Born in 1907 Nakahara Chuya was one of the most gifted and
colourful of Japan's early modern poets. A bohemian romantic,
his death at the early age of thirty, coupled with the delicacy of his
imagery, have led to him being compared to the greatest of French symbolist poets.
Since the Second World War Nakahara's stature has risen, and his
poetry is now ranked among the finest Japanese verse of the 20th
century. Influenced by both Symbolism and Dada, he created
lyrics renowned for their songlike eloquence, their personal
imagery and their poignant charm.
This selection of poems from throughout Nakahara's creative life
includes collected and uncollected work and draws on recent
scholarship to give a full account of this extraordinary figure.
First published in 1939, this book is a phenomenon in contemporary spiritual writing. The message that every Christian man and woman, whatever their place of work or calling, is called to sanctity has touched countless lives; this work offers a starting-point for a prayer which finds Christ in all the experience of living. A special feature of this new edition is the footnotes, drafted not only for those approaching the book as a tool to help them pray, but having in mind also readers studying the text as an example of 20th Century Spanish literature. This is a revised annotated bilingual edition, has parallel Spanish and English texts.
Neither a theological study of our Redemption nor a devotional commentary of the Cross and Resurrection, but rather an introduction to the liturgical celebration of Holy Week and Easter, this book is written in the double conviction that the depth of meaning of the Paschal Mystery is seriously weakened if it is not given its full liturgical and sacramental expression, and that the Holy Week liturgy demands from all who participate in it a more profound awareness of its biblical background and of its central place in the Church's life.
The journey we begin on Ash Wednesday is a unity, or rather a series of interrelated unities, controlled by the metaphor of Exodus, Passover or Transitus, which slowly but surely coalesce and intensify through Holy Week to the climax of the Easter Liturgy and the Triduum, the commemoration of the single act by which Christ passed over from death to life, the transitus Domini.
The season is a time of incomparable liturgical richness whose rites and ceremonies are an unsurpassed treasury of instruction and devotion for those who immerse themselves in them. These rites and ceremonies, rediscovered, rationalised, reformed and re-ordered, are essentially something of the most profound significance. This study, so enthusiastically received when first published, is now extensively revised and updated in this new fourth edition, fully reflecting change and reform of the liturgy in both the Anglican and the Catholic Church over the last sixty years
The Psalmist wrote: Be still and know that I am God (Ps 46:10). Coming from the deep silence and asceticism of medi val Carthusian monasteries, this book's prayers and meditations have a unique ardour that reflects the genuine spirituality of their authors. The piety of these monks, strongly grounded in Sacred Scripture and the early Fathers of the Church, cannot fail to impress and to inspire. Like that of Jesus, Carthusian prayer, but also any authentic prayer, is anchored in interiority, solitude and silence. Jesus goes off to a deserted place, under the sole gaze of the Father. And in this solitude and this silence, He formed His disciples.
Conscience before Conformity tells the story of German students who dared to speak out against Hitler and the Third Reich, and died for their beliefs. Operating under the name of the White Rose, they printed and distributed leaflets condemning Nazism and urging Germans to offer non-violent resistance to the 'atheistic war machine'.
By looking at the cultural and religious journey of the protagonists, Hans and Sophie Scholl, we can see what made them change from active participants in the Hitler Youth to leaders of the White Rose resistance. These modern-day heroes were deeply influenced by intellectuals they met in secret, and by the writings of great Christian thinkers such as St Augustine, Pascal, Georges Bernanos, and Bl. John Henry Newman. What they learnt gave them the strength to put their consciences before conformity to the Nazi lie.
THIS SHORT, BEAUTIFULLY ILLUSTRATED BOOK serves as an introduction to Francis for all those who may be interested in the saint. His Canticle is an apt 'way in' to him, for as Chesterton pointed out nearly a century ago, it is 'a supremely characteristic work' and 'much of St Francis can be reconstructed from it alone'. This book will also be a useful resource for Franciscans, in particular for those in the Secular Franciscan Order, for possible use in formation and discussion. In the vast literature on Francis and Franciscanism much has been written concerning his poem, and though most of it has been in Italian, French or German, several valuable works have appeared in English. Each in its different way is highly thought-provoking, as well as deeply spiritual and Franciscan. Each takes its own approach to the Canticle, so that it largely complements the others and says much that is new. The approach here is different again, so that those who have already read many or all of the other books should still find fresh insights and further knowledge. Seeking to grasp and express the meaning of the Canticle, the essential key is to be found in Scripture: the Old and New Testaments were always Francis' own main sources. Scripture informs all his writing and his works are dense with biblical allusions. His Canticle is no exception--with no direct biblical quotations or references, it is the free poetry of a man thoroughly versed in Scripture, which is his constant background companion. In this fascinating introduction, John Watts provides a fresh new translation as well as the original Umbrian to provide the texture and rhythm of St Francis' original composition, shown against its historical and literary background.
For more than fifteen hundred years Christianity has cultivated a rich and varied teaching on the practice of stillness and inner calm. Here we can find answers to the contemporary psychological struggle for inner peace.
In a fresh and engaging reading of this contemplative path, Jean-Yves Leloup explores the writings of many spiritual masters from across the centuries, in particular the Desert Fathers, the fourth-century monk Evagrius, St John Cassian, and the anonymous nineteenth-century author of The Way of the Pilgrim.
Drawn from the experience of the monasteries of Sinai and Mount Athos, here is a clear and practical presentation of the spiritual art of arts: stillness in the face of interior pain and confusion.
These spiritual riches, refined and developed by the Orthodox tradition in Christianity, can also be recognized in the teaching and practice of Buddhism, Hinduism and Islamic Sufism.
The fundamental truth of one tradition is to be found under its own proper forms and nuances in others. Far from diminishing the unique value of this hesychastic way of prayer, the most developed spiritual traditions of humanity affirm it as one of the great forms through which humanity reaches out to embrace Infinite Reality.
Born in 1907 Nakahara Chuya was one of the most gifted and
colourful of Japan's early modern poets. A bohemian romantic,
his death at the early age of thirty, coupled with the delicacy of his
imagery, have led to him being compared to the greatest of French symbolist poets.
Since the Second World War Nakahara's stature has risen, and his
poetry is now ranked among the finest Japanese verse of the 20th
century. Influenced by both Symbolism and Dada, he created
lyrics renowned for their songlike eloquence, their personal
imagery and their poignant charm.
This selection of poems from throughout Nakahara's creative life
includes collected and uncollected work and draws on recent
scholarship to give a full account of this extraordinary figure.
Ever since the Spiritual Exercises were first published in 1548, the need had been felt for explanations to help guide those giving them; hence the so-called Directories. But directors today continue to feel the same need, perhaps more acutely than ever with the spread in popularity of both spiritual direction and retreat work.
Michael Ivens draws both on the wealth of published material and on the wisdom of his own long experience to produce a new commentary that attempts to unravel the inner workings of the Spiritual Exercises. He presents a new translation, as faithful as possible to the original, while commenting in detail on words or phrases that call for elucidation. At the same time his longer introductions to each section enable the director to distinguish the wood from the trees, and arrive at a firm and nuanced understanding of a great classic of western spirituality.
The Commentary is a master class, as it were. It looks to the art of giving the Exercises. It distils great erudition with reflection on long years of experience. Experience illuminates the text and the early sources and invites the sources to illuminate experience. It is spare, lucid, complete, learned and wise. Joseph Veale, SJ
A unique, informative, lucid and much needed commentary on the Spiritual Exercises of Ignatius Loyola. The book draws on the wisdom and experience of sixteenth-century Jesuit givers of the Exercises, and is written by a twentieth-century Jesuit, whose wisdom and lived experience of the Exercises is manifest. Gerard Hughes, SJ
Michael Ivens, SJ was born in England and completed early studies in France and England before taking up writing and teaching in the area of spirituality. He worked for many years with The Way publications, under the guidance of James Walsh, and was then appointed as spiritual director to young Jesuit priests and brothers in their final year of training. This work took him to Australia and the USA. Later he helped establish the new retreat centre, St Beuno's in North Wales, with its specialized work in guided retreats. His wisdom and insight made him one of the best-known English directors of the Spiritual Exercises. Michael Ivens died in 2005.
Aidan Nichols has been contributing to theological literature since the beginning of the 1980s.
Now in his seventy-fifth year, he looks back not only at his writings but at the three-quarters of a century of life from which they came. He explains how, despite a nominally Anglican background, his early sense of the transcendent was really of God in nature. Only through an experience in the Russian church in Geneva did he become a confessing Christian.
Back home, where he was left a teenage orphan, he moved from Anglo-Catholicism into the Roman Catholic Church. After reading Modern History at Oxford, that led by a natural progression to becoming a Religious and a priest. In this book Nichols describes the wide variety of situations in which he has lived in Scotland, Norway, Rome, France, Ethiopia, and Jamaica, as well as England and the United States.
Over the years, drawing on not only Catholic but also Orthodox and Anglican sources, he has produced a small library of books, touching on many areas of theology and culture while also seeking, at different times, to bind them together into a coherent unity, inspired by, principally, two great giants: Thomas Aquinas, and Hans Urs von Balthasar.
For Aidan Nichols, the pontificates of John Paul II and Benedict XVI were a halcyon time. Things have been more difficult under the successor to these popes. He explains the problems he has encountered, both theoretical and practical, and his search for a resolution that is satisfactory both theologically and autobiographically. He ends his apologia with a raft of proposals for the stabilization and enrichment of ecclesial life in the decades to come.