Twenty-seven years in the making (1940-67), this tapestry of nearly two hundred American popular and protest songs was created by three giants of performance and musical research: Alan Lomax, indefatigable collector and preserver; Woody Guthrie, performer and prolific balladeer; and Pete Seeger, entertainer and educator who has introduced three generations of Americans to their musical heritage.

In his afterword, Pete Seeger recounts the long history of collecting and publishing this anthology of Depression-era, union-hopeful, and New Deal melodies. With characteristic modesty, he tells us what's missing and what's wrong with the collection. But more important, he tells us what's right and why it still matters, noting songs that have become famous the world over: Union Maid, Which Side Are You On?, Worried Man Blues, Midnight Special, and Tom Joad.

Now, at the turn of the century, the millennium, what's the future of these songs? he asks. Music is one of the things that will save us. Future songwriters can learn from the honesty, the courage, the simplicity, and the frankness of these hard-hitting songs. And not just songwriters. We can all learn.

In addition to 123 photographs and 195 songs, this edition features an introductory note by Nora Guthrie, the daughter of Woody Guthrie and overseer of the Woody Guthrie Foundation.

On October 20, 2001, a crowd gathered just east of Salmon, Idaho, to dedicate the site of the Sacajawea Interpretive, Cultural, and Education Center, in preparation for the Lewis and Clark Bicentennial. In a bitter instance of irony, the American Indian peoples conducting the ceremony dedicating the land to the tribe, the city of Salmon, and the nation--the Lemhi Shoshones, Sacajawea's own people--had been removed from their homeland nearly a hundred years earlier and had yet to regain official federal recognition as a tribe. John W. W. Mann's book at long last tells the remarkable and inspiring story of the Lemhi Shoshones, from their distant beginning to their present struggles.

Mann offers an absorbing and richly detailed look at the life of Sacajawea's people before their first contact with non-Natives, their encounter with the Lewis and Clark Expedition in the early nineteenth century, and their subsequent confinement to a reservation in northern Idaho near the town of Salmon. He follows the Lemhis from the liquidation of their reservation in 1907 to their forced union with the Shoshone-Bannock tribes of the Fort Hall Reservation to the south. He describes how for the past century, surrounded by more populous and powerful Native tribes, the Lemhis have fought to preserve their political, economic, and cultural integrity. His compelling and informative account should help to bring Sacajawea's people out of the long shadow of history and restore them to their rightful place in the American story.

A Project of the Center for Great Plains Studies and the School of Natural Resources, University of Nebraska

Great Plains Bison traces the history and ecology of this American symbol from the origins of the great herds that once dominated the prairie to its near extinction in the late nineteenth century and the subsequent efforts to restore the bison population.

A longtime wildlife biologist and one of the most powerful literary voices on the Great Plains, Dan O'Brien has managed his own ethically run buffalo ranch since 1997. Drawing on both extensive research and decades of personal experience, he details not only the natural history of the bison but also its prominent symbolism in Native American culture and its rise as an icon of the Great Plains. Great Plains Bison is a tribute to the bison's essential place at the heart of the North American prairie and its ability to inspire naturalists and wildlife advocates in the fight to preserve American biodiversity.

[A] well-balanced history and overview of Dakota and Lakota Siouans.--Choice

Although some aspects of Sioux history such as the Battle of the Little Big Horn and the Massacre at Wounded Knee are included in American history texts, along with mention of famous Sioux leaders such as Sitting Bull and Crazy Horse, little attention is paid to the evolution of Sioux history and culture from their beginnings to the present.

The Sioux are a Native American people who live in reservations and communities in Minnesota, Montana, Nebraska, North and South Dakota, Wisconsin, and Canada. According to U.S. Census Report data, over 150,000 individuals identify themselves as Sioux--more than any other tribe besides Cherokee, Navajo, Latin American Indian, and Choctaw.

Culture and Customs of the Sioux Indians presents a picture of traditional Sioux culture and history. It shows how the Sioux of today merge traditional customs and beliefs that have survived their tumultuous history with contemporary America. Topics include the development of the Sioux tribe, conflicts and wars with the United States, religion, economy, gender roles, lifestyles, arts, cuisine, education, social customs, and much more.

Once President Lincoln signed the Homestead Act of 1862, which granted 160 acres of free land to anyone with the grit to farm it for five years, the rush to the Great Plains was on. Solomon D. Butcher was there to document it, amassing more than three thousand photographs and compiling the most complete record of the sod house era ever made.

Butcher (1856-1927) staked his claim on the plains in 1880. He didn't like farming, but he found another way to thrive. He had learned the art of photography as a teenager, and he began taking pictures of his friends and neighbors. Butcher noticed how fast the vast land was settling up, so he formed the plan that would become his life's work--to record the frontier days in words and images.

Alongside sixty-two of Butcher's iconic photographs, Light on the Prairie conveys the irrepressible spirit of a man whose passion would give us a firsthand look at the men and women who settled the Great Plains. Like his subjects, Butcher was a pioneer, even though he held a camera more often than a plow.

Watch an interview with the author.

Unlearning to Fly is the memoir of a bookworm growing up in Alaska--among people whose resilience, restlessness, and energy find their highest expression in winter ascents up Mount McKinley or first descents down wild rivers. These are the flying stories of a fearful pilot who admires but does not emulate the more daring exploits of her father and friends. The accounts of Jennifer Brice--at times poignant, funny, and downright nerve-racking--are engaging recollections of deadly, near-deadly, and occasionally comic encounters between human nature and Nature writ large. The unlikely romance between her parents, the Good Friday earthquake, the Alaska oil boom, a stint as a newspaper reporter, and the trials of a student pilot form engaging chapters in Brice's remarkable life. These are the stories in which the physics and metaphors of flight--center of gravity, angle of attack, wake turbulence--illuminate Brice's remarkable life story, recounted in prose that takes wing.

Honne, the Spirit of the Chehalis embodies a narrative tour de force that interweaves episodes (that stand alone in ordinary tellings) into an integrated series of installments. This collection of Salish stories features the Changer's efforts to successively transform a proto-being or spirit into the present form of a named species (deer, owl, shark, sea otter, and others). Additional stories describe how the Changer allowed Bear or Ant to apportion day and night; permitted Frog to schedule tides; and taught humans how to cook meat and clams, hunt with a bow, dry berries, cure sickness, settle communities, and prepare for the afterworld.

These tales are told by George Sanders, a master storyteller whose family included chiefs of the Nisqually Indian tribe, which lives south of what is now Tacoma, Washington. As part of the oral tradition, these stories were rarely heard by those outside the area until Katherine Van Winkle Palmer, daughter of the local doctor, collected them for posterity.

Jay Miller introduces this new edition with a close look at the linguistic complexity of the region, which testifies to the rich diversity of the Americas before epidemics and dislocations took their devastating toll. By weaving together these masterful installments, Honne, the Spirit of the Chehalis provides an evocative example of interwoven Salish oral literature at its best.

Army scout, frontiersman, and hero of the American West, William F. Buffalo Bill Cody was also a shrewd self-promoter, showman, and entrepreneur. In 1888 he published The Story of the Wild West, a collection of biographies of four well-known American frontier figures: Daniel Boone, Davy Crockett, Kit Carson, and himself. Cody contributed an abridged version of his 1879 autobiography with an addendum titled The Wild West in England, now available in this stand-alone annotated edition, including all the illustrations from the original text along with photographs of Cody and promotional materials. Here Cody describes his Wild West exhibition, the show that offered audiences a mythic experience of the American frontier. Focusing on the show's first season of performances in England, Cody includes excerpts of numerous laudatory descriptions of his show from the English press as well as stories of his time spent with British nobility--from private performances for Queen Victoria and the Prince and Princess of Wales to dinners and teas with the elite of London society. He depicts himself as an ambassador of American culture, proclaiming that he and his Wild West show prompted the British to know more of the mighty nation beyond the Atlantic and . . . to esteem us better than at any time within the limits of modern history.

On a cold, rainy dawn in late November 1872, Lieutenant Frazier Boutelle and a Modoc Indian nicknamed Scarface Charley leveled firearms at each other. Their duel triggered a war that capped a decades-long genocidal attack that was emblematic of the United States' conquest of Native America's peoples and lands. Robert Aquinas McNally tells the wrenching story of the Modoc War of 1872-73, one of the nation's costliest campaigns against North American Indigenous peoples, in which the army placed nearly one thousand soldiers in the field against some fifty-five Modoc fighters.

Although little known today, the Modoc War dominated national headlines for an entire year. Fought in south-central Oregon and northeastern California, the war settled into a siege in the desolate Lava Beds and climaxed the decades-long effort to dispossess and destroy the Modocs.

The war did not end with the last shot fired, however. For the first and only time in U.S. history, Native fighters were tried and hanged for war crimes. The surviving Modocs were packed into cattle cars and shipped from Fort Klamath to the corrupt, disease-ridden Quapaw reservation in Oklahoma, where they found peace even more lethal than war.

The Modoc War tells the forgotten story of a violent and bloody Gilded Age campaign at a time when the federal government boasted officially of a peace policy toward Indigenous nations. This compelling history illuminates a dark corner in our country's past.

In Saga of Chief Joseph, Helen Addison Howard has written the definitive biography of the great Nez Perce chief, a diplomat among warriors. In times of war and peace, Chief Joseph exhibited gifts of the first rank as a leader for peace and tribal liberty. Following his people's internment in Indian Territory in 1877, Chief Joseph secured their release in 1885 and led them back to their home country. Fiercely principled, he never abandoned his quest to have his country, the Wallowa Valley, returned to its rightful owners. The struggle of the Nez Perces for the freedom they considered paramount in life constitutes one of the most dramatic episodes in Indian history.

This completely revised edition of the author's 1941 version (titled War Chief Joseph) presents in exciting detail the full story of Chief Joseph, with a reevaluation of the five bands engaged in the Nez Perce War, told from the Indian, the white military, and the settler points of view. Especially valuable is the reappraisal, based on significant new material from Indian sources, of Joseph as a war leader.

The new introduction by Nicole Tonkovich explores the continuing relevance of Chief Joseph and the lasting significance of Howard's work during the era of Angie Debo, Alice Marriott, and Muriel H. Wright.

A. B. Guthrie Jr. is best known for his historical fiction; his classic novel The Way West earned him a Pulitzer Prize. Guthrie had the ability to create memorable yet believable characters, was skillful in his use of narration and point of view, and possessed a notable flair for describing the landscape of the American West. It is unsurprising, perhaps, that Guthrie also had a deft talent for short fiction. The Big It and Other Stories collects his diverse shorter tales, written between 1946 and 1960.

Often relying on a few recorded facts as a springboard for his lively and sympathetic imagination, Guthrie explores many of his favorite themes--communion between man and nature, the test of manhood, resilience in the face of new or dangerous situations--with a sure and steady hand that always holds the reader's interest. Full of humor and excitement, The Big It and Other Stories showcases Guthrie's art in a new genre and spotlights the love for the West and for westerners that is the hallmark of his writing.

In 1842 John C. Frémont led a party of twenty-five men on a five-month journey from Saint Louis to the Wind River Range in the Rocky Mountains; his goal: to chart the best route to Oregon. In 1843 Frémont was commissioned for another expedition, to explore the Great Salt Lake, Washington, eastern California, Carson Pass, and the San Joaquin Valley, places that did not yet belong to the United States.

His journals from these expeditions, edited in collaboration with his wife, Jessie Benton Frémont, and published by Congress, thrilled the nation and firmly established Frémont's persona as the Great Pathfinder. Part descriptive survey, part rousing adventure story, Frémont's account was far more than a traveler's guide. His tales of courage and wit, descriptions of beautiful landscapes, and observations about Native Americans strengthened Americans' sense of a national identity and belief in Manifest Destiny. Still a fascinating page-turner today, Frémont's report documents the opening of the West even as it offers a firsthand look at the making of the American myth.

Anne F. Hyde provides an introduction to this signature American story that contextualizes the report, outlines Frémont's rise and fall, and shows how, for better or worse, this explorer exemplifies the nineteenth-century American spirit.

Early in his judicial career, U.S. District Judge Warren K. Urbom was assigned a yearlong string of criminal trials arising from a seventy-one-day armed standoff between the American Indian Movement and federal law enforcement at Wounded Knee, South Dakota. In Called to Justice Urbom provides the first behind-the-scenes look at what quickly became one of the most significant series of federal trials of the twentieth century. Yet Wounded Knee was only one set of monumental cases Urbom presided over during his years on the bench, a set that in turn forms but one chapter in a remarkable life story.

Urbom's memoir begins on a small farm in Nebraska during the dustbowl 1930s. From making it through the Great Depression and drought to serving in World War II, working summers for his father's dirt-moving business, and going to school on the G.I. Bill, Urbom's experiences constitute a classic American story of making the most of opportunity, inspiration, and a little luck. Urbom gives a candid account of his time as a trial lawyer and his early plans to become a minister--and of the effect both had on his judicial career. His story offers a rare inside view of what it means to be a federal judge--the nuts and bolts of conducting trials, weighing evidence, and making decisions--but also considers the questions of law and morality, all within the framework of a life well lived and richly recounted.

What is identity when you're a girl adopted as an infant by a Cuban American family of Jehovah's Witnesses? The answer isn't easy. You won't find it in books. And you certainly won't find it in the neighborhood. This is just the beginning of Joy Castro's unmoored life of searching and striving that she's turned to account with literary alchemy in Island of Bones.

In personal essays that plumb the depths of not-belonging, Castro takes the all-too-raw materials of her adolescence and young adulthood and views them through the prism of time. The result is an exquisitely rendered, richly detailed perspective on a uniquely troubled young life that reflects on the larger questions each of us faces in a world where diversity and singularity are forever at odds. In the experiences of her past--hunger and abuse, flight as a fourteen-year-old runaway, single motherhood, the revelations of her true ethnic identity, the suicide of her father--Castro finds the jagged, smashed place of edges and fragments that she pieces together to create an island all her own. Hers is a complicated but very real depiction of what it is to jump class, to not belong but to find one's voice in the interstices of identity.

Although Eugenia Bone was perfectly happy with her life as a New York City food writer, she knew that her husband, a transplanted westerner, was filled with a discontent he couldn't explain. So when he returned from a fishing trip in the Rockies one day and announced that he wanted to buy a forty-five-acre ranch in Crawford, Colorado (population 404), she reluctantly said yes. She then loaded imported pasta, artichokes in oil, and cured Italian salami into her duffle bag, and headed west with her two young children.

At Mesa's Edge is a witty, often moving story of ranch restoration and of struggles with defiant skunks, barbed wire, marauding cows, and loneliness. Eugenia learns to garden in the drought, to fly-fish, and to forage, all the while discovering the bounty of the region. She fries zucchini flowers in batter and dips them in cilantro-flavored mayonnaise, grills flavorful T-bones from the local ranchers' grass-fed beef, pan-fries trout, fills crepes with wild mushrooms, and makes cherry pies with thick, sugary crusts. Gradually, she begins to adjust to the rhythms of the land.

Partly a memoir, partly a cookbook with more than one hundred appealing recipes, At Mesa's Edge is a transporting tale of rejuvenation, a celebration of everything local, and a reminder that the best food is to be found in our own backyards.

Of the thousands of people who escaped through the Pyrenees during World War II, at least one hundred owe their lives to a daring scheme that Belgian Charles Schepens masterminded in Mendive, a remote Basque village near the French-Spanish border. The story of this near-miraculous resistance effort, an epic undertaking carried out in plain view of the Nazis, is recounted in full for the first time in The Surgeon and the Shepherd, an incredible, true tale of wartime heroism.
In 1942, in coordination with the Belgian resistance, Schepens stage-managed a highly secret information and evacuation service through the counterfeit operation of a back-country lumbering enterprise. This book traces Schepens's gradual transformation from an apolitical young ophthalmologist into double agent Jacques Pérot, and his emergence in the postwar period as a modern folk hero to the residents of Mendive. Woven into the account are the stories of a remarkable international cast of characters, most notably the Basque shepherd Jean Sarochar, regarded as a local misfit, with whom Schepens formed his most unlikely partnership and an enduring friendship.
Part biography, part spy tale, part cultural study, The Surgeon and the Shepherd is based on more than ten years of oral history research. The saga of a Belgian first resister who, by posing as a collaborator, successfully duped both the Germans and the local French Basque population, it offers a powerful and illuminating picture of moral and physical courage.

Until the late eighteenth century the Arikaras were one of the largest and most influential Indian groups on the northern plains. For centuries they have lived along the Missouri River, first in present South Dakota, later in what is now North Dakota. Today they share the Fort Berthold Indian Reservation in North Dakota with the Mandans and Hidatsas. Although their postcontact history and aspects of their culture are well documented, Douglas R. Parks's monumental four-volume work Traditional Narratives of the Arikara Indians represents the first comprehensive attempt to describe and record their language and literary traditions.

Volumes 1 and 2 present transcriptions of 156 oral narratives in Arikara and include literal interlinear English translations. Volumes 3 and 4 contain free English translations of those narratives, making available for the first time a broad, representative group of Arikara oral traditions that will be invaluable not only to anthropologists and folklorists but to everyone interested in American Indian life and literature.

The narratives cover the entire range of traditional stories found in the historical and literary tradition of the Arikara people, who classify their stories into two categories, true stories and tales. Here are myths of ancient times, legends of power bestowed, historical narratives, and narratives of mysterious incidents that affirm the existence today of supernatural power in the world, along with tales of the trickster Coyote and stories of the risque Stuwi and various other animals. In addition, there are accounts of Arikara ritualism: prayers and descriptions of how personal names are bestowed and how the Death Feast originated.

From the winner of the 2004 PEN Center USA Literary Award for Creative Nonfiction In his award-winning memoir In the Shadow of Memory, Floyd Skloot told the hard story of coming to terms with a brain-ravaging virus. A World of Light, written with the same insight, passion, and humor that distinguished the earlier volume, moves Skloot's story from the reassembly of a self after neurological calamity to the reconstruction of a shattered life. More than fifteen years after a viral attack compromised his memory and cognitive powers, Skloot now must do the vital work of recreating a cohesive life for himself even as he confronts the late stages of his mother's advancing dementia. With tenderness and candor, he finds surprising connection with her where it had long been missing, transforming the end of her life into a time of unexpected renewal. At the same time, Skloot and his wife are building a rich new life at the center of a small isolated forest on a hillside in rural Oregon, where a dwindling water supply and the bitter assaults of the weather bring an elemental perspective to his attempts to make himself once more at home in the world. By turns poignant, funny, and frightening, A World of Light balances the urgency to capture fragmented, fleeting memories with the necessity of living fully in the present.

In this innovative novel, a librarian of Cherokee ancestry rekindles and reinvents her Native identity by discovering the rhythm and spark of traditionally told stories in the most unusual places in the modern world. Ada Ronner, a librarian at Northeastern State University in Tahlequah, Oklahoma, hears books speak and senses their restless flow as they circulate. The same relentless energy and liberation of the story is also felt by Ada as she roller-skates at the Dust Bowl, a local skating rink, floating far ahead of her husband, Ether, a physics professor. Hearing the old Cherokee voices when she skates and works in the Manuscript and Rare Book room in the library, Ada grows increasingly aware of the continuing power of Cherokee tradition today. Coming from a culture based in oral tradition, Ada discovers the potentially liberating role of the written word, and she finds her own empowerment as its promulgator and reinventor in the twenty-first century. Designs of the Night Sky moves between the turbulent history of a tribe and the experiences of the survivors of that history still caught in turmoil. Rolling from past to present and present to past, Diane Glancy's story provokes and illumines while it invites us to reconsider the form and effect of Native American stories in today's world. Diane Glancy is a professor of English at Macalester College. She is the author of The Cold-and-Hunger Dance and won the North American Indian Prose Award for Claiming Breath (Nebraska 1992).

John C. Fr mont was the most celebrated explorer of his era. In 1842, on the first of five expeditions he would lead to the Far West, Fr mont and a small party of men journeyed up the Kansas and Platte Rivers to the Wind River Range in Wyoming. At the time, virtually this entire region was known as the Great Desert, and many Americans viewed it and the Rocky Mountains beyond as natural barriers to the United States. After Congress published Fr mont's official report of the expedition, however, few doubted the nation should expand to the Pacific.
The first in-depth study of this remarkable report, Sight Unseen argues that Fr mont used both a radical form of art and an imaginary map to create an aesthetic desire for expansion. He not only redefined the Great Desert as a novel and complex environment, but on a summit of the Wind River Range, he envisioned the Continental Divide as a feature that would unify rather than impede a larger nation.
In addition to provoking the great migration to Oregon and providing an aesthetic justification for the National Park system, Fr mont's report profoundly altered American views of geography, progress, and the need for a transcontinental railroad. By helping to shape the very notion of Manifest Destiny, the report became one of the most important documents in the history of American landscape.