Between my fingers and my thumb
The squat pen rests.
I'll dig with it.

Selected Poems 1966-1987 assembles the groundbreaking work of the first half of Seamus Heaney's extraordinary career. This edition, arranged by the author himself, includes the seminal early poetry that struck readers with the force of revelation and heralded the arrival of an heir to Gerard Manley Hopkins, W. B. Yeats, and Robert Frost.
Helen Vendler called Heaney a poet of the in-between, and the work collected here dwells in the borderlands dividing the ancient and the contemporary, the mythic and the quotidian. Gathering poetry from his first seven collections, Selected Poems 1966-1987 presents the young man from County Derry, Northern Ireland, who emerged from a hidden, a buried life in Death of a Naturalist (1966), with his cherished poems Digging and Mid-term Break; the poet of conscience as bleak as he is bright in Whatever You Say Say Nothing and Singing School; and the astonishingly gifted, mature craftsman behind Field Work (1979) and Station Island (1984)--an artist uncannily attuned to the music of what happens, restlessly searching for images and symbols adequate to our predicament.
This volume, together with its companion Selected Poems 1988-2013, allows us to revisit the essential work of one of the great writers of our age through his own compilation.

An NBCC Award and Los Angeles Times Book Award finalist
A New York Times Notable Book for 2011
One of The Economist's 2011 Books of the Year

People speak different languages, and always have. The Ancient Greeks took no notice of anything unless it was said in Greek; the Romans made everyone speak Latin; and in India, people learned their neighbors' languages--as did many ordinary Europeans in times past (Christopher Columbus knew Italian, Portuguese, and Castilian Spanish as well as the classical languages). But today, we all use translation to cope with the diversity of languages. Without translation there would be no world news, not much of a reading list in any subject at college, no repair manuals for cars or planes; we wouldn't even be able to put together flat-pack furniture.

Is That a Fish in Your Ear? ranges across the whole of human experience, from foreign films to philosophy, to show why translation is at the heart of what we do and who we are. Among many other things, David Bellos asks: What's the difference between translating unprepared natural speech and translating Madame Bovary? How do you translate a joke? What's the difference between a native tongue and a learned one? Can you translate between any pair of languages, or only between some? What really goes on when world leaders speak at the UN? Can machines ever replace human translators, and if not, why?

But the biggest question Bellos asks is this: How do we ever really know that we've understood what anybody else says--in our own language or in another? Surprising, witty, and written with great joie de vivre, this book is all about how we comprehend other people and shows us how, ultimately, translation is another name for the human condition.

A brief and majestic debut. --Matías Néspolo, El Mundo

Tochtli lives in a palace. He loves hats, samurai, guillotines, and dictionaries, and what he wants more than anything right now is a new pet for his private zoo: a pygmy hippopotamus from Liberia. But Tochtli is a child whose father is a drug baron on the verge of taking over a powerful cartel, and Tochtli is growing up in a luxury hideout that he shares with hit men, prostitutes, dealers, servants, and the odd corrupt politician or two. Long-listed for The Guardian First Book Award, Down the Rabbit Hole, a masterful and darkly comic first novel, is the chronicle of a delirious journey to grant a child's wish.

Each of them is one in a million. They number six thousand on a planet of six billion. They run our governments, our largest corporations, the powerhouses of international finance, the media, world religions, and, from the shadows, the world's most dangerous criminal and terrorist organizations. They are the global superclass, and they are shaping the history of our time.

Today's superclass has achieved unprecedented levels of wealth and power. They have globalized more rapidly than any other group. But do they have more in common with one another than with their own countrymen, as nationalist critics have argued? They control globalization more than anyone else. But has their influence fed the growing economic and social inequity that divides the world? What happens behind closeddoor meetings in Davos or aboard corporate jets at 41,000 feet? Conspiracy or collaboration? Deal-making or idle self-indulgence? What does the rise of Asia and Latin America mean for the conventional wisdom that shapes our destinies? Who sets the rules for a group that operates beyond national laws?

Drawn from scores of exclusive interviews and extensive original reporting, Superclass answers all of these questions and more. It draws back the curtain on a privileged society that most of us know little about, even though it profoundly affects our everyday lives. It is the first in-depth examination of the connections between the global communities of leaders who are at the helm of every major enterprise on the planet and control its greatest wealth. And it is an unprecedented examination of the trends within the superclass, which are likely to alter our politics, our institutions, and the shape of the world in which we live.

Award-winning essayist and poet Rowan Ricardo Phillips presents a bracing renewal of civic poetry in Living Weapon.

. . . and we'd do this again
And again and again, without ever
Knowing we were the weapon ourselves,
Stronger than steel, story, and hydrogen.
-- from Even Homer Nods

A revelation, a shoring up, a transposition: Rowan Ricardo Phillips's Living Weapon is a love song to the imagination, a new blade of light honed in on our political moment. A winged man plummets from the troposphere; four NYPD officers enter a cellphone store; concrete sidewalks hang overhead. Here, in his third collection of poems, Phillips offers us ruminations on violins and violence, on hatred, on turning forty-three, even on the end of existence itself. Living Weapon reveals to us the limitations of our vocabulary, that our platitudes are not enough for the brutal times in which we find ourselves. But still, our lives go on, and these are poems of survival as much as they are an indictment. Couched in language both wry and ample, Living Weapon is a piercing addition from a virtuoso poetic voice (Granta).

In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented.

Tracing the contours of this history, Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording. An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape. Japanese and Dutch researchers build a first-generation digital audio format and watch as their compact disc is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists. The music world becomes addicted to volume in the nineties and fights a self-defeating loudness war to get its fix.

From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner's Perfecting Sound Forever pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or should it improve upon or somehow transcend the music it records? The answers he uncovers will change the very way we think about music.

Astonishing...With the intensity of a perfect balance between the mythic and the real, The Rain Heron keeps turning and twisting, taking you to unexpected places. A deeply emotional and satisfying read. Beautifully written. --Jeff VanderMeer, author of Borne. One of LitHub's Most Anticipated Books of 2021.

A gripping novel of myth, environment, adventure, and an unlikely friendship, from an award-winning Australian author

Ren lives alone on the remote frontier of a country devastated by a coup d'état. High on the forested slopes, she survives by hunting, farming, trading, and forgetting the contours of what was once a normal life. But her quiet stability is disrupted when an army unit, led by a young female soldier, comes to the mountains on government orders in search of a legendary creature called the rain heron--a mythical, dangerous, form-shifting bird with the ability to change the weather. Ren insists that the bird is simply a story, yet the soldier will not be deterred, forcing them both into a gruelling quest.

Spellbinding and immersive, Robbie Arnott's The Rain Heron is an astounding, mythical exploration of human resilience, female friendship, and humankind's precarious relationship to nature. As Ren and the soldier hunt for the heron, a bond between them forms, and the painful details of Ren's former life emerge--a life punctuated by loss, trauma, and a second, equally magical and dangerous creature. Slowly, Ren's and the soldier's lives entwine, unravel, and ultimately erupt in a masterfully crafted ending in which both women are forced to confront their biggest fears--and regrets.

Robbie Arnott, one of Australia's most acclaimed young novelists, sews magic into reality with a steady, confident hand. Bubbling with rare imagination and ambition, The Rain Heron is an emotionally charged and dazzling novel, one that asks timely yet eternal questions about environment, friendship, nationality, and the myths that bind us.

A sparkling life of the monumental fashion designer Cristóbal Balenciaga

One of the most innovative and admired figures in the history of haute couture, Cristóbal Balenciaga was, said Christian Dior, the master of us all.

Despite his extraordinary impact, Balenciaga was a man hidden from view. He saw to it that little was known about him, to the point that some French journalists wondered if he existed at all. Even his most devoted clients--Marlene Dietrich, Barbara Hutton, a clutch of Rothschilds--never met him.

But one woman knew Balenciaga very well indeed. The first person he hired when he opened his Paris house was Florette Chelot, who became his top vendeuse. She witnessed the spectacular success of his first collection, and they worked closely for more than thirty years, until 1968, when Balenciaga abruptly closed his house without telling any of his staff. Youth-oriented fashion was taking over, Paris was in upheaval, and the elder statesman wanted no part of it.

In The Master of Us All, Mary Blume tells the remarkable story of the man and his world. Intimate and revealing, this is an unprecedented portrait of a designer whose vision transformed an industry but whose story has never been told until now.

Hailed as an utter delight, the most brilliant witty and charming book I have read since I can't remember when by The New York Times when it was originally published in 1956, Rose Macaulay's The Towers of Trebizond tells the gleefully absurd story of Aunt Dot, Father Chantry-Pigg, Aunt Dot's deranged camel, and our narrator, Laurie, who are traveling from Istanbul to legendary Trebizond on a convoluted mission. Along the way they will encounter spies, a Greek sorcerer, a precocious ape, and Billy Graham with a busload of evangelists. Part travelogue, part comedy, it is also a meditation on love, faith, doubt, and the difficulties, moral and intellectual, of being a Christian in the modern world.

One of The Telegraph's Best Music Books 2011

We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted?

Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity--the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism--never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?

A haunting, beautiful first novel by the bestselling author of A Long Way Gone.
Named one of the Christian Science Monitor's best fiction books of 2014

With the gentle lyricism of a dream and the moral clarity of a fable, Radiance of Tomorrow is a powerful novel about preserving what means the most to us, even in uncertain times.

When Ishmael Beah's A Long Way Gone was published in 2007, it soared to the top of bestseller lists, becoming an instant classic: a harrowing account of Sierra Leone's civil war and the fate of child soldiers that everyone in the world should read (The Washington Post). Now Beah, whom Dave Eggers has called arguably the most read African writer in contemporary literature, has returned with his first novel, an affecting, tender parable about postwar life in Sierra Leone.

At the center of Radiance of Tomorrow are Benjamin and Bockarie, two longtime friends who return to their hometown, Imperi, after the civil war. The village is in ruins, the ground covered in bones. As more villagers begin to come back, Benjamin and Bockarie try to forge a new community by taking up their former posts as teachers, but they're beset by obstacles: a scarcity of food; a rash of murders, thievery, rape, and retaliation; and the depredations of a foreign mining company intent on sullying the town's water supply and blocking its paths with electric wires. As Benjamin and Bockarie search for a way to restore order, they're forced to reckon with the uncertainty of their past and future alike.

At last, an ample English-language selection of one of contemporary poetry's most vibrant voices

Any hall she has ever read her poetry in is invariably filled to the gills. Women like her, girls like her, and men like her, too. In Italy, Patrizia Cavalli is as beloved as Wistawa Szymborska is in Poland, and if Italy were Japan she'd be designated a national treasure. The Italian philosopher Giorgio Agamben said of Cavalli that she has written the most intensely 'ethical' poetry in Italian literature of the twentieth century. One could add that it is, easily, also the most sensual and comical. Though Cavalli has been widely translated into German, French, and Spanish, My Poems Won't Change the World is her first substantial American anthology.
The book is made up of poems from Cavalli's collections published by Einaudi from 1974 to 2006, now freshly translated by an illustrious group of American poets, some of them already familiar with her work: Mark Strand, Jorie Graham, Jonathan Galassi, Rosanna Warren, Geoffrey Brock, J. D. McClatchy, and David Shapiro. Gini Alhadeff's translations, which make up half the book, are the result of a five-year collaboration with Cavalli.
This edition includes the original Italian language poems alongside the English translation.

On Grief and Reason collects the essays that Joseph Brodsky wrote between his reception of the Nobel Prize in Literature in 1987 and his death in January 1996. The volume includes Brodsky's Nobel lecture; essays on the condition of exile, the nature of history, the art of reading, and the notion of the poet as an inveterate Don Giovanni; his Immodest Proposal for the future of poetry, written when he was serving as Poet Laureate of the United States; a consideration of the poetry of Robert Frost; his searching estimations of Hardy, Horace, and Rilke; an affecting memoir of Stephen Spender; and a moving meditation on the figure of Marcus Aureilus. The essays, composed in Brodsky's distinctive, idiomatic English, are inventive and alive.

The Nobel laureate, himself branded a pseudo-poet in velveteen trousers by Soviet authorities and expelled from his home country in 1972, writes boldly of the poet's place in society: By failing to read or listen to poets, a society dooms itself to inferior modes of articulation--of the politician, or the salesman, or the charlatan--in short, to its own. It forfeits . . . its own evolutionary potential . . . This edition, reissued on the occasion of the late author's eightieth birthday, prompts the reader to consider Brodsky's words with renewed contemplation of the current state of literature and the society in which we read it.

Bob Dylan, Willie Nelson, Emmylou Harris, U2, Peter Gabriel, and the Neville Brothers all have something in common: some of their best albums were produced by Daniel Lanois. A French-speaking kid from Canada, Lanois was driven by his innate curiosity and intense love of music to transcend his small-town origins and become one of the world's most prolific and successful record producers, as well as a brilliant musician in his own right.

Lanois takes us through his childhood, from being one of four kids raised by a single mother on a hairdresser's salary, to his discovery by Brian Eno, to his work on albums such as U2's The Joshua Tree, Bob Dylan's Time Out of Mind, and Emmylou Harris's Wrecking Ball. Revealing for the first time his unique recording secrets and innovations, Lanois delves into the ongoing evolution of technology, discussing his earliest sonic experiments with reel-to-reel decks, the birth of the microchip, the death of discrete circuitry, and the arrival of the download era.

Part technological treatise, part philosophical manifesto on the nature of artistic excellence and the overwhelming need for music, Soul Mining brings the reader viscerally inside the recording studio, where the surrounding forces have always been just as important as the resulting albums. Beyond skill, beyond record budgets, beyond image and ego, Lanois's work and music show the value of dedication and soul. His lifelong quest to find the perfect mixture of tradition and innovation is inimitable and unforgettable.

New York Times Notable Book of the Year
Publishers Weekly Best Book of 1997

With an Introduction by Robert Giroux, The Complete Stories of Bernard Malamud is an essential American book, Richard Stern declared in the Chicago Tribune when the collection was published in hardcover. His praise was echoed by other reviewers and by readers, who embraced the book as they might a displaced person in one of Malamud's stories, now returned to us, complete and fulfilled and recognized at last. The volume gathers together fifty-five stories, from Armistice (1940) to Alma Redeemed (1984), and including the immortal stories from The Magic Barrel and the vivid depictions of the unforgettable Fidelman. It is a varied and generous collection of great examples of the modern short story, which Malamud perfected, and an ideal introduction to the work of this great American writer.

National Book Award finalist Maureen N. McLane stuns with a precise, perceptive book of poetic meditations.

In her first book of poems since the scintillating More Anon: Selected Poems, Maureen N. McLane offers a bravura, trenchant sounding out of inner and outer weathers. What You Want is a book of core landscapes, mindscapes, and shifting moods. Meditative, lyrical, alert to seasons and pressures on our shared life, McLane registers and shapes an ambient unease. Whether skying with John Constable or walking on wintry paths in our precarious republic, the poet channels what Wordsworth called moods of my own mind while she scans for our common horizon.

Here are poems filled with gulls and harbors, blinking red lights and empty lobster traps, beach roses and rumored sharks, eels and crows, wind turbines and superhighways. From Sappho to the Luminist painter Fitz Henry Lane, from constellations to microplastics, What You Want is a book alive to the cosmos as well as to our moment, with its many vexations and intermittent illuminations.

In poems of powerful command and delicate invitation, moving from swift notations to sustained sequences, this collection sees McLane testing what (if anything) might outlast the coming heat. And meanwhile, There's no end / to beauty and shit.

The central collection by the poet, dramatist, and Nobel laureate Nelly Sachs, newly translated by Joshua Weiner (with Linda B. Parshall).

So far out, in the open,
cushioned in sleep.
In flight from the land
with love's heavy luggage.

A butterfly-zone of dreams
like an open parasol
held up against the truth.

Flight and Metamorphosis marks the culmination of Nelly Sachs's development as a poet. Sachs, who was awarded the Nobel Prize in Literature in 1966, speaks from her own condition as a refugee from Nazi Germany--her loneliness while living in a small Stockholm flat with her elderly mother; her exile, her alienation, her feelings of romantic bereavement; and her search for the divine. Forced onto a journey of endless change, Sachs created her own path forward.

From these sublime poems, she emerges as a visionary, one who harnesses language's essential power to create and transform our world. Joshua Weiner's translations (with Linda B. Parshall) are the first in more than half a century to elucidate Sachs's enduring poetic power and relevance.

Nominated for the 2020 Stoker Award for Superior Achievement in a First Novel. One of The Millions's Most Anticipated Books of the Second-Half of 2020, one of Library Journal's 35 Standout Summer/Fall 2020 Debut Novels, and one of Shondaland's 11 New Books That Will Change How You Think About the Climate Crisis

From the author of the story collections Heartbreaker and Rag comes a powerful and propulsive debut novel that examines activism, love, and purpose

When fifteen-year-old Xie moves from California to a rural Southern town to live with his father he makes just two friends, Jo and Leni, both budding environmental and animal activists. One night, the three friends decide to free captive mink from a local farm. But when Xie is the only one caught his small world gets smaller: Kicked out of high school, he becomes increasingly connected with nature, spending his time in the birch woods behind his house, attending extremist activist meetings, and serving as a custodian for what others ignore, abuse, and discard.

Exploring the woods alone one night, Xie discovers the relic of a Catholic saint--the martyred Pancratius--in a nearby church. Regal and dressed in ornate armor, the skeleton captivates him. After weeks of visits, Xie steals the skeleton, hides it in his attic bedroom, and develops a complex and passionate relationship with the bones and spirit of the saint, whom he calls P. As Xie's relationship deepens with P., so too does his relationship with the woods--private property that will soon be overrun with loggers. As Xie enacts a plan to save his beloved woods, he must also find a way to balance his conflicting--and increasingly extreme--ideals of purity, sacrifice, and responsibility in order to live in this world.

Maryse Meijer's The Seventh Mansion is a deeply moving and profoundly original debut novel--both an urgent literary call to arms and an unforgettable coming-of-age story about finding love and selfhood in the face of mass extinction and environmental destruction.

The celebrated Danish poet Tove Ditlevsen begins the Copenhagen Trilogy (A masterpiece --The Guardian) with Childhood, her coming-of-age memoir about pursuing a life and a passion beyond the confines of her upbringing--and into the difficult years described in Youth and Dependency

Tove knows she is a misfit whose childhood is made for a completely different girl. In her working-class neighborhood in Copenhagen, she is enthralled by her wild, red-headed friend Ruth, who initiates her into adult secrets. But Tove cannot reveal her true self to her or to anyone else. For long, mysterious words begin to crawl across her soul, and she comes to realize that she has a vocation, something unknowable within her--and that she must one day, painfully but inevitably, leave the narrow street of her childhood behind.

Childhood, the first volume in the Copenhagen Trilogy, is a visceral portrait of girlhood and female friendship, told with lyricism and vivid intensity.

Spanning religious, historical, and political themes, the seventh collection from the award-winning poet

I think now more than half
Of life is death but I can't die
Enough for all the life I see

In Sometimes I Never Suffered, his seventh collection of poems, Shane McCrae remains a shrewd composer of American stories (Dan Chiasson, The New Yorker). Here, an angel, hastily thrown together by his fellow residents of Heaven, plummets to Earth in his first moments of consciousness. Jim Limber, the adopted mixed-race son of Jefferson Davis, wanders through the afterlife, reckoning with the nuances of America's racial history, as well as his own.

Sometimes I Never Suffered is a search for purpose and atonement, freedom and forgiveness, imagining eternity not as an escape from the past or present, but as a reverberating record and as the culmination of time's manifold potential to mend.