Lorraine Hansberry has had a direct influence on who we are, the stories we tell, and how we move in the world today. We are beyond delighted to share Jay's beautiful words and Loveis's stunning work, bringing this iconic visionary to life for the next generation of dreamers. --Lena Waithe, Rishi Rajani, and Naomi Funabashi, Hillman Grad Books

Our stories can change the world.

As a young girl, playwright Lorraine Hansberry walked everywhere with a notebook, eager to capture the sights, sounds, and stories of the people around her.

First Lorraine watched her parents' triumph in the Supreme Court case of Hansberry v. Lee. Then she discovered the magic of theater. Next, she unlocked the power of her voice, crafting A Raisin in the Sun. Her play went on to influence generations of artists and the world was never the same.

Lyrical, vibrant, and empowering, What I Must Tell the World is a celebration of Lorraine Hansberry's life and legacy, and a love letter to the power of theater and storytelling.

A book for the moment and for the ages. It's questing, pissed, propulsive, funny, generous, pervy, and original--full of love and pain in all their entwined glory. --Maggie Nelson, author of The Argonauts

The long-awaited essay collection from one of the most influential voices in disability activism that detonates a bomb in our collective understanding of care and illness, showing us that sickness is a fact of life.

In the wake of the 2014 Ferguson riots, and sick with a chronic condition that rendered them housebound, Johanna Hedva turned to the page to ask: How do you throw a brick through the window of a bank if you can't get out of bed? It was not long before this essay, Sick Woman Theory, became a seminal work on disability, because in reframing illness as not just a biological experience but a social one, Hedva argues that under capitalism--a system that limits our worth to the productivity of our bodies--we must reach for the revolutionary act of caring for ourselves and others.

How to Tell When We Will Die expands upon Hedva's paradigm-shifting perspective in a series of slyly subversive and razor-sharp essays that range from the theoretical to the personal--from Deborah Levy and Susan Sontag to wrestling, kink, mysticism, death, and the color yellow. Drawing from their experiences with America's byzantine healthcare system, and considering archetypes they call The Psychotic Woman, The Freak, and The Hag in Charge, Hedva offers a bracing indictment of the politics that exploit sickness--relying on and fueling ableism--to the detriment of us all.

With the insight of Anne Boyer's The Undying and Leslie Jamison's The Empathy Exams, and the wit of Samantha Irby, Hedva's debut collection upends our collective understanding of disability. In their radical reimagining of a world where care and pain are symbiotic, and our bodies are allowed to live free and well, Hedva implores us to remember that illness is neither an inconvenience or inevitability, but an enlivening and elemental part of being alive.

A Kirkus Editor's Pick - A Most Anticipated Book of 2025: Cowboys & Indians Brit + Co Debutiful Most Anticipated Book of 2025

With amazing dexterity, Aaron John Curtis's moving debut novel, Old School Indian, combines raucous humor with respect for ancestral traditions. --Honorée Fanonne Jeffers, New York Times bestselling author of The Love Songs of W.E.B. Du Bois

A novel of pure heart and mastery. ―Morgan Talty, bestselling author of Night of the Living Rez and Fire Exit

An inspired novel by an author whose voice absolutely sizzles on the page. ―Nathan Hill, New York Times bestselling author of Wellness and The Nix

A coming-of-middle-age novel about an Ahkwesáhsne man's reluctant return home and what it takes to heal.

Abe Jacobs is Kanien'kehá ka from Ahkwesáhsne--or, as white people say, a Mohawk Indian from the Saint Regis Tribe. At eighteen, Abe left the reservation where he was raised and never looked back.

Now forty-three, Abe is suffering from a rare disease--one his doctors in Miami believe will kill him. Running from his diagnosis and a failing marriage, Abe returns to the Rez, where he's persuaded to undergo a healing at the hands of his Great Uncle Budge. But Budge--a wry, recovered alcoholic prone to wearing punk T-shirts--isn't all that convincing. And Abe's time off the Rez has made him a thorough skeptic.

To heal, Abe will undertake a revelatory journey, confronting the parts of himself he's hidden ever since he left home and learning to cultivate hope, even at his darkest hour.

Delivered with crackling wit, Old School Indian is a striking exploration of the power and secrets of family, the capacity for healing and catharsis, and the ripple effects of history and culture.

An Indie Next Pick - An Amazon Editors' Pick - A Shelf Awareness Best Book of the Year

Becky Chambers meets Firefly in this big-hearted Korean space opera debut about a disgraced space pilot struggling to find her place while fighting to protect the people she loves.

A thrilling, transportive ride from a powerful and evocative new voice. --Lena Waithe, Rishi Rajani, and Naomi Funabashi, Hillman Grad Books

Ocean Yoon has never felt very Korean, even if she is descended from a long line of haenyeo, Jeju Island's beloved female divers. She doesn't like soju, constantly misses cultural references, and despite her love of the game, people still say that she doesn't play hwatu like a Korean. Ocean's also persona non grata at the Alliance, Korea's solar system-dominating space agency, since a mission went awry and she earned a reputation for being a little too quick with her gun.

When her best friend, Teo, second son of the Anand Tech empire, is framed for murdering his family, Ocean and her misfit crewmates are pushed to the forefront of a high-stakes ideological conflict. But dodging bullets and winning space chases may be the easiest part of what comes next.

A thrilling adventure across the solar that delivers hyperkinetic action sequences and irresistible will-they-won't-they romance alongside its nuanced exploration of colonialism and capitalism, Ocean's Godori ultimately asks: What do we owe our past? How do we navigate our present while honoring the complicated facets of our identity? What can our future hold?

The dazzling sequel to Ocean's Godori dives back into Elaine U. Cho's cinematic space opera series, taking Ocean and her crew deep into the cloisters of the Moon and the conflicts of the heart.

As ever, Elaine U. Cho takes us on a twisting journey that further expands on her haunting themes around grief, memory, and sacrifice, bringing us breathlessly to the end of a story we'll never forget. -Lena Waithe, Rishi Rajani, and Naomi Funabashi, Hillman Grad Books

Teo Anand, former ne'er-do-well second son of the Anand Tech empire and current solar fugitive, has just crash-landed on the Moon after escaping the latest attempt on his life. But if anyone can help exonerate him, it's his best friend, bold Korean space pilot Ocean Yoon.

Falsely accused of murdering his family, Teo is running out of both time and options. But loyalties are uncertain in their group of steadfast comrades and tentative new allies, and it's difficult to know who to trust in the tangled web that awaits them in Artemis, a city on the Moon rich in Korean history and haunted by ghosts from Teo's and Ocean's pasts. Further complicating matters are Haven--the pensive medic whose beliefs challenge Ocean's--and the dashing Phoenix--a space raider who's come blazing into Teo's life in more ways than one.

All the while Corvus, the real culprit behind the slaying of the Anands, is sowing a path of destruction that threatens to swallow the solar whole. The crew will wrestle with clashing ideals, flying bullets, and undeniable feelings, as they race toward a stunning final stand.

Teo's Durumi brings Cho's space opera duology to an exhilarating close, one that contends with questions of identity and acceptance; grief and redemption; and loyalty and sacrifice, as Teo, Ocean, and the people they love will decide once and for all how to forge their paths into the future.

The dazzling sequel to Ocean's Godori dives back into Elaine U. Cho's cinematic space opera series, taking Ocean and her crew deep into the cloisters of the Moon and the conflicts of the heart.

As ever, Elaine U. Cho takes us on a twisting journey that further expands on her haunting themes around grief, memory, and sacrifice, bringing us breathlessly to the end of a story we'll never forget. -Lena Waithe, Rishi Rajani, and Naomi Funabashi, Hillman Grad Books

Teo Anand, former ne'er-do-well second son of the Anand Tech empire and current solar fugitive, has just crash-landed on the Moon after escaping the latest attempt on his life. But if anyone can help exonerate him, it's his best friend, bold Korean space pilot Ocean Yoon.

Falsely accused of murdering his family, Teo is running out of both time and options. But loyalties are uncertain in their group of steadfast comrades and tentative new allies, and it's difficult to know who to trust in the tangled web that awaits them in Artemis, a city on the Moon rich in Korean history and haunted by ghosts from Teo's and Ocean's pasts. Further complicating matters are Haven--the pensive medic whose beliefs challenge Ocean's--and the dashing Phoenix--a space raider who's come blazing into Teo's life in more ways than one.

All the while Corvus, the real culprit behind the slaying of the Anands, is sowing a path of destruction that threatens to swallow the solar whole. The crew will wrestle with clashing ideals, flying bullets, and undeniable feelings, as they race toward a stunning final stand.

Teo's Durumi brings Cho's space opera duology to an exhilarating close, one that contends with questions of identity and acceptance; grief and redemption; and loyalty and sacrifice, as Teo, Ocean, and the people they love will decide once and for all how to forge their paths into the future.