Jean-Michel Basquiat was only twenty-seven when he died in 1988, his meteoric and often controversial career having lasted for just eight years. Despite his early death, Basquiat's powerful oeuvre has ensured his continuing reputation as one of modern art's most distinctive voices.
Borrowing from graffiti and street imagery, cartoons, mythology and religious symbolism, Basquiat's drawings and paintings explore issues of race and identity, providing social commentary that is shrewdly observed and biting. This bestselling book, now available in a compact edition, celebrates Basquiat's achievements in the contexts of the key influences on his art. It not only re-evaluates the artist's principal works and their meaning, but also explains what keeps his painting relevant today.
Japandi is the newest and hottest trend in interiors: a harmonious combination of functionality, comfort, and the minimalist look that characterizes Scandinavian design, with the purest elegance of traditional Japanese craftsmanship.
Japandi harmoniously blends Scandinavian hygge with wabi-sabi, a concept derived from Zen Buddhism that advocates peaceful sobriety and invites us to admire the beauty hidden in slight imperfections in nature. This first major survey of Japandi style will introduce the reader to the fundamentals, and to iconic objects that will transform and interior into a Japandi-inspired retreat.
Chapter one of the book examines the converging principles that have contributed to the emergence of Japandi Style such as functionality, neutral colors, the importance of organic materials, and the thoughtful simplicity of shapes. Chapter two presents some of the most emblematic works of Japandi Style, and the design studios behind them. Chapter three gives examples of how to decorate and furnish rooms - the living room, dining room, bedroom, bathroom, winter garden, or home office - in Japandi Style.
The first building-by-building survey of the remarkable architectural achievements in Saudi Arabia over the last fifty years, featuring case studies of 45 outstanding projects as well as previews of buildings due for completion by 2030.
Since the mid-1970s, there has been unprecedented construction in Saudi Arabia, much of which has involved high-profile architects and engineers from the Kingdom and around the world. They have produced buildings that are often highly innovative in their style, sustainability, construction techniques, and materials while drawing on the country's rich architectural heritage and taking account of environmental and climatic factors.
Many of these developments were commissioned by King Salman when he was governor of Riyadh, giving rise to a body of architecture known as Salmani. The principles of the Salmani architectural style - authenticity, continuity, human-centered design, liveability, innovation, and sustainability - have determined much of the architecture, interior design, landscaping, and urban planning of recent decades. Through detailed case studies, this new book shows how innovation has been combined with an interest in conservation and urban regeneration, as well as a concern for the social and human impact of architectural and planning decisions. From commercial developments and government and civic buildings to cultural and leisure facilities and palaces and mosques, a wide variety of projects are featured. While some have a strong basis in vernacular styles, others are daring, visionary designs, among them NEOM, an ambitious development incorporating a smart, car-free city known as The Line.
Among the featured international and Saudi architects are Ateliers Jean Nouvel, Beeah, Bjarke Ingels Group, Foster + Partners, Henning Larsen, HOK, Kengo Kuma & Associates, Omrania, Saudi Oger, Sn hetta, SOM, Thomas Heatherwick, and Zaha Hadid Architects.
As author Christopher Masters discusses in his text, the radicalism of NEOM (part of the Vision 2030 plan led by Crown Prince Mohammed bin Salman), the traditionalism of Salmani architecture, and the conservation programs in such locations as central Jeddah and the historic town of Diriyah appear to be very different in approach and philosophy. Yet all promote a strong interest in urbanism, an alternative to the car-oriented cities constructed as Saudi Arabia rapidly modernized in the last decades of the 20th century. They embody an aspiration to improve society through architecture and environment and to create cities that are fit for the challenges of the future. Lavishly illustrated with plans, drawings, and photographs, this timely volume highlights a field of architecture that has international importance and relevance and deserves to be more widely known outside the region.
This magnificent publication presents surveys the vital role of women in the development of Abstract Expressionism by looking at more than 50 paintings, collages, and sculptures all accompanied by carefully selected quotes from the artists themselves.
The dominant movement of the New York and San Francisco art scenes of the mid-20th century, Abstract Expressionism is celebrated as the first development in American art to gain international status. The movement is synonymous with the work of Jackson Pollock, Mark Rothko, and Willem de Kooning, but also belonging to this generation who changed the course of modern art were numerous female artists; only in recent years have their contributions received the recognition they deserve. The remarkable women in this exciting new book - among them Perle Fine, Helen Frankenthaler, Sonia Gechtoff, Lee Krasner, and Joan Mitchell - studied at the same art schools as the men, exhibited at the same galleries, and were part of the same social scene. But their work was not shown and reviewed as widely or considered as valuable as that of the men.
This beautiful book presents the works of the Levett Collection, an unparalleled private collection of paintings, drawings, and sculpture by women Abstract Expressionists. Richly illustrated essays by the scholars Ellen G. Landau and Joan M. Marter, leading authorities on the subject, consider, respectively, the vital role of women in the development of Abstract Expressionism and the work of women sculptors of the movement. Full of exuberant, explosive color and densely layered expression, the main part of the book is devoted to more than 50 paintings, collages, and sculptures, all accompanied by pertinent quotes from the women about their artistic practice and concerns.
An illustrated timeline and 35 artist biographies provide further insight, making this volume an essential addition to the study of Abstract Expressionist women, innovators in their own right, whose time in the art-historical spotlight has finally come.
Once upon a time, only typesetters needed to know about kerning, leading, ligatures, and hanging punctuation. Today, however, most of us work on computers, with access to hundreds of fonts, and we'd all like our letters, reports and other documents to look as good - and as readable - as possible.
But what does all the confusing terminology about ink traps, letter spacing, and visual centering mean, and what are the rules for good typography? Type Matters! is a book of tips for everyday use, for all users of typography, from students and professionals to anyone who does any layout design on a computer. The book is arranged into three chapters: an introduction to the basics of typography; headline and display type; and setting text.
Within each chapter there are sections devoted to particular principles or problems, such as selecting the right typeface, leading, and the treatment of numbers. Examples throughout show precisely what makes good typography - and, crucially, what doesn't. Authoritatively written and designed by a practitioner and teacher of typography, Type Matters! has a beautifully clear layout that reinforces the principles discussed throughout.
The new compact hardcover edition of the first book devoted to the work of one of today's most celebrated garden designers.
Arne Maynard is known for his award-winning gardens at the Chelsea Flower Show, and for his elegant and sympathetic gardens for private houses worldwide including in the USA.
Central to his work is his ability to draw out the essence of a place - a talent that lends his gardens a particular sense of harmony and belonging. A passionate gardener himself, Maynard is in the process of transforming the garden around his house, Allt-y-bela, in rural Wales. This garden is featured in the book, offering insights into the work in progress and Maynard's design methods. Also included is Maynard's very first garden of his own, at Guanock House in Lincolnshire, where he spent 10 years creating from a flat field a formal layout, with a kitchen garden, knot garden, and herbaceous borders.
A total of 12 gardens have been specially photographed, and each is described through the seasons in personal text by Maynard, including details of the brief and the plant selection. The Gardens of Arne Maynard is completed by illustrated features on various topics close to the designer's heart, such as growing and using roses, planting borders, creating productive kitchen gardens, incorporating sculpture in the garden, and training trees and shrubs.
No art form is more associated with the Native Americans of the Southwest than pottery.
For centuries, Pueblo people have made beautiful pottery, often painted with intricate designs, for everyday activities such as cooking, food storage and gathering water, and for ceremonial use. Vessels of these types have been found at ancient sites including Chaco Canyon and Mesa Verde. The tradition of pottery-making continues to thrive among Pueblo communities in the Southwest, and while pottery is still made for practical purposes, it is also commonly produced for the art market. Since the time of the Ancestral Puebloans, pottery has been made predominantly by women. The pots are created from natural clay using a coil method; they are hand-painted and then fired outdoors. Designs vary from one Pueblo to another, but many symbols and motifs are shared by the Pueblos.
An impressive survey of more than 100 pieces of historic Pueblo pottery, Grounded in Clay is remarkable for the fact that its content has been selected by Pueblo community members. Rather than relying on Anglo-American art historical interpretations, this book foregrounds Native American voices and perspectives. More than 60 participants from 21 Pueblo communities in the Southwest - among them potters and other artists, as well as writers, curators and community leaders - chose one or two pieces from the collections of the Indian Arts Research Center at the School of Advanced Research in Santa Fe, New Mexico, and the Vilcek Collection in New York. They were then given the freedom to express their thoughts in whichever written form they wished, prose or poem. Their lively, varied contributions reveal the pottery to be not only a utilitarian art form but also a powerfully intangible element that sits at the heart of Pueblo cultures. With magnificent photography throughout, Grounded in Clay showcases the extraordinary history and beauty of Pueblo pottery while bringing to life the complex narratives and stories of this most essential of Native American arts.
The Coloring Book of Latinx Artists features the artwork of more than a dozen leading Latinx artists currently living and working in the United States.
This is the first coloring book devoted to the great diversity of Latinx artists, and it celebrates their new perspectives and stylistic innovations as well as social and political dialogue with contemporary art and visual culture.
Rita Gonzalez curated the cohort of artists and artworks included in the book, and also provides the book's introduction. Her introduction contextualizes the genre of Latinx art, and provides insight into the artists and works selected and showcased in the book.
The coloring book format enables users of all ages to study and explore the work of the artists included. The Coloring Book of Latinx Artists inspires users to play, create, and contemplate.
Louise Bradley has been designing timeless, elegant interiors for thirty years. Her distinctive style - combining classic influences with a contemporary edge - has secured her position as one of the UK's leading interior designers, and has won her international recognition.
Today, Louise's name is synonymous with relaxed luxury, and she has designed significant residential projects across the globe. Richly illustrated throughout, Interior: Louise Bradley is the first in-depth exploration of Louise's work, and provides a fascinating insight into her design process and the thinking behind a variety of her most accomplished projects. The featured homes include historic London townhouses, a lofty apartment, sophisticated pieds-à-terre, an Edwardian country house, opulent villas in Kuwait and an Alpine ski chalet, as well as Louise's own homes - an oasis of calm in the city and a cosy country retreat.
Regardless of the type of project, Louise seeks always to be respectful of the architecture and to uphold and enhance the context and natural setting of a building. Her approach is to create tranquil, supremely comfortable and harmonious spaces that effortlessly combine custom-made furniture and accessories, unique finishes and state-of-the-art technology. While each project is individual, Louise generally prefers a muted, neutral colour palette, one that allows the beauty of a room to unfurl through the use of carefully layered materials, beautiful lighting and strategically placed signature pieces, such as an oversized mirror. Louise's renowned eye for detail is explored here in four 'Elements' sections that focus on Texture, Scale, Function and Reflection.
Louise has long and proudly collaborated with a range of British and European artisans and craftspeople, and the book concludes with brief overview of her London showroom, which displays an extensive selection of her furniture, soft furnishings and accessories. Devotees of Louise's 'classic contemporary' aesthetic will be enthralled to find in Interior: Louise Bradley the opportunity to discover more about her inimitable design vision and her most captivating projects.
The garden design firm of SMI Landscape Architecture is known for its estate masterplanning, its public gardens and streetscapes, and its thoughtful private gardens for clients across the United States, particularly in Florida, and in the Bahamas. The firm's philosophy incorporates a botanic garden approach with exotic planting and elements of classical European design to create beautiful, usable spaces, and it is also known for its preservation and restoration of old landscapes.
This book presents 15 new gardens, never before published in any book, that show the range of the firm's work. Each client has different requirements, and so each garden turns out differently - but each shows the firm's hallmarks of lush planting, luxurious garden rooms, and immaculate hardscaping. As Jorge Sánchez puts it in the Preface, This book shows how not one individual but many make a firm successful.
For each garden, practical information about the design approach and details of the planting are combined with an account of the process, the firm's relationship with the client, and the reasons for the design decisions. Through the narrative--often personal, always descriptive, always detailed--a picture builds up of the approach to each set of circumstances.
Many of the projects are in Palm Beach, where a boom in the building of new houses and their attached estates in the early twentieth century left a legacy of stunning--if sometimes neglected--homes and landscapes ripe for restoration. Local architects such as Addison Mizner and Maurice Fatio designed houses that are now being rejuvenated and sympathetically modernized to fit the requirements of twenty-first-century families, and firms such as SMI are at the forefront of the re-creation of their gardens. The Weisfisch Garden in Palm Beach, for example, was carefully restored and given the surroundings its architecture and its owners deserved, and the whole project was recognized with a prestigious award from the Palm Beach Preservation Foundation.
The firm of SMI also works in temperate planting zones, and projects in more northerly states provide an opportunity to work with an entirely different palette of plants. For the Plumb Garden in Chadds Ford, Pennsylvania, for example, the firm was commissioned to remodel a small estate attached to an old pleasure house. The landscape here is much wilder and more temperate than in Florida, and the firm's job was to work with the natural flora and contours of the land while quietly intervening to personalize the areas nearest the house. Simple manipulations of form and slope along with water features and some much more intimate spaces have created a garden that fits impeccably into its wider context and yet is capable of being used and enjoyed by the family.
Throughout the book there is a strong sense of participation--with the climate, with the local flora, with the clients, and with other designers, whether architects, artisans, or interior designers. To be part of such collaborative efforts is hugely satisfying for Sánchez and the members of his team, as well as producing the best possible result for each set of clients.
This beautiful book will appeal to garden lovers everywhere, as well as to design aficionados seeking a deeper understanding of the creative process behind making a garden. It will also appeal to garden designers and horticultural students.
Gardens featured include:
A new coloring book featuring 30 drawings of beautiful Pueblo pottery designs for you to complete
Pueblo pottery is renowned for its extraordinary beauty and craftsmanship. Pueblo is a Spanish word meaning 'town' or 'village'. When the Spanish arrived in 1540 in what is now known as the American Southwest, they referred to the Indigenous communities and their settlements as Pueblos. The Pueblos are among the oldest settlements in North America, and their pottery-making tradition is as old as the ancient Pueblos themselves.
Pottery is used throughout the life of a Pueblo person, and various forms are made for cooking, gathering water, food storage, and ceremonial use. The Coloring Book of Pueblo Pottery features more than 30 drawings for you to complete, whether by reproducing the traditional palettes or by finding inspiration in the swirling or geometric patterns and stylized motifs for a unique design of your own. Made predominantly by women, the pots are created from natural clay using a coil method; they are hand-painted and then fired outdoors. Designs vary from one Pueblo to another, but symbols and motifs relating to the natural world - birds, deer, plants, and water - are common. Today, such pottery is highly collectible and is found in museums and private collections around the world. This delightful coloring book allows you to create your very own masterpieces of this celebrated and cherished art form.
The proposals in London of the Future aim to predict and prescribe how the metropolis might be governed, organized, and designed in years to come and to provoke debate among planners, architects, and developers not only in London but in all major cities throughout the world.
Over the course of eighteen essays, experts in various fields - urbanism, architecture, engineering, manufacturing, futurology, journalism, and more - examine possibilities for reimagining and improving many aspects of the city. These writers consider changes both radical and minor that could shape London into a more resilient city and a fairer, healthier place to live.