An expansive exploration of the role of design and creative practice in director Tim Burton's unique approach to building worlds

This book is the official catalog for the exhibition at the Design Museum, as well as the first publication to explore the relationship between Tim Burton's artistic creations and the world of design. The reader is invited into an examination of what is now broadly referred to as the Burtonesque, exploring his iconic style and the impact his unique design aesthetic has on broader visual culture. The book unpacks Burton's distinctive visual language, exploring the intersection of gothic, carnivalesque and fantastical elements that define his cinematic masterpieces. Insightful essays by design experts and film critics, interspersed with images featured in the exhibition, will offer a deeper understanding of the director's creative process, making this catalog an homage to the role that design practice plays in the hauntingly beautiful worlds he creates.
Tim Burton (born 1958) grew up in Burbank, California, and studied animation at the California Institute of the Arts. He is best known for his dark, gothic films about quirky outsiders, including Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990) and many more. Most recently, he directed and produced the TV series Wednesday (2022), which became the second-most-watched show on Netflix. He lives and works in London.

An affordable, concise survey on the influential modernist designer's interiors, buildings, furniture and more, from a sawtooth ski resort to sculptural chaises longues

From the onset of her career, Charlotte Perriand was a maverick who believed in good design as a force for the betterment of society. Many young designers would be devastated by a rejection from Le Corbusier's studio, but when the great architect told her they had no use for a female furniture designer, Perriand only became more determined to prove her mettle as an artist. Under Le Corbusier, and long after she left his studio, Perriand's contributions to both furniture design and architecture demonstrated a unique attention to the organic artistry of nature as well as the egalitarian possibilities of the machine age. Her leftwing populist politics motivated much of her work, from modular furniture systems to major architectural projects.

This monograph explores Perriand's most famous interiors, original furniture and architectural projects, as well as her never-before-seen sketchbooks, shedding new light on her creative process and place in design history.

Charlotte Perriand (1903-99) experienced the first breakthrough in her career with Le Bar sous le toit, a 1927 interior design piece that predicted the elegant minimalism and utilitarian nature of her future work. Although today she is perhaps best known for her early chaise longue designs, Perriand also created the plans for a number of major buildings across Europe and contributed interior designs to Le Corbusier's Unit d'habitation. She worked in places as diverse as Tokyo, Rio de Janeiro and London in her pursuit of accessible design.

The design story of soccer, from stadium planning to team badges

Soccer is unquestionably the world's most popular sport, with a dedicated fan base and truly international reach. It is also a significant industry, with European soccer alone being estimated to hold a value of $30 billion in 2016. How did soccer evolve to be such a significant part of our cultural landscape, and what role has design played in shaping the sport?
This catalog--the first of its kind--explores the design story behind soccer, unpicking how design has been used to push the game to its technical and emotional limits. From the master-planning of the world's most significant stadiums to the innovative materials used in today's boots, the graphic design of team badges and the grassroots initiatives pushing back against the sport's commercialization, this book provides a rare insight into the people and processes that have made soccer what it is today.
Accompanying the Design Museum exhibition of the same name, this book features informed and sometimes provocative contributions from figures across the world of football and design, from analyst Statman Dave and broadcaster Martin Tyler to architect Jacques Herzog and Adidas vice president Sam Handy.

Designing humanity's future on the Red Planet: the clothes, cutlery and habitats of everyday life on another world

Moving to Mars is the first book ever to thoroughly explore the crucial role that design will play in the collective endeavor to travel to and inhabit Mars.

A comprehensive overview of both past and current developments in space travel and colonization, it begins with the evolution of the space suit and rocket technology; it then proceeds to explore a wide range of fascinating and never-before-seen projects on Mars-specific habitations, covering everything from space-ready cutlery to clothes, furniture and speculative habitats.

Illustrated with color images of rarely seen drawings, concepts and prototypes, plus newly commissioned essays by the designers, artists and scientists who are charting the path forward to Mars, this book literally reveals a whole new future for humankind, fleshing out a vision of an everyday reality on another planet.

Ai Weiwei's archaeological exploration of the histories and skills that have been ignored or erased, through objects from his personal collections

Known around the world for his powerful art and activism, Ai Weiwei (born 1957) does not differentiate between disciplines: his practice glides across art, architecture, design, film, collecting and curating. Richly illustrated with over 200 images, Ai Weiwei: Making Sense is the first major publication to present Ai's work as a commentary on design and what it reveals about our changing values. It presents a selection of Ai's collected objects, from ancient stone axe heads to porcelain teapot spouts, from Neolithic tools to modern mass-produced products, as well as new works created specifically for the Design Museum. These collections draw from the artist's fascination with historical Chinese artifacts, placing their craftsmanship in dialogue with China's more recent history of demolition and urban development. Also featured are essays by leading experts covering dominant themes in Ai's work, such as craft, collecting and the urbanization and industrialization of China. It concludes with an interview between renowned British Israeli architect Eyal Weizman and Ai himself.

The past's visionary future of domestic design, from Alison and Peter Smithson to Superstudio

The home of the future has long been a topic of fascination in popular culture and an intriguing prospect for designers, and the 20th century offered up countless visions of the future of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanized home or the notion that technology might free us from the home altogether, the domestic realm was a site of endless invention and speculation.

But what happened to those visions? Are the smart homes of today and patterns of use in the sharing economy the future that architects and designers once predicted, or has the home proved resistant to radical change?

Home Futures: Living in Yesterday's Tomorrow explores different approaches to reinventing domestic life, tracing the social and technological developments that have driven change in the home. The first comprehensive survey of the 20th century's aspirational, radical and futuristic visions of the home, this richly illustrated publication showcases a range of ideas and plans for the future--from the prescient to the fantastical--that designers produced as they imagined new ways of living at home and on the move, independently and collectively, with more and with less.

Home Futures brings together a range of leading contemporary curators, designers, architects, critics and academics to consider projects by designers such as Ettore Sottsass, Alison and Peter Smithson, Superstudio, Enzo Mari, Archigram, Dunne & Raby, OMA, Joe Colombo, Absalon, Ronan & Erwan Bouroullec, Atelier Van Lieshout, Yona Friedman, Buckminster Fuller, Richard Hamilton, Hans Hollein, Haus-Rucker-Co, Industrial Facility, Jan Kaplický, Frederick Kiesler, Linder, Enzo Mari, OpenStructures, Ugo la Pietra and many more. Looking back on more than a century of speculative design, Home Futures proposes that we are already living in yesterday's tomorrow--just not in the way anyone predicted.

The visual culture of electronic music: how technology, design, art and fashion have contributed to its enduring power and appeal

With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularized across Europe through underground rave parties and clubs. Its impact on contemporary culture is still unfolding today. Containing interviews with early pioneers such as techno legend Jeff Mills, The Designers Republic's Ian Anderson, and those pushing the political dimension of electronic music, such as ballroom dancer and DJ Kiddy Smile, Electronic bears witness to the shifting nature of the genre.

Illustrated with over 300 images, some published here for the first time, Electronic features Jean-Michel Jarre's virtual studio; work by pioneer Daphne Oram of the BBC Radiophonic Workshop; audiovisual performances by musicians like Bicep and the Chemical Brothers; fashion collections by Raf Simons and Charles Jeffrey of Loverboy; iconic photography by Jacob Khrist and Tina Paul; artwork by Christian Marclay; club graphics from Peter Saville and Mark Farrow; tons of album cover designs; and iconic venues such as the Ha ienda, Gatecrasher, Fabric, Berghain and the Warehouse Project.

The new sari--from subcultural trends to innovative and experimental designs using cutting-edge materials

In recent years, the sari has been reinvented. Urban youth who previously associated the sari with formal attire can now be found wearing saris and sneakers on their commutes to work. Designers are experimenting with hybrid forms such as sari gowns and dresses, pre-draped saris and innovative materials such as steel. Individuals are wearing the sari as an expression of resistance to social norms and activists are embodying it as an object of protest. Today, the sari manifests as a site for design innovation, an expression of identity and a crafted object carrying layers of cultural meanings.
The Offbeat Sari celebrates these innovations in sari design, with photography of pieces by leading contemporary designers. Commissioned essays by notable Indian writers such as Pragya Agarwal and Sonia Faleiro explore ideas such as gender fluidity, politics, sustainability, female empowerment and the self-image of India, alongside interviews with the designers whose work illustrates each theme.

The year's most important designs from across the world, presented in an elegant paperback from the Design Museum

Now in its 13th year, the Design Museum's Beazley Designs of the Year showcases the best in design from the past year, across six categories: Architecture, Digital, Fashion, Graphics, Product and Transport. From the iconic buildings of the future to the most innovative products that are changing how we live today, the year's most important designs from across the world are featured in this collectible volume.

Nominated by an international group of design experts, past Designs of the Year nominees and winners include: Zaha Hadid, Gucci, SpaceX, Nike, Foster + Partners, Shepard Fairey, Comme des Gar ons, Apple, OMA, Barber & Osgerby, Jasper Morrison, Thomas Heatherwick, Kanye West and David Adjaye.

Today's leading designers on the creation and the future of sneakers worldwide

This is the first book to gather leading designers, creators and industry insiders to reflect on sneaker design and its groundbreaking impact on popular culture. Contributors provide insights into the evolution of sneakers from sportswear to style icons, the processes and people involved in sneaker design and its global future. Through conversations with the people directly involved in the creation of sneakers, it speaks to the next generation of sneaker designers and wearers by asking: who are the people involved in the design of a sneaker? How do their roles and approaches differ? How does their individual work contribute to the collective effort of making a sneaker? What will the future of sneaker design be?
Richly illustrated, Sneakers Unboxed includes iconic sneakers, drawings, sketches and prototypes, as well as glimpses into the manufacturing process. Across three chapters--Style and Culture, People and Processes, Innovation and the Future--the approaches and experience of industry leaders unfold the past, present and future of sneakers as style icons and cultural facilitators. Contributors turn to the next generation of designers, providing a manifesto to move the industry toward a more positive direction for both the people and the planet.
Designers include: Alexander Taylor, Andrea Nieto, Asha Harper, Ben Cottrell, Benjamin Grenet, Carly McKenzie, Charlotte Lee, Chris Hill, Chris Law, Chris Severn, Daniel Taylor, David Raysse, Franck Boistel, Helen Kirkum, Jacques Chassaing, Jean Khalifé, Jean-Philippe Lalonde, Joe Foster, Juliana Sagat, Kirsten Schambra, Marina Chedel, Matthew Dainty, Muriel Jung, Nic Galway, Nicole McLaughlin, Peter Fogg, Peter Moore, Rian Pozzebon, Romain Girard, Ryan Forsyth, Sam Handy, Samuel Pearce, Samuel Ross, Sara Jaramillo, Stephanie Howard, Steve McDonald, Steven Smith, Susi Proudman, Till Jagla, Tom Astrella and Tuan Le.

The Soviet city that was never built: six visions of Moscow from the great architects of modernist Russia

After the October Revolution of 1917, Lenin moved the Russian capital from the imperial, westward-looking city of St. Petersburg back to Moscow, the traditional heart of Russia. Moscow was to be the ideal Soviet city, its factories, theaters, communal housing and government buildings representing the strength and potential of a new revolutionary society.

Imagine Moscow: Architecture, Propaganda, Revolution explores Moscow as it was envisioned by a bold generation of architects in the 1920s and early 1930s. Featuring rarely seen material, this book portrays a vision of the Soviet capital that was never realized but which still haunts the city today.

Imagine Moscow focuses on six unbuilt architectural landmarks, each telling its own story about the city: Ivan Leonidov's Lenin Institute (1927), El Lissitzky's Cloud Iron (1924), Nikolai Ladovsky's Communal House (1919), Nikolai Sokolov's Health Factory (1927), the Vesnin brothers' Narkomtiazhprom (1934) and Boris Iofan's Palace of the Soviets (1932). Each of these projects introduces a theme relevant to life and ideology in the Soviet Union: collectivization, urban planning, aviation, communication, industrialization, communal living and recreation.

Large-scale architectural plans, models and drawings are placed alongside propaganda posters, textiles and porcelain, contextualizing the transformation of Moscow as a city reborn. Edited by curator Eszter Steierhoffer, this book includes essays by writer Deyan Sudjic and architecture historians Richard Anderson and Jean-Louis Cohen.

The best designs of 2018, from iconic buildings of the future to innovative products changing how we live today

Now in its 11th year, the Design Museum's Beazley Designs of the Year showcases the best in design from the past 12 months. From the iconic buildings of the future to the most innovative products that are changing how we live today, the year's most important designs from across the world are featured in this collectible volume. Nominated by an international group of design experts, past Designs of the Year winners have included Shepard Fairey, Barber & Osgerby, Zaha Hadid and David Adjaye. In the 2018 edition, 85 nominees are featured, including SpaceX, OMA, Gucci, Rihanna, Erdem, Nike, Jasper Morrison, Burberry, Thomas Heatherwick, nendo and Naoto Fukasawa. As the director of the Design Museum in London, Deyan Sudjic, explains in his introduction, what sets apart this award from others is exactly its global focus, highlighting new directions in six fields: architecture, digital, fashion, graphics, product and transport.

Showcasing the best designs of 2019

Now in its 12th year, the Design Museum's Beazley Designs of the Year showcases the best in design from the past year. From the iconic buildings of the future to the most innovative products that are changing how we live today, the year's most important designs from across the world are featured in this collectible volume, beautifully designed by celebrated graphic designers John Morgan studio. Nominated by an international group of design experts, past Designs of the Year winners have included Shepard Fairey, Barber & Osgerby, Zaha Hadid and David Adjaye.

The persistence of Surrealism in contemporary design

This concise, affordable and visually striking publication, accompanying the Objects of Desire exhibition at the Design Museum in London, aims to embody the inventiveness and boldness of Surrealism in its design and production.
Departing from the constraints of a traditional catalog, Surrealism and Design Now focuses on key themes and objects from the 2019-20 exhibition and expands upon them. It also contains the bulk of new objects and exhibits that are specific to the exhibition. The book is divided into five thematic chapters, each taking a notable object from the exhibition as its starting point. Commissioned essays by renowned writers, including Glenn Adamson and Susanna Brown, introduce each object and theme, followed by a richly illustrated series of plates. Each chapter concludes with interviews with a diverse range of designers and artists, from the Campana Brothers to Dunne & Raby, showing Surrealism's enduring legacy and impact on contemporary design.