Brave, unconventional, and determined, Ruth Asawa let nothing stop her from living a life intertwined with art.

Renowned for her innovative wire sculptures, Japanese American artist Ruth Asawa (1926-2013) was a teenager in Southern California when Japan bombed Pearl Harbor and the United States entered World War II. Japanese Americans on the West Coast were forced into camps. Asawa's family had to abandon their farm, her father was incarcerated, and she and the rest of her family were sent to a detention center in California, and later to a concentration camp in Arkansas. Asawa nurtured her dreams of becoming an artist while imprisoned and eventually made her way to the experimental Black Mountain College in North Carolina.

This graphic biography by Sam Nakahira, developed in consultation with Asawa's younger daughter, Addie Lanier, chronicles the genesis of Asawa as an artist--from the horror of Pearl Harbor to her transformative education at Black Mountain College to building her life in San Francisco, where she would further develop and refine her groundbreaking sculpture.

Asawa never sought fame, preferring to work on her own terms: for her, art and life were one. Using lively illustrations and a dozen photographs of Asawa's artwork, Ruth Asawa: An Artist Takes Shape is a graphic retelling of her young adult years and demonstrates the transformative power of making art.

Song of the Swallows, which won the Caldecott Medal when it was first published in 1948, was written and illustrated by Leo Politi, one of Los Angeles' most beloved artists.

It tells the famous story of the yearly return of the swallows to the Mission San Juan Capistrano through the eyes of a small child. Julian, the bell ringer of the Mission, tells Juan, a young boy who also lives at the Mission, the story of the swallows and how--without anyone really knowing why or how--they return each year from their winter home in South America to San Juan Capistrano in California. Thrilled by the story, Juan makes his own small garden in the hope that at least one family of swallows will nest there when they return.

This delightful book also includes the music and lyrics for La Golondrina, a song about the swallows that Politi composed himself, and Spanish phrases are sprinkled throughout the story. This book provides a delightful introduction for young children California's centuries-old Latino heritage and Mission culture.

People have been drawing on walls since ancient times. They do it to create beauty, to tell a story, to make a statement, or just to say, I was here. You can find wall art in a remote cave in Patagonia and a desert castle in Jordan, a kingly palace in the Republic of Benin and the National Palace of Mexico, a miles-long flood channel in Los Angeles and a sky-high rooftop in Norway.

In Wall to Wall, award-winning author, illustrator, and muralist Mary Ann Fraser takes readers on a worldwide journey through time, stopping to see amazing mural art along the way. Stunning color illustrations and fascinating photographs illuminate both famous and little-known examples, and lighthearted text tells engaging stories about the people who inspired or created them. A glossary, suggestions for further reading, and a section on the preservation of murals conclude the book. No reader will ever again pass by a mural--whether in a historic building, a museum, or out on the street--without stopping to take a closer look.

More than any other French Impressionist, painter Gustave Caillebotte (1848-1894) observed and depicted the many men in his life, including his brothers and friends, employees, and the workers and bourgeois in his Parisian neighborhood. Male subjects feature prominently in some of his best-known works, such as The Floor Scrapers, Man at His Bath, Young Man at His Window, Boating Party, and Paris Street, Rainy Day. The originality of his paintings of men is fully explored for the first time in this catalogue, published to accompany a major international exhibition co-organized by the J. Paul Getty Museum, Musée d'Orsay, and the Art Institute of Chicago.

Alongside paintings, drawings, and photographs, as well as an appendix featuring maps and new biographical research that sheds light on Caillebotte's social network, this volume includes historically grounded thematic essays by curators and leading scholars. By exploring the complex and varied facets of Caillebotte's identity--as son, brother, soldier, bachelor, amateur, sportsman, and so on--these essays pose questions of identity, leaving space for ambiguous and fluid expressions of gender and masculinity--for both Caillebotte and the larger late nineteenth-century French world.

This volume is published to accompany an exhibition on view at the Musée d'Orsay from October 8, 2024, to January 19, 2025, J. Paul Getty Museum at the Getty Center from March 25 to May 25, 2025, and The Art Institute of Chicago from June 29 to October 5, 2025.

Winner of the 2024 PROSE Award, Non-fiction graphic novels

At the turn of the 20th century in Nantes, France, Lucy Schwob met Suzanne Malherbe, and lightning struck. The two became partners both artistically and romantically and transformed themselves into the creative personas Claude Cahun and Marcel Moore. Together, the couple embarked on a radical journey of Surrealist collaboration that would take them from conservative provincial France to the vibrancy of 1920s Paris to the oppression of Nazi-occupied Jersey during World War II, where they used art to undermine the Nazi regime.

Cahun and Moore challenged gender roles and championed freedom at a time when strict societal norms meant that the truth of their relationship had to remain secret. Featuring 10 photographs by Cahun and Moore, this graphic biography by cartoonist Kaz Rowe brings Cahun's inspiring story to life.

Claude Cahun lived at the crossroads of masculine and feminine, of artist and activist, of blessed and cursed by the circumstances and time period they were born into. Rowe weaves together historical photos, direct quotes, and lyrical imagery to tell the tale of this brave queer icon to great effect. --Maia Kobabe, author of Gender Queer

The ubiquity of torrid love affairs in the lives of artists has often been used to entice readers, to give us a bit of gossip to pass on after we read. In Liberated: The Radical Art and Life of Claude Cahun, Kaz Rowe presents a different kind of love story--one in which love offers freedom and the passion it ignites isn't only romantic, but something more liberating. Here love is used as an anchor for radicalization and for art, and combined, for freedom. Liberated invites us to fall in love with--and alongside--Cahun. A wonderful read. --Isabel Quintero, author of Photographic: The Life of Graciela Iturbide and Gabi, a Girl in Pieces

Whether in art or life, fashion makes a statement. It gives form to the temper of the times and the motives of the moment, charting shifts in society, status, technology, and economy. Fashion is shaped by both high and popular culture and reveals the influence of individuals from diverse socioeconomic backgrounds.

Spanning the centuries and representing a global point of view, Looking at Fashion is a guide to the elements that make clothing practical, wearable, stylish, and distinctive. Created for scholars, students, fashionistas, and anyone who wants to expand their understanding of world culture through the history of dress, this book provides a rich and varied lexicon of the vocabulary that describes and explains the most essential components of garments and techniques of clothing construction. Ranging from basic pieces and their individual parts to structure, embellishments, and innovations, Looking at Fashion offers insights into the evolution of dress in terms of style, fit, and design. Gorgeous color illustrations, including paintings, photographs, historical garments, and custom drawings, reveal the interrelationship of fashion and art from antiquity to now.

The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery.

Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay's quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art--most from the collections of the J. Paul Getty Museum.

Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers.

Red ocher, green earth, Indian yellow, lead white--no pigment from the artist's broad and diverse palette escapes Finlay's shrewd eye in this breathtaking exploration.

An icon (from the Greek word eikon, image) is a wooden panel painting of a holy person or scene from Orthodox Christianity, the religion of the Byzantine Empire that is practiced today mainly in Greece and Russia. It was believed that these works acted as intermediaries between worshipers and the holy personages they depicted. Their pictorial language is stylized and primarily symbolic, rather than literal and narrative. Indeed, every attitude, pose, and color depicted in an icon has a precise meaning, and their painters―usually monks―followed prescribed models from iconographic manuals.

Featuring over 400 color images, this book catalogues the vast heritage of images according to iconographic type and subject, from the most ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. Chapters focus on the role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church and the life of Jesus and his followers.

Pompeii, one of the most astonishing and well-preserved sites of classical antiquity, is also one of the world's most visited architectural locations. Produced in partnership with the Archeological Park of Pompeii, this lavish volume takes readers on a tour of Pompeii through an array of visually compelling and original photographs by Italian artist Luigi Spina.

Pompeii's architecture is a central feature of Spina's pictures, which were shot at all times of day, in all seasons, and in natural light. Lacy peristyles and rows of ruined columns give way to intimate, atmospheric interior spaces. Mosaic floors and beautiful wall paintings are reproduced with stunning fidelity and sensitivity. The volume also includes an essay by Gabriel Zuchtriegel, director of the Archeological Park of Pompeii, and several meditations on the history, architecture, and natural beauty of the city.

Inside Pompeii provides the wondrous experience of wandering through this remarkable site without ever leaving home.

Camille Claudel (1864-1943) was among the most daring and visionary sculptors of the late nineteenth century. Although much attention has been paid to her tumultuous life--her affair with her mentor, Auguste Rodin; the premature end to her career; her thirty-year institutionalization in an asylum--her art remains little known outside of France. Memorably praised by critic Octave Mirbeau in 1895 as a revolt of nature: a woman of genius, Claudel was celebrated for her brilliance during a time when women sculptors were rare.

Featuring more than two hundred photographs along with contributions from leading experts, this publication accompanies the first comprehensive survey of Claudel's oeuvre in nearly forty years. With essays exploring the many facets of her life, work, and reception; a biography; commentary by American sculptor Kiki Smith; and a fascinating appendix of documents written by Claudel and her contemporaries, this volume reevaluates the artist's work on its own merits and repositions her legacy within a more complex genealogy of modernism.

This volume, copublished with The Art Institute of Chicago, accompanies an exhibition on view at The Art Institute of Chicago from October 7, 2023, to February 19, 2024 and at the J. Paul Getty Museum at the Getty Center from April 2 to July 21, 2024.

Graciela Iturbide was born in Mexico City in 1942, the oldest of 13 children. When tragedy struck Iturbide as a young mother, she turned to photography for solace and understanding. From then on Iturbide embarked on a photographic journey that has taken her throughout her native Mexico, from the Sonoran Desert to Juchitán to Frida Kahlo's bathroom, to the United States, India, and beyond.

Photographic is a symbolic, poetic, and deeply personal graphic biography of this iconic photographer. Iturbide's journey will excite readers of all ages as well as budding photographers, who will be inspired by her resolve, talent, and curiosity.

This extraordinary biography captures the poetry of Graciela Iturbide's photography. The brilliant pairing of Isabel Quintero's words and Zeke Peña's art creates a graphic biography that evokes the process and meaning of what it is to create. Highly recommended! --Cathy Camper, author of Lowriders in Space

Striking black and white illustrations . . . A powerful homage to the five-decade evolution of an artist still working--and still evolving--today. --Horn Book

This fascinating collection of Robert Mapplethorpe's photographs contains over 250 striking images -- from florals to portraits from nudes to still lifes, as well as images from his controversial X Portfolio

...an indispensable publication of lasting significance...--ARTFIXdaily

Authoritative and indispensable.--Bay Area Reporter

The legacy of Robert Mapplethorpe (1946 -1989) is rich and complicated, triggering controversy, polarizing critics, and providing inspiration for many artists who followed him. Mapplethorpe taught himself about the history of art, how to run a studio, how to network, and how to keep the public interested in him. At the same time, he honed a distinctive individual vision based on craftsmanship and an aesthetic of classical grace. One of the most influential figures of his time, today Mapplethorpe stands as an example to emerging photographers who continue to test boundaries and concepts of the beautiful.

Robert Mapplethorpe: The Photographs offers a timely and rewarding examination of his oeuvre and influence. Drawing from the extraordinary collection jointly acquired by the J. Paul Getty Museum and the Los Angeles County Museum of Art from The Robert Mapplethorpe Foundation, as well as the Mapplethorpe Archive housed at the Getty Research Institute, the authors were given the unique opportunity to explore new resources and present fresh perspectives. The result is a fascinating exploration of Mapplethorpe's career and legacy, with in-depth essays on sexuality and identity, all accompanied by more than 250 striking images covering the remarkable range of his photographic work - from florals to portraits from nudes to still lifes, as well as the controversial X Portfolio. All of these beautifully integrated elements contribute to what is an essential point of access to Mapplethorpe's work and practice.

A seductive collection of portraits and nudes from the famed fashion photographer.

Herb Ritts: L.A. Style traces the life and career of the iconic photographer through a compelling selection of renowned, as well as previously unpublished, photographs and two insightful essays. Herb Ritts (1952-2002) was a Los Angeles-based photographer who established an international reputation for distinctive images of fashion models, nudes, and celebrity portraits. During the 1980s and 1990s, Ritts was sought out by leading fashion designers such as Armani, Gianfranco Ferrè, Donna Karan, Calvin Klein, Valentino, and Versace, as well as magazine editors from GQ, Interview, Rolling Stone, and Vanity Fair, among others, to lend glamour to their products and layouts. Largely self-taught, Ritts developed his own style, one that often made use of the California light and landscape and helped to separate his work from his New York-based peers. From the late 1970s until his untimely death from AIDS in 2002, Ritts's ability to create photographs that successfully bridged the gap between art and commerce was not only a testament to the power of his imagination and technical skill, but also marked the synergistic union between art, popular culture, and business that followed in the wake of the Pop Art movement of the 1960s and 1970s.