In this groundbreaking work of investigative journalism and true crime, Stacy Horn sheds light on how the subprime mortgage scandal of the 1970s and a long history of white-collar crime slowly devastated East New York, a Brooklyn neighborhood that would come to be known as the Killing Fields.

On a warm summer evening in 1991, seventeen-year-old Julia Parker was murdered in the Brooklyn neighborhood of East New York. An area known for an exorbitant level of violence and crime, East New York had come to be known as the Killing Fields. In the six months after Julia Parker's death, 62 more people were murdered in the same area. In the early 1990s, murder rates in the neighborhood climbed to the highest in NYPD history. East New York was dying.

But how did this once thriving, diverse, family neighborhood fall into such ruin? The answer can be found two decades earlier. In response to redlining and discriminatory housing practices, the Johnson administration passed the Housing and Urban Development Act in 1968. The Federal Housing Authority aimed to use this piece of legislation to help low-income families of color finally achieve homeownership. But they could never have predicted how banks, lenders, realtors, and corrupt FHA officials themselves would use the newly passed law to make victims of the very people they were supposed to help, and the devastation they would leave in their wake.

A compulsively readable hybrid of true crime and investigative journalism, The Killing Fields of East New York reveals how white-collar crime reduced a prospering neighborhood to abandoned buildings and empty lots. Following the dual threads of the hunt for the network of criminals behind the first subprime mortgage scandal and the ensuing downfall of East New York, Stacy Horn weaves a compelling narrative of government failure, a desperate community, and ultimately the largest series of mortgage fraud prosecutions in American history. The Killing Fields of East New York deftly demonstrates how different types of crime are profoundly entangled, and how the crimes committed in nice suits and corner offices are just as destructive as those committed on the street.

A School Library Journal Best Young Adult Book of 2024 - A Reactor Notable YA Horror Book of 2024 - A Parade Best Horror Book of 2024

From Gillian Flynn Books, a lyrical young adult horror by debut author Wen-yi Lee that's perfect for fans of She Is a Haunting, Stephen King's IT, and The Haunting of Hill House.

Wen-yi Lee has crafted a dark and compelling supernatural mystery buoyed by earnestly written, queer-centric characters. I am enthralled! --Gillian Flynn

Growing up in Slater, Isadora Chang never felt at ease in the repressive small town, even before she realized she was bisexual--but after the deaths of two childhood friends, Slater went from feeling claustrophobic to suffocating. So, Isa took off before the town could swallow her, too. Even though it meant leaving everything she knew behind, including her last surviving friend, Mason.

When Isa's abusive father dies, however, she agrees to come back from art school just long enough to collect the inheritance. But then Mason turns up at the cemetery with a revelation and a plea: their friends were murdered by an evil that haunts the town, and he needs Isa to help stop it--before it takes anyone else.

When Isa begins to hear strange songs on the wind, and eerie artwork fills her sketchbook that she can't recall drawing, she's forced to stop running and confront her past. Because something is waiting in the shadows of Slater's valleys, something that feeds on the pain and heartbreak of its children. Whatever it is, it knows Isa's back . . . and it won't let her escape again.

Wen-yi Lee's young adult debut is an intimate and gripping exploration of trauma, healing, and the lasting power of friendship, as a runaway teen must finally face the sinister forces that defined her childhood, and in doing so, demand her right to survive.

A USA TODAY Bestseller - A New York Times, Apple Books, and The Guardian Best Crime Novel of the Year - An Indie Next Pick - Winner of the Pinckley Prize for Crime Fiction and the Saints & Sinners LGBTQ+ Festival Emerging Writer Award - Longlisted for the Mass Book Award - A Finalist for the ITW Thrillerfest, New England Book, Left Coast Crime Lefty, and Anthony Awards - Best Author by Boston Magazine

Sister Holiday, a chain-smoking, heavily tattooed, queer nun, puts her amateur sleuthing skills to the test in this unique and confident debut crime novel (Gillian Flynn).

When Saint Sebastian's School becomes the target of a shocking arson spree, the Sisters of the Sublime Blood and their surrounding New Orleans community are thrust into chaos.

Patience is a virtue, but punk rocker turned nun Sister Holiday isn't satisfied to just wait around for officials to return her home and sanctuary to its former peace, instead deciding to unveil the mysterious attacker herself. Her investigation leads her down a twisty path of suspicion and secrets, turning her against colleagues, students, and even fellow Sisters along the way. And to piece together the clues of this high-stakes mystery, she must at last reckon with the sins of her own past.

An exciting start to a bold series that breathes new life into the hard-boiled genre, Scorched Grace is a fast-paced and punchy whodunnit that will keep readers guessing until the very end.

Now with an exclusive sneak peek at the second Sister Holiday mystery!

A New Yorker Best Book of the Year - A New York Times Editors' Choice - An Amazon Editors' Pick for Best Mystery, Thriller & Suspense

The most fascinating debut I've read in years--enigmatic, biting, absurd, and right when you think you've got it figured out, utterly horrifying. --Daniel Kraus, New York Times bestselling author of Whalefall and The Shape of Water (with Guillermo del Toro)

A gripping, surreal mystery about language, identity, and greed. --Peng Shepherd, bestselling author of The Cartographers

The Centre draws you in with a gentle hand until it throws the mallet down. --Chelsea G. Summers, author of A Certain Hunger

The Centre is as haunting as it is tempting; this book devoured me back. --Sarah Gailey, author of Just Like Home and Eat the Rich

In this dazzling speculative debut, a London-based Pakistani translator furthers her stalled career by attending a mysterious language school that boasts near-instant fluency--but at a secret, sinister cost (Gillian Flynn)

Anisa Ellahi dreams of being a translator of great works of literature, but mostly spends her days subtitling Bollywood movies and living off her parents' generous allowance. Adding to her growing sense of inadequacy, her mediocre white boyfriend, Adam, has successfully leveraged his savant-level aptitude for languages into an enviable career. But when Adam learns to speak Urdu practically overnight, Anisa forces him to reveal his secret.

Adam begrudgingly tells her about The Centre, an elite, invite-only program that guarantees complete fluency in any language, in just ten days. This sounds, to Anisa, like a step toward the life she's always wanted. Stripped of her belongings and all contact with the outside world, she enrolls and undergoes The Centre's strange and rigorous processes. But as Anisa enmeshes herself further within the organization, seduced by all that it's made possible, she soon realizes the hidden cost of its services.

By turns darkly comic and surreal, and with twists as page-turning as they are shocking, The Centre journeys through Karachi, London, and New Delhi, interrogating the sticky politics of language, translation, and appropriation along the way. Through Anisa's addictive tale of striving and self-actualization, Ayesha Manazir Siddiqi ultimately asks the reader: What is the real price we pay in our scramble to the center?

Molly is one of the greatest young female characters I've had the luck of reading since I picked up Joy Williams's The Quick and the Dead back in 2000 . . . I TRULY LOVE THIS BOOK!!!!!! --Gillian Flynn, Gillian Flynn Books

Holly Wilson's Kittentits is sacred and profane, filled with big emotions, all amplified by grief. Molly is a wholly unique and charismatic narrator, navigating (and creating) chaos as she seeks out a way to hold onto both the living and dead. This is a wildly funny and utterly convincing coming-of-age novel like nothing I've read before. --Kevin Wilson, author of Nothing to See Here

A feral, heart-busting, absurdist debut about Molly, a rambunctious and bawdy ten-year-old searching for friendship and ghosts.

It's 1992, and ten-year-old Molly is tired of living in the fire-rotted, nun-haunted House of Friends: a Semi-Cooperative Living Community of Peace Faith(s) in Action with her formerly blind dad and their grieving housemate Evelyn. But when twenty-three-year-old Jeanie, a dirt bike-riding ex-con with a shady past, moves in, she quickly becomes the object of Molly's adoration. She might treat Molly terribly, but they both have dead moms and potty mouths, so naturally Molly is the moth to Jeanie's scuzzy flame.

When Jeanie fakes her own death in a hot-air balloon accident, Molly runs away to Chicago with just a stolen credit card and a sweet pair of LA Gear Heatwaves to meet her pen pal Demarcus and hunt down Jeanie. What follows is a race to New Year's Eve, as Molly and Demarcus plan a séance to reunite with their lost moms in front of a live audience at the World's Fair.

A surrealist and bold take on the American coming-of-age novel, Holly Wilson's debut is about the interstices of loss, grief, and friendship.

A New York Times Best Crime Novel of 2024

Sister Holiday is back with a newly minted PI apprentice certificate, a twisty mystery to solve, and something to prove in this fast-paced, blistering follow-up to Scorched Grace.

Tattooed from her neck to her toes and sporting a gold tooth as sharp as her wisecracks, Sister Holiday struggles to stay on the righteous path. Never one to make things easy for herself, she's committed to taking her permanent vows with the Sisters of the Sublime Blood and joining former fire inspector Magnolia Riveaux's latest venture, Redemption Detective Agency--both in service of satisfying her eternal quest for answers.

When Sister Holiday and Riveaux set out to bust a philandering husband, they instead find the body of a priest floating in the swollen Mississippi River, and with it, Redemption's next case. It's significantly more gruesome than their orig-inal mission, but Sister Holiday feels called on by God to hunt down the murderer and keep her community safe.

As a torrential rainstorm drowns New Orleans for three harrowing days over Easter weekend, Sister Holiday and Riveaux follow the clues. With the stakes rising alongside the relentless floodwaters, our favorite punk nun-sleuth throws herself into the deep end yet again.

A lacerating and lyrical plunge into obsession, deception, and the questions that hold us captive, Blessed Water is a lights-out mystery that will leave you breathless.

A New Yorker Best Book of the Year - A New York Times Editors' Choice - An Amazon Editors' Pick for Best Mystery, Thriller & Suspense

The most fascinating debut I've read in years--enigmatic, biting, absurd, and right when you think you've got it figured out, utterly horrifying. --Daniel Kraus, New York Times bestselling author of Whalefall and The Shape of Water (with Guillermo del Toro)

A gripping, surreal mystery about language, identity, and greed. --Peng Shepherd, bestselling author of The Cartographers

The Centre draws you in with a gentle hand until it throws the mallet down. --Chelsea G. Summers, author of A Certain Hunger

The Centre is as haunting as it is tempting; this book devoured me back. --Sarah Gailey, author of Just Like Home and Eat the Rich

In this dazzling speculative debut, a London-based Pakistani translator furthers her stalled career by attending a mysterious language school that boasts near-instant fluency--but at a secret, sinister cost (Gillian Flynn)

Anisa Ellahi dreams of being a translator of great works of literature, but mostly spends her days subtitling Bollywood movies and living off her parents' generous allowance. Adding to her growing sense of inadequacy, her mediocre white boyfriend, Adam, has successfully leveraged his savant-level aptitude for languages into an enviable career. But when Adam learns to speak Urdu practically overnight, Anisa forces him to reveal his secret.

Adam begrudgingly tells her about The Centre, an elite, invite-only program that guarantees complete fluency in any language, in just ten days. This sounds, to Anisa, like a step toward the life she's always wanted. Stripped of her belongings and all contact with the outside world, she enrolls and undergoes The Centre's strange and rigorous processes. But as Anisa enmeshes herself further within the organization, seduced by all that it's made possible, she soon realizes the hidden cost of its services.

By turns darkly comic and surreal, and with twists as page-turning as they are shocking, The Centre journeys through Karachi, London, and New Delhi, interrogating the sticky politics of language, translation, and appropriation along the way. Through Anisa's addictive tale of striving and self-actualization, Ayesha Manazir Siddiqi ultimately asks the reader: What is the real price we pay in our scramble to the center?

A CrimeReads Most Anticipated Fiction Novel of 2024 and Best Psychological Thriller for January - A Book Riot Most Anticipated Book of Jan-Jun 2024 - A Tertulia Best New Crime and Thriller Book This Winter - A Paste Most Anticipated Mystery and Thriller Book of 2024

Two young women vanish in a seaside town. At the cliff's edge, nobody is who they seem.

Desperate to escape the ghosts of his failed marriage, Cole upends his life. He leaves London behind for a remote stretch of coast, relishing the respite from the noise, drama, and relentless careerism that curdled his relationship and mental health. Leonora has made the same move for similar reasons. She's living a short walk from Cole's seaside cottage, preparing for her latest art exhibition. Though Cole still can't figure out what went wrong with his marriage, and Leonora is having trouble acclimating to the hostile landscape, the pair forges a connection on the eroding bluff they call home.

Then, two young women activists raising awareness about gendered violence disappear while passing through. Cole and Leonora find themselves in the middle of a police investigation and the resulting media firestorm when the world learns of what happened. And as the tension escalates alongside the search for the missing women, they quickly realize that they don't know each other that well after all.

From the critically acclaimed author of Our Kind of Cruelty and Imperfect Women, comes an urgent psychological thriller about gender, power, and how both are captured in our contemporary media environment. Unexpected and twisty from its first page to its last, One of the Good Guys asks: If most men claim to be good, why are most women still afraid to walk home alone at night?

It's 1992, and ten-year-old Molly is tired of living in the fire-rotted, nun-haunted House of Friends: a Semi-Cooperative Living Community of Peace Faith(s) in Action with her formerly blind dad and grieving Evelyn. But when twenty-three-year-old Jeanie, a dirt bike-riding ex-con with a questionable past, moves in, she quickly becomes the object of Molly's adoration. She might treat Molly terribly, but they both have dead moms and potty mouths, so naturally Molly can't seem to leave Jeanie alone.

When Jeanie fakes her own death in a hot-air balloon accident, Molly runs away to Chicago with just a stolen credit card and a sweet pair of LA Gear Heatwaves to meet her pen pal Demarcus and hunt down Jeanie. What follows is a race to New Year's Eve, as Molly and Demarcus plan a séance to reunite with their lost moms in front of a live audience at the World's Fair.

A surrealist and bold take on the American coming-of-age novel, Holly Wilson's debut is about the interstices of loss, grief, and friendship.

When possession threatens to destroy the ones she loves, a former child medium is forced to face her deadly inheritance and the ghosts she left behind in this electrifying debut.

Girls for the gifts, boys for the grave.

Alice Haserot thought she'd escaped the curse. For sixteen years, she's lived far from her family and the ghosts she used to conjure. But her past isn't so easily left behind.

When Alice discovers she's pregnant and her estranged sister, Bronwyn, turns up on her doorstep, her carefully built new life begins to unravel. Bronwyn offers an ultimatum: one of her daughters is trying to possess the other, and only Alice has the power to save them. If Alice refuses, Bronwyn will go to their abusive mother and expose her location.

Forced to confront the terrors of her childhood, Alice returns home to face the inheritance of her family curse. Tautly paced and gorgeously written, Glass Girls explores the deep, complicated bonds of family and the shadows that follow us, no matter how far we run.

A New York Times Best Crime Novel of 2024

Sister Holiday is back with a newly minted PI apprentice certificate, a twisty mystery to solve, and something to prove in this fast-paced, blistering follow-up to Scorched Grace.

Tattooed from her neck to her toes and sporting a gold tooth as sharp as her wisecracks, Sister Holiday struggles to stay on the righteous path. Never one to make things easy for herself, she's committed to taking her permanent vows with the Sisters of the Sublime Blood and joining former fire inspector Magnolia Riveaux's latest venture, Redemption Detective Agency--both in service of satisfying her eternal quest for answers.

When Sister Holiday and Riveaux set out to bust a philandering husband, they instead find the body of a priest floating in the swollen Mississippi River, and with it, Redemption's next case. It's significantly more gruesome than their orig-inal mission, but Sister Holiday feels called on by God to hunt down the murderer and keep her community safe.

As a torrential rainstorm drowns New Orleans for three harrowing days over Easter weekend, Sister Holiday and Riveaux follow the clues. With the stakes rising alongside the relentless floodwaters, our favorite punk nun-sleuth throws herself into the deep end yet again.

A lacerating and lyrical plunge into obsession, deception, and the questions that hold us captive, Blessed Water is a lights-out mystery that will leave you breathless.

A USA TODAY Bestseller - A New York Times, Apple Books, and The Guardian Best Crime Novel of the Year - An Indie Next Pick - Winner of the Pinckley Prize for Crime Fiction - Longlisted for the Mass Book Award - A Finalist for the ITW Thrillerfest, New England Book, Left Coast Crime Lefty, and Anthony Awards

Sister Holiday, a chain-smoking, heavily tattooed, queer nun, puts her amateur sleuthing skills to the test in this unique and confident debut crime novel (Gillian Flynn).

When Saint Sebastian's School becomes the target of a shocking arson spree, the Sisters of the Sublime Blood and their surrounding New Orleans community are thrust into chaos.

Patience is a virtue, but punk rocker turned nun Sister Holiday isn't satisfied to just wait around for officials to return her home and sanctuary to its former peace, instead deciding to unveil the mysterious attacker herself. Her investigation leads her down a twisty path of suspicion and secrets, turning her against colleagues, students, and even fellow Sisters along the way. And to piece together the clues of this high-stakes mystery, she must at last reckon with the sins of her own past.

An exciting start to a bold series that breathes new life into the hard-boiled genre, Scorched Grace is a fast-paced and punchy whodunnit that will keep readers guessing until the very end.

A School Library Journal Best Young Adult Book of 2024

From Gillian Flynn Books, a lyrical young adult horror by debut author Wen-yi Lee that's perfect for fans of She Is a Haunting, Stephen King's IT, and The Haunting of Hill House.

Wen-yi Lee has crafted a dark and compelling supernatural mystery buoyed by earnestly written, queer-centric characters. I am enthralled! --Gillian Flynn

Growing up in Slater, Isadora Chang never felt at ease in the repressive small town, even before she realized she was bisexual--but after the deaths of two childhood friends, Slater went from feeling claustrophobic to suffocating. So, Isa took off before the town could swallow her, too. Even though it meant leaving everything she knew behind, including her last surviving friend, Mason.

When Isa's abusive father dies, however, she agrees to come back from art school just long enough to collect the inheritance. But then Mason turns up at the cemetery with a revelation and a plea: their friends were murdered by an evil that haunts the town, and he needs Isa to help stop it--before it takes anyone else.

When Isa begins to hear strange songs on the wind, and eerie artwork fills her sketchbook that she can't recall drawing, she's forced to stop running and confront her past. Because something is waiting in the shadows of Slater's valleys, something that feeds on the pain and heartbreak of its children. Whatever it is, it knows Isa's back . . . and it won't let her escape again.

Wen-yi Lee's young adult debut is an intimate and gripping exploration of trauma, healing, and the lasting power of friendship, as a runaway teen must finally face the sinister forces that defined her childhood, and in doing so, demand her right to survive.