A century ago, William Carlos Williams's In the American Grain profiled Anglo, French, and Spanish conquistadors, tyrants, preachers, and thought leaders who first shaped American culture. Since then, waves of resistance and disruptive innovation have flooded into the rest of America from the arid, southwestern margins of the US-Mexico borderlands.

Now, in Against the American Grain, Gary Paul Nabhan--cultural ecologist, environmental historian, and lyric poet of the American Southwest--illuminates the outlines of a history too long in the shadows. Whether Indigenous, LatinX, priests, nuns, Quakers, or cross-cultural chameleons, it is the resisters, performers, grassroots organizers, nomads, and spiritual leaders from the desert margins who are constantly reshaping America. They have, against all odds, recolored and recovered the future of North America through outrageous acts of resistance.

After reading the stories of Estevanico el Moro, Maria de Ágreda, Teresita de Cábora, Coyote Iguana, Woody Guthrie, Tim X. Hernandez, Cesar Chavez, Dolores Huerta, Reyes Lopez Tijerana, Arturo Sandoval, Lalo Guererro, John Fife, Danny and Luis Valdez, John Steinbeck and Ed Ricketts, and many more, we can never think about America the same way again. In Nabhan's magisterial, radical recounting, cross-cultural collaborations have changed the grain of American life to one that is many-colored, once again flourishing with fragrance, faith, and fecund ideas.

Christie Green learned to hunt in order to complement the food she grew in her New Mexico garden. As an act of practical agency this fulfilled her needs, yet a restlessness stirred within. She longed for a life defined by something deeper than weekly schedules, work roles, and cultural norms. Could she travel beyond the supposed domain of women and venture into the world of animals, into the wild, where men were said to prevail?

Outside the grip of the human realm, the moon beckons to Green to go beyond. Here, hunting in the wild, the moon cycles through her, rising and falling at dawn and dusk, whispering messages from the dark side. Rather than circle the hot insistence of a masculine sun, Green begins to attune to the more elusive, mysterious murmuration of the moon.

Animals and dreams, lunar partners, choreograph Green through time and space. She longs to dream, toil, live and love at the edges of the fertile ecotones where she can withdraw inward, retreat like an animal into hiding, and then come into full, radiant view on her own terms.

Layer by layer, hunt by hunt, Green peels away societal skins that adhere to a prescribed grid, a manufactured tick of time, a picture of perfection. Tracking and tracing, moving in darkness, watching, smelling, listening, and following the animals, Green sheds the burdens of her domestic self and witnesses the animals defying reason as they walk her into their world, ambling her along, straddling night and day, waking and sleeping. Through them, definitions of gender dissolve and boundaries blur. In the process, Green eclipses western society's definitions of her as a woman, mother, lover, and entrepreneur, courageously birthing her own independence through a profound connection to the animals and the places they call home.

What she sought from these animals was food. What she found was freedom.

In the midst of a conservation battle, they meet a mysterious son of Mexico, Rubio Cantú, who leads them to the powers that be. Their two-week journey sends Clair deep into the past, where she reviews the divergent paths she and her near-identical twin sister have taken away from a childhood tragedy. At the same time, Mason confronts his own unhappy past in Cornwall, England, with a father whose hate was stronger than his love.

No other work of fiction patterns the warp and weft of human guilt, the homesickness only love can cure, environmental crises, the intrinsic conflict between international commerce and planetary health, and the necessity of forgiveness. The Half-Life of Guilt is woven from these themes, delivering to the reader an engrossing and transformative literary experience.

A unique, unmistakable voice in American fiction, Dagoberto Gilb is also a singular writer of personal and journalistic essays. In A Passing West he casts a penetrating gaze upon the culture and history of the Southwest, Mexican American identity, and his own family.

Gilb has a forceful message for readers: there is a Mexican America, and its culture is the lifeblood of the Southwest United States, which was Mexican land until the Treaty of Guadalupe Hidalgo. The rest of the country, Gilb declares, does not want to know or respect the long history of Mexican America. His mission is to defend and proclaim its beauty and importance.

Ranging from accounts of research in Spain's Archivo General de Indias and the culture of farming corn in Iowa to meditations on Mexican and Mexican American writers, deconstructions of Mexican American food, and the experience of teaching students confused about their own culture and identity, these sharply observed portraits are both thought provoking and entertaining. His parent, his youth and manhood, his new disabled life, and snapshots of Mexico City and Guatemala, California, and Texas--all are unforgettable thanks to Gilb's brilliant vision and style.

In this authoritative, accessible, and at times funny and irreverent work, distinguished anthropologist Anthony Aveni speaks to the trained astrophysicist and the curious layperson alike about a simple but previously unexplored question: Why do we assume aliens, if they are really out there, behave just like us?

Aveni's newest work departs from the usual scientific treatment of extraterrestrial intelligence by probing the historical and widely neglected anthropological record, which offers relevant analogous incidents of contact among terrestrial cultures. Beginning with theories of the evolution of life and culture advocated by astrobiologists, Aliens Like Us? explores how the Western cultural imagination is influenced by ways of knowing that are deeply embedded in the minds of the questioners--for example, how we consider the ownership of property, the idea of progress, and even the way we classify things. The lessons of anthropology offer not only value structures from other cultures that differ profoundly from our own but also testify to the diverse ways in which alien cultures interact.

Finally, on the question of potential first contact, Aveni closes with a fascinating exploration of the image of extraterrestrials in popular culture that is derived in part from the hugely influential realm of science fiction.

Winner of the Silver Medal for Environment/Ecology in the 2022 Independent Publisher (IPPY) Book Awards

Fritjof Capra, scientist, educator, activist, and accomplished author, presents the evolution of his thought over five decades in Patterns of Connection. First introduced in the late 1950s to the work of Werner Heisenberg, a founder of quantum mechanics, Capra quickly intuited the connections between the discoveries of quantum physics and the traditions of Eastern philosophy--resulting in his first book, the bestselling The Tao of Physics. This synthesis, representative of the change from the mechanistic worldview of Descartes and Newton to a systemic, ecological one, went on to inform Capra's thinking about the life sciences, ecology, and environmental policy. His observations of sustainable communities in nature inspired his work on systems theory--the complex web of interrelated processes that organize everything from biological systems to social, cultural, and political systems.

Today Fritjof Capra remains a major figure at the crossroads of physics, spirituality, environmentalism, and systems theory. Organized thematically and chronologically, the essays in Patterns of Connection document the revolutionary and far-reaching intellectual journey of one of the major public thinkers of the last half-century.

For more than thirty years, Ana Castillo has been mesmerizing and inspiring readers from all over the world with her passionate and fiery poetry and prose. Now the original Xicanista is back to her first literary love, poetry, and to interrogating the social and political upheaval the world has seen over the last decade. Angry and sad, playful and wise, Castillo delves into the bitter side of our world--the environmental crisis, COVID-19, ongoing systemic racism and violence, children in detention camps, and the Trump presidency--and emerges stronger from exploring these troubling affairs of today. Drawings by Castillo created over the past five years are featured throughout the collection and further showcase her connection to her work as both a writer and a visual artist. My Book of the Dead is a remarkable collection that features a poet at the height of her craft.

Daniel Asa Rose was a successful novelist, memoirist, book critic, and columnist for the New York Times Magazine, Esquire, and others, when the top blew off his domestic life. His wife of sixteen years wanted out. Before he could slip into depression, doubt, and self-loathing, Dan's lifelong friend Tony made an irresistible proposition: go back to the place where, forty years earlier, their college road trip had come to a crashing halt, T-boned by a woman in the decidedly oddball little town of Truth or Consequences, New Mexico.

Dan and Tony return to the scene of the crash in an effort to make sense of that fateful moment. He's certain that if he can locate the woman in whose arms he almost died, he will find the self he lost and make peace with his life choices since. Dan moves into a single-wide trailer four blocks from the crash. Over the next eight months, inexplicable encounters make him fall in love with the New Mexico desert and the wiggy place that embraces him.

Truth or Consequences is a moving true story of hope and redemption. It is a funny, deeply felt rumination on aging, misadventure, and the serendipity of second chances.

I Got Mine: Confessions of a Midlist Writer is the memoir of Nichols's extraordinary life, as seen through the lens of his writing. Everything that went into making him a writer and eventually found an outlet in his work--his education, family, wives, children, friends, enemies, politics, and place--is told from the point of view of his daily practice of writing.

Beginning with his first novel, The Sterile Cuckoo, published in 1965 when he was just twenty-four, Nichols shares his highs and lows: his ambivalent relationship with money; his growing disenchantment with the hypocrisy of capitalism; and his love-hate relationship with Hollywood--including the years-long struggle of working with director Robert Redford on the film version of The Milagro Beanfield War, which was filmed around Truchas and featured many of Nichols's northern New Mexico neighbors.

Throughout I Got Mine Nichols spins a shining thread connecting his lifelong engagement with progressive political causes, his passionate interest in and identification with ordinary people, and his deep connection to the land.

In his thirty-year career representing the citizens of New Mexico in the US Senate, Jeff Bingaman witnessed great things accomplished through the legislative process. He also had a front-row seat for the breakdown of governing norms and the radical increases in polarization and partisanship that now plague what was once called the world's greatest deliberative body. Breakdown: Lessons for a Congress in Crisis traces the development of congressional dysfunction over more than three decades and provides eight case studies that examine how the crisis affects our government's ability to meet major policy challenges. We didn't always have a Senate that failed in its basic public obligations, including catalyzing a robust economy, confronting climate change, improving health care, fixing education, preserving public lands, and avoiding unnecessary wars. We do now.

Presenting insightful analysis of the causes and consequences of the dysfunction in Congress, Breakdown shows how Congress fails at the tasks Americans expect it to perform and, more importantly, how it might begin again to succeed.

At the time of her death in 2004, Lucia Berlin was known as a brilliant writer of short stories, beloved by other writers but never achieving wide readership or acclaim. That changed in 2015 with the publication of A Manual for Cleaning Women, a collection of some of her best work. Almost overnight, Lucia Berlin became an international bestseller as readers everywhere fell in love with her smoky, gin-soaked voice--at once dark and yearning, funny and wry, naïve and wise.

Love, Loosha is the extraordinary collection of letters between Lucia Berlin and her dear friend, the poet and Broadway lyricist Kenward Elmslie. Written between 1994 and 2004, their correspondence reveals the lives, work, and literary obsessions of two great American writers. Berlin and Elmslie discuss publishing and social trends, political correctness, and offending others and being offended. They gossip. They dish. They entertain--for not only are Elmslie and Berlin writing to each other, they are writing for each other.

The year is 1838. A young Scotsman forced from his homeland arrives at Hudson's Bay. Angus McDonald is contracted to British masters to trade for fur. But the world he discovers is beyond even a Highlander's wildest imaginings: raging rivers, buffalo hunts, and the powerful daughter of an ancient and magnificent people. In Catherine Baptiste, kin to Nez Perce chiefs, Angus recognizes a kindred spirit. The Rocky Mountain West in which they meet will soon be torn apart by competing claims: between British fur traders, American settlers, and the Native peoples who have lived for millennia in the valleys and plateaus of the Shining Mountains' western slopes.

In this epic family saga, the real history of the American West is revealed in all its terror, beauty, and complexity. The Shining Mountains brilliantly limns a world now long forgotten: of blended cultures seeking allies, trading furs for guns and steel, and a way of life in collision with westward colonial expansion.

In the late summer of 1942, more than ten thousand members of the First Marine Division held a tenuous toehold on the Pacific island of Guadalcanal. As American marines battled Japanese forces for control of the island, they were joined by war correspondent Richard Tregaskis. Tregaskis was one of only two civilian reporters to land and stay with the marines, and in his notebook he captured the daily and nightly terrors faced by American forces in one of World War II's most legendary battles--and it served as the premise for his bestselling book, Guadalcanal Diary.

One of the most distinguished combat reporters to cover World War II, Tregaskis later reported on Cold War conflicts in Korea and Vietnam. In 1964 the Overseas Press Club recognized his first-person reporting under hazardous circumstances by awarding him its George Polk Award for his book Vietnam Diary. Boomhower's riveting book is the first to tell Tregaskis's gripping life story, concentrating on his intrepid reporting experiences during World War II and his fascination with war and its effect on the men who fought it.

In his enthusiastic explorations and fervent writing, Michael J. Yochim was to Yellowstone what Muir was to Yosemite. . . . Other times, his writing is like that of Edward Abbey, full of passion for the natural world and anger at those who are abusing it, writes foreword contributor William R. Lowry. In 2013 Yochim was diagnosed with ALS (Lou Gehrig's disease). While fighting the disease, he wrote Requiem for America's Best Idea. The book establishes a unique parallel between Yochim's personal struggle with a terminal illness and the impact climate change is having on the national parks--the treasured wilderness that he loved and to which he dedicated his life.

Yochim explains how climate change is already impacting the vegetation, wildlife, and the natural conditions in Olympic, Grand Canyon, Glacier, Yellowstone, and Yosemite National Parks. A poignant and thought-provoking work, Requiem for America's Best Idea investigates the interactions between people and nature and the world that can inspire and destroy them.

Rick Bass's Fortunate Son is a literary tour of the Lone Star State by a native Texan of exceptional talent. The essays encompass a Texas that is both lost and found, past and present. The stories reach from Galveston Bay to the Hill Country outside Austin, and from Houston in the 1960s to today. They are bound together by a deep love and a keen eye for the land and its people and by an appreciation for what is given, a ruefulness for what is lost, and a commitment to save what can be saved.

This is a journalist's Texas scrapbook, then: a firefighting story, a musical pilgrimage, a ramble in Texas's tiniest public wilderness (one of only five in the entire state). Fishing with my father and uncle on a lake that is partly in Texas and partly in Louisiana; flying around the borders of Texas--usually defined by water, a resource that will vanish in much of the state within our lifetime; hanging out at my parents' cattle farm down near Goliad; reading the work of Texans before me.--from the Introduction

In the late summer of 1942, more than ten thousand members of the First Marine Division held a tenuous toehold on the Pacific island of Guadalcanal. As American marines battled Japanese forces for control of the island, they were joined by war correspondent Richard Tregaskis. Tregaskis was one of only two civilian reporters to land and stay with the marines, and in his notebook he captured the daily and nightly terrors faced by American forces in one of World War II's most legendary battles--and it served as the premise for his bestselling book, Guadalcanal Diary.

One of the most distinguished combat reporters to cover World War II, Tregaskis later reported on Cold War conflicts in Korea and Vietnam. In 1964 the Overseas Press Club recognized his first-person reporting under hazardous circumstances by awarding him its George Polk Award for his book Vietnam Diary. Boomhower's riveting book is the first to tell Tregaskis's gripping life story, concentrating on his intrepid reporting experiences during World War II and his fascination with war and its effect on the men who fought it.

In Requiem for America's Best Idea, Michael J. Yochim explains how climate change is altering the face of America's national parks, focusing on current and projected changes to vegetation, wildlife, and the natural conditions in Olympic, Grand Canyon, Glacier, Yellowstone, and Yosemite National Parks--five of the crown jewels of our national park system. As Yochim guides the reader from park to park, he immerses us in each park's beauty and wonder, highlighting the resources now at risk of destruction or permanent alteration.

Yochim worked for the National Park Service for nearly thirty years before being diagnosed with ALS (Lou Gehrig's disease). It was while fighting the disease that he wrote this last moving testament. Interwoven with descriptions of climate change's effects on our national parks is the heartbreaking story of how the author, a legendary hiker and backpacker, lost control of his body to the point where he was finally forced to rely on an eye-tracking machine to write.

Climate change is indisputably happening around us, and our parks are changing, often irrevocably. If we don't act now, Yochim argues, future changes will be much more severe, threatening the very essence of these irreplaceable wonders. America's failure to meaningfully address the current climate crisis may well squander the vision that acclaimed western writer Wallace Stegner so memorably celebrated: National parks are the best idea we ever had. Absolutely American, absolutely democratic, they reflect us at our best, rather than our worst.

The film Casablanca opens with the words, With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Leslie Epstein's Hill of Beans is the story of how one nation, one industry, and in particular one man responded to that desperate hope. That man is Jack Warner. His impossible goal is to make world events--most importantly, the invasion of North Africa by British and American forces in 1942--coincide with the release of his new film about a group of refugees marooned in Morocco. Arrayed against him are Stalin and Hitler, as well as Josef Goebbels, Franklin Roosevelt, a powerful gossip columnist, and above all a beautiful young woman with a terrible secret. His only weapons are his hutzpah and his heroism as he struggles to bring cinema and city, conflict and conference together in an epic command performance.

Hill of Beans is the novel that Leslie Epstein--the son and nephew of Philip and Julius Epstein, the screenwriters of Casablanca--was born to write.