What fuels and sustains activism and organizing when it feels like our worlds are collapsing? Let This Radicalize You is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe.
Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the COVID-19 pandemic, including the convergence of mass protest and mass formations of mutual aid, and consider what this confluence of power can teach us about a future that will require mass acts of care, rescue and defense, in the face of both state violence and environmental disaster.
NEW YORK TIMES BESTSELLER
Mohammed El-Kurd has written a new Discourse on Colonialism for the twenty-first century.
--Robin D. G. Kelley
Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal―an ode to the steadfastness of a nation.
Palestine is a microcosm of the world: on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured--the perpetrators are coddled while the victims are blamed and placed on trial.
Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation.
How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, Perfect Victims presents a powerfully simple demand: dignity for the Palestinian.
No writer has better understood the mix of fear and possibility, peril and exuberance that's marked this new millennium.
--Bill McKibben
An elegant reminder that activist victories are easily forgotten, and that they often come in extremely unexpected, roundabout ways.
--The New Yorker
A book as powerful and influential as Rebecca Solnit's Men Explain Things to Me, her Hope in the Dark was written to counter the despair of radicals at a moment when they were focused on their losses and had turned their back to the victories behind them and the unimaginable changes soon to come. In it, she makes a radical case for hope as a commitment to act in a world whose future remains uncertain and unknowable. Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argued that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next. Now, with a moving new introduction explaining how the book came about and a new afterword that helps teach us how to hope and act in our unnerving world, she brings a new illumination to the darkness of 2016 in an unforgettable new edition of this classic book.
Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.
In her comic, scathing essay Men Explain Things to Me, Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don't, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters.
She ends on a serious note-- because the ultimate problem is the silencing of women who have something to say, including those saying things like, He's trying to kill me!
This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf 's embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women.
Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.
Abolish Rent takes aim at one of the foremost engines of inequality and injustice.
Rent drives millions into debt, despair, and onto the streets. The social cost of rent is too damn high. Written for anyone fed up with the permanent housing crisis, complicit politicians, and real estate greed, Abolish Rent dissects our housing system from the perspective of those it immiserates. Through unsparing analysis and striking stories of resistance, it shows us how tenants can, through organizing and collective action, harness our power and win the housing we deserve.
From two co-founders of the largest tenants union in the country, this deeply reported account of the resurgent tenant movement centers poor and working-class people who are fighting back, staying put, and remaking the city in the process. Authors Tracy Rosenthal and Leonardo Vilchis take us to trilingual strategy meetings, raucous marches against gentrification, and daring eviction defenses where immigrants put their lives on the line. These are the seeds of the revolutionary movement we need to make our housing, our cities, and the world our home.
A vital anthology exploring the intersections between caregiving and abolition
Abolition has never been a proposal to simply tear things down. As Alexis Pauline Gumbs asks, What if abolition is something that grows? As we struggle to build a liberatory, caring, loving, abundant future, we have much to learn from the work of birthing, raising, caring for, and loving future generations.
In We Grow the World Together, abolitionists and organizers Maya Schenwar and Kim Wilson bring together a remarkable collection of voices revealing the complex tapestry of ways people are living abolition in their daily lives through parenting and caregiving. Ranging from personal narratives to policy-focused analysis to activist chronicles, these writers highlight how abolition is essential to any kind of parenting justice.
Contributors include:
Beth Richie
Harsha Walia
EJ, 6 years old
Dorothy Roberts
Ruth Wilson Gilmore
Dylan RodrÃguez
Bill Ayers and Bernardine Dohrn
Shira Hassan
Victoria Law
Mariame Kaba
The PDX Childcare Collective
adrienne maree brown and Autumn Brown
and more
From the author of Abolish the Family, an unflinching tour of two hundred years of enemy feminisms, making the case instead for the bold, liberatory feminist politics we need.
In recent years, white feminism and girlboss feminism have taken a justified beating. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need.
Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategizing that is truly antifascist.
At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms is above all a fierce, brilliant love letter to feminism.
A reflection on prison industrial complex abolition and a vision for collective liberation from organizer and educator Mariame Kaba.
Each day after school, Mohammed El-Kurd's grandmother welcomed him at the door of his home with a bouquet of jasmine. Her name was Rifqa-she was older than Israel itself and an icon of Palestinian resilience.
With razor-sharp wit and glistening moral clarity, El-Kurd lays bare the brutality of Israeli settler colonialism. His poems trace Rifqa's exile from Haifa to his family's current dispossession in Sheikh Jarrah, Jerusalem, exposing the cyclical and relentless horror of the Nakba.
El-Kurd's debut collection definitively shows that the Palestinian struggle is a revolution, until victory.
Identity politics is everywhere, polarizing discourse from the campaign trail to the classroom and amplifying antagonisms in the media, both online and off. But the compulsively referenced phrase bears little resemblance to the concept as first introduced by the radical Black feminist Combahee River Collective. While the Collective articulated a political viewpoint grounded in their own position as Black lesbians with the explicit aim of building solidarity across lines of difference, identity politics is now frequently weaponized as a means of closing ranks around ever-narrower conceptions of group interests.
But the trouble, Olúfẹ́mi O. TáÃwò deftly argues, is not with identity politics itself. Through a substantive engagement with the global Black radical tradition and a critical understanding of racial capitalism, TáÃwò identifies the process by which a radical concept can be stripped of its political substance and liberatory potential by becoming the victim of elite capture--deployed by political, social, and economic elites in the service of their own interests.
TáÃwò's crucial intervention both elucidates this complex process and helps us move beyond a binary of class vs. race. By rejecting elitist identity politics in favor of a constructive politics of radical solidarity, he advances the possibility of organizing across our differences in the urgent struggle for a better world.
Abolition. Feminism. Now. is a celebration of freedom work, a movement genealogy, a call to action, and a challenge to those who think of abolition and feminism as separate--even incompatible--political projects.
In this remarkable collaborative work, leading scholar-activists Angela Y. Davis, Gina Dent, Erica R. Meiners, and Beth E. Richie surface the often unrecognized genealogies of queer, anti-capitalist, internationalist, grassroots, and women-of-color-led feminist movements, struggles, and organizations that have helped to define abolition and feminism in the twenty-first century. This pathbreaking book also features illustrations documenting the work of grassroots organizers embodying abolitionist feminist practice. Amplifying the analysis and the theories of change generated out of vibrant community based organizing, Abolition. Feminism. Now. highlights necessary historical linkages, key internationalist learnings, and everyday practices to imagine a future where we can all thrive.An energizing case for hope about the climate, from Rebecca Solnit (the voice of the resistance--New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment.
Not Too Late is the book for anyone who is despondent, defeatist, or unsure about climate change and seeking answers. As the contributors to this volume make clear, the future will be decided by whether we act in the present--and we must act to counter institutional inertia, fossil fuel interests, and political obduracy.
These dispatches from the climate movement around the world feature the voices of organizers like Guam-based lawyer and writer Julian Aguon; climate scientists like Dr. Jacquelyn Gill and Dr. Edward Carr; poets like Marshall Islands activist Kathy Jetnil-Kijner; and longtime organizers like The Tyranny of Oil author Antonia Juhasz. Guided by Rebecca Solnit's typical clear-eyed wisdom and enriched by photographs and quotes, Not Too Late leads readers from discouragement to possibilities, from climate despair to climate hope.
An activist. An author. A scholar. An abolitionist. A legend.
--Ibram X. Kendi
This beautiful new edition of Angela Davis's classic Autobiography features an expansive new introduction by the author.
I am excited to be publishing this new edition of my autobiography with Haymarket Books at a time when so many are making collective demands for radical change and are seeking a deeper understanding of the social movements of the past. --Angela Y. Davis
Angela Davis has been a political activist at the cutting edge of the Black Liberation, feminist, queer, and prison abolitionist movements for more than 50 years. First published and edited by Toni Morrison in 1974, An Autobiography is a powerful and commanding account of her early years in struggle. Davis describes her journey from a childhood on Dynamite Hill in Birmingham, Alabama, to one of the most significant political trials of the century: from her political activity in a New York high school to her work with the U.S. Communist Party, the Black Panther Party, and the Soledad Brothers; and from the faculty of the Philosophy Department at UCLA to the FBI's list of the Ten Most Wanted Fugitives. Told with warmth, brilliance, humor and conviction, Angela Davis's autobiography is a classic account of a life in struggle with echoes in our own time.
From Mariame Kaba, New York Times-bestselling author of We Do This 'Til We Free Us, and social worker Jane Ball comes a powerful book showing the harm that prisons cause and exploring alternatives, gorgeously illustrated by Olly Costello.
Prisons, they do no good.
They do not help.
They do not teach.
On a moonlit road, tucked away from prying eyes, a child sees a prison complex--cinder blocks, watch towers, barbed wire. Page by page, we come to see the prison as a child sees it.
Prisons hurt people and leave them lonely, without loved ones to comfort them or lend a listening ear.
As dandelion stars float up in the air, this dreamscape becomes a hope-scape, where love transcends the prison walls. All the families and friends of the people in the prison march and protest in beautiful song, march together to a new way and a new dawn--in this case a cooperative housing and community center, next to a neighborhood greenhouse for restoration and healing. A new world, where connection and repair are fundamental, and even tangible, as people around a table quilt messages, I hear you. I'm sorry for what I did. How can I make it better?
In Prisons Must Fall, Mariame Kaba, a longtime activist, together with co-author Jane Ball, present solutions that do not involve incarceration, such as meeting people's basic needs, restorative justice, and community support--seeds for a safe world. Illustrator Olly Costello provides textured images of a global majority community and a grey, monotone backdrop that is overtaken by joyful colors. A gentle but effective addition to all social justice bookshelves and libraries. Discussion questions included.
Perfect for:
A beautiful anthology featuring some of the brightest voices in contemporary American poetry who challenge, expand, and illuminate the meaning of the label Asian American and Pacific Islander in today's world.
In this thoughtfully curated, intergenerational collection, poets of multiple languages, lands, and waters write against and through the contested terrain of AAPI identity. Too often, Pacific Islanders and Asian Americans are squeezed into the same story. The poets gathered here, and the lineages they represent, exceed this sameness. May this anthology uplift complexities and incite transformation and joy.
Contributors include Marilyn Chin, Joshua Nguyen, Teresia Teaiwa, Haunani-Kay Trask, and many more writers, both established and emerging.
As global solidarity for Palestinian liberation grows, the desire for Gaza-centered texts makes this book a seminal one. As an anthology of Palenstinian writers and artists, it also lends itself to the collective effort to organize and center Palestinian voices in the ongoing struggle. Sara Roy's Unsilencing Gaza, and Natasha Marin's Black Imagination have done well as political discourse shifts toward futurism as a means of reimagining a better way of living not confined by the violence and limitations of colonialism.