Hawk is a magnificent long-form poem analogizing flight into space with freedom. First published in 1957, these new editions (paperback and hardcover facsimile) mark the first time Hawk is widely available for purchase.

Trees can be identified through features such as leaves, bark, buds, and twigs. In the spring and summer months, leaf morphology is the most common method of tree identification. But when fall and winter arrive, deciduous trees lose their leaves. Winter Tree Identification is the only detailed photographic guide to identifying the diverse species of deciduous trees in the southern Appalachian Mountains and adjacent Piedmont regions regardless of the season. Featuring nearly 400 color photos and written for both the novice and hobbyist, this is the most accessible and comprehensive guide to the nearly 100 species of trees found throughout the Southeast.

Ramón Gómez de la Serna (1888-1963) was one of Spain's most gifted avant-gardists. Oftentimes remembered as the inventor of the greguería--a type of witty and humorous epigram that recasts the commonplace and absurdities of everyday reality--he was a prolific writer and published dozens of novels, essays, short stories, articles, editorials, and biographies throughout his life. Two of his major works--the autobiography Morbidities (1908), and the manifesto The Concept of the New Literature (1909)--belong to his earliest period of experimentation. These two early works are of singular importance not only in understanding his development as an avant-gardist, but also in analyzing Spanish literature within the broader framework of European avant-garde culture. With prescient clarity, they highlight many of the aesthetic notions that would revolutionize experimental literature throughout the modernist period. This book offers the first complete English translation of Morbidities and The Concept of the New Literature, and it introduces anglophone readers to some of Gómez de la Serna's most passionate ideas about modernity and new literature.

This critical biography is a posthumous publication by a Pope scholar of international reputation. It gathers the scholarship and insights of the author's earlier books and essays on Pope into a final work of new research and a lifetime's reflection on its subject, aimed at the informed general reader as well as students and professional scholars.

The book places Pope's life, friendships, and poetry in the context of the political state of Britain following the Revolution of 1688, the year of the poet's birth. It is sympathetic to the revisionist history which argues that Jacobitism was a serious and persistent phenomenon, and brings out more fully than previously the extent of Pope's contact with Catholic and Jacobite circles in England and abroad, giving this biography a distinctive approach and emphasis. Pope's friendships, with both Whigs and Tories, with men and women, are brought into relation to the poetry.

Professor Erskine-Hill gives sensitive close readings of all Pope's major poems, but also of the less commonly explored, notably the translations of Homer and especially of the Iliad. Frequent resort is made to Pope's letters, among the finest of the age, including new items. A final chapter discusses Pope's literary reputation in the later eighteenth-century subsequent to his death.

Hawk is a magnificent long-form poem analogizing flight into space with freedom. This beautiful edition is a facsimile of the original 1957 publication based on an exemplar from the University of Wisconsin-Madison Special Collections. The limited edition facsimile is hardcover with a slipcover and foil embossing.

Includes poetry by Claire Bateman, Suzanne Cleary, David Colodney, Sarah Cooper, Tyree Daye, Denise Duhamel, Gabrielle Brant Freeman, Albert Goldbarth, Lisa M. Hase-Jackson, Gary Jackson, Melissa Dickson Jackson, Ashley M. Jones, Dorianne Laux, Lilith Mae McFarlin, Juan J. Morales, Rick Mulkey, Kathleen Nalley, Zoraida Ziggy Pastor, Richard Tillinghast, and Julie Marie Wade.

The Robert Frost Review is a peer-reviewed annual publication of the Robert Frost Society, which was founded in 1978 to promote scholarly discussion of the poet's life and work. The Review is committed to publishing high quality scholarship in all areas of study related to Frost, including pedagogical approaches for all educational settings. It is also interested in international perspectives on Frost and articles related to translations of his work. In addition to scholarly articles, the Review also features short notes, book reviews, descriptions of encounters with the poet, historical and biographical features, and commissioned work on special topics. Each issue includes a bibliography of recent Frost-related publications and dissertations.

From the opening poem of Lisa Hase-Jackson's impactful collection, Insomnia in Another Town, we learn that There is no small grief...all are interconnected. These poems, cloaked in memory and the unmaking and re-making of family, travel us through the harvest of a poet's life. Like the farms she made grow, this book tills the soil of a human soul and all the many experiences that make it. In pantoums, free verse, and prose poems, Hase-Jackson demonstrates the way that every lived experience weaves into a root system that bears unique fruit, singular as our heartbeats, our winding fingerprints.

-Ashley M. Jones, poet laureate of Alabama

Through detailed game-by-game accounts and period photographs, Fighting Like Cats and Dogs faithfully chronicles the most storied chapters in the long-running rivalry between Clemson and Georgia, from the early clashes between Vince Dooley and Charley Pell to the two teams' back-to-back national title runs in 1980 and 1981, from the game-winning field goals by Kevin Butler and David Treadwell through the present day. You will finish reading Fighting Like Cats and Dogs feeling as though you were in the stands for every game in the greatest period of this classic college football rivalry!

Richard Jefferies's After London; or, Wild England (1885) imagines an undetermined ecological event that devastates London and transforms England, its land, people, and wildlife. Told in two parts, Jefferies details the processes and effects of a change on individuals, their relationships, and their hopes. The story is divided into two parts and shared by an unidentified narrator from an unspecified future moment. In part II, the narrator details a brutal society seemingly devoid of the spirit of Victorian progress. In this updated critical edition, Michael Kramp and Sarita Jayanty Mizin provide a new scholarly apparatus for engaging with the narrative, its historical contexts, and its contemporary legacies, making the text accessible to diverse readers. They include diverse appendices, allowing teachers, students, and scholars the opportunity to explore After London's cultural importance to England's changing landscape, nineteenth century conceptions of climate and climate change, and Victorian fears of racial degeneration. In addition, they invite the readers to consider Jefferies's fiction with discussions about the fate of London, the stability of the Empire, and the changing roles of men and women in the Victorian period. Kramp and Jayanty Mizin illustrate the importance of After London to our broader understanding of the Anthropocene.

Travelers' Rest is a family epic, but it is also an American epic, carrying a message that can also be found in Ben Robertson's other, more famous works, Red Hills and Cotton and I Saw England (his first-hand account of the Battle of Britain). Thoughts of the Republic's founding and American values were very much on Robertson's mind as a journalist covering Washington and Europe as he anticipated the coming of the Second World War.

Since its 1925 publication, Manhattan Transfer has been widely recognized as a landmark in American modernism both for its jaundiced portrayal of the American Dream and for its experimentation with the novel form. Clear, factual annotations by the world's leading expert on Dos Passos's fi ction guides readers through the novel's dense representation of life in New York City during the turbulent early decades of the new century.

Bandit/Queen: The Runaway Story of Belle Starr is a polyphonic, docupoetic project exploring Belle Starr, a notorious Wild West outlaw, and her unsolved murder in 1889. Belle Starr traded a privileged upbringing for a life on the lam-marrying outlaws, thieving, and providing shelter for criminal gangs, all with her signature brocade and purple hats. After the media locked into her story, Belle Starr rocketed to fame. She became a compelling anti-hero, icon, and criminal mastermind-The Female Jesse James. Newspapers and books fabricated details about Belle, and a mass delusion seemingly took hold. But who was Belle Starr? Where do fiction and fact overlap? Today's evolving media ecosystem-fake news, deep fakes, carefully controlled social media profiles-underscore the enduring appeal of the person vs persona tension. A feminist analog to Michael Ondaatje's Collected Works of Billy the Kid, this archive-driven book merges documentary poetry by Margot Douaihy with scratchboard illustrations by Bri Hermanson to examine identity, desire, rule breaking, and (in)authenticity.

Since 1968, The South Carolina Review (SCR) has published fiction, poetry, interviews, unpublished letters and manuscripts, essays, and reviews from literary giants such as Joyce Carol Oates and Kurt Vonnegut as well as eminent critics such as Cleanth Brooks and Marjorie Perloff.

Prompted by the occasion of a gala poetry reading at
the University of Salamanca, Spain, in July 2019, this anthology is the first
of its kind to comprise Anglophone and Spanish speaking poets breathing life
into the multifarious poetic legacy of the poet Ezra Pound. Although Pound's
influence on diverse Anglo-American poets is well-known, this collection
further reveals his lesser known, yet equally vital impact on the Spanish
speaking world, which has been immense. A bilingual anthology, it includes 29
poets, 13 of whom write in Spanish and 16 of whom are Anglophone. In recent
decades, the Ezra Pound International Conferences taking place worldwide have
featured poetry readings in what has become by a well-known tradition. In
Salamanca, poets of older and younger generations from five continents paid
tribute to Pound, with selections from their work now available in this volume.
The anthology includes poems by the Spanish Novisimos poets (The Newest
Ones), considered in Spain Pound's direct poetic heirs, such as Antonio
Colinas, Jaime Siles, Luis Alberto de Cuenca, and José María Álvarez, but also included
here are poems by Jorge Guillén from the Generation of '27, as well as Spanish
American poets such as Ernesto Cardenal, Gonzalo Rojas Pizarro, Julián Herbert,
and Jeannette Lozano Clariond; also represented are poets of a younger
generation: Jordi Doce, Juan Antonio González-Iglesias, Ma
Ángeles Pérez
López, and Natalia Carbajosa.

At the reading in Salamanca, the Anglophone poets, including
many devoted Poundians among them, also offered a robust contribution. Still,
in concert with their Spanish-speaking counterparts, these poets have also
recreated the Spanish world in unusual ways, each reflecting a different,
illuminating dimension of Pound's sensibility. Celebrated Anglophone poets present
here include David Cappella, John Gery, Patrizia de Rachewiltz, Tony Lopez, Ron
Smith, Clive Wilmer, Paul Scott Derrick, Jeff Grieneisen and Silvia Falsaperla,
together with distinguished scholars such as David Moody, Alec Marsh, and John
Beall, as well as promising voices of a new generation: Rhett Forman, Justin Kishbaugh, Chengru He,
and Sean Mark.

______

Esta antología, la primera que reúne a poetas anglófonos
e hispanohablantes, nació a raíz de un recital de poesía celebrado en la
Universidad de Salamanca en julio de 2019, con el propósito de infundir nueva
vida al valioso legado poético del poeta Ezra Pound. Si bien su influencia en
la tradición angloamericana es indiscutible, esta antología revela la inmensa
huella, menos conocida, aunque igualmente vital de Pound en los poetas del
mundo hispano.

Se trata por tanto de una colección bilingüe que incluye
29 poetas, de los cuales 13 escriben en español y 16 en inglés. En las últimas
décadas, los congresos internacionales dedicados a la obra de Ezra Pound,
celebrados por todo el mundo, han venido organizando recitales poéticos que ya
se han convertido en tradición. En Salamanca, poetas de distintas generaciones
y de cinco continentes rindieron homenaje a Pound con una selección de sus propias
obras, recogida en este volumen. Así, se incluyen poemas de la generación
española de los Novísimos, considerada heredera directa de Pound, entre los que
se encuentran Antonio Colinas, Jaime Siles, Luis Alberto de Cuenca y José María
Álvarez. También se incorporan versos del poeta de la
generación del 27 Jorge Guillén, así como de poetas hispanoamericanos como
Ernesto Cardenal, Gonzalo Rojas Pizarro, Julián Herbert y Jeannette Lozano
Clariond. Por último, se ven representados poetas de una generación más joven,
entre los que se cuentan Jordi Doce, Juan Antonio González-Iglesias, Ma Ángeles
Pérez López y Natalia Carbajosa.

Los poetas anglófonos aquí recogidos, muchos de ellos
especialistas en la obra de Pound, enriquecieron igualmente el recital de
Salamanca con sus excelentes aportaciones. Paralelamente a sus a los anteriormente
citados recrearon además el mundo hispano desde perspectivas novedosas, cada
uno reflejando una dimensión diferente y clarificadora de la sensibilidad del
autor de los Cantos. Poetas anglófonos consagrados presentes aquí son David
Cappella, John Gery, Patrizia de Rachewiltz, Tony Lopez, Ron Smith, Clive
Wilmer, Paul Scott Derrick, Jeff Grieneisen y Silvia Falsaperla. Junto a ellos,
se incluye a académicos de renombre como David Moody, Alec Marsh y John Beall,
así como prometedoras voces de una nueva generación: Rhett Forman, Justin Kishbaugh,
Chengru He y Sean Mark.

The Robert Frost Review is a peer-reviewed annual publication of the Robert Frost Society, which was founded in 1978 to promote scholarly discussion of the poet's life and work. The Review is committed to publishing high quality scholarship in all areas of study related to Frost, including pedagogical approaches for all educational settings. It is also interested in international perspectives on Frost and articles related to translations of his work. In addition to scholarly articles, the Review also features short notes, book reviews, descriptions of encounters with the poet, historical and biographical features, and commissioned work on special topics. Each issue includes a bibliography of recent.Frost-related publications and dissertations.

Bandit/Queen: The Runaway Story of Belle Starr
is a polyphonic, docupoetic project exploring Belle Starr, a notorious
Wild West outlaw, and her unsolved murder in 1889. Belle Starr traded a
privileged upbringing for a life on the lam-marrying outlaws, thieving,
and providing shelter for criminal gangs, all with her signature brocade
and purple hats. After the media locked into her story, Belle Starr
rocketed to fame. She became a compelling anti-hero, icon, and
criminal mastermind-The Female Jesse James. Newspapers and books
fabricated details about Belle, and a mass delusion seemingly took hold.
But who was Belle Starr? Where do fiction and fact overlap? Today's
evolving media ecosystem-fake news, deep fakes, carefully controlled
social media profiles-underscore the enduring appeal of the person vs
persona tension. A feminist analog to Michael Ondaatje's Collected Works of Billy the Kid,
this archive-driven book merges documentary poetry by Margot Douaihy
with scratchboard illustrations by Bri Hermanson to examine identity,
desire, rule breaking, and (in)authenticity.

Since 1968, The South Carolina Review (SCR) has published fiction, poetry, interviews, unpublished letters and manuscripts, essays, and reviews from literary giants such as Joyce Carol Oates and Kurt Vonnegut as well as eminent critics such as Cleanth Brooks and Marjorie Perloff.

As Good As Gold: 50 Years of the MFA at Clemson showcases and celebrates the remarkable achievements of an impressive roster of artists who have graduated from Clemson University's Master of Fine Arts (MFA) Visual Arts program. Presented in three installations over the academic year, this milestone exhibition series commemorates the first awarding of an MFA from our program at Clemson in 1973, and features works across five decades spanning a variety of disciplines. Beginning with Jeanet Dreskin, the very first MFA Visual Arts graduate, the exhibition series highlights the work of approximately 70 artist alumni.