The inspiration behind the new film with Austin Butler, Jodie Comer, Tom Hardy, Michael Shannon, and Mike Faist.

First published in 1968, and now back in print for the first time in ten years, The Bikeriders explores firsthand the stories and personalities of the Chicago Outlaws Motorcycle Club. This journal-size volume features original black-and-white photographs and transcribed interviews by Lyon, made from 1963 to 1967, when he was a member of the Outlaws gang. Authentic, personal and uncompromising, Lyon's depiction of individuals on the outskirts of society offers a gritty yet humane perspective that subverts more commercialized treatments of Americana. Akin to the documentary style of 1960s-era New Journalism made famous by writers such as Hunter S. Thompson, Joan Didion and Tom Wolfe, Lyon's photography is saturation reporting at its finest. The Bikeriders is a touchstone publication of 1960s counterculture, crucially defining the vision of the outlaw biker as found in Easy Rider and countless other movies and photobooks.

A celebrated return of Robert Frank's seminal photobook The Americans to Aperture's catalog--one of the most important bodies of photographic work ever made.

In the nearly seven decades since its publication in France in 1958, then in the United States in 1959, Robert Frank's The Americans has become one of the most influential and enduring works of American photography. Through eighty-three photographs taken across the country, Frank unveiled an America that had gone previously unacknowledged--confronting its people with an underbelly of racial inequality, corruption, injustice, and the stark reality of the American dream. Frank's point of view--at once startling and tenacious--is imbued with humanity and lyricism, painting a poignant and incomparable portrait of the nation at a turning point in history.

This edition of The Americans is a celebrated return of an iconic title to Aperture's catalog, more than a half-century after the Aperture and Museum of Modern Art edition was published in 1968. Presented on the centennial of Frank's birth and coinciding with a major exhibition at the Museum of Modern Art, it has been produced following the finest tritone printing from the 2008 edition for which Frank was personally involved in every step of the design and production.

Frank's exacting vision, distinct style, and poetic insight changed the course of twentieth-century photography, and influenced subsequent generations of photographers, including Lee Friedlander, Nan Goldin, Danny Lyon, Joel Meyerowitz, Ed Ruscha, and Garry Winogrand. Now extolled as one of the most groundbreaking photobooks of all time, The Americans remains as powerful and provocative as it was upon publication and continues to resonate with audiences today.

The best way to learn is by doing. The Photographer's Playbook features photography assignments, as well as ideas, stories and anecdotes from many of the world's most talented photographers and photography professionals. Whether you're looking for exercises to improve your craft--alone or in a group--or you're interested in learning more about the medium, this playful collection will inspire fresh ways of engaging with photographic process. Inside you will find advice for better shooting and editing, creative ways to start new projects, games and activities and insight into the practices of those responsible for our most iconic photographs--John Baldessari, Tina Barney, Philip-Lorca diCorcia, Jim Goldberg, Miranda July, Susan Meiselas, Stephen Shore, Alec Soth, Tim Walker and many more. The book also features a Polaroid alphabet by Mike Slack, which divides each chapter, and a handy subject guide. Edited by acclaimed photographers Jason Fulford and Gregory Halpern, the assignments and project ideas in this book are indispensable for teachers and students, and great fun for everyone fascinated by taking pictures.

The first title in Aperture's Vision & Justice Book Series--featuring a collection of award-winning short essays by Maurice Berger that explore the intersections of photography, race, and visual culture. Created and coedited by Drs. Sarah Lewis, Leigh Raiford, and Deborah Willis, the series reexamines and redresses historical narratives of photography, race, and justice.

Edited by Marvin Heiferman, Race Stories: Essays on the Power of Images examines the transformational role photography plays in shaping ideas and attitudes about race and how photographic images have been instrumental in both perpetuating and combating racial stereotypes. Written between 2012 and 2019 and first presented as a monthly feature on the New York Times Lens blog, Berger's incisive essays help readers see a bigger picture about race through storytelling. By directing attention to the most revealing aspects of images, Berger makes complex issues comprehensible, vivid, and engaging. The essays illuminate a range of images, issues, and events: the modern civil rights movement; African American-, Latinx-, Asian American-, and Native American photography; and pivotal moments in the nineteenth and twentieth centuries when race, photography, and visual culture intersected. They also examine the full spectrum of photographic imaging: from amateur to professional pictures, from snapshots to fine art, from mugshots to celebrated icons of photojournalism.

Race Stories collects together Berger's reader-friendly essays in their breadth and brilliance to encourage a broad range of readers to look at and think about photographs in order to better understand themselves and the diverse world around them.

Copublished by Aperture and the New York Times.

The North American frontier is an enduring symbol of romance, rebellion, escape, and freedom. At the same time, it's a profoundly masculine myth--cowboys, outlaws, Beat poets. Photographer Justine Kurland reclaimed this space in her now-iconic series of images of teenage girls, taken between 1997 and 2002 on the road in the American wilderness. I staged the girls as a standing army of teenaged runaways in resistance to patriarchal ideals, says Kurland. She portrays the girls as fearless and free, tender and fierce. They hunt and explore, braid each other's hair, and swim in sun-dappled watering holes--paying no mind to the camera (or the viewer). Their world is at once lawless and utopian, a frontier Eden in the wild spaces just outside of suburban infrastructure and ideas. Twenty years on, the series still resonates, published here in its entirety and including newly discovered, unpublished images.

A critical and celebratory counternarrative to what we know of Japanese photography today.

I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography--and an indispensable resource for anyone interested in a more robust history of Japanese photography.

Made possible in partnership with the Rencontres d'Arles and Kering.

The Suffering of Light is the first comprehensive monograph charting the career of acclaimed American photographer Alex Webb. Gathering some of his most iconic images, many of which were taken in the far corners of the earth, this exquisite book brings a fresh perspective to his extensive catalog. Recognized as a pioneer of American color photography since the 1970s, Webb has consistently created photographs characterized by intense color and light. His work, with its richly layered and complex composition, touches on multiple genres, including street photography, photojournalism, and fine art, but as Webb claims, to me it all is photography. You have to go out and explore the world with a camera. Webb's ability to distill gesture, color and contrasting cultural tensions into single, beguiling frames results in evocative images that convey a sense of enigma, irony and humor. Featuring key works alongside previously unpublished photographs, The Suffering of Light provides the most thorough examination to date of this modern master's prolific, 30-year career.

Originally published in 1982, Stephen Shore's legendary Uncommon Places has influenced more than a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography, and his large-format color work on the American vernacular landscape inaugurated a vital photographic tradition. Uncommon Places: The Complete Works, published by Aperture in 2005, presented a definitive collection of the landmark series, and in the span of a decade has become a contemporary classic. Now, for this lushly produced reissue, the artist has added nearly 20 rediscovered images and a statement explaining what it means to expand a classic series. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore retains precise systems of gestures in composition and light through which a hotel bedroom or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. An essay by critic and curator Stephan Schmidt-Wulffen and a conversation with Shore by writer Lynne Tillman examine his methodology and elucidate his roots in Pop and Conceptual art. The texts are illustrated with reproductions from Shore's earlier series American Surfaces and Amarillo: Tall in Texas.

First published by Aperture in 1988, At Twelve: Portraits of Young Women is a groundbreaking classic by one of photography's most renowned artists.

At Twelve is Sally Mann's illuminating, collective portrait of twelve-year-old girls, taken in the artist's native Rockbridge County, Virginia. The age of twelve brings tremendous excitement and social possibilities; it is a trying time as well, caught between childhood and adulthood, when the difference is not entirely understood. As Ann Beattie writes in her perceptive introduction maintained from the 1988 original publication, These girls still exist in an innocent world in which a pose is only a pose--what adults make of that pose may be the issue. The consequences of this misunderstanding can be real: destitution, abuse, unwanted pregnancy. Within this book of portraits, many of which are accompanied by writings of the artist, the young women in Mann's unflinching large-format photographs, however, are not victims. They return the viewer's gaze with a disturbing equanimity.

This reissue of At Twelve has been printed using new scans and separations from Mann's prints, which were taken with an 8-by-10-inch view camera, rendering them with a quality true to the original edition.

First published in 1992, Immediate Family has been lauded by critics as one of the great photography books of our time, and among the most influential. Taken against the Arcadian backdrop of her woodland summer home in Virginia, Sally Mann's extraordinary, intimate photographs of her children reveal truths that embody the individuality of her own family yet ultimately take on a universal quality. With sublime dignity, acute wit and feral grace, Sally Mann's pictures explore the eternal struggle between the child's simultaneous dependence and quest for autonomy--the holding on and the breaking away. This is the stuff of which Greek dramas are made: impatience, terror, self-discovery, self-doubt, pain, vulnerability, role-playing and a sense of immortality, all of which converge in these astonishing photographs.
This reissue of Immediate Family has been printed using new scans and separations from Mann's original prints, which were taken with an 8 x 10-inch view camera, rendering them with a freshness and sumptuousness true to the original edition.

Aimed at children between the ages of eight and twelve, Seeing Things is a wonderful introduction to photography that asks how photographers transform ordinary things into meaningful moments.

In this book, acclaimed and beloved photographer Joel Meyerowitz takes readers on a journey through the power and magic of photography: its abilities to freeze time, tell a story, combine several layers into one frame and record life's fleeting and beautiful moments. The book features the work of masters such as William Eggleston, Mary Ellen Mark, Helen Levitt and Walker Evans, among many others. Each picture is accompanied by a short commentary, encouraging readers to look closely and use their imagination to understand key ideas in photography such as light, gesture, composition-and, ultimately, how there is wonder all around us when viewed through the lens.

Tina Barney's keenly observed portraits offer a window into a rarified world of privilege with sixty large-format works imbued with a spontaneity and intimacy that remind us of what we hold in common.

In the late 1970s, Tina Barney began a decades-long exploration of the everyday but often hidden life of the New England upper class, of which she and her family belonged. Photographing close relatives and friends, she became an astute observer of the rituals common to the intergenerational summer gatherings held in picturesque homes along the East Coast. Developing her portraiture further in the 1980s, she began directing her subjects, giving an intimate scale to her large-format photographs. These personal, often surreal, scenes present a secret world of the haute bourgeoisie--a landscape of hidden tension found in microexpressions and in, what Barney calls, the subtle gestures of disruption that belie the dreamlike worlds of patrician tableaux.

Family Ties collects sixty large-format portraits from the three decades that defined Barney's career--accompanying the first retrospective exhibition of the artist in Europe at the Jeu de Paume, Paris. The book includes an essay by Quentin Bajac, the exhibition's commissioner and director, as well as an interview with the artist by Sarah Meister, the executive director of Aperture, and a text by the artist James Welling. These texts illuminate the artist's approach to large-format photography, her ongoing interest in the rituals of families, and her personal ideas of composition, color, and the complex relationship between photography and painting.

Tina Barney: Family Ties is copublished by Aperture and Atelier EXB.

A landmark survey of one of the most significant American photographers of the twentieth century

Best known for his intimate portrayals of barrio communities of the Southwest United States, Louis Carlos Bernal made photographs in the late 1970s and 1980s that draw upon the resonance of Catholicism, Indigenous beliefs, and popular practices tied to the land. For Bernal, photography was a potent tool in affirming the value of individuals and communities who lacked visibility and agency. Working in both black and white and in color, he photographed the interiors of homes and their inhabitants, often presenting his subjects surrounded by the objects they lived with--framed portraits of family members, religious pictures and statuaries, small shrines festooned with flowers, and elements of contemporary popular culture. Bernal viewed these spaces as rich with personal, cultural, and spiritual meaning, and his unforgettable photographs express a vision of la vida cotidiana--everyday life--as a state of grace. The first major scholarly account of Bernal's life and work by the esteemed historian Elizabeth Ferrer, Louis Carlos Bernal: Monografía is the definitive book about an essential photographic artist.

Copublished by Aperture and the Center for Creative Photography, Tucson

Part memoir, part document of the DIY, punk-infused subculture of skateboarding as it came of age in the 1990s and early 2000s, Ed Templeton's Wires Crossed pulses with the raw, combustive energy of Templeton's image-making from the last twenty-plus years.

Illustrated by photographs, collages, texts, maps, and other ephemera from Templeton's journals, Wires Crossed offers an insider's look at a subculture in the making and reflects the unique aesthetic stamp that sprang from the skate world he helped create. Templeton occupies the rare position of having been a professional skateboarder, a two-time World Skateboarding champion, as well as a photographer and artist working within the skateboard community as it gained increasing cultural currency in the 1990s and beyond. His work first gained recognition as part of the Beautiful Losers collective loosely gathered around Aaron Rose's Alleged Gallery on Manhattan's Lower East Side.

This work, much of it previously unpublished and unseen, explores Templeton's own journey as an image maker, as well as the lives of professional skateboarders as they spent long hours crisscrossing the world on tour, reveling in their newfound status as rock star-like figures and the eternal search for new terrain to skate. Interviews between Templeton and fellow pro-skaters and friends add compelling detail about the pressures and pleasures of life on the road, and what it's like to obsessively pursue an art form--whether on their decks or behind the camera.

Paul Mpagi Sepuya reflects on the methodologies, strategies, and points of interest behind a single, expansive body of work at a pivotal moment in his career.

Paul Mpagi Sepuya's photography is grounded in a collaborative, rhizomatic approach to studio practice and portraiture. This volume unpacks his Dark Room series (2016-21), offering a deep dive into the thick network of references and the interconnected community of artists and subjects that Sepuya has interwoven throughout the images. The excavation and mapping of intellectual and artistic data points across the artist's work is presented through three distinct voices, allowing for a comprehensive cross-referencing of conceptual categories. Each category is alphabetized and illuminated via new texts by curator and scholar Gökcan Demirkazik; selections from previously published texts about the work by critics, colleagues, and friends; quotations of other writers' work that inspire the artist; as well as writings by the artist on his thematic preoccupations as they appear and reappear throughout this ongoing body of work. Dark Room A-Z serves as an iterative return and exhaustive manual to the strategies and generative ways of working that have informed Sepuya's image-making, after nearly two decades of practice.

Photography Changes Everything offers a provocative rethinking of photography's impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. The volume draws on the extraordinary visual assets of the Smithsonian Institution's museums, science centers and archives to launch an unprecedented interdisciplinary dialogue on photography's capacity to shape and change our experience of the world. Photography Changes Everything features over 300 images and nearly 100 engaging short texts commissioned from experts, writers, inventors, public figures and others--from Hugh Hefner to John Baldessari, John Waters, Robert Adams, Sandra Phillips and many others. Each story responds to images selected by project contributors. Together they engage readers in a timely exploration of the extent to which our lives have been transformed through our interactions with photographic imagery. Edited by leading photography curator and author Marvin Heiferman, Photography Changes Everything provides a unique opportunity to better understand the history, practice and power of photography at this transitional moment in visual culture.

Made for young readers, six and up, this book features portraits that celebrate the diverse beauty of human skin.

By depicting people from all over the world against a background that matches their skin tone, Ang lica Dass shows us how wonderfully colorful humans really are, questioning the concept of race and the limited categories we use to describe each other. These ideas are simply too small for a world that contains so many beautiful colors and people. The book asks us to consider how we see ourselves and others, through both similarities and differences. Kids also discover how to mix their own skin color with paint. Through a playful and dynamic layout, The Colors We Share encourages looking, questioning, and thinking bigger--inviting us to think about race, and our common humanity, in a new way.

Well-known for his photographs of landscapes and suburban housing across the United States, and for his use of luminous color, Todd Hido casts a distinctly cinematic eye across all that he photographs, digging deep into his memory and imagination for inspiration. David Campany introduces the work and looks specifically at Hido's cinematic influences and the kind of spectatorship the work demands. The book is organized chronologically, showing how his series overlap in exciting, new ways. Also featured are short interviews with Hido about the making of each of his monographs. From exterior to interior, surface observations to subconscious investigations, landscapes to nudes, this mid-career survey reveals insight into Hido's practice and illustrates how his unique focus has developed and shifted over time.

In this installment of The Photography Workshop Series, internationally acclaimed color photographers Alex Webb and Rebecca Norris Webb, offer their expert insight into street photography and the poetic image. Through words and photographs--their own and others'--they invite the reader into the heart of their artistic processes.

Aperture Foundation works with the world's top photographers to distill their creative approaches to, teachings on, and insights into photography--offering the workshop experience in a book. Our goal is to inspire photographers at all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this volume, the Webbs share their thoughts about a wide range of practical and philosophical issues, from questions about seeing and being in the world with a camera, to how to shape a complete body of work in a way that's both structured and intuitive. Award-winning novelist Teju Cole, a student of the Webbs, provides the introduction.

A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugène Atget. The book closes with two essays on working conditions in the nineteenth- and twentieth-century American West, and the essay Two Landscapes. Adams writes: At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are.