WINNER OF THE DYLAN THOMAS PRIZE
WINNER OF THE REPUBLIC OF CONSCIOUSNESS PRIZE
WINNER OF THE STORY PRIZE SPOTLIGHT AWARD
WINNER OF THE 2023 O. HENRY PRIZE FOR SHORT FICTION
KIRKUS PRIZE FINALIST
LAMBDA LITERARY AWARD FINALIST
CLMP FIRECRACKER AWARD FINALST
In nine exhilarating stories of queer love in contemporary Nigeria, God's Children Are Little Broken Things announces the arrival of a daring new voice in fiction.
Nothing less than breathtaking and daring...these tales bear the emotional weight and complexity of novels, with the reader pulled forward by lucid prose and excellent pacing. Most compelling, though, are the unforgettable characters and the relationships that hurl them into the unknown and dangerous depths of their desires. --Kirkus starred review
A man revisits the university campus where he lost his first love, aware now of what he couldn't understand then. A young musician rises to fame at the price of pieces of himself, and the man who loves him. Arinze Ifeakandu explores with tenderness and grace the fundamental question of the heart: can deep love and hope be sustained in spite of the dominant expectations of society, and great adversity.
From the acclaimed author of Calm Sea and Prosperous Voyage and the memoir W-3, a trio of novellas about three women's bold exploration of the desire for belonging as it comes into conflict with the fulfillment of our individual selves. With an introduction by Rumaan Alam.
Over the past several years, A Public Space has brought the work of Bette Howland back into print. First published in 1983, Things to Come and Go is her final book, and a showcase of her stunning talent--the razor-sharp observations, the elusive narrators, the language at once experimental and classical.
Nearly forty years later, it's writing that feel[s] revelatory and imperative to the work we might all be trying to make next (Lynn Steger Strong).
In Capital, Mark Hage reframes the story of gentrification, and in photographic portraits of shuttered retail spaces captures the hidden soul of the city. Exploring the accidental compositions that emerge in the built environment, he invites us to view an alternative to increasingly over-mediated spaces in photographs of what is abandoned, altered, left behind, gutted.