2020 Edition features fascinating new revelations as well as over a dozen rare and new images.

In the first-ever biography written about her, Wormwood Star traces the extraordinary life of the enigmatic artist Marjorie Cameron, one of the most fascinating figures to emerge from the American underground art world and film scene.

Born in Belle Plaine, Iowa, in 1922, Cameron's uniqueness and talent as a natural-born artist were evident to many of those around her early on in life. During World War II, she served in the WAVES (Women Accepted for Volunteer Emergency Service) and worked in Washington, D.C. as an aide to the Joint Chiefs of Staff and at the Naval Research Laboratory. But it was after the war that her life really took off when she met her first husband, Jack Parsons. By day, Parsons was a brilliant rocket scientist; by night, he was Master of the Agape Lodge, a fraternal magickal order whose head was the most famous magus of the 20th century: Aleister Crowley.

Gradually, through the course of their marriage, Parsons initiated Cameron into the occult sciences, and the biography offers a fresh perspective on her role in the infamous Babalon Working Enochian rituals Parsons conducted with the future founder of Scientology, L Ron Hubbard. Following Parsons' death in 1952 from a chemical explosion, Cameron inherited her husband's magickal mantle and embarked on a lifelong spiritual quest, a journey reflected in the otherworldly images she depicted, many drawn from the Elemental Kingdom and astral plane.

Throughout the 1950s and 1960s, Cameron became a celebrated personality in California's underground art world and film scene. In 1954, she starred in Kenneth Anger's visual masterwork, Inauguration of the Pleasure Dome, stealing the show from her co-star Anais Nin. The filmmaker, Curtis Harrington, was so taken with Cameron he made a film study dedicated to her artwork entitled, The Wormwood Star. He then brought her powerful and mysterious presence to bear on his evocative noir thriller, Night Tide, casting her alongside a young Dennis Hopper.

Cameron was an inspirational figure to the many artists and poets who congregated around Wallace Berman's Semina scene and, in 1957, the authorities shut down a group show held at the Ferus Gallery due to the sexually charged nature of one of her drawings. Undaunted, she continued to carve a unique and brilliant path, although wider recognition only came in the latter part of her life.

A retrospective of Cameron's work, The Pearl of Reprisal, was held at L.A.'s Barnsdall Art Park in 1989, and following her death, some of her most admired pieces were featured in the Reflections of a New Aeon Exhibition at the Eleven Seven Gallery in Long Beach, California. Cameron's famous Peyote Vision line drawing made its way into the Beat Culture and the New America retrospective held at the Whitney Museum in 1995; and in 2006, selections of her work were included in the touring Semina Culture: Wallace Berman & His Circle show. The following year a survey dedicated exclusively to her own work was held at the Nicole Klagsbrun Gallery in New York.

With so much of her life and artistry shrouded in mystery, Wormwood Star sheds new light on this most remarkable artist and elusive occult icon.

A sorceror-scientist's grimoire (Roundworld edition) Every universe potentially has its own Supreme Grimoire containing the spells which define its reality and the magic which you can perform within that reality. In this Octavo we have assembled scattered secrets for a Supreme Grimoire forRoundworld, the universe in which you're standing. To this end we have taken some inspiration from Pratchett's Discworld, and a lot from Theoretical Physics and Practical Chaos Magic. The most original, and probably the most important, writer on Magick since Aleister Crowley. -Robert Anton Wilson, author of the Cosmic Trigger trilogy. Peter J. Carroll is one of the founders of the Magical Pact of the Illuminates of Thanateros (IOT) which he led for a decade. He has spent thirty-seven years in research and experiment and is the author of three other books Liber Null & Psychonaut, Liber Kaos: the Psychonomicon, and Psybermagic, and The Apophenion.

The world of Jesus and the early Christians swarmed with prophets and exorcists, holy men and healers, who invoked angels and demons, gods and ghosts. Magic in Christianity: From Jesus to the Gnostics explores that world through the surviving texts of the first Christians and their pagan and Jewish contemporaries. Ecstatic spirit possession, handing opponents over to Satan, sending demons into swine, striking others dead on the spot by pronouncing curses, using articles of clothing and parts of corpses to perform magical healing and exorcism, invoking ghosts and angels for protection-these are all ancient Christian practices described in the New Testament, explained in detail by early Christian writers, and preserved by Christian amulets. Pagans and Jews accused Jesus and his followers of practicing magic and Christians accused one another of sorcery. Both pagan and early orthodox writers describe the rituals of the Gnostic sects in detail, including the magical passwords required to cross through the gates of the lower heavens. Magic in Christianity: From Jesus to the Gnostics examines evidence from the New Testament, the first Christian apologists, early apocryphal works, curse tablets and amulets to reconstruct the apocalyptic magical world of Jesus and the first Christians.

A new edition of the highly acclaimed manual of freestyle shamanism, suitable for all those inspired by such figures as Austin Spare and Aleister Crowley, and who feel the imperative to develop their own unique magical way. Visual Magick aims to build vision, imagination, and creative magick. It shows how magicians, witches, artists and therapists can improve visionary abilities, enhance imagination, activate the inner senses, and discover new modes of trance awareness. The emphasis is on direct experience and the reader is asked to think, act, do, and enjoy as s/he wills. 'One of the best books on magick I have read in a long while.' Phil Hine in Pagan News 'A practical modern grimoire.' The Cauldron

Apophenion attacks most of the great questions of being, free will, consciousness, meaning, the nature of mind, and humanity's place in the cosmos, from a magical perspective. Some of the conclusions seem to challenge many of the deeply held assumptions that our culture has taught us, so brace yourself for the paradigm crash and look for the jewels revealed in the wreckage. This book contains something to offend everyone; enough science to upset the magicians, enough magic to upset the scientists, and enough blasphemy to upset most trancendentalists.

Experience the Primal Spiritual Path of Ancient Egypt The spiritual traditions of Ancient Egypt are well documented and are at the forefront of the Western Mystery and Magical Tradition. But they are a gloss over a more primal shamanic tradition which gets to the essence of Nature and its relationship with humanity, life and death. This book is a practical manual for those who wish to explore that primal spirituality using Egyptian symbolism. As Egypt was one of the village cultures, so Egyptian shamanism was one of the first to operate in an urban environment, making its techniques suitable for modern times. Egyptian Shaman paints the picture of what it was like to be a village priest in Ancient Egypt before describing the practical techniques which would have been employed during those times. These techniques, which have never been revealed before, have been adapted for modern minds with the intention of making this a practical spiritual path. The book controversially contains a chapter on exorcism and dealing with the dead, which many have claimed are subjects which should not be published. It shows how later Egyptian texts, such as the Book of the Dead, were Shamanic guide books to the Underworld. This is a book containing the keys to transmute, not only the self, but the whole planet.

Discover the secret keys and practical techniques to turn mundane objects into living entities of power, bringing real change in your life. By pooling magical practices from shamanism, paganism, the Order of the Golden Dawn, and Dion Fortune, Making Talismans offers training and techniques for performing advanced magical talismanic operations. For many years this occult classic has been out of print and now has been reworked by the author to reveal more detailed and advanced magical work. This book is nearly entirely practical and tells the reader how to create talismans which work and how this specialist form of magical work can be part of a spiritual path. Nick Farrell is the author is the Chief Adept of the Magical Order of the Aurora Aurea which is a modern Golden Dawn dedicated to magical experimentation and development.

The Runes are a pan-European magical language. Its roots lie in the ancient pagan beliefs of our ancestors, who built many thousands of stones circles, long barrows and dolmens throughout ancient Europe. These same symbols and techniques were used by the pagan Celts and Germans. This book is a complete manual of magick based upon arcane symbolism and secret techniques.

'When I went to school, my history teacher told us about the old Germani. In her opinion, the Taunus mountains were populated by a bunch of brawny brawlers who wore horned helmets and small pieces of pelt. They lived in hilltop settlements which were fortified by ringwalls. Barely able to manage agriculture, they had to rely on hunting to fill their stomachs. They lived in shabby huts with mud-plastered walls and when the Romans came, they fought the invaders with crude swords, pointy sticks and by hurling rocks at them...'

'Nowadays, the ringwalls of the Taunus are known as the work of La T ne Celts, who lived on the heights in well organised cities. For this new edition much of the text has been rewritten and updated. A large section on the bronze ages, the Celts, Germani and the later Vikings added. The theme of Wodan and Helja has been elaborated with more detail on pagan Scandinavia.

Unlock the hidden powers of crystals and gemstones. For millennia, magicians and astrologers, familiar with celestial magic, knew that precious stones held an important key for the maintenance of health and wellbeing. During the Age of Reason this knowledge was lost. Now, nearly 400 years later drawing from ancient sources, Peter Stockinger's astro-magical lapidary invites you to re-discover this long-lost knowledge and to learn how to utilise the magical and therapeutic powers of gems. - Read the in-depth descriptions of 30 gemstones and crystals revealing their hidden lore, and discover their practical use from antiquity; - Study real-life cases that demonstrate how to use the beneficial powers of crystals and gemstones; - Learn how to find your perfect gem, create gemstone talismans and manufacture lucky fixed star rings. The lapidary also contains a thorough introduction to the subject of traditional astrology, a therapeutic index and a detailed glossary.

The Craft of the Untamed sets out to present the main pillars of traditional witchcraft. Its premise is that a proper tradition is defined as a timeless unity. Outwardly the tradition bears a great diversity across different lands and spirit. Traditional witchcraft is found in various sodalities and groups across the world. Even so it is possible to discern several harmonious, shared themes. These themes are the land, the crossroads, death, night and the mountain of Venus. It is witchcraft where a human and angelic blood mingles to form a special pedigree that has shaped the archetypical image of the witch. Traditional witchcraft is largely a peasant craft. These black arts are works of the earth and the black soil with all its mystery of death, growth and change. This book aims to present the craft free for needless obscuration. I have endeavored to reveal the richness of the tradition as it flows down through time and geographical space. The reader will come to appreciate and understand the wise arts both infernal and celestial; the powers wielded by the denizens of the night will be accessible; and you will come to value them for their beauty and power. Contents: Foreword by Shani Oates/Introduction//At the Crossroads of the Worlds/Solomonic Magick//The Blood of the Living Bones/Within the Mountain of Dame Venus/The Vinculum of Eros/The Art of Timeless Tradition/Within the Veil of Night/Against the Current Nicholaj de Mattos Frisvold is an anthropologist and psychologist with an inclination towards the metaphysics of faiths and cults of a traditional pedigree. He is a specialist in the works of Marsilio Ficino and is a practicing traditional astrologer. He has been deeply involved in the occult world with its orders and sodalities since the late 1980s. At the turn of this millennium he discarded most modern occultism in favour of a focus on traditional forms of cult and faith, European and African. His involvement with Traditional Witchcraft leads to this presentation of Craft themes He is a sworn Brother of The Clan of Tubal Cain and Magister of the Lilium Umbrae Cuveen, its kinship group in the southern hemisphere,

There are certain aspects of sorcery that I believe are universal and transcend individual paradigms. Thus, some of the concepts in this book are also discussed in Quantum Sorcery and Voidworking, and in the essays on my SpikeVision blog. As with my former works, Phenomenal Sorcery is a blend of magic, science, and pop culture, for such is the nature of my own practice.

This paradigm is a form of sorcery, that is to say Low magic. It is certainly results-based, and thus would also likely be considered Chaos Magic as well. I use what works for me. I continually try new methods, whether of my own design or learned from the work of others. If a technique proves to be useful, then I keep it in my repertoire, otherwise I discard it. This process helps prevent stagnation. I certainly recommend this approach to practicing magic, even with regards to those who read my own work.

Magic is sometimes referred to as an art, even by some called the First Art. I am sympathetic to that point of view, but I consider it to be a discipline that is neither art nor science but may incorporate elements of both. Magic is subjective and mercurial. Anyone can learn its basic principles and begin to practice it, but like a musical instrument, one can spend a lifetime mastering its techniques. At the time of this writing, I've been doing so for 38 years and counting.

Eliphas Levi famously wrote this regarding the necessary skills for mastering the power of magic:

To attain the SANCTUM REGNUM, in other words, the knowledge and power of the Magi, there are four indispensable conditions - an intelligence illuminated by study, an intrepidity which nothing can check, a will which cannot be broken, and a prudence which nothing can corrupt and nothing intoxicate. TO KNOW, TO DARE, TO WILL, TO KEEP SILENCE - such are the four words of the Magus (Levi, 1896).

I'm good on three of these. The fourth, not so much.

This is a non-theistic form of magic. I do not discount the existence of Gods or spirits, and I long practiced forms of magic which call upon them. I have simply found that they are not necessary in the paradigms of that I have found to produce the best results for me. One of the comments that is occasionally made about my work is that I am too mired in a materialist worldview, and that I am somehow against the inherent mysticism and wonder that are a part of practicing magic. I can assert from my point of view that this is not the case. I simply find this wonder in the structure and behavior of the universe itself, and the contemplation of how a conscious mind can interface with it to perform these acts of wonder.

Existence is absurd, but that doesn't mean it can't be appreciated. More importantly, it can be influenced.

If this approach appeals to you, then read on!

During the 1950s and early 1960s the Sydney-based trance-artist and Pan-worshipper, Rosaleen Norton, was well known in Australia as 'the Witch of Kings Cross' and was frequently portrayed in the tabloid press as an evil 'devil-worshipping' figure from the red-light district. Norton attracted attention from both the public at large and also the local police for engaging in bizarre pagan sex-rituals with her lover, the poet Gavin Greenlees. Details of these activities would surface from time to time in the local courts when Norton was defending her metaphysical beliefs and seeking to defuse claims that her magical paintings and drawings were obscene. Norton was also associated with the scandal that eventually engulfed the professional career of renowned musical conductor, Eugene (later, Sir Eugene) Goossens who had arrived in Australia in 1947 and became a member of Norton's magical coven six years later.

Norton dedicated her magical practice to the Great God Pan and to a lesser extent Hecate, Lilith and Lucifer. She was also intrigued by the visionary potential of Kundalini yoga, out-of-the-body trance exploration and Aleister Crowley's Thelemic sex magick and combined all of these elements in her ritual activities.

Pan's Daughter is the only biography of Rosaleen Norton and provides the most detailed and authoritative account of her magical beliefs and practices. First published in Britain by Mandrake in 1993, it is now reissued in a revised and expanded edition.

Those that speak of secret and secrecy, and not of discretion or wisdom, are those who have not discovered Truth. Subject to continual speculation and study, the enigmatic words of this erstwhile poet have touched the Craft, influencing all called to it, irrespective of their path or journeying. Such was his genius, such was his unique gift, ever the barb of fate, he was beyond his era. His legacy has enriched the tone of all seekers and all pilgrims who would cast aside the veil of illusion in favour of the 'Real.' For the first time, his own Clan are able to offer clarification on the mystery of his Faith through his evolving Craft, begun officially at the onset of the decade that witnessed his tragic death. Finally, through the gift of several early letters, now brought together with those already published, their message is consciously revealed. Under a carefully constructed chronology, this is 'his' story, unfurled through his words and works. As the 'Order of the Sun, ' his People of Goda, of the Clan of Tubal Cain, we continue to hold aloft his brave taper, that for the 'Hound' and 'Pale Guiden, ' in the Great Hall of Caer Ochran, is 'worth a light '

'When the world is pregnant with lies, a secret long hidden will be revealed.'- An Odinist Prophecy Just like the Cannibal Within, a chance encounter, although this time in the famous Atlantis bookshop, blossomed into a dialogue between the author and the anonymous adept of Odin. Called an occult religion for adepts, a creed of iron for warriors, and a secret society for higher men and women who value knowledge, freedom and power, the Odin Brotherhood honors the gods and goddesses of the Norse pantheon. This non-fiction book details the legends, the rituals, and the Mysteries of an ancient and enigmatic movement. Contents Introduction Introduction to the Mandrake Edition The Dialogue Odinism and the Mysteries of the Past The Odin Brotherhood Today and the Heroic Ideal On Polytheism and the Nature of the Gods The Eddaic Verses and the Three Ages of Man Why Venerate the Odinist Gods? The Contacts between Men and Gods The God Odin and His Mysteries The Goddess Frigg and the Rite of Marriage The God Thor, the Nemesis of Titans The Goddess Sif, the Mischief of Loki, and the Skill of the Rock Dwarfs The God Heimdall and The-Sojourn-of-the-Brave The God Bragi, the Holy Words, and the Seasonal Rites The Fair Goddess Idun and Her Enchanted Fruit Brave Tyr, the Warrior God The God Njord, Magic, and the Vanir Gods The God Frey and the Elves The Goddess Freyja, the Lovely Patroness of Birth The God Balder and the Adventure of Death The Goddess Nanna and the Odinist Death Rite The Legend of The-Mountain-of-Promise Destiny, Ragnarok, and the Mysteries of the Future Epilogue - Eddaic Sources Works on Modern Odinism Reviews of Earlier Editions of The Odin Brotherhood Three New Chapters: Supplement Odin Lives Interview Secret Societies: A Brief Essay War, Odin, and Valhalla

Nightshades is the record of one remarkable magician's exploration of the inverse regions of the Tree of Life. Aleister Crowley's Liber 231 provides the map and Kenneth Grant's Nightside of Eden a travelogue. Liber 231, apparently started life as a text within the Hermetic Order of the Golden Dawn, as an exercise to develop astral and trance abilities or perhaps in other more elaborate rites. The nightside aspect requires some care and alertness in case of accident. The correct attitude is said to be one of self or ego-less witness. Or maybe it's just one needs Or maybe it's just one needs the use of an all-embracing rather than a limited kind of identity and self-identification? The Nightside is always with us. It's so much older than the Dayside. Before the light began to shine, the night was there. Some assume that we are dealing with a simple polarity. On one hand the radiant world of colours and forms, more or less thinkable, reasonable and meaningful. Like the pretty picture of the Tree of Life it has its scenic cites, its hotels, restaurants, shopping opportunities and highways in between. On the other hand the chaotic world of uncertain and incomprehensible mysteries. Both of them connected by the voidness that makes them possible. It looks symmetrical. But when you reach the Nightside it doesn't work like that. The Nightside is not simply a reflection of the dayside with a few confusing and spooky bits thrown in. The Dayside is a tiny island of experience in a huge ocean, the Nightside, full of currents, island chains and continents of the possible and impossible. All and Nothing are present everywhere. Our island is not the opposite of the world-ocean, it is simply a tiny and comprehensible part of it. Jan Fries Nightshades comprises 72 intense drawings prefaced by an explanatory essay detailing the background and genesis of this ultimate magical adventure.

A work of erotic horror fiction filled with sacrilege, blasphemy, and crime -written in a style that is part H. P. Lovecraft, part Marquis de Sade, and part Octave Mirbeau-The Cannibal Within is literally wet with sin, slippery with blood, and slimy with fornication.

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The most complete summation to date of the New Testament evidence for magical practice by Jesus and the early Christians. The very notion of Jesus being a sorcerer runs so against the grain of the Western cultural myth that even non-Christians are likely to find it far-fetched or even vaguely disturbing. Nevertheless, scholars steadily accumulated evidence for magical practices in the New Testament throughout much of the 20th century. It is that ever expanding body of knowledge that has made this book possible. This book examines the following: The nature of the earliest Christian documents, the defects of their trans-mission, and the evidence for the suppression of descriptions of magical acts. The closely related problem of the New Testament accounts as historical sources. The radically apocalyptic nature of Jesus' message and the expectations of the early church. The failure of the apocalypse to occur and the theological reaction to that failure. The role of magic and mystery religion in early Christianity. A revisiting of the story of the beloved disciple and what it may tell us about Jesus and suppression of evidence about his life. Contents: Documentary Evidence / Infancy Narratives / Confrontation / Resurrection as Ghost Story /Apocalyptic Prophet / Apocalypse Postponed, / Magic and Mystery, / Jesus the Magician / Spirit Versus Spirit, / Ecstatic Inner Circle, / Christian Mysteries, / Secret Gospel of Mark, / Beloved Disciple, / On the Use of Boys in Magic, / Apocalypse, Magic, and Christianity, / Son of David. / Mary Magdalene

The Typhonian deity Seth was once worshipped in Ancient Egypt. Followers of later schools obliterated Seth's monuments, demonised and neglected his cult. A possible starting point in the quest for the 'hidden god' is an examination of the life of Egyptian King Seti I ('He of Seth') also known as Sethos. When looking for an astral temple that included all of the ancient Egyptian gods and goddesses, the temple of Seti I proved itself worthy of examination. Many secrets began to reveal themselves. The essence of the real philosophy of the Sethian and indeed what Satanism is, stems from the author's astral wanderings in this temple. The temple is a real place, and like any temple no part of its design is accidental. It is a record in stone and paint of the Egyptian wisdom. It also fits quite well with the Thelemic mythos and tells lots of interesting things about the ancient Seth cult - if you have the eye to see it. Contents: Prolegomena to Egyptian magick; Setanism; Tankhem; Egyptian Magick and Tantra; Sexual Magick; Twenty Eight; North; The Crooked Wand.

While cataloging material in the library of the monastery of Mar Saba in 1958, Morton Smith discovered a quotation from a letter of Clement of Alexandria copied in the end pages of a 17th century collection of the letters of Ignatius. After more than a decade of collaborative analysis of the find, Smith published his conclusions in 1973, setting off a firestorm of controversy in the New Testament studies guild. In 1975, a Jesuit scholar, Quentin Quesnell, claimed the letter had been forged and implied that Smith was the forger, moving the focus of debate off the text itself and onto Smith. Since then the pages containing the letter have been removed from the book and possibly destroyed, while Catholic and evangelical writers, none of whom have ever seen the pages in question, continue to claim that Smith forged the letter. Following his death in 1991, accusations against Smith took on a considerably more personal tone, highlighting his alleged homosexuality and by implication his dishonesty and moral perversity. Although the question of authenticity remains unresolved, the controversy has opened a window on the intellectually corrupt nature of apologetic New Testament studies, a subject of greater importance than the authenticity of early Christian texts.