A Tempest is Aimé Césaire's anti-colonialist refashioning of Shakespeare. Alongside The Tragedy of King Cristophe and A Season in the Congo, it completes a 'triptych' of plays that examine the effects of colonialism. This translation premiered at The Gate Theatre, London.

Aimé Césaire has combined a political career as Martinican statesman with poetic calling in which he has been hailed as the leading Francophone poet of the twentieth century. Anti-colonialist visionary and prophet of negritude, his influence has been considerable in shaping ongoing post-colonial debate. Philip Crispin taught in Kingston, Jamaica, and spent four years in Paris studying, teaching and pursuing theatrical projects. He was literary manager of the Gate Theatre, before devoting himself to theatrical research.

What makes a great sport psychologist? Is there an ideal style or approach? What do you need to consider when working with a client?

In this practical guide, Richard Keegan presents a user-friendly model of the sport psychologist's consulting processes and offers a framework for understanding best practice. Whether you are a trainee or a qualified sport psychologist, this book will help you to deliver a consistent, transparent, effective and ethical service at all levels of sport.

Being a Sport Psychologist:
- Provides a clear and coherent model which accommodates different styles, philosophies and experience levels;
- Contains worksheets to help you record, evaluate, understand and reflect;
- Offers a range of useful case studies and examples;
- Is the first book to describe the process of being a sport psychologist from beginning to end.

Winnie the Witch uses her magic to solve some very practical problems. But the results are never quite as she imagined. One day after turning everything in her house black to hide the mess, she discovers she can longer see her black cat Wilbur. So she decides to use a bit of magic, and that's when the trouble really starts.

Theorizes the development of a minimalist mode in American fiction since 1970, frequently seen to interrogate US postmodernity.

Minimalism and Affect in American Literature, 1970-2020 responds to existing studies of literary minimalism by pursuing three original and interrelated objectives. It provides a more inclusive and precise definition of minimalism that enables further inquiry into the mode. It also exposes the presence of minimalism beyond critical demarcations that attempt to limit the aesthetic to a particular school, medium, movement, form or decade. Finally, it argues that writers of American literary minimalism are uniquely privileged in their ability to formalize precarity and threatening cultural currents into the fragile construct that is ordinary life.

Building upon theories of affect and the everyday, Minimalism and Affect in American Literature, 1970-2020analyses minimalist aesthetics within the works of canonical minimalists alongside writers more frequently associated with other movements. Through readings of Ernest Hemingway, Joan Didion, Raymond Carver, Paul Auster and Don DeLillo, among others, and cultural phenomena ranging from sedation to telephony, this book exposes the persistence and political importance of minimalism within American literature from the 20th century into the 21st.

Can the law keep up with AI?This book examines liability and regulation for artificial intelligence causing serious physical harm, both now and in the future.

While AI moves quickly, regulation follows more slowly - an increasing problem for an evolutionary, fast-paced emerging technology. AI has the potential to save lives, but in doing so will have the potential to take them as well. How do we future-proof law and regulation to incentivise life-saving innovation as safely as possible?

This book details how to regulate AI in high-risk civil applications (for example, automated vehicles and medicine), addressing both liability and regulatory structure. It highlights crucial liability themes for technology governance; provides tools to bridge the gap between regulators and technologists; examines jurisdictional approaches to AI regulation in the EU, UK, USA, and Singapore; and ultimately suggests a jurisdiction-agnostic blueprint for regulation.

The orchard's white, all white. You haven't forgotten, have you, Lyuba? The avenue lined with trees, unfurling like a slender ribbon. And on moonlit nights, it shimmers. You remember, don't you? You haven't forgotten?

Can anyone persuade Ranevskaya and her aristocratic household that the world is changing, and they must too?

Following internationally acclaimed productions of The Seagull (Belvoir St Theatre, Sydney) and Three Sisters (Young Vic, London), director Benedict Andrews has a reputation as one of the world's leading interpreters of Chekhov.

For the Donmar Warehouse he stages the great writer's final play. It's a work that predicted and captured the end of an era, but is timeless in its humanity, prescience, humour and pathos. The Cherry Orchard is Chekhov's masterpiece.

This edition was published to coincide with its world premiere at London's Donmar Warehouse in April 2024.

Drawing on a range of authors that includes Zadie Smith, Sally Rooney, Ben Lerner, Ali Smith, Tom McCarthy, Jennifer Egan and Kazuo Ishiguro, this book provides an innovative and original analysis of the interdependencies between digital technology and metamodernism through a detailed study of the contemporary novel.

We are currently living through a period of profound rupture, in which the way the world is perceived is undergoing significant change. Just as the interplay between capitalism and technology hastened the evolution of modernism and postmodernism, then so too are those same forces now taking us into uncharted waters. In an increasingly fragile world, in which the very existence of humankind is threatened, it is vital that we begin to understand this new landscape.

Anthony Burgess's stage play of his infamous cult novel and film of the same name.

Alex and his vicious teenage gang revel in horrific violence, mugging and gang rape. Alex also revels in the music of Beethoven. The Gang communicates in a language which is as complicated as their actions. When a drug-fuelled night of fun ends in murder, Alex is finally busted and banged up. He is given a choice - be brainwashed into good citizenship and set free, or face a lifetime inside.

Anthony Burgess's play with music, based on his own provocative 1962 novella of the same name, was first published in 1987. A Clockwork Orange was made into a film classic by Stanley Kubrick in 1971 and was dramatizes by the RSC in 1990.

For forty years and in nine previous books, scholar and religious commentator Tom Harpur has challenged church orthodoxy and guided thousands of readers on subjects as controversial as the true nature of Christ and life after death. Now, in his most radical and groundbreaking work, Harpur digs deep into the origins of Christianity. What he has discovered will have a profound effect on the way we think about religion.

Long before the advent of Jesus Christ, the Egyptians and other peoples believed in the coming of a messiah, a madonna and her child, a virgin birth, and the incarnation of the spirit in flesh. The early Christian church accepted these ancient truths as the very tenets of Christianity but disavowed their origins. What began as a universal belief system based on myth and allegory became instead, in the third and fourth centuries A.D., a ritualistic institution headed by ultraconservative literalists. The transcendent meaning of glorious myths and symbols was reduced to miraculous, quite unbelievable events. The truth that Christ was to come in man, that the Christ principle was potentially in each of us, was changed to the exclusivist teaching that the Christ had come as a man.

Harpur's message is clear: Our blind faith in literalism is killing Christianity. Only with a return to an inclusive religion will we gain a true understanding of who we are and who we are intended to become. Drawing on the work of scholars such as Gerald Massey and Alvin Boyd Kuhn, Tom Harpur has written a book of rare insight and power.

Impressively navigates the tricky boundaries that separate art and life, the haunted present and the haunting historical past.. New York Times

A group of actors gather to tell the little-known story of the first genocide of the twentieth century. As the full force of a horrific past crashes into the good intentions of the present, what seemed a far-away place and time is suddenly all too close to home. Just whose story are they telling?

Pulitzer Prize award-winning playwright Jackie Sibblies Drury collides the political with the personal in a play that is irreverently funny and seriously brave.
We Are Proud To Present . . . premiered off-Broadway at Soho Rep in 2012.

This new Modern Classics edition features an introduction by Leonor Faber-Jonker.

An examination of Spanglish, Portuñol, and Judeo-Spanish literatures that builds on sociolinguistic understandings of the intersections of language, nation, and identity to develop the theoretical frameworks of linguistic labor and literary doulas.

Connecting the metaphor of labor to the human life cycle, Remy Attig introduces the notion of literary doulas. These doulas accompany a community as a body of literature is born (akin to the doula as midwife), or, in the case of Judeo-Spanish, writes the language as a form of linguistic palliative care for a community whose historical language is facing imminent death (the death doula).

Presenting three case studies of Spanglish, Portuñol, and Judeo-Spanish, the first part of Linguistic Labor and Literary Doulas places the emergence of these languages in their respective geographies and contexts. Attig discusses the work of authors and literary doulas, including Susana Chávez-Silverman, Gloria Anzaldúa, Fabián Severo, and Matilda Koén-Sarano.

The framework of linguistic labor relates the creation of a literary corpus in an undervalued or stigmatized language context to other forms of domestic or gendered labor, often the responsibility of women and queer people. In the second part of the book, Attig places these literatures and theories in discussion with emerging scholarship in translinguistics, queer theories, and translation studies. By applying the notion of translinguistics to useful case studies that challenge traditional understandings of the frontiers between languages, Linguistic Labor and Literary Doulas models productive ways that we can discuss real-world linguistic practices as valuable aspects of culture and identity.

In 2024 the literary community commemorates the 100th anniversary of the death of Joseph Conrad. This volume of collected essays takes the opportunity to reflect on Conrad's enduring influence on literature and culture in the 21st century.

Offering reflections on Conrad's legacy by leading critics and scholars in the field of Conrad studies as well as by significant figures in the arts and cultural sector, it represents a unique contribution to Conrad studies and provides an overview of how the author continues to inspire and shape contemporary literature and culture in the 21st century.

Covering a broad range of topics, from discussions of how Conrad has inspired contemporary films and operas through to the pertinence of his works to current conflicts and key contemporary issues, Joseph Conrad's Cultural Legacyoffers unique, original insights into the enduring relevance of one of the leading literary figures of the 20th century.

Beginning with an overview of Judaism in North America, this book presents a surveyof the tradition, provides historical context, and addresses key contemporary issues.It covers the essential topics in the study of Judaism in North America including the major texts of Judaism, the Jewish life cycle, rabbinic literature, and the Jewish calendar.

Key topics include Jewish identity and diversity, how Americans perceive Jews, and the rise of the Jewish GenZ. With over 50 illustrations throughout, each chapter contains suggested further reading and a glossary of key terms and concepts.

The chapters in this book were first published in the digital collection Bloomsbury Religion in North America. Covering North America's diverse religious traditions, this digital collection provides reliable and peer-reviewed articles and ebooks for students and instructors. Learn more and get access for your library atwww.theologyandreligiononline.com/bloomsbury-religion-in-north-america

This book analyses some of the seminal texts of the Chinese tradition in light of the embodied tradition: the Analects of Confucius, the Zhuangzi, and the Treatise on Music. Margus Ott's study shows how they exemplify aspects of embodiment theory while highlighting others that have been neglected in contemporary work. Ott also develops far-reaching possibilities of an embodied philosophy.

The embodied understanding did not go unchallenged in Ancient China. There were important counter-currents, most notably the Mohists and the so-called Legalists. It has been argued that this challenge set the Chinese philosophical tradition in motion. By using embodiment theory Ott demonstrates how these ideas can be seen as a decontextualizing tendency of thought that plays an important role in human affairs.

This volume utilizes Catherine Bell's ritual theory to shed new light on the many rituals reflected in ancient Mediterranean texts. In recent decades scholars of religion have come to realize that ritual and bodily practices are just as important for religion as beliefs and doctrine. With the development of ritual studies in the 1990s there arose a critical framework for investigating ritual and practice. Only recently, however, has Bell's theorizing been employed to study the rituals portrayed in ancient texts. This cross-disciplinary examination assesses the utility of Bell's theorizing for studying the textual evidence for rituals of the ancient Near East, the Hebrew Bible, the Dead Sea Scrolls, the New Testament, and other early Christian literature.
The contributors to this volume illustrate a path away from regarding rituals as inert and fixed and toward a more complex and vibrant interactive model of ritual behaviour. In this volume, as each scholar works to recover the traces of long-past rituals in a particular set of materials, these and other concepts are consciously employed to guide or challenge the investigation, pushing beyond previous conclusions about ancient rituals. The contributors' attention to theory, and especially the social context, practical function, and symbolic interpretation, set this collection apart from studies that consider the rituals in more traditional textual ways.

This work examines Augustine's critique of his Roman predecessors to reveal key aspects of Christ's mediation of the universal way of salvation.Porphyry of Tyre had noticed that Christianity can make a claim that pagan religion and pagan philosophy cannot: that all types of human being can be saved through the one salvific action of Christ mediated sacramentally through the one Catholic Church.Augustine's response to Porphyry is grounded firmly on Christology, especially on what Augustine sees to be the unique act of Christ as mediator, based in turn on Christ's unique position as true God and true man, which in turn is capable of healing the whole man and, by healing the whole man, also healing each of the parts of the soul. Christ himself, as concretely universal, is capable of saving each and any type of human being, no matter which part of the soul rules within him, Augustine counters, which is not a claim his pagan interlocutors can replicate.

In addition to careful considerations of ancient authors like Plato, Cicero, Varro, and Porphyry, this book also ranges through Plutarch, Shakespeare, and contemporary political thinkers like Pierre Manent and Leo Strauss; scholars of religion such as Michael Bland Simmons, theologians such as Erik Peterson and Ernest L. Fortin, as well as well-known Augustine scholars such as James Wetzel, G.R. Evans, John Cavadini, Robert Dodaro, Mary Keys, Michael Foley, Rowan Williams, Oliver O'Donovan, John Rist, and many others.

The contributors to this volume offer a bold re-reading of Hebrews and 1 Peter from the perspective of the Global South. The chapters provide enriching new hermeneutical and theological insights, revealing facets of the text that may not at first be apparent to readers within a Eurocentric context.

The volume is thus able to explore topics ranging from the authorship of Hebrews in the Ethiopian Orthodox tradition and the Batak reading of Christus Victor, to a Xhosa perception of the solidarity and sacrifice of Jesus, and intercultural readings of Christian identity in the context of persecution. With an introduction and final response by scholars from the Global North, this volume encourages awareness of how the Global South contributes to world Christianity.

Jenny Read-Heimerdinger explores the characters of Luke-Acts in order to situate them in the Jewish world to which they belong. Through a close reading of the Greek text, she argues that Luke emerges as a person thoroughly steeped in a Jewish view of Scripture, familiar with a range of associated oral traditions; and that taking account of the Jewish features allows new insights into the way that the author situates events and characters firmly within the history of Israel, before the Church was a separate institution or religion. Read-Heimerdinger proposes that such a view of his work implies an addressee capable of understanding what he received and that one eminently qualified candidate is Theophilus, the high priest in Jerusalem 37-41 and brother-in-law of Caiaphas.

The Jewish perspective of Luke's two volumes is more visible in forms of the text not used for modern translations, notably that of Codex Bezae and the early versions, which are rejected by the editors of the Greek New Testament on which translations are based. Read-Heimerdinger draws on the analysis of the variants of the Greek text analysed in her previous Luke in his Own Words (2022), in a manner more accessible to readers unfamiliar with Greek. The variant readings make use of a sophisticated knowledge of Jewish exegetical techniques that would generally be discarded by later generations of Christians but which are increasingly being recognized by NT scholars, in line with Jewish historical studies of Second Temple and Rabbinic Judaism. Seeing the characters of Luke-Acts through Theophilus' eyes brings exciting insights and a fresh understanding of the author's message.

Within the already heavily polarised debate on the Israeli-Palestinian conflict, parallels between Israel and apartheid South Africa remain highly contentious. A number of prominent academic and political commentators, including former US president Jimmy Carter and UN Special Rapporteur John Dugard, have argued that Israel's treatment of its Arab-Israeli citizens and the people of the occupied territories amounts to a system of oppression no less brutal or inhumane than that of South Africa's white supremacists. Similarly, boycott and disinvestment campaigns comparable to those employed by anti-apartheid activists have attracted growing support. Yet while the 'apartheid question' has become increasingly visible in this debate, there has been little in the way of genuine scholarly analysis of the similarities (or otherwise) between the Zionist and apartheid regimes.

In Israel and South Africa, Ilan Pappé, one of Israel's preeminent academics and a noted critic of the current government, brings together lawyers, journalists, policy makers and historians of both countries to assess the implications of the apartheid analogy for international law, activism and policy making. With contributors including the distinguished anti-apartheid activist Ronnie Kasrils, Israel and South Africa offers a bold and incisive perspective on one of the defining moral questions of our age.