A young Swedish immigrant finds himself penniless and alone in California. The boy travels East in search of his brother, moving on foot against the great current of emigrants pushing West. Driven back again and again, he meets naturalists, criminals, religious fanatics, swindlers, Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.

Hernan Diaz is the author of Borges, Between History and Eternity (Bloomsbury 2012), managing editor of RHM, and associate director of the Hispanic Institute at Columbia University. He lives in New York.

An NEA Big Read Selection

This is the best account of the Hmong experience I've ever read--powerful, heartbreaking, and unforgettable.--Anne Fadiman, author of The Spirit Catches You and You Fall Down

A narrative packed with the stuff of life. --Entertainment Weekly

Kao Kalia Yang is the author of The Song Poet and The Latehomecomer, which was a finalist for the PEN/John Kenneth Galbraith Award and the Asian American Literary Award, and received the 2009 Minnesota Book Award.

From the master of literary horror (GQ) comes a collection of new stories tracing the limits and consequences of artificial intelligence and post-human relationships. Populated by twins stepping into worlds of absence, bears who lick their cubs into creation, and artificial beings haunted by their less-than-human nature, each page sketches a world where our all-too-real feelings of isolation and ecological dread take on an otherworldly tinge.

In Good Night, Sleep Tight, Brian Evenson deftly weaves ethical dilemmas, maternal warmth, and echoes of apocalypse into his most tender, disquieting book yet.

From the author of Reinhardt's Garden and Saint Sebastian's Abyss comes a breathless new novel of delirious obsession.

Bereft after the death of his ailing wife, a retired professor has resumed his life's work--a book that will stand as a towering cathedral to Michel de Montaigne, reframing the inventor of the essay for the modern age. The challenge is the litany of intrusions that bar his way--from memories of his past to the nattering of smartphones to his son's relentless desire to make an electronic dance album.

As he sifts through the contents of his desk, his thoughts pulsing and receding in a haze of caffeine, ghosts and grievances spill out across the page. From the community college where he toiled in vain to an artists' colony in the Berkshires, from the endless pleasures of coffee to the finer points of Holocaust art, the professor's memories churn with sculptors, poets, painters, and inventors, all obsessed with escaping both mediocrity and themselves.

Laced with humor as acrid as it is absurd, Lesser Ruins is a spiraling meditation on ambition, grief, and humanity's ecstatic, agonizing search for meaning through art.

Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis--and its ongoing cost in an age of increasing urgency. --Jeremy Garber, Powell's Books

Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017.--Katharine Solheim, Unabridged Bookstore

While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see.--Rick Simonson, Elliott Bay Book Company

Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt.--Brad Johnson, Diesel Bookstore

The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential.--Mark Haber, Brazos Bookstore

In Temporary, a young woman's workplace is the size of the world. She fills increasingly bizarre placements in search of steadiness, connection, and something, at last, to call her own. Whether it's shining an endless closet of shoes, swabbing the deck of a pirate ship, assisting an assassin, or filling in for the Chairman of the Board, for the mythical Temporary, there is nothing more personal than doing your job.

This riveting quest, at once hilarious and profound, will resonate with anyone who has ever done their best at work, even when the work is only temporary.

Four young, Palestinian journalists at a Jordanian newspaper are tasked, on account of their heritage, with profiling one of the last living witnesses of the Nakba, the violent expulsion of native Palestinians by the nascent state of Israel in 1948. Confident that the old man will be all too happy to go on record, the reporters are nonplussed when they are repeatedly, and obscenely, rebuffed. This living witness to history, this secular saint, has no desire to be interviewed, no desire for his memories to be preserved, no desire to serve as an inspiration for the youth of tomorrow. What he wants is to be left alone.

As threats from the team's editor-in-chief put more and more pressure on the journalists, they must decide just how far they're willing to go to get the old man on the record. After all, what possible weight can one stubborn demand for privacy have when balanced against the imperative to bear witness?

Omar Khalifah's debut novel Sand-Catcher is at once a polyphonic satire and a tightly plotted tale of suspense. Walking the line between gallows humor, rage, and depthless heartbreak, it is a unique reflection of contemporary Palestinian identity in all its facets.

Finalist for the 2022 National Book Award in Translated Literature!

Was desire something like being possessed by a nightmare?

Fernanda and Annelise are so close they are practically sisters: a double image, inseparable. So how does Fernanda end up bound on the floor of a deserted cabin, held hostage by one of her teachers and estranged from Annelise?

When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality.

Interweaving pop culture references and horror concepts drawn from from Herman Melville, H. P. Lovecraft, and anonymous creepypastas, Jawbone is an ominous, multivocal novel that explores the terror inherent in the pure potentiality of adolescence and the fine line between desire and fear.

A displaced family charts a path forward in this testament to the power of perseverance and the many forms resistance can take.

The Rarámuri people of Chihuahua, Mexico, make up one of the largest Indigenous tribes of North America. Renowned for maintaining their language and cultural traditions in the face of colonization, they have weathered numerous hardships--climate disaster, poverty, cultural erasure--that have only worsened during the twenty-first century.

Based on more than a decade of oral history and participatory field work, Out of the Sierra paints a vivid and vital portrait of Rarámuri displacement. When drought leaves the Gutiérrez family with nothing to eat, they are faced with the choice many Rarámuris must make: remain and hope for rain and aid, or leave their sacred homeland behind. Luis, Martina, and their children choose to journey from their home in the Sierra Madre mountains toward a new and uncertain future in a government-funded Indigenous settlement.

Victoria Blanco considers Indigenous identity with tenderness and intelligence, demanding recognition and justice for the Rarámuri people as they resist assimilation and uphold traditional knowledge in the face of broken systems. In a narrative of unprecedented access and intimacy, Out of the Sierra offers a groundbreaking testimony to human resilience and the power of community.

A twisting examination of life under late capitalism and the deceptions we inhabit to invent our own success stories.

Ben just lost his job, but he won't fess up to his wife Tara. Instead, while he claims to be going to work, he's actually devoting his time to auditioning for the wildly popular reality TV show Big Shot, where he'll be able to pitch his unique entrepreneurial idea. Meanwhile, Tara is lying to the parents of the children at her day care, turning in fabricated accounts of the kids' daily activities. And Marcy, the producer of Big Shot, has told her coworkers she's taking some time to unplug, the better to avoid explaining her real reasons for getting away from the office . . .

Lies are the air True Failure's characters breathe: lies to themselves and lies to others, lies that comfort and confound. In this extraordinary novel, worthy of a place alongside the work of Joy Williams and Charles Portis, Alex Higley pokes a hole in the greatest and most perfidious lie of our time--that we are all either successes or failures in life--with warmth, wit, and wounding observation.

Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.

In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.

Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what's within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate how long and how perilously we've been living on top of fault lines. As these poems seek ways to love and survive through America's existential threats, Jones ushers his readers toward the realization that the end of the world is already here--and the apocalypse is a state of being.

Luminous (The Guardian) and brilliantly odd (The Irish Independent), Danielle Dutton's writing is as protean as it is beguiling. In the four eponymous sections of Prairie, Dresses, Art, Other, Dutton imagines new models for how literature might work in our fractured times.

Prairie is a cycle of surreal stories set in the quickly disappearing prairieland of the American Midwest. Dresses offers a surprisingly moving portrait of literary fashions. Art turns to essay, examining how works of visual art and fiction might relate to one another, a question central to the whole book; while the final section, Other, includes pieces of irregular (other) forms, stories-as-essays or essays-as-stories that defy category and are hilarious and heartbreaking by turns.

Out of these varied materials, Dutton builds a haunting landscape of wildflowers, megadams, black holes, violence, fear, virtual reality, abiding strangeness, and indefinable beauty.

The deceptively simple prose keeps the book brisk and even gripping as its puzzles grow more craggy and complex. This is Evenson's singular, Poe-like gift: He writes with intelligence and a steady hand, even when his characters decide to lop their own limbs off.--Time Out New York

When Kline is kidnapped by a dark sect that believes amputation brings you closer to God, he's tasked with uncovering who murdered their leader. Will he uncover the truth in time to save himself, take on the mantle of prophet, or destroy all he sees with a rain of biblical violence?

A combination of fiction and documentation, Sound Museum fearlessly interrogates state-sanctioned violence and the psychology--and banality--of evil.

In Iran, a curator has gathered foreign journalists for a VIP tour of her latest creation. As the guests sit to listen to her initial remarks, she shares the struggles she's faced in bringing together this exhibition--especially the gender inequity she's battled for her entire career.

But the Sound Museum is no ordinary institution. It is a museum of torture, wrought from the audio recordings pulled from interrogation rooms and prison cells. And the curator--her unbroken monologue drifting through fieldwork examples, case studies, archives, philosophy, and dreams--is only too happy to share her part in this globe-spanning industry.

With sensuous and lyrical prose, Sound Museum bears witness while calling into question the act of witnessing, underlining complicities in systems of power and drawing the reader into the uncomfortable position of confronting one woman's psyche: evil, yet completely blind to her own depravity.

In The Murmuring Grief of the Americas, 2016 National Book Award winner Daniel Borzutzky holds to account the private interests driving Western humanitarian decisions, laying bare the immense toll of exploitative labor practices and the self-serving nature of authoritative bodies. These powerful, musical poems explore our hemispheric grief under the yokes of labyrinthine immigration policies, militarized policing, and mass capitalism.

We waited for Word to arrive/ like a messiah in a stagecoach/ or a sheriff riding a thundercloud.

From acclaimed poet Elaine Equi comes her latest provocatively playful collection. Thoughtful, witty, curious (The New York Times), Equi's subversive voice delicately refracts human experiences from the colors of weather to the strange ways we make sense of our bodies, from the emptiness of family homes to the flow of time itself.

[Evenson's] scary fictional treatment of church hypocrisy has the feeling of a reasoned attack on blind religious obedience.--Publishers Weekly

Provost Eldon Fochs may be a sexual criminal. His therapist isn't sure, and his church is determined to protect its reputation. Father of Lies is Brian Evenson's fable of power, paranoia, and the dangers of blind obedience, and a terrifying vision of how far institutions will go to protect themselves against the innocents who may be their victims.

In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. From August 23, 2005, the day Tropical Depression Twelve developed, through August 28 when it became a Category Five storm with its scarlet glare fixed on the trembling crescent, to the heartbreaking aftermath, these poems evoke the horror that unfolded in New Orleans as America watched it on television.

Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and in the Superdome. She gives voice to the thirty-four nursing home residents who drowned in St. Bernard Parish and recalls the day after their deaths when George W. Bush accompanied country singer Mark Willis on guitar:

The cowboy grins through the terrible din,
***
And in the Ninth, a choking woman wails
Look like this country done left us for dead.

An unforgettable reminder that poetry can still be news that stays news, Blood Dazzler is a necessary step toward national healing.

Patricia Smith is the author of four previous collections of poetry, including Teahouse of the Almighty, winner of the Hurston/Wright Legacy Award and the Paterson Poetry Prize. A record-setting, national poetry slam champion, she was featured in the film Slamnation, on the HBO series Def Poetry Jam, and is a frequent contributor to Harriet, the Poetry Foundation's blog. Visit her website at www.wordwoman.ws.

Mike and Pete were no names, two working-class boys lost in the shuffle of their stratified town, brought together by their love of music. By 1978, their punk band was blazing across the underground scene. Now, in 1993, Mike is a hermit living alone on a dot of an island in the North Atlantic. When a mysterious letter from an unlikely fan named Isaac arrives, he's pulled right back into the pain he's spent over a decade running from.

Isaac longs for an escape from his lonely teenage life. A chance discovery of the No Names' only album catapults him into an obsession with the godlike rockers and the tantalizing possibility of connection.

As their stories collide, mistakes breed consequences that echo through the decades like the furious reverberations of a power chord.