WINNER OF THE 2024 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE

A bittersweet story of love between two women, nested in an artful exploration of language, history, and power

May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She's been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear.

Soon a Taiwanese woman--who is younger even than she is, and who shares the characters of her name--is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko's travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It's only after a heartbreaking separation that Chizuko begins to grasp what the something is.

Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan's highest literary honor, the Golden Tripod Award. Taiwan Travelogue unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious Monk Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been critically acclaimed. He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited some relatives in Harlem for a couple of days. Meanwhile, Monk struggles with real family tragedies--his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is--under the pseudonym Stagg R. Leigh--and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

Shortlisted for the 2022 Booker Prize
Winner of the 2022 Anisfield-Wolf Book Award
Finalist for the 2022 PEN/Jean Stein Book Award
Finalist for the 2023 Dublin Literary Award
Longlisted for the 2022 PEN/Faulkner Award for Fiction

An uncanny literary thriller addressing the painful legacy of lynching in the US, by the author of Telephone

Percival Everett's The Trees is a page-turner that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.

The detectives suspect that these are killings of retribution, but soon discover that eerily similar murders are taking place all over the country. Something truly strange is afoot. As the bodies pile up, the MBI detectives seek answers from a local root doctor who has been documenting every lynching in the country for years, uncovering a history that refuses to be buried. In this bold, provocative book, Everett takes direct aim at racism and police violence, and does so in a fast-paced style that ensures the reader can't look away. The Trees is an enormously powerful novel of lasting importance from an author with his finger on America's pulse.

Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith's powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures.

Smith brings a startling urgency to these poems, their questions demanding a new language, a deep self-scrutiny, and virtuosic textual shapes. A series of ars poetica gives way to anti poetica and ars america to implicate poetry's collusions with unchecked capitalism. A photographic collage accrues across a sequence to make clear the consequences of America's acceptance of mass shootings. A brilliant long poem--part map, part annotation, part visual argument--offers the history of Saint Paul's vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it.

Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love--those given and made--are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.

Finalist for the National Book Award for Fiction

These stories] vibrate with originality, queerness, sensuality and the strange.--Roxane Gay

In these formally brilliant and emotionally charged tales, Machado gives literal shape to women's memories and hunger and desire. I couldn't put it down.--Karen Russell

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.

A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we na vely assumed had shown it all, generating a phantasmagoric police procedural full of doppelg ngers, ghosts, and girls with bells for eyes.

Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.

* Finalist for the National Book Award in Poetry *
* Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award *

ONE OF THE BEST BOOKS OF THE YEAR:
The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . .

A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric.

Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named post-race society.

A major new novel set in nineteenth-century New Orleans by the author of Signs Preceding the End of the World

New Orleans, 1853. A young exile named Benito Juárez disembarks at a fetid port city at the edge of a swamp. Years later, he will become the first indigenous head of state in the postcolonial Americas, but now he is as anonymous and invisible as any other migrant to the roiling and alluring city of New Orleans.

Accompanied by a small group of fellow exiles who plot their return and hoped-for victory over the Mexican dictatorship, Juárez immerses himself in the city, which absorbs him like a sponge. He and his compatriots work odd jobs, suffer through the heat of a southern summer, fall victim to the cons and confusions of a strange young nation, succumb to the hallucinations of yellow fever, and fall in love with the music and food all around them. But unavoidable, too, is the grotesque traffic in human beings they witness as they try to shape their future.

Though the historical archive is silent about the eighteen months Juárez spent in New Orleans, Yuri Herrera imagines how Juárez's time there prepared him for what was to come. With the extraordinary linguistic play and love of popular forms that have characterized all of Herrera's fiction, Season of the Swamp is a magnificent work of speculative history, a love letter to the city of New Orleans and its polyglot culture, and a cautionary statement that informs our understanding of the world we live in.

FINALIST FOR THE 2024 NATIONAL BOOK AWARD FOR POETRY
WINNER OF THE 2024 HEARTLAND BOOKSELLERS AWARD FOR POETRY

Diane Seuss's signature voice--audacious in its honesty, virtuosic in its artistry, outsider in its attitude--has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft--ballad, fugue, aria, refrain, coda--and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor.

In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time's deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? It seems wrong / to curl now within the confines / of a poem, Seuss writes. You can't hide / from what you made / inside what you made. What she finds there, finally, is a surprising but unmistakable love.

A collection of exceptional new essays by one of the most significant contemporary writers on the world stage

Tracing a loose arc from Edwidge Danticat's childhood to the COVID-19 pandemic and recent events in Haiti, the essays gathered in We're Alone include personal narrative, reportage, and tributes to mentors and heroes such as Toni Morrison, Paule Marshall, Gabriel García Márquez, and James Baldwin that explore several abiding themes: environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience.

From hurricanes to political violence, from her days as a new student at a Brooklyn elementary school knowing little English to her account of a shooting hoax at a Miami mall, Danticat has an extraordinary ability to move from the personal to the global and back again. Throughout, literature and art prove to be her reliable companions and guides in both tragedies and triumphs.

Danticat is an irresistible presence on the page: full of heart, outrage, humor, clear thinking, and moral questioning, while reminding us of the possibilities of community. And so we're alone is both a fearsome admission and an intimate invitation--we're alone now, we can talk. We're Alone is a book that asks us to think through some of the world's intractable problems while deepening our understanding of one of the most significant novelists at work today.

WINNER OF THE 2021 PULITZER PRIZE IN POETRY

FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY

Natalie Diaz's highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award

Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz's brilliant second collection demands that every body carried in its pages--bodies of language, land, rivers, suffering brothers, enemies, and lovers--be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: Let me call my anxiety, desire, then. / Let me call it, a garden. In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.

Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible. Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope--in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

Winner of the 2023 Joyce Carol Oates Prize
Finalist for the 2023 Aspen Words Literary Prize
Finalist for the 2023 Balcones Prize for Fiction
Longlisted for the 2022 Story Prize

Shimmering stories set in California's Central Valley, the first book in a decade from a virtuoso story writer.

Her immediate concern was money. So begins the first story in Manuel Muñoz's dazzling new collection. In it, Delfina has moved from Texas to California's Central Valley with her husband and small son, and her isolation and desperation force her to take a risk that ends in profound betrayal.

These exquisite stories are mostly set in the 1980s in the small towns that surround Fresno. With an unflinching hand, Muñoz depicts the Mexican and Mexican American farmworkers who put food on our tables but are regularly and ruthlessly rounded up by the migra, as well as the quotidian struggles and immense challenges faced by their families. The messy and sometimes violent realities navigated by his characters--straight and gay, immigrant and American-born, young and old--are tempered by moments of surprising, tender care: Two young women meet on a bus to Los Angeles to retrieve husbands who must find their way back from the border after being deported; a gay couple plans a housewarming party that reveals buried class tensions; a teenage mother slips out to a carnival where she encounters the father of her child; the foreman of a crew of fruit pickers finds a dead body and is subsequently--perhaps literally--haunted.

In The Consequences, obligation can shape, support, and sometimes derail us. It's a magnificent new book from a gifted writer at the height of his powers.

An elegantly inventive debut novel that offers a sharp new take on the immigrant story in post-9/11 America

Told as a series of conversations, Optional Practical Training follows Pavitra, a young Indian woman who came to the US for college from Bangalore, India, and graduates in 2006 with a degree in physics. Her student visa grants her an extra twelve months in the country for work experience--a period known as Optional Practical Training--so she takes a position as a math and physics teacher at a private high school near Cambridge, Massachusetts.

What Pavitra really wants, though, is the time and space to finish a novel--to diverge from what's expected of her within her family of white-collar professionals and to build a life as a writer. Navigating her year of OPT--looking for a room to rent, starting her job--she finds that each person she encounters expects something from her too. As her landlord, colleagues, students, parents of her students, friends of her family, and neighbors talk to and at her, they shape her understanding of race, immigration, privilege, and herself.

Throughout the book, Pavitra seems to speak very rarely; and yet, as she responds to the assumptions, insights, projections, and observations of those around her, a subtle and sophisticated portrait emerges of a young woman and aspiring artist defining a place for herself in the world.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: What's your name? a kid would ask. Not Sidney, I would say. Okay, then what is it?

WINNER OF THE 2023 PEN/JEAN STEIN BOOK AWARD

A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising

The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means nothing in Tagalog, and Kitu is Swahili for nothing.) He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he'll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.

With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill's desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it's time we gave nothing back.

Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn't to say that it's not about anything. In fact, it's about villains. Bond villains. And that's not nothing.

The author of The Art of Intimacy asks eight legendary artists: What has sustained you in the long run?

How do we keep doing this--making art? Stacey D'Erasmo had been writing for twenty years and had published three novels when she asked herself this question. She was past the rush of her first books and wondering what to expect--how to stay alive in her vocation--in the decades ahead.

She began to interview older artists she admired to find out how they'd done it. She talked to Valda Setterfield about her sixty-year career that took her from the Merce Cunningham Dance Company to theatrical collaborations with her husband to roles in films. She talked to Samuel R. Delany about his vast oeuvre of books in many genres. She talked to Amy Sillman about working between painting and other media and between abstraction and figuration. She talked to landscape architect Darrel Morrison, composer Tania Léon, actress Blair Brown, and musician Steve Earle, and started to see connections between them and to artists across time: Colette, David Bowie, Ruth Asawa. She found insights in own experience, about what has driven and thwarted and shaped her as a writer.

Instead of easy answers or a road map, The Long Run offers one practitioner's conversations, anecdotes, confidences, and observations about sustaining a creative life. Along the way, it radically redefines artistic success, shifting the focus from novelty and output and external recognition toward freedom, fluidity, resistance, community, and survival.

FINALIST FOR THE 2024 NATIONAL BOOK AWARD FOR POETRY
WINNER OF THE 2024 HEARTLAND BOOKSELLERS AWARD FOR POETRY

Diane Seuss's signature voice--audacious in its honesty, virtuosic in its artistry, outsider in its attitude--has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft--ballad, fugue, aria, refrain, coda--and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor.

In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time's deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? It seems wrong / to curl now within the confines / of a poem, Seuss writes. You can't hide / from what you made / inside what you made. What she finds there, finally, is a surprising but unmistakable love.

In this debut essay collection, Laura Marris reframes environmental degradation by setting aside the conventional, catastrophic framework of the Anthropocene in favor of that of the Eremocene, the age of loneliness, marked by the dramatic thinning of wildlife populations and by isolation between and among species. She asks: how do we add to archives of ecological memory? How can we notice and document what's missing in the landscapes closest to us?

Filled with equal parts alienation and wonder, each essay immerses readers in a different strange landscape of the Eremocene. Among them are the Buffalo airport with its snowy owls and the purgatories of commuter flights, layovers, and long-distance relationships; a life-size model city built solely for self-driving cars; the coasts of New England and the ever-evolving relationship between humans and horseshoe crabs; and the Connecticut woods Marris revisits for the first time after her father's death, where she participates in the annual Christmas Bird Count and encounters presence and absence in turn.

Vivid, keenly observed, and driven by a lively and lyrical voice, The Age of Loneliness is a moving examination of the dangers of loneliness, the surprising histories of ecological loss, and the ways that community science--which relies on the embodied evidence of ground truth--can help us recognize, and maybe even recover, what we've learned to live without.

Powerful, affecting essays on mental illness, winner of the Graywolf Press Nonfiction Prize and a Whiting Award

An intimate, moving book written with the immediacy and directness of one who still struggles with the effects of mental and chronic illness, The Collected Schizophrenias cuts right to the core. Schizophrenia is not a single unifying diagnosis, and Esm Weijun Wang writes not just to her fellow members of the collected schizophrenias but to those who wish to understand it as well. Opening with the journey toward her diagnosis of schizoaffective disorder, Wang discusses the medical community's own disagreement about labels and procedures for diagnosing those with mental illness, and then follows an arc that examines the manifestations of schizophrenia in her life. In essays that range from using fashion to present as high-functioning to the depths of a rare form of psychosis, and from the failures of the higher education system and the dangers of institutionalization to the complexity of compounding factors such as PTSD and Lyme disease, Wang's analytical eye, honed as a former lab researcher at Stanford, allows her to balance research with personal narrative. An essay collection of undeniable power, The Collected Schizophrenias dispels misconceptions and provides insight into a condition long misunderstood.

FINALIST FOR THE 2021 PULITZER PRIZE IN FICTION

An astonishing new novel of loss and grief from one of our culture's preeminent novelists (Los Angeles Times)

Zach Wells is a perpetually dissatisfied geologist-slash-paleobiologist. Expert in a very narrow area--the geological history of a cave forty-four meters above the Colorado River in the Grand Canyon--he is a laconic man who plays chess with his daughter, trades puns with his wife while she does yoga, and dodges committee work at the college where he teaches.

After a field trip to the desert yields nothing more than a colleague with a tenure problem and a student with an unwelcome crush on him, Wells returns home to find his world crumbling. His daughter has lost her edge at chess, she has developed mysterious eye problems, and her memory has lost its grasp. Powerless in the face of his daughter's slow deterioration, he finds a mysterious note asking for help tucked into the pocket of a jacket he's ordered off eBay. Desperate for someone to save, he sets off to New Mexico in secret on a quixotic rescue mission.

A deeply affecting story about the lengths to which loss and grief will drive us, Telephone is a Percival Everett novel we should have seen coming all along, one that will shake you to the core as it asks questions about the power of narrative to save.