A Graphic Adaptation

An HBO Original Movie starring Michael B. Jordan (Black Panther), Sofia Boutella (Star Trek: Beyond), and Michael Shannon (The Shape of Water).

An Eisner Award Nominee

Monday burn Millay, Wednesday Whitman, Friday Faulkner, burn 'em to ashes, then burn the ashes.

For Guy Montag, a career fireman for whom kerosene is perfume, this is not just an official slogan. It is a mantra, a duty, a way of life in a tightly monitored world where thinking is dangerous and books are forbidden.

In 1953, Ray Bradbury envisioned one of the world's most unforgettable dystopian futures, and in Ray Bradbury's Fahrenheit 451, the artist Tim Hamilton translates this frightening modern masterpiece into a gorgeously imagined graphic novel. As could only occur with Bradbury's full cooperation in this authorized adaptation, Hamilton has created a striking work of art that uniquely captures Montag's awakening to the evil of government-controlled thought and the inestimable value of philosophy, theology, and literature.

Including an original foreword by Ray Bradbury and fully depicting the brilliance and force of his canonic and beloved masterwork, Ray Bradbury's Fahrenheit 451 is an exceptional, haunting work of graphic literature.

The new translation of the bestselling memoir Night in one volume with its companion novels, Dawn and Day

Night is one of the masterpieces of Holocaust literature. First published in 1958, it is the autobiographical account of an adolescent boy and his father in Auschwitz. Elie Wiesel writes of their battle for survival and of his battle with God for a way to understand the wanton cruelty he witnesses each day.

In the short novel Dawn (1960), a young man who has survived World War II and settled in Palestine joins a Jewish underground movement and is commanded to execute a British officer who has been taken hostage.

In Day (previously titled The Accident, 1961), Wiesel questions the limits of conscience: Can Holocaust survivors forge a new life despite their memories? Wiesel's trilogy offers insights on mankind's attraction to violence and on the temptation of self-destruction.

Elie Wiesel's Dawn is an eloquent meditation on the compromises, justifications, and sacrifices that human beings make when they murder other human beings.

The author . . . has built knowledge into artistic fiction. --The New York Times Book Review

Elisha is a young Jewish man, a Holocaust survivor, and an Israeli freedom fighter in British-controlled Palestine; John Dawson is the captured English officer he will murder at dawn in retribution for the British execution of a fellow freedom fighter. The night-long wait for morning and death provides Dawn, Elie Wiesel's ever more timely novel, with its harrowingly taut, hour-by-hour narrative. Caught between the manifold horrors of the past and the troubling dilemmas of the present, Elisha wrestles with guilt, ghosts, and ultimately God as he waits for the appointed hour and his act of assassination.

The basis for the 2014 film of the same name, now available on streaming and home video.

Not since Albert Camus has there been such an eloquent spokesman for man. --The New York Times Book Review

The publication of Day restores Elie Wiesel's original title to the novel initially published in English as The Accident and clearly establishes it as the powerful conclusion to the author's classic trilogy of Holocaust literature, which includes his memoir Night and novel Dawn. In Night it is the 'I' who speaks, writes Wiesel. In the other two, it is the 'I' who listens and questions.

In its opening paragraphs, a successful journalist and Holocaust survivor steps off a New York City curb and into the path of an oncoming taxi. Consequently, most of Wiesel's masterful portrayal of one man's exploration of the historical tragedy that befell him, his family, and his people transpires in the thoughts, daydreams, and memories of the novel's narrator. Torn between choosing life or death, Day again and again returns to the guiding questions that inform Wiesel's trilogy: the meaning and worth of surviving the annihilation of a race, the effects of the Holocaust upon the modern character of the Jewish people, and the loss of one's religious faith in the face of mass murder and human extermination.

A Lover's Discourse, at its 1978 publication, was revolutionary: Roland Barthes made unprecedented use of the tools of structuralism to explore the whimsical phenomenon of love. Rich with references ranging from Goethe's Werther to Winnicott, from Plato to Proust, from Baudelaire to Schubert, A Lover's Discourse artfully draws a portrait in which every reader will find echoes of themselves.

The book that launched environmental history, William Cronon's Changes in the Land, now revised and updated.

Winner of the Francis Parkman Prize

In this landmark work of environmental history, William Cronon offers an original and profound explanation of the effects European colonists' sense of property and their pursuit of capitalism had upon the ecosystems of New England. Reissued here with an updated afterword by the author and a new preface by the distinguished colonialist John Demos, Changes in the Land, provides a brilliant inter-disciplinary interpretation of how land and people influence one another. With its chilling closing line, The people of plenty were a people of waste, Cronon's enduring and thought-provoking book is ethno-ecological history at its best.

All But My Life is the unforgettable story of Gerda Weissmann Klein's six-year ordeal as a victim of Nazi cruelty.

From her comfortable home in Bielitz (present-day Bielsko) in Poland to her miraculous survival and her liberation by American troops--including the man who was to become her husband--in Volary, Czechoslovakia, in 1945, Gerda takes the reader on a terrifying journey.

Gerda's serene and idyllic childhood is shattered when Nazis march into Poland on September 3, 1939. Although the Weissmanns were permitted to live for a while in the basement of their home, they were eventually separated and sent to German labor camps. Over the next few years Gerda experienced the slow, inexorable stripping away of all but her life. By the end of the war she had lost her parents, brother, home, possessions, and community; even the dear friends she made in the labor camps, with whom she had shared so many hardships, were dead.

Despite her horrifying experiences, Klein conveys great strength of spirit and faith in humanity. In the darkness of the camps, Gerda and her young friends manage to create a community of friendship and love. Although stripped of the essence of life, they were able to survive the barbarity of their captors. Gerda's beautifully written story gives an invaluable message to everyone. It introduces them to last century's terrible history of devastation and prejudice, yet offers them hope that the effects of hatred can be overcome.

The most entertaining and engaging philosophy class you'll ever take

In The Cartoon Introduction to Philosophy, Michael F. Patton and Kevin Cannon introduce us to the grand tradition of examined living. With the wisecracking Heraclitus as our guide, we travel down the winding river of philosophy, meeting influential thinkers from nearly three millennia of Western thought and witnessing great debates over everything from ethics to the concept of the self to the nature of reality.

Combining Cannon's playful artistry and Patton's humorous, instructive prose, The Cartoon Introduction to Philosophy puts the fun back into the quest for fundamental truths, imparting a love of wisdom to anyone willing to grab a paddle and join the ride.

A memorial edition of Elie Wiesel's seminal memoir of surviving the Nazi death camps, with tributes by President Obama and Samantha Power

When Elie Wiesel died in July 2016, the White House issued a memorial statement in which President Barack Obama called him the conscience of the world. The whole of the president's eloquent tribute serves as a foreword to this memorial edition of Night. Like millions of admirers, I first came to know Elie through his account of the horror he endured during the Holocaust simply because he was Jewish, wrote the president.

In 1986, when Wiesel received the Nobel Peace Prize, the Norwegian Nobel Committee wrote, Elie Wiesel was rescued from the ashes of Auschwitz after storm and fire had ravaged his life. In time he realized that his life could have purpose: that he was to be a witness, the one who would pass on the account of what had happened so that the dead would not have died in vain and so the living could learn. Night, which has sold millions of copies around the world, is the very embodiment of that conviction. It is written in simple, understated language, yet it is emotionally devastating, never to be forgotten.

Born in the town of Sighet, Transylvania, Wiesel was a teenager when he and his family were deported to Auschwitz and then Buchenwald. Night is the shattering record of his memories of the death of his mother, father, and little sister, Tsipora; the death of his own innocence; and his despair as a deeply observant Jew confronting the absolute evil of man.

Never shall I forget that night, the first night in camp, that turned my life into one long night, writes Wiesel. Never shall I forget . . . even were I condemned to live as long as God Himself. These words are etched into the wall of the Holocaust Memorial Museum in Washington. Far more than a chronicle of the sadistic realm of the camps, Night also addresses many of the philosophical and personal questions implicit in any serious consideration of the Holocaust.

In addition to tributes from President Obama and Samantha Powers, this memorial edition of Night includes the unpublished text of a speech that Wiesel delivered before the United Nations General Assembly on the sixtieth anniversary of the liberation of Auschwitz, entitled Will the World Ever Know. These remarks powerfully resonate with Night and with subsequent acts of genocide.

Short-listed for the Phi Beta Kappa Ralph Waldo Emerson Book Award

In Ramp Hollow, Steven Stoll offers a fresh, provocative account of Appalachia, and why it matters. He begins with the earliest European settlers, whose desire for vast forests to hunt in was frustrated by absentee owners--including George Washington and other founders--who laid claim to the region. Even as Daniel Boone became famous as a backwoods hunter and guide, the economy he represented was already in peril. Within just a few decades, Appalachian hunters and farmers went from pioneers to pariahs, from heroes to hillbillies, in the national imagination, and the area was locked into an enduring association with poverty and backwardness. Stoll traces these developments with empathy and precision, examining crucial episodes such as the Whiskey Rebellion, the founding of West Virginia, and the arrival of timber and coal companies that set off a devastating scramble for Appalachia.

At the center of Ramp Hollow is Stoll's sensitive portrayal of Appalachian homesteads. Perched upon ridges and tucked into hollows, they combined small-scale farming and gardening with expansive foraging and hunting, along with distilling and trading, to achieve self-sufficiency and resist the dependence on cash and credit arising elsewhere in the United States. But the industrialization of the mountains shattered the ecological balance that sustained the households. Ramp Hollow recasts the story of Appalachia as a complex struggle between mountaineers and profit-seeking forces from outside the region. Drawing powerful connections between Appalachia and other agrarian societies around the world, Stoll demonstrates the vitality of a peasant way of life that mixes farming with commerce but is not dominated by a market mind-set. His original investigation, ranging widely from history to literature, art, and economics, questions our assumptions about progress and development, and exposes the devastating legacy of dispossession and its repercussions today.

Camera Lucida, Roland Barthes's personal, wide-ranging, and contemplative volume--and the last book he published--finds the author applying his influential perceptiveness and associative insight to the subject of photography.

Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium.

This groundbreaking approach established Camera Lucida as one of the most important books of theory on the subject, along with Susan Sontag's On Photography.

The award-winning illustrator Grady Klein has paired up with the world's only stand-up economist, Yoram Bauman, PhD, to take the dismal out of the dismal science. From the optimizing individual to game theory to price theory, The Cartoon Introduction to Economics is the most digestible, explicable, and humorous 200-page introduction to microeconomics you'll ever read.

Bauman has put the comedy into economy at comedy clubs and universities around the country and around the world (his Principles of Economics, Translated is a YouTube cult classic). As an educator at both the university and high school levels, he has learned how to make economics relevant to today's world and today's students. As Google's chief economist, Hal Varian, wrote, You don't need a brand-new economics. You just need to see the really cool stuff, the material they didn't get to when you studied economics. The Cartoon Introduction to Economics is all about integrating the really cool stuff into an overview of the entire discipline of microeconomics, from decision trees to game trees to taxes and thinking at the margin.

Rendering the cool stuff fun is the artistry of the illustrator and lauded graphic novelist Klein. Panel by panel, page by page, he puts comics into economics. So if the vertiginous economy or a dour professor's 600-page econ textbook has you desperate for a fun, factual guide to economics, reach for The Cartoon Introduction to Economics and let the collaborative genius of the Klein-Bauman team walk you through an entire introductory microeconomics course.

No denunciation without its proper instrument of close analysis, Roland Barthes wrote in his preface to Mythologies. There is no more proper instrument of analysis of our contemporary myths than this book--one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them.

Our age is a triumph of codification. We own devices that bring the world to the command of our fingertips. We have access to boundless information and prodigious quantities of stuff. We decide to like or not, to believe or not, to buy or not. We pick and choose. We think we are free. Yet all around us, in pop culture, politics, mainstream media, and advertising, there are codes and symbols that govern our choices. They are the fabrications of consumer society. They express myths of success, well-being, or happiness. As Barthes sees it, these myths must be carefully deciphered, and debunked.

What Barthes discerned in mass media, the fashion of plastic, and the politics of postcolonial France applies with equal force to today's social networks, the iPhone, and the images of 9/11. This new edition of Mythologies, complete and beautifully rendered by the Pulitzer Prize-winning poet, critic, and translator Richard Howard, is a consecration of Barthes's classic--a lesson in clairvoyance that is more relevant now than ever.

From FSGO x Logic: a revealing examination of digital advertising and the internet's precarious foundation

In Subprime Attention Crisis, Tim Hwang investigates the way big tech financializes attention. In the process, he shows us how digital advertising--the beating heart of the internet--is at risk of collapsing, and that its potential demise bears an uncanny resemblance to the housing crisis of 2008.

From the unreliability of advertising numbers and the unregulated automation of advertising bidding wars, to the simple fact that online ads mostly fail to work, Hwang demonstrates that while consumers' attention has never been more prized, the true value of that attention itself--much like subprime mortgages--is wildly misrepresented. And if online advertising goes belly-up, the internet--and its free services--will suddenly be accessible only to those who can afford it.

Deeply researched, convincing, and alarming, Subprime Attention Crisis will change the way you look at the internet, and its precarious future.

FSG Originals × Logic dissects the way technology functions in everyday lives. The titans of Silicon Valley, for all their utopian imaginings, never really had our best interests at heart: recent threats to democracy, truth, privacy, and safety, as a result of tech's reckless pursuit of progress, have shown as much. We present an alternate story, one that delights in capturing technology in all its contradictions and innovation, across borders and socioeconomic divisions, from history through the future, beyond platitudes and PR hype, and past doom and gloom. Our collaboration features four brief but provocative forays into the tech industry's many worlds, and aspires to incite fresh conversations about technology focused on nuanced and accessible explorations of the emerging tools that reorganize and redefine life today.

Our leaders swear to uphold it, our military to defend it. It is the blueprint for the shape and function of government itself and what defines Americans as Americans. But how many of us truly know our Constitution?

The United States Constitution: A Graphic Adaptation uses the art of illustrated storytelling to breathe life into our nation's cornerstone principles. Simply put, it is the most enjoyable and groundbreaking way to read the governing document of the United States. Spirited and visually witty, it roves article by article, amendment by amendment, to get at the meaning, background, and enduring relevance of the law of the land.

What revolutionary ideas made the Constitution's authors dare to cast off centuries of rule by kings and queens? Why do we have an electoral college rather than a popular vote for president and vice president? How did a document that once sanctioned slavery, denied voting rights to women, and turned a blind eye to state governments running roughshod over the liberties of minorities transform into a bulwark of protection for all?

The United States Constitution answers all of these questions. Sure to surprise, challenge, and provoke, it is hands down the most memorable introduction to America's founding document.

In the sentence 'She's no longer suffering, ' to what, to whom does 'she' refer? What does that present tense mean? --Roland Barthes, from his diary

The day after his mother's death in October 1977, Roland Barthes began a diary of mourning. For nearly two years, the legendary French theorist wrote about a solitude new to him; about the ebb and flow of sadness; about the slow pace of mourning, and life reclaimed through writing. Named a Top 10 Book of 2010 by The New York Times and one of the Best Books of 2010 by Slate and The Times Literary Supplement, Mourning Diary is a major discovery in Roland Barthes's work: a skeleton key to the themes he tackled throughout his life, as well as a unique study of grief--intimate, deeply moving, and universal.

Drawing on the unique historical sites, archives, expertise, and unquestioned authority of the Anne Frank House in Amsterdam, New York Times bestselling authors Sid Jacobson and Ernie Colón have created the first authorized and exhaustive graphic biography of Anne Frank.

Their account is complete, with The Anne Frank House Authorized Graphic Biography covering the lives of Anne's parents, Edith and Otto; Anne's first years in Frankfurt; the rise of Nazism; the Franks' immigration to Amsterdam; war and occupation; Anne's years in the Secret Annex; betrayal and arrest; her deportation and tragic death in Bergen-Belsen; the survival of Anne's father; and his recovery and publication of her astounding diary.

With this book, Barthes offers a broad-ranging meditation on the culture, society, art, literature, language, and iconography--in short, both the sign-oriented realities and fantasies--of Japan itself.

Langston Hughes's stories about Jesse B. Semple--first composed for a weekly column in the Chicago Defender and then collected in Simple Speaks His Mind, Simple Takes a Wife, and Simple Stakes a Claim--have been read and loved by hundreds of thousands of readers.

In The Best of Simple, the author picked his favorites from these earlier volumes, stories that not only have proved popular but are now part of a great and growing literary tradition.

Simple might be considered an Everyman for black Americans. Hughes himself wrote: ...these tales are about a great many people--although they are stories about no specific persons as such. But it is impossible to live in Harlem and not know at least a hundred Simples, fifty Joyces, twenty-five Zaritas, and several Cousin Minnies--or reasonable facsimiles thereof.

As Arnold Rampersad has written, Simple is one of the most memorable and winning characters in the annals of American literature, justly regarded as one of Hughes's most inspired creations.