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This second edition of Othello has a new, illustrated introduction by leading American scholar Ayanna Thompson, which addresses such key issues as race, religion and gender, as well as looking at ways in which the play has been adapted in more recent times.
Othello is one of Shakespeare's great tragedies-written in the same five-year period as Hamlet, King Lear, and Macbeth. The new introduction attends to the play's different meanings throughout history, while articulating the historical context in which Othello was created, paying particular attention to Shakespeare's source materials and the evidence about early modern constructions of racial and religious difference. It also explores the life of the play in different historical moments, demonstrating how meanings and performances develop, accrue, and metamorphose over time. The volume provides a rich and current resource, making this best-selling play edition ideal for today's students at advanced school and undergraduate level.
A splendid edition: it incorporates the most recent modern scholarship ... and it does so within a compass and format that is both readable and usable. - Around the Globe
Macbeth is one of Shakespeare's most performed and studied tragedies. This Arden Shakespeare Third Series edition offers students detailed on-page commentary notes highlighting meaning and theatrical ideas and themes, as well as an illustrated, lengthy introduction setting the play in its historical, theatrical and critical context and outlining the recent debates about Middleton's possible co-authorship of some scenes. A comprehensive and informative edition ideal for students and teachers seeking to explore the play in depth, whether in the classroom or on the stage.
The Tempest is one of Shakespeare's most popular plays, both in the classroom and in the theatre, and this revision brings the Arden Third series edition right up-to-date. A completely new section of the introduction discusses new thinking about Shakespeare's sources for the play and examines his treatment of colonial themes, as well as covering key productions since this edition was first published in 1999. Most importantly it looks at Julie Taymor's ground-breaking 2010 film starring Helen Mirren as Prospera
Alden and Virginia Vaughan's edition of The Tempest is highly valued for its authority and originality and this revision brings it up-to-date, making it even more relevant and useful to studetns and theatre practitioners.
This new Complete Works marks the completion of the Arden Shakespeare Third Series and includes all of Shakespeare's plays, poems and sonnets, edited by leading international scholars. New to this edition are the 'apocryphal' plays, part-written by Shakespeare: Double Falsehood, Sir Thomas More and King Edward III. The anthology is unique in giving all three extant texts of Hamlet from Shakespeare's time: the first and second Quarto texts of 1603 and 1604-5, and the first Folio text of 1623.
With a simple alphabetical arrangement the Complete Works are easy to navigate. The lengthy introductions and footnotes of the individual Third Series volumes have been removed to make way for a general introduction, short individual introductions to each text, a glossary and a bibliography instead, to ensure all works are accessible in one single volume. This handsome Complete Works is ideal for readers keen to explore Shakespeare's work and for anyone building their literary library.
One of Shakespeare's later plays, best described as a tragi-comedy, the play falls into two distinct parts. In the first Leontes is thrown into a jealous rage by his suspicions of his wife Hermione and his best-friend, and imprisons her and orders that her new born daughter be left to perish. The second half is a pastoral comedy with the lost daughter Perdita having been rescued by shepherds and now in love with a young prince. The play ends with former lovers and friends reunited after the apparently miraculous resurrection of Hermione.
John Pitcher's lively introduction and commentary explores the extraordinary merging of theatrical forms in the play and its success in performance. As the recent Sam Mendes production at the Old Vic shows, this is a play that can work a kind of magic in the theatre.
This must now be the edition of first resort. - Review of English Studies
Shakespeare's Sonnets are universally loved and much-quoted throughout the world. First published in 1997 to much critical acclaim, the Sonnets has been a consistent best-seller in the Arden Shakespeare series. Katherine Duncan-Jones tackles the controversies and mysteries surrounding these beautiful poems head on, and explores the issues of sexuality to be found in them, making this a truly modern edition for today's readers and students. This revised edition has been updated and corrected in the light of new scholarship and critical thinking since its first publication.
King Lear has ruled for many years. As age overtakes him, he divides his kingdom amongst his children. Misjudging their loyalty, he soon finds himself stripped of all the trappings of state, wealth and power that had defined him.
Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Each edition offers:
Much Ado About Nothing presents a battle of the sexes in more ways than one: as both a lightning-fast skirmish of wits between two famously disputatious lovers, and a near-deadly conflict built on conventions of gender and male rivalry.
Claire McEachern's new introduction brings this best-seller right up to date, analysing recent developments in criticism and the latest productions of this comedy.
This Roman play is one of Shakespeare's last tragedies, best known for its political and military themes. Its hero, Coriolanus, is a proud General who does not hesitate to show his arrogant and outspoken contempt of the Roman rabble. The Tribunes banish him and he raises an army to take his revenge on Rome. He finally concedes to the pleas of his mother to spare the city and leaves only to be publicly killed by his former allies.
Peter Holland is a former Director of the Shakespeare Institute in Stratford-upon-Avon and President of the Shakespeare Association of America. He is a pre-eminent international scholar. His comprehensive introduction and commentary notes open up the language, themes and ideas in this complex yet richly rewarding play for the student and teacher. The play is discussed in its historical and critical contexts and its theatrical history is analysed too.
The young Prince Hamlet, returning from university, finds his Kingdom in disarray: 'something is rotten in the state of Denmark'. With his father dead, and his uncle and mother marrying, Hamlet is confronted by an armored ghost, who, claiming to be the King, implores him to enact revenge upon the newlyweds and restore order to the realm. Yet, Hamlet's ability to act conflicts with his will to think: curing the rot and stabilising the kingdom will unleash a series of tragedies that threaten to ruin his entire family.
Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students.
This book provides readers with the tools to unravel the complexities of one of the most difficult sonnet sequences, introducing them to the literary tradition, themes, stylistic features and cultural contexts of the genre and the collection, and offering close readings of more than 100 sonnets.
This combined approach enables readers not only to disentangle the complex relationships of the poems' characters but also to appreciate their philosophical, sensual, topical and subversive qualities. Of the book's two sections, the first, 'Contexts and Forms', includes chapters on the sonnet tradition, early publication history, the structural features of the sequence and the Shakespearean sonnet, as well as the main characteristics of the dramatis personae. The second section, 'Themes', consists of 5 chapters and explores the theme clusters that can be identified throughout the sequence (preservation, writing, desire, deception, imagination). Additional features of the book include a step-by-step approach to a Shakespeare sonnet, a model interpretation of a sonnet, as well as charts and tables identifying and summarizing the sequence's mini-narratives, groups, addressees and themes. For easy reference, the sonnets discussed in the book are cross-referenced and listed in the index, which also includes key terms and names of works and people. Suggestions for further reading are provided at the end of each chapter, and the annotated bibliography includes brief descriptions of the most useful works for further study.
Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students.
Each edition offers: