Published in installments on The Comics Journal's website, War on Gaza is a series of comics and single-panel illustrations that lay bare the naked immorality of the war itself and its dire and tragic consequences. Employing his trademark combination of honesty, compassion, and dark humor, Sacco's War on Gaza is an uncompromising critique of Israel's genocide and the complicity of President Joe Biden and the United States.

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Set against the tumultuous political backdrop of late '60s Chicago, My Favorite Thing Is Monsters Book Two is the eagerly awaited conclusion to one of the most acclaimed graphic novels of the past decade. Presented as the fictional graphic diary of 10-year-old Karen Reyes as she tries to solve the murder of her beloved and enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold.

In Book Two, dark mysteries past and present continue to abound in the tumultuous and violent Chicago summer of 1968. Young Karen attends a protest in Grant Park and finds herself swept up in a police stomping. Privately, she continues to investigate Anka's recent death and discovers one last cassette tape that sheds light upon Anka's heroic activities in Nazi Germany. She wrestles with her own sexual identity, the death of her mother, and the secrets she suspects her brother Deez of hiding. Ferris's exhilarating cast of characters experience revelations and epiphanies that both resolve and deepen the mysteries visited upon them earlier. Visually, the story is told in Ferris's inimitable style that breathtakingly and seamlessly combines panel-to-panel storytelling and cartoon montages filled with B-movie horror and pulp monster mag iconography.

Based on several years of research and an extended visit to the West Bank and Gaza Strip in the early 1990s, where he conducted over 100 interviews with Palestinians and Jews, Palestine was the first major comics work of political and historical nonfiction by Sacco, whose name has since become synonymous with this graphic form of New Journalism. Like Safe Area Gorazde, Palestine has been favorably compared to Art Spiegelman's Pulitzer Prize-winning Maus for its ability to brilliantly navigate such socially and politically sensitive subject matter through the immersive lens of the comic book medium. Sacco has often been called the first comic book journalist, and he is certainly the best.

As we circle back to Carl Barks's earlier stories, the Good Duck Artist delivers another superb collection of surprise, delight, comedy, adventure, and all-around cartooning brilliance. Eighteen stories in all in more than 200 pages of story and art, each meticulously restored and newly colored. Plus, insightful story notes by an international panel of Barks experts.

Raised By Ghosts is a powerful, affecting graphic novel for young adult readers. The story is told by shifting between Briana's first-person class notes and diary entries. In her understated yet masterful approach to comics storytelling, Loewinsohn eschews dramatic confrontations and overt sentimentality, preferring instead to underscore the idea that sometimes acceptance and love can be communicated through quiet, everyday moments and close family bonds.

Not only do these nine issues feature Marvel's best creators working at their peak, but Tower of Shadows is one of the lost, never-collected Marvels. In the first of a new series of Lost Marvels, Fantagraphics and Marvel join forces to introduce these pages to a new generation of readers and restore this series to its rightful place in comics history. This gorgeous volume brings every Tower of Shadows story and cover to life in vivid color and features background and analysis by comics journalist Michael Dean.

As we circle back to Carl Barks's earlier stories, the Good Duck Artist delivers another superb collection of surprise, delight, comedy, adventure, and all-around cartooning brilliance. 215 pages of story and art, each meticulously restored and newly colored. Insightful story notes by an international panel of Barks experts -- including internationally famed cartoonist Freddy Milton (Donald Duck, Woody Woodpecker).

Best Graphic Novels of 2024, The New York Times

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Sunday follows, over the course of one day, the stream of consciousness of a fictionalized version of the author's cousin, Thibault. On the day of his girlfriend's return from an extended trip, Thibault wakes up, does nothing, gets James Brown stuck in his head, drinks and smokes, grows paranoid about his relationship, struggles to compose text messages, and watches The Da Vinci Code, all the while avoiding anyone and everyone, descending deeper into his own thoughts and fears. Meanwhile, a former crush and another cousin of Thibault's plan a surprise birthday for him, sending the external and internal on a collision course.

Schrauwen's brilliant comic timing and formal mastery transcends the quotidian nature of the plot. Through use of color, flashback and the dissonance between text and image, the ways in which Schrauwen layers a depiction of human consciousness as lines on paper are infused heavily with slapstick and white-knuckle tension and make for an exhilarating read and breathtaking use of the comics medium.

The Man, The Myth, the Mallard!

From his shoeshine stand as a plucky young lad to his globe-spanning quests for long-lost treasures as an adult, Uncle Scrooge McDuck has lived a life of legend -- a legend founded by Scrooge's creator Carl Barks and rocketed to new heights by Don Rosa in his signature series,The Life and Times of Scrooge McDuck! Now you can read all 12 chapters of Rosa's internationally acclaimed and Eisner Award-winning series, completely and meticulously restored under Rosa's own supervision.Join Scrooge, a very young Donald Duck, the Beagle Boys, Flintheart Glomgold, and more for Scrooge's epic life story -- with plenty of guest stars along the way, including P.T. Barnum, Buffalo Bill, Geronimo, Jesse James, Jack London, Czar Nicholas II of Russia, Annie Oakley, Robert Peary, and President Theodore Roosevelt!

Follow Ambar and Alana, the Santos Sisters, as they balance spicy superheroics with the drama of their everyday lives in a playful mix of Archie Comics and Love and Rockets. The Santos Sisters fight crime, date guys, and try to just deal with day-to-day life as young women in a world of deadly assassins, roided-up footballers, zombie attacks, organized crime, and more -- while their creators, Greg & Fake, help restore the concept of unabashed fun in comic books with a healthy infusion of nostalgia and laughs. Collecting the first five issues of the charmingly weird and weirdly charming hit indie comic book series!

Note: This book is published as a jacketed hardback; the jacket is a clear acetate printed with an image of the sisters in their superhero costumes. When removed, it shows the sisters in their every-day outfits.

2024 Pen/Faulkner Award for Fiction - Longlist

2024 Mark Twain American Voice in Literature Award - Longlist

2024 Fauve D'Or WINNER Angoulême Comics Festival

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Monica is a series of interconnected narratives that collectively tell the life story -- actually, stories -- of its title character. Clowes calls upon a lifetime of inspiration to create the most complex and personal graphic novel of his distinguished career. Rich with visual detail, an impeccable ear for language and dialogue, and thrilling twists, Monica is a multilayered masterpiece in comics form that alludes to many of the genres that have defined the medium -- war, romance, horror, crime, the supernatural, etc. -- but in a mysterious, uncategorizable, and quintessentially Clowesian way that rewards multiple readings.

Five years in the making, Monica marks the apex of creativity from one of the defining voices of the graphic novel boom over the past quarter-century.

The covers -- some with otherworldly titles in alien letterforms, and others that riff on classic genres (Throbbing Hearts, Unwholesome Love) and eras (Drug Buddy, Huss) -- each inspire a multitude of interpretations, build entire worlds, and suggest entire narratives that lie within their non-existent guts. This is Burns at his most playful, imaginative, and suggestive, using the format of the comic book to continue to explore many of the themes that run through all his longer-form work -- adolescence, metamorphosis, nightmares, and sexuality -- and provide a pretext for the creation of some of the most mysterious and bewitching imagery of Burns's incredible career. Kommix is like discovering an entire box of comic books you never knew existed.

Best Art Books of 2024, Hyperallergic

She put in her work, but there's so much left to do. Begun in the Antebellum era, the song of suffrage was a rallying cry across the nation that would persist over a century. Capturing the spirit of this refrain, New Yorker contributing cartoonist Caitlin Cass pens a sweeping history of women's suffrage in the U.S. -- a kaleidoscopic story akin to a triumphant and mournful protest song that spans decades and echoes into the present.

In Suffrage Song, Cass takes a critical, intersectional approach to the movement's history -- celebrating the pivotal, hard-fought battles for voting rights while also laying bare the racist compromises suffrage leaders made along the way. She explores the multigenerational arc of the movement, humanizing key historical figures from the early days of the suffrage fight (Susan B. Anthony, Frances Watkins Harper), to the dawn of the New Women (Alice Paul, Mary Church Terrell), to the Civil Rights era (Fannie Lou Hamer, Ella Baker). Additionally, this book sheds light on less chronicled figures such as Zitkala-Sa and Mabel Ping Hua-Lee, whose stories reveal the complex racial dynamics that haunt this history.

The interiors include 4 foldouts, most notably a 4-page map detailing where women could vote in the US in 1919, leading up to the ratification of the 19th Amendment. Impeccably researched and rendered in an engaging and accessible comics style, Suffrage Song is sure to spark discussion on the vital issue of voting rights that continues to resonate today.

Universally acclaimed as the most stunningly gorgeous adventure comic strip of all time, Prince Valiant ran for 35 years under the virtuoso pen of its creator, Hal Foster. Starring a daring and gallant young hero, the series features epic sword fights, elaborate scenes of pomp and pageantry, and breathless plotting that always leaves the reader wanting more. Fantagraphics' deluxe editions, each collecting two years' worth of Sunday strips, boast superbly restored artwork that captures every delicate line and chromatic nuance of Foster's art.

Propaganda abounds from the very first story, published in War Comics #1 in September 1950: Peril in Korea, a primer explaining why the USA joined the conflict. Other highlights include Colan's The Chips are Down and Victory, Heath's Alone and No Survivors, Maneely's Stormy Weather, Henkel's Total Destruction, and Berg's The Infantry's War.

Originally a trial spun off from the publisher's Men's Adventure publications, in the nine years to follow, Atlas went on to produce 533 comic book issues with war content, across 34 different titles. War Comics is where it all began -- unseen in decades, scanned from the original books, restored and packaged as one large, beautiful hardcover volume.

Volume 1 in The Complete Carl Barks Disney Library is, naturally, filled with firsts: Barks's first comic book story (starring Pluto), the first Donald Duck story created for an American comic book (and also the first to see Donald and his nephews go on a treasure hunt), Barks's first Donald 10-pager, Barks's first truly solo Donald Duck story, and Barks's first solo longer-form Donald Duck adventure (The Mummy's Ring). With more than 200 pages of story and art, each meticulously restored and newly colored, and the insightful story notes by an international panel of Barks experts, this long-awaited collection of stories makes clear what generations of Disney fans have always known: Carl Barks's work as The Good Duck Artist is some of the greatest American cartooning in the history of the medium.

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San Martín, Argentina, 2001. Upon her estranged grandmother Vilma's death, 19-year-old Rocío moves into a house haunted by memories. Seeking a deeper understanding, Ro delves into her family history and uncovers the episodes of violence and betrayal that shattered Vilma's dreams. All the while, the familiar scent of mothballs permeating the estate serves to remind Ro of the ineluctable spell of the past that she must break in order to forge her own path in life. Tender, heartrending, and leavened with biting humor, Mothballs is at once a moving family saga and a poignant reflection on the need to hold fast to one's identity, despite how painful it can be. A showcase of tour de force cartooning that marks Sole Otero as a major talent in the global comics scene.

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Carolanne wanted a perfect wedding, a perfect husband, a perfect family. She carefully performs her own roles (gal pal, bestie, girlfriend, wife, and expectant mother) and in trying to enact agency over her life, sacrifices it completely. Her desire to control the uncontrollable ultimately becomes her undoing. When things don't go her way, she exerts dominance over the one thing she does have total control over: her body; until that betrays her. After suffering a horrible loss, Carolanne spirals into a literal, all-consuming delusion that will engross comics readers and horror aficionados alike.

Chicago cartoonist and educator Beth Hetland's graphic novel debut is a brilliant psychological thriller that tears down the wall of a genre -- body horror -- so often identified with male creators. Heady and visceral, Tender uses horrific tropes to confront women's societal expectations of self-sacrifice despite those traditional roles often coming at the expense of female sexuality and empowerment.