Bottle and Glass is a story of survival and escape told from the barstools of two dozen boisterous Kingston taverns at the close of the War of 1812. The novel follows the fortunes of Jeremy Castor and his cousin, Merit Davey, two young men snatched from the Cornish coast by the Royal Navy in the summer of 1813. A year later, they arrive in Kingston, in Upper Canada, a town tense with the fear and deprivation of war. Paid, pent, and thirsty, their first riotous night ashore is spent at a tavern, the novel's namesake, Violin, Bottle, and Glass. On this Saturday night it seems like the entire town is crammed into the two-story clapboard roadhouse. It is thick with spicy bodies, sour tobacco, sweet liquor, and traces of sea-salt. Each reveler has their own private need. The bos'n's mate looks to drink something other than lime-leavened rum and he thinks of home. The young seamstress hopes to meet a midshipman and she thinks of away. The bored need a distraction. The bottled, a release. Jeremy and Merit meet sixteen-year-old Amelia Barrett, newly and unhappily married to Colonel Noble Spafford, a Peninsular War veteran many decades her senior. When, later that evening, Jeremy stumbles upon a dead man linked to the Colonel, the lives of these three people seeking freedom become bound together forever.
The second edition of Encyclopedia of Rock, Pop & Folk Music in Canada is the most comprehensive book of its kind. It details the wide diversity of musical talent in this country. This long-awaited book, updates the 1994 first edition with more record labels and numbers as an answer to the hundreds of letters requesting additional information.
In order to complete this Canadian treasure, Rick Jackson has done an extensive study as a result of his interviews with Canadian artists since 1973.
From Terry David Mulliigan from MUCHMUSIC: Rick Jackson is to be commended for his dedication to the industry and his love of the music and the people that make it.
From Valdy: It will become the reference source for years to come. Well done, Rick Jackson. I'll use this book weekly.
Kathleen Whelan writes with one of the most unique voices in Canadian literature I've ever heard. These stories are surreal and yet they don't fit cleanly into the surrealist genre. These stories are also real without being realist and, at the same time, absurd in the tradition of Kafka and Beckett. They are absurdly real. Perhaps, the best description of Whelan's style is absurd-realism, but the truth is Things I Will Tell You When I'm Dead is so original it defies all genre categories; it surprises and unsettles like a strange, yet somehow beautifully crafted dream.
Jacob Scheier,
Governor General Award winning author of
'More to Keep us Warm' (ECW Press, 2007)
Kathleen Whelan's distinctive voice shines through in Things I Will Tell You When I am Dead, her first book of stories. Readers of Whelan's work have been waiting for her debut collection, and the waiting is finally over. The appealing directness of Whelan's prose, her startling images and irreverence--Whelan's stories both wrench the heart and clench the gut in often hilarious stories that are relayed in a wildly entertaining and startling, moving style that is uniquely Kathleen Whelan's.
J. Jill Robinson
author of the novel 'More in Anger'
and four collections of short stories.
Kathleen Whelan lives in her own, strangely slanted world - much like the rest of us. The difference is, she knows how to open the door to her world, even if only a crack, and invite you to peek in. If you're brave enough, you might actually enter. But don't enter if you're looking for some kind of redemption. Do it with an open mind and you'll encounter a fear that borders on elation and that will tear you open and make you cry, either with sorrow, or with joy, and often with both simultaneously.
Kathleen's sentences are ragged at the edges, like strips of cloth flapping in the wind, they twine together, then shiver apart, suggesting a chaos that never quite materializes, but also never ceases to threaten the narrative.
I read a lot of these stories years ago and was awestruck and mystified by Kathleen's way. I didn't know exactly how she did it, but I wanted more... and she was kind enough to share more with me. Reading these stories again now, I am still mystified. Kathleen reminds me that it is still possible for me to be lost. It's okay to be lost. Lost is a valid, and often wondrous place to be.
Ken Sparling
is the author of six novels,
has been shortlisted for the Trillium Award.
byzantine proceeds through shallow breaths and heavy swells. Individual poems change their tenor, their voice, their perspective, and their concerns even as the collection builds a continuity of experiences and reflections on various contexts, historical and contemporary, and perspectives or voices. The collection oversees at least three generations: poet, father, grandfather. It moves from Canada to Cyprus. It heaves through academic prose and notes and it flits through soft reflections. This book is Greek and English. Historical and modern. Coy, sad, and ideological. The collection merits reading from front to back. It is something like a novel, deconstructed with respect to character, setting, and plot. Yet the title reveals a great deal about its content. Byzantium is an enigma, as characterized popularly, when it is regarded at all. Put simply, it was the continuation of the Roman Empire post its move to Constantinople from Rome and post its Christianization in the fourth century. Intricate court life. Mystical hierarchies and structures. Decline and fall. Byzantium is a space remember largely through negative connotation in the western world and through mythologizing and memory in the eastern world. Byzantium is a space of historical lore, spiritual exercise and patience, and intellectual efflorescence. The poet standing at his window could very well be overlooking the Bosphorus in contemporary Istanbul. He looks at the world around him, the world past, and the world he could only imagine through stories, and weaves his tale accordingly.
Poems and short stories mingle in this provocative memoir that simultaneously explores and re-imagines one young woman's pursuit of excitement in a world of drugs, booze, boys, rock and roll. On the border of Detroit and Windsor the stories Bridget Ryan recreates from her past reveal the immense pressures and pursuits that surround youth, beauty, and the need to win big and live fast. Tennis tournaments riddled with hallucinogenic episodes, romantic first sightings with Ferris Wheels on the horizon and tragedy lurking in further conquests, these short narratives create an overall journey through some of life's greatest obstacles. Bitches With Problems re-appropriates the strength women are often denied through an objectifying gaze and gives the protagonist and her many fascinating female cohorts an agency and a power wrought through sheer survival, conflict, and hard-won camaraderie.