Winner of the Nobel Prize in Literature for 2023

Communication-or the lack thereof--is the subject of this sly update of the picaresque novel.

No One Writes Back is the story of a young man who leaves home with only his blind dog, an MP3 player, and a book, traveling aimlessly for three years, from motel to motel, meeting people on the road. Rather than learn the names of his fellow travelers--or even invent nicknames for them--he assigns them numbers. There's 239, who once dreamed of being a poet, but who now only reads her poems to a friend in a coma; there's 109, who rides trains endlessly because of a broken heart; and 32, who's already decided to commit suicide. The narrator writes letters to these men and women in the hope that he can console them in their various miseries, as well as keep a record of his own experiences: A letter is like a journal entry for me, except that it gets sent to other people. No one writes back, of course, but that doesn't mean that there isn't some hope that one of them will, someday...

Selected by the Modern Library as one of the 100 best nonfiction books of all time

A book about romantic love, Eros the Bittersweet is Anne Carson's exploration of the concept of eros in both classical philosophy and literature. Beginning with, It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her, Carson examines her subject from numerous points of view, creating a lyrical meditation in the tradition of William Carlos Williams's Spring and All and William H. Gass's On Being Blue.

Epigrammatic, witty, ironic, and endlessly entertaining, Eros is an utterly original book.

On April 26, 1986, the Chernobyl nuclear reactor accident contaminated as much as three quarters of Europe. Voices from Chernobyl is the first book to present personal accounts of the tragedy. Journalist Svetlana Alexievich interviewed hundreds of people affected by the meltdown-from innocent citizens to firefighters to those called in to clean up the disaster--and their stories reveal the fear, anger, and uncertainty with which they still live. Composed of interviews in monologue form, Voices from Chernobyl is a crucially important work of immense force, unforgettable in its emotional power and honesty and a National Book Critics Circle Award winner.

The Third Policeman is Flann O'Brien's brilliantly dark comic novel about the nature of time, death, and existence.

Told by a narrator who has committed a botched robbery and brutal murder, the novel follows him and his adventures in a two-dimensional police station where, through the theories of the scientist/philosopher de Selby, he is introduced to Atomic Theory and its relation to bicycles, the existence of eternity (which turns out to be just down the road), and de Selby's view that the earth is not round but sausage-shaped. With the help of his newly found soul named Joe, he grapples with the riddles and contradictions that three eccentric policeman present to him.

The last of O'Brien's novels to be published, The Third Policeman joins O'Brien's other fiction (At Swim-Two-Birds, The Poor Mouth, The Hard Life, and The Dalkey Archive) to ensure his place, along with James Joyce and Samuel Beckett, as one of Ireland's great comic geniuses.

Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth.

Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past which have brought her to her present state-obviously a metaphor for ultimate loneliness-so too will her drama become one of the few certifiably original fictions of our time.

The novel I liked best this year, said the Washington Times upon the book's publication; one dizzying, delightful, funny passage after another . . . Wittgenstein's Mistress gives proof positive that the experimental novel can produce high, pure works of imagination.

Otohiko Kaga's Marshland is an epic novel on a Tolstoyan scale, running from the pre-World War II period to the turbulence of 1960s Japan. At forty-nine, Atsuo Yukimori is a humble auto mechanic living an almost penitentially quiet life in Tokyo, where his coworkers know something of his military record but nothing of his postwar past as a petty criminal. Out of curiosity he accompanies his nephew to a demonstration at a nearby university, and is gradually drawn into a friendship, then a romance, with Wakako Ikéhata, the brilliant but mentally unstable daughter of a university professor. As some of the student radical groups turn to violence and terrorism, Atsuo and Wakako find themselves framed for the lethal bombing of a Tokyo train.

During their long imprisonment the novel becomes a Kafkaesque procedural, revealing the corrupt intricacies of the police and judicial system of Japan. At the end of their hard pilgrimage to exoneration, Atsuo and Wakako are finally able to return to his original hometown, Nemuro, on the eastern-most peninsula of Hokkaido island. Here is the marshland of the title, a remote and virtually unspoiled region of Japan where Kaga sets a large number of extraordinarily beautiful pastoral scenes.

Marshland is a revelation of modern Japanese history and culture, a major novel from the hand of a master well-known in his own country, though only the second to be translated into English: the wealth of Kaga's work in fiction remains to be discovered by the Anglophone world.

Torrential and dreamlike, Mauro Javier Cáaacute;rdenas' novel unfurls into a layered, poignant, and unflinching portrait of how family separations have impacted the minds of Latin American deportees in a technology-bound 21st century.

American Abductions opens in a near-future United States whose omnipresence of data-harvesting and algorithms has enabled the mass incarceration and deportation of Latin Americans-regardless of citizenship. After their father is abducted by immigration officials before their eyes and deported to Colombia, Ada and her sister Eva are left to contend with a United States as all-seeing as it is hostile. Now adults, Ada remains in San Francisco while Eva has joined their father in Colombia, tending him in his ailing health. When his condition worsens, Eva asks Ada to come see them: a nearly impossible feat, given the United States' restrictions on Latin Americans' movements. Ada, terribly alone, must come to terms with the violence of American society and the grief of lost community. Exploring the role of technology, mass society, and American expectations on how Latin American deportees should tell their stories, the novel delves into the ties, memories, and lines of code binding communities together.

Mauro Javier Cárdenas has been lauded as one of the most promising Latin American authors, and in American Abductions, his deconstruction of American society and the surveillance state proves his generation-defining acuity and storytelling. The book's polyphony of mysticism, technology, and philosophy calls to mind the perceptive dystopian visions of Philip K. Dick and the visionary stylistic fluidity of Samuel Delany. The result is a sharp and metaphysical narrative, a masterwork examining the place of Latin Americans in a United States that is always changing.

Told through the memories of four women who spend their days fashioning homemade explosives and participating in the kidnap and torture of communists, the novel details the clandestine activities of an extreme right-wing Salazarist faction resisting the country's new embrace of democracy. Warning to the Crocodiles has won numerous awards, including Best Novel by the Portuguese Writers Association and the Austrian State Literature Prize.

Winner of the Nobel Prize in Literature for 2023

Trilogy is Jon Fosse's critically acclaimed, luminous love story about Asle and Alida, two lovers trying to find their place in this world. Homeless and sleepless, they wander around Bergen in the rain, trying to make a life for themselves and the child they expect. Through a rich web of historical, cultural, and theological allusions, Fosse constructs a modern parable of injustice, resistance, crime, and redemption. Consisting of three novellas (Wakefulness, Olav's Dreams, and Weariness), Trilogy is a haunting, mysterious, and poignant evocation of love, for which Fosse received The Nordic Council's Prize for Literature in 2015.

From the 2023 winner of the Nobel Prize in Literature, a haunting masterpiece exploring love, loss, and human fate.

In her old house by the fjord, Signe lies on a bench and sees a vision of herself as she was more than twenty years earlier: standing by the window waiting for her husband Asle, on that terrible late November day when he took his rowboat out onto the water and never returned. Her memories widen out to include their whole life together, and beyond: the bonds of family and the battles with implacable nature stretching back over five generations, to Asle's great-great-grandmother Aliss. In Jon Fosse's vivid, hallucinatory prose, all these moments in time inhabit the same space, and the ghosts of the past collide with those who still live on.

I Saw Her That Night, a love story in time of war, is a novel about a few years in the life and mysterious disappearance of Veronika Zarnik, a young bourgeois woman from Ljubljana, sucked into the whirlwind of a turbulent period in history. We follow her story from the perspective of five different characters, who also talk about themselves, as well as the troubled Slovenian times before and during World War II; times that swallowed, like a Moloch, not only the people of various beliefs involved in historical events, but also those who lived on the fringes of tumultuous events, which they did not even fully comprehend-they only wanted to live. But only to live was an illusion: it was a time when, even under the seemingly safe and idyllic shelter of a manor house in Slovenia, it was impossible to avoid the rushing train of violence.

Drago Jančar won both the Best Foreign Book Prize (Prix du meilleur livre etranger) and The Kresnik Award for I Saw Her That Night. Often described as the seismologist of a chaotic history, the celebrated Slovenian novelist has received a number of other honors, including the European Prize for Literature (Prix Européen de Littérature).

Grotesque, deconstructive, and absolutely genius, Vladimir Sorokin's short story collection Dispatches from the District Committee is a revelatory, offbeat portrait of Soviet life beyond the propaganda and state-sponsored realism.

Celebrated--and censored--for its political satire, literary irreverence, and provocative themes, Sorokin's work has been recognized across the world for its scathing, darkly humorous commentary on political and cultural oppression in the Soviet Union and contemporary Russia.

Dispatches from the District Committee brings together stories from Sorokin's incendiary 1992 collection The First Subotnik/My First Working Saturday and elsewhere. Skillfully translated by Max Lawton, these stories remain subversive classics, and increasingly relevant in a post-truth information age.

As if Borges wrote The Decameron

During an atomic alarm in Barcelona in the year 2025, the thirty-year old hero takes refuge in a luxurious mansion in the mountains where he is put up, along with other guests, awaiting the outcome of the conflict. For the following seven days the residents of the mansion spend their spare time reading and taking walks, and, above all, telling stories to each other. The narrators (most of whom belong to the generation thirty years older than the hero's) are eight in number, and the stories they tell can be taken as autonomous ones, although, as the novel advances, it may soon be that when juxtaposed, they do indeed weave a web of intrigue about a family of bankers--a web that gradually involves some of the guests in the mansion.

In The Age of Wire and String, hailed by Robert Coover as the most audacious literary debut in decades, Ben Marcus weilds together a new reality from the scrapheap of the past.

Dogs, birds, horses, automobiles, and the weather are some of the recycled elements in Marcus's first collection--part fiction, part handbook--as familiar objects take on markedly unfamiliar meanings. Gradually, this makeshift world, in its defiance of the laws of physics and language, finds a foundation in its own implausibility, as Marcus produces new feelings and sensations--both comic and disturbing--in the definitive guide to an unpredictable yet exhilarating plane of existence.

This novel is one of the most ambitious and remarkable literary achievements of our time. It is a picaresque, psychological novel--a novel of the road, a journey or voyage of the human spirit in its search for reality in a world of illusion and nightmare. It is an epic of what might be called the Arabian Nights of American life. Marguerite Young's method is poetic, imagistic, incantatory; in prose of extraordinary richness she tests the nature of her characters--and the nature of reality.

Miss MacIntosh, My Darling is written with oceanic music moving at many levels of consciousness and perception; but the toughly fibred realistic fabric is always there, in the happenings of the narrative, the humor, the precise details, the definitions of the characters. Miss MacIntosh herself, who hails from What Cheer, Iowa, and seems downright and normal, with an incorruptible sense of humor and the desire to put an end to phantoms; Catherine Cartwheel, the opium lady, a recluse who is shut away in a great New England seaside house and entertains imaginary guests; Mr. Spitzer, the lawyer, musical composer and mystical space traveler, a gentle man, wholly unsure of himself and of reality; his twin brother Peron, the gay and raffish gambler and virtuoso in the world of sports; Cousin Hannah, the horsewoman, balloonist, mountain-climber and militant Boston feminist, known as Al Hamad through all the seraglios of the East; Titus Bonebreaker of Chicago, wild man of God dreaming of a heavenly crown; the very efficient Christian hangman, Mr. Weed of the Wabash River Valley; a featherweight champion who meets his equal in a graveyard--these are a few who live with phantasmagorical vividness in the pages of Miss MacIntosh, My Darling.

The novel touches on many aspects of life--drug addiction, woman's suffrage, murder, suicide, pregnancy both real and imaginary, schizophrenia, many strange loves, the psychology of gambling, perfectionism; but the profusion of this huge book serves always to intensify the force of the central question: What shall we do when, fleeing from illusion, we are confronted by illusion? What is real, what is dream? Is the calendar of the human heart the same as that kept by the earth? Is it possible that one may live a secondary life of which one does not know?

In every aspect, Miss MacIntosh, My Darling stands by itself--in the lyric beauty of its prose, its imaginative vitality and cumulative emotional power. It is the work of a writer of genius.

Winner of the Nobel Prize in Literature for 2023

One of Jon Fosse's most acclaimed novels, Boathouse features an unnamed narrator who leads a hermit-like existence until he unexpectedly encounters a long-lost childhood friend and his wife. Part stream-of-consciousness metafictive exercise, part gripping crime novel, Boathouse slowly unravels the story of a love triangle to reveal a tale of jealousy and betrayal.