of eagles and owls, she finds glaciers disappearing at an alarming rate and meets with inhabitants who play little role in creating climate change but now bear the brunt of it.

Richly illustrated with the author's photographs and drawings, Marginlands is a vibrant and compelling account of the changes reshaping India today. Engaging and urgent, infused with wonder and profound empathy, this is a work of love and hope, inspiring readers across the world to preserve and protect the world around us.

Hands-down one of the most beautiful books of the year. --NPR

From beloved, award-winning poet Aimee Nezhukumatathil comes a debut work of nonfiction--a collection of essays about the natural world, and the way its inhabitants can teach, support, and inspire us.

As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted--no matter how awkward the fit or forbidding the landscape--she was able to turn to our world's fierce and funny creatures for guidance.

What the peacock can do, she tells us, is remind you of a home you will run away from and run back to all your life. The axolotl teaches us to smile, even in the face of unkindness; the touch-me-not plant shows us how to shake off unwanted advances; the narwhal demonstrates how to survive in hostile environments. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. For it is this way with wonder: it requires that we are curious enough to look past the distractions in order to fully appreciate the world's gifts.

Warm, lyrical, and gorgeously illustrated by Fumi Nakamura, World of Wonders is a book of sustenance and joy.