Joining a long line of speculative writing that helps us to understand worlds not yet existing An Oral History of the New York Commune will appeal to readers of Octavia Butler, Ursula LeGuin, Kim Stanley Robinson, Ian M. Banks, Samuel Delaney, and China Mieville among others.

A powerful guide to Indigenous liberation and the fight to save the planet. The Red Deal is both a manifesto for Indigenous liberation and a plan for the future of our planet. Part movement document and part activist handbook, its ultimate goal is not to heal the existing structures, but to present a way forward following the abolition of them.

A bridge that interrupts a legacy of pain with the honest sharing of stories.

Sana, Sana is a witness to the multiple wounds etched into the landscape of Latinx experience and a testimonial to community efforts to heal them. A multi-genre anthology rooted in the deep desire to not only acknowledge and name the various forms of pain and trauma Latinx people experience regularly, but to do so in the service of imagining new futures and ways of being that prioritize healing and justice not just for Latinx people, but for Queer BIPOC communities and, ultimately, for all people.

The book's vision and understanding of Latinidad is broad and expansive. It centers Black, Indigenous, Queer, Trans, and Feminist Latinidades. By advancing an unapologetically radical antiracist, anticapitalist, feminist, and queer politic Sana, Sana holds creative and defiant space for identifying economic, social, political, emotional, and spiritual strategies to forge individual and collective healing and justice.

Lessons for the antifascist fight now and to come rooted in well-learned lessons from Black liberation.

Revolution In These Times delivers veteran Black Panther Party member, Black Liberation Army leader, and former political prisoner Dhoruba Bin Wahad direct in his own words to offer us an analysis of how today's resurgent right-wing agenda is an outgrowth of the ongoing and historical political struggle between the oppressed masses and settler-colonialism of America and Europe. Bin-Wahad not only explores how white supremacist politics have recaptured the American imagination but also prescribes a radical grassroots response to counter this ideology and supplant the violent state repression that keeps it in power.

Bin Wahad pieces together fight-back strategies against the police and the state through a process of mobilizing in the streets, on the block, and in our communities, while gathering mass through antifascist coalition-building in a manner unrealized since the 1960s and 1970s. In this series of interviews, Bin Wahad grounds us in the now, seamlessly weaving together firsthand accounts of his own and other's revolutionary past in the history of struggle, alongside lessons for today.

A stunning full-color, multilingual exploration of the profound graphic and intellectual legacy of the Organization of Solidarity of the Peoples of Asia, Africa, and Latin America (OSPAAAL) for internationalism, solidarity, communication, and art among movements today.

Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America.

OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation movements and leftist political parties almost exclusively from the Global South. Based in Havana, OSPAAAL produced nearly five hundred posters, magazines, and books beginning in the late 1960s, with most of their work ceasing by the late 1980s. Until 2019, OSPAAAL was a political organization focused on fighting US imperialism and supporting liberation movements around the world through poster production, regularly produced publications, and a series of books featuring the writings of the intellectual leadership of these movements.

Armed By Design brings together artists and thinkers from around the world whose work has been impacted by the legacy of OSPAAAL. These contributions reflect on impacts of OSPAAAL's work on regional movements, including in the Arab world and Korea, design iconography, the evolution of tricontinentalism, our present-day.

This full-color multilingual edition includes ten international contemporary political poster-makers, artists, and designers commissioned to produce OSPAAAL-inspired prints in solidarity with today's movements: Friends of Ibn Firnas (USA), Yuko Tonohira (Japan/USA), Ganzeer (Egypt/USA), Un Mundo Feliz (Spain), Steven Rodriguez (USA), Dignidad Rebelde, Tomie Arai (USA), Sublevarte Colectivo (Mexico), Jamaa Al-Yad (Lebanon/Worldwide), and A3CB (Japan).

The future of public higher education is being held hostage by financial institutions and actors. How did it get this way?

Lend & Rule reveals the shadow governance of debt and credit in the United States higher education system. With sharp and hard-hitting insight, the Coalition Against Campus Debt exposes how institutional debt is a primary driver of university austerity, miseducation, and the deepening of societal inequality.

Addressing how our lives are entangled in a debt economy, they develop the analysis necessary to transform higher education in today's neoliberal racial capitalist political economy.

Part theoretical analysis, part toolbox for organizers in higher education, Lend & Rule is an invaluable resource for anyone engaged in debt abolition struggles or looking to acquire a critical and transformative vision of higher education today.

A powerful elixir of hope and determination, Zapantera Negra provides a galvanizing presentation of interviews, militant artwork, and original documents from two movements' struggle for dignity and liberation. When Emory Douglas, former Minister of Culture of the Black Panther Party, accepted an invitation from the art collective EDELO and Rigo 23 to meet with autonomous Indigenous and Zapatista communities in Chiapas, Mexico, they explored the role of revolutionary art in times of distress. Zapantera Negra is the result of their encounter. It unites the bold aesthetics, revolutionary dreams, and dignified declarations of two leading movements that redefine emancipatory politics in the twentieth and twenty-first century.

The artists of the Black Panthers and the Zapatistas were born into a centuries-long struggle against racial capitalism and colonialism, state repression and international war and plunder. Not only did these two movements offer the world an enduring image of freedom and dignified rebellion, they did so with rebellious style, putting culture and aesthetics at the forefront of political life.

Joy James has a long, well regarded career marked by praise from author/activists including Angela Davis, Robin D.G. Kelly, Howard Zinn, Manning Marable and reviews in trade, academic, and popular press.

This, her first book published by a trade publisher, is poised to break out and join with her academic/activist peers in reaching a broader audience

This book was inspired by and is dedicated to Erica Garner-Eric Garner's daughter-and will be embraced by Black Lives Matter activists

A story of family bonds amid political betrayal that explores the drastic steps that a young girl will take in order to find a sense of belonging.

Fred is lost, confused, almost certainly about to die. As he traces his steps back from the desert where he has been dropped by soldiers of a repressive Gulf Kingdom regime, his nine-year-old daughter, Nancy, is doing the same from six thousand miles away in a quiet neighborhood in the suburbs of Washington, DC.

With his disappearance, she and her mother are forced to leave their comfortable house in DC for a new life in Virginia. Abandoned by their friends and desperate for answers, Nancy and her mother must acclimate to the strange world of suburban anonymity. As Nancy grows into adulthood, she pieces together what happened to her father and devises a bold plan to avenge his disappearance.

Unraveling an international web of deceit in order to find her father will take time and patience; and becoming a cold-blooded assassin takes commitment to a life at odds with everything she knows.

A bold rethinking of cancer as a biological phenomenon, an indictment of science that serves capitalism, and a radical vision of liberated health and well-being.

More than fifty years after the declaration of the War on Cancer, we are nowhere closer to victory. The problem lies in the way cancer is understood and the cancer-industrial complex that has been established to address it. The cancer-industrial complex arises from the symbiosis of private corporations, nonprofit organizations such as universities and foundations, and public governmental regulatory bodies in the post-genomic era. This network profits off a vulnerable population who exist in a market that is structurally rigged against them given their physical and socioeconomic conditions. Under the auspices of scientific research and technological progress, much of which is well-meaning, a critical extortion takes place.

Metastasis brings the cancer-industrial complex to the fore of our understanding of what cancer is, the chronic nature of the disease, its unmistakable parallels to capitalism, its inextricable link to the neoliberal model of economic development, and its disproportionate burden on nonwhite and poor populations--and what it will really take to rid ourselves of the gravest dangers to our individual and collective well-being.

Trained as a cancer scientist, Nafis Hasan offers a critical and clinical reading of current narratives of cancer research and the conditions that put the onus on the individual rather than our collective efforts to prevent cancer incidence and deaths. He offers a visionary alternative theory about carcinogenesis--one countering the dominant neoliberal idea of mutations causing cancer--and centers a dialectical approach to understanding the biology and sociology of cancer. Hasan states, If we must fight the longest war, then it should be the war against capitalism, whose growth has metastasized in every aspect of our society and ourselves.

What the opioid epidemic teaches us about the addiction at the root of our social life--and how we free ourselves from it.

How To Break An Addiction paints an original and dynamic portrait of the nature of the opioid crisis while offering original commentary on what the crisis portends about the present historical conjuncture. Interrogating long- and short-run, macro and micro, national and global, structural and personal factors, it takes the ongoing US opioid crisis as a jumping off point to illustrate the profound conclusion: capitalism at its core is an addiction.

In a blend of memoir, historical record, original research, and theoretical and cultural analysis, critical geographer and harm reduction activist Annie Spencer argues against a dominant 'progressive' presumption of the need to reform (or 'save') capitalism, demonstrating instead the imperative to think, organize, and enact new ways of being and provisioning together on a living Earth.

How To Break An Addiction renders visible the extent to which the world we inhabit today is made by addiction--in capital's image--and against life and well-being. Spencer calls for redress of the deepening crisis of addiction and the so-called 'epidemic' of pain at its root; for a paradigm shift away from the dominant economic logic in favor of new kinds of ecosystemic social practice and provision. We must innovate a new way of being human together in the here and now. Spencer's first-person narration anchors rigorous and far-reaching research and theory, making for an original and impactful tour through capital's addiction to crisis and our ability--and need--to break from it.

The essential political and theoretical work of one of Latin America's most important contemporary theorists.

Raquel Gutiéeacute;rrez Aguilar is one of the foremost Latin American political thinkers. From armed Indigenous struggle in the Bolivian altiplano to the contemporary wave of feminist uprisings, Raquel Gutiérrez's life and work have spanned and spurred on some of the most important political sequences in the last forty years in Latin America.

Almost unknown in the United States, Raquel is one of the Latin American anticapitalist, antistate Left's most important contemporary theorists. She has produced important work on communal struggles and political forms and has been at the center of some of the most important political organizing in Bolivia and Mexico in the last forty years.

This volume presents an extensive interview with Raquel in which she charts her political and intellectual trajectory from her militancy in the Ejército Guerrillero Tupac-Katari, to Bolivia's famous Water and Gas wars, to the massive wave of popular feminist rebellions and organizing. Translator and writer, Brian Whitner offers two essays in translation that contain some of her central theoretical concepts, including the veto and reappropriation of communal wealth, for thinking a politics in common, and of the commons.

With the publication of In Defense of Common Life, a new audience of English-language readers can finally engage with the thought and political experience of a thinker and militant, whose contributions to social movements span an incredible political and regional breadth, and resonate deeply with current debates with the US about the conditions and practices of revolutionary change, feminism, and popular struggle.

Fears about AI tell us more about capitalism today than technology in the future.

Will AI come and take all our jobs? Will it dominate humanity, hack the foundations of our civilization, or even wipe humans of the face of the planet? All kinds of people seem to think so. From academics to billionaires, artists to fraudsters, journalists to the pope, AI nightmares have gripped the popular imagination. Why We Fear AI boldly asserts these fears are actually about capitalism, reimagined as a kind of autonomous intelligent agent.

Science and tech industry insiders Hagen Blix and Ingeborg Glimmer dive into the dark, twisted, and arcane world of AI nightmares in order to demystify what people say about it. They combine expertise in cognitive science and machine learning with political and economic analyses to cut through the hype and technobabble, and show how fears about AI reflect very different economic realities: from venture capitalists to AI engineers, from artists to warehouse workers at Amazon. If we want to understand the fears and potential impacts of AI, we must think about capitalism, the economy, and class power in real terms we can confront and wage our struggles on.

Blix and Glimmer argue that AI nightmares reveal the terrifying underbelly of our current society, of the violence and alienation at the root of capitalism and its way of organizing our world in its image. If we simply let capitalism and tech billionaires run wild, we can expect the worst: automated bureaucracies that protect the powerful and punish the poor; an ever-expanding surveillance apparatus; the cheapening of skills, downward pressures on wages, the expansion of gig-work, and crushing inequality. But that outcome is not inevitable, however much capitalist may dream of it. Why We Fear AI points the way to a different and brighter future, one where our labor, knowledge, and technologies serves us, rather than us serving capital and its owners.

Liberals smirk at Trump's narcissism, but, as renowned theorist Anselm Jappe explains, contemporary capitalism has turned everyone into a narcissist.

The Greek myth of Erysichthon describes the fate of a king whose hunger drove him to eat until the only thing left to devour was himself. This image-of a society spiraling inexorably in a self-destructive dynamic--forms the starting point of Anselm Jappe's investigation into the relationship between contemporary capitalism and subjectivity, or our personal experience of the world.

In a work that unites the critique of political economy and the psychoanalytic tradition, Jappe explores the dynamics of contemporary capitalism and explains how internalizing them creates a specific kind of person--a narcissist, someone who can only interact with the world by consuming it and who cannot conceive of limits to this consumption. In conversation with Marx as well as Freud, Erich Fromm, Herbert Marcuse, and Christopher Lasch, Jappe probes the ways in which the churning of the capitalist machine, ceaseless and yet devoid of real purpose, creates an endless hunger that increasingly ends in spectacular violence.

Everyone can feel that the world is getting angrier. The Self-Devouring Society provides an original and rigorous explanation of why.

A collection of powerful BIPOC voices who offer a range of anticolonial, Indigenous, and Black Radical traditions to think with.

We must, as For Antifascist Futures urges, take antifascism as a major imperative of movements for social change. But we must not limit our analysis or historical understanding of the rise of the right-wing authoritarianism in our times by rooting it in mid-twentieth century Europe.

For Antifascist Futures: Against the Violence of Imperial Crisis takes seriously what is new in this moment of politics, exploring what the analytic of fascism offers for understanding the twenty-first century authoritarian convergence by centering the material and speculative labor of antifascist and antiracist social movement coalitions. By focusing on the long history of BIPOC antifascist resistance that has been overlooked in both recent conversations about racial justice as well as antifascist resistance, the essays, interviews, and documents included here make clear how racialized and colonized peoples have been at the forefront of theorizing and dismantling fascism, white supremacy, and other modes of authoritarian rule.

By linking a deep engagement, both scholarly and practical, of racial justice movements with an antifascist frame, and a global analysis of capitalism the contributors have assembled a powerful toolbox for our struggles. The editors, widely recognized ethnic and American studies scholars, offer a groundbreaking collection with contributions from Johanna Fernandez, Manu Karuka, Charisse Burden-Stelly, Zoé Samudzi, and Macarena Gomez-Barris, among others.

The home has become a laboratory for capital but also for forms of financial disobedience.

It has become increasingly clear that home is not a site of private life and isolation, but a battleground where the conflict over the reorganization of working days, over what even counts as labor, is waged. In the very spaces that capital historically sought to portray as an unproductive and apolitical space, and refused to pay for, now emerge new forms of debt and profit extraction. Although the home has been transformed into a favored site of finance's colonization of social life and of experimentation for capital, this is not a finished process-or one without its resistance.

The Home as Laboratory traces this story through the links between debt and financial technologies, the violence of property, and reproductive and feminized labor, and everyday forms of feminist organizing.

Drawing on militant research and interventions with feminist organizers in informal settlements and renters' organizations in Buenos Aires, Luci Cavallero, Veróoacute;nica Gago, and Liz Mason-Deese offer a powerful feminist methodology that points to the vital space of the home as an open dispute. They critically analyze the changes that have occurred in domestic routines, in labor dynamics, in the very cuts imposed by the pandemic's reorganization of the sensible and of logistics. Thus, the home--its spatiality, functioning, and dynamics--suffered from reconfigurations during these novel years of the COVID-19 pandemic that have not ended. Yet, these processes are also resisted by feminist organizations, which have put the question of debt at the forefront of alliance-building, political education, and public interventions.

The Home as Laboratory provides key insights into transformations in the home leading up to and during the pandemic, showing how what was historically considered an unproductive space became a crucial laboratory for capital and new financial technologies. Luci Cavallero, Verónica Gago, and Liz Mason-Deese analyze how the home has become a site of battles over what work is considered essential, the intensification of paid and unpaid work, often at the same time, the expansion of new forms of financial extraction, and multiple and interconnected forms of violence. But, importantly, by highlighting the research and action of feminist and housing organizations, they also demonstrate how these processes are being resisted on a daily basis.

A memoir of a mother and daughter's return to Cabo Verde reveals the legacies of national liberation, a story of memory and migration, and the psychic and physical landscape that colonialism has wrought.

When Sonia Vaz Borges accompanied her mother, Maria Isabel Vaz, home to Santiago Island, Cabo Verde, it was the first time she experienced the island where her mother and family were born, and where her mother left forty years earlier. As a historian, documentarian, and a Black Cabo Verdean young woman born in Portugal, she booked a trip to a native land she's never been to in order to conduct research on the history of militant resistance to Portuguese colonialism, of the education initiatives of the African Party for the Independence of Guinea Bissau and Cabo Verde (PAIGC), and the lessons for freedom available for today.
What she discovers are lifelong lessons as illuminating as anything her PhD revealed to her. The fragments of memories, episodes, and encounters in Cabo Verde that she assembled in this travel diary reveal an experience of homegoing that is rich with the legacies of national liberation, the story of a Black woman's migration during the height of colonial oppression, of separation from family and nation, and memories of an island transformed since Independence, and the psychic and physical landscape that the legacy of colonial rule has wrought. As mother and daughter travel home together for the first time, they embark on a journey that takes them to new places in their relationship to each other, a return and a rediscovery of a place and people imagined and conjured through memory, where history and place blur and where stories are created and shared.
Ragáaacute;s is a Cabo Verdean creole word for the space created between the waist and the knees when seated: the lap. Here, it is a place to find nurturing, a place to be embraced, protected, and cared for, a place for reconnection and return to the memories that others carry for you when migration means both leaving and being left behind.

Mental health care and its radical possibilities reimagined in the context of its global development under capitalism.

The contemporary world is oversaturated with psychiatric programs, methods, and reforms promising to address any number of crises in mental health care. When these fail, alternatives to the alternatives simply pile up and seem to lead nowhere.

In an original and compelling account of radical experimentation in psychiatry, Warren traces a double movement in the global development of mental health services throughout the 20th century: a radical current pushing totalizing and idealistic visions of care to their practical limits and a reactionary one content with managing or eliminating chronically idle surplus populations.

Moral treatment is read in light of the utopian socialist movement; the theory of communication in the French Institutional Psychotherapy of Féeacute;lix Guattari is put into conversation with the Brazilian art therapy of Nise da Silveira; the Mexican anti-psychiatry movement's reflections on violence are thought together with theories of violence developed in Argentinian psychoanalysis and Frantz Fanon's anticolonial therapeutic practice; the social form of the Italian Democratic Psychiatry and Brazilian anti-institutional movements are contrasted with the anti-psychiatry factions of the 1960s-70s North American counterculture.

Storming Bedlam: Madness, Utopia, and Revolt subverts the divisions between social and biological approaches to mental health or between psychiatry and anti-psychiatry. By exploring the history of psychiatry in the context of revolution, war, and economic development, Warren outlines a minor history of approaches to mental health care grounded in common struggles against conditions of scarcity, poverty, isolation, and exploitation.

How can we get free? How can we free ourselves, our communities, our environments, our society? And what will this freedom look like? While the present moment holds incredible possibilities to organize for our collective liberation, there are powerful forces readily willing and able to summons all available weapons of repression to contain and suppress revolutionary movements....

The question of freedom is central to all revolutionary movements. It is at the root of everyday struggles against white supremacist colonialism, heteropatriarchy, capitalism, the authoritarian state, and every other form of systemic oppression. But we have to ask, again, what will freedom look like? Often, the realities we each face constrain the ways we can answer this question, so we ask it in pieces: How do we provide for each other? How do we protect, nurture, care, love, and create? How do we liberate ourselves from the hardships of enclosure, exploitation, and dependency that are imposed on our minds, bodies, communities, and environments? How do we free our sense of freedom, so it is not a set of individual and extractive privileges, but is instead the grounding for a communal form of abundance?

By laying bare the mechanisms of capitalism, imperialism, settler colonialism, climate catastrophe, heteropatriarchy, white supremacy, exploitation and dispossesion, and a range of other oppressive structures and countering them with a historical account of revolutionary movements from around the world, Organizing for Autonomy offers a brazen and determined articulation of a world that centers community, love, and justice.

With an unparalleled breadth and by synthesizing innumerable sources of revolutionary thought and history, CounterPower presents the result of years of inquiry, struggle, and resistance. Bold, fearless, and radically original, Organizing for Autonomy imagines a decolonized, communist, alternative world order that is free from oppressive structures, state violence, and racial capitalism and helps us to get there.

From the fight against the AIDS crisis to the struggle for Black liberation and international solidarity, Graphic Liberation! digs deep into the history, present, and future of revolutionary political image making.

What is the role of image and aesthetic in revolution? Through a series of interviews with some of the most accomplished designers, Josh MacPhee charts the importance of revolutionary aesthetics from the struggle for abolition by Black Panthers, the agitation during the AIDS crisis from ACT-UP, the fight against apartheid in South Africa and Palestine, as well as everyday organizing against nuclear power, for housing, and international solidarity in Germany, Japan, China, and beyond.

In ten interviews, political designer and street artist Josh MacPhee talks to decorated graphic designers such as Avram Finkelstein, Emory Douglas, and more, focussing on each of their contributions to the field of political graphics, their relationships to social movements and political organizing, the history of political image making, and issues arising from reproduction and copyright.