Meshach Browning spent decades as a professional hunter and trapper of bears, boars and deer in rural Maryland during the early 1800s - this is his story, in his own words.
Born in modest circumstances, Browning grew up at a time when the United States as a nation was in its infancy, with much of the population living in rural areas. From his youth, the author vowed to be self-sufficient, leaving his home and first love to hone his abilities as a hunter. Returning with money gained from selling pelts and meat, it is then that Meshach contemplates hunting as a career.
The equipment used by the author is much inferior to that of the modern day. Meshach's use of a musket - a gun whose reliability is demonstrated as poor in several instances - leads him to rely on his skills in close quarters combat. On multiple hunts, described with stunning vividness in these pages, Browning's ability to battle animals in melee saves his life. The dangers of his trade are balanced by its lucrativeness: bear meat and pelt for instance fetched high prices on the open market.
Though his life's work is the primary subject, Meshach Browning shows a tender side when describing his first marriage; his loving wife Mary bore him several children. In later chapters, he proudly teaches his sons the craft which sustained their family for so many years.
The popularity of rock climbing is burgeoning across the globe, with dedicated communities practicing everything from bouldering to sport climbing, top roping to free soloing, in awe-inspiring locations. The Art of Climbing showcases Simon Carter's dramatic and often graphic photography, providing inspiration for aspirational outdoor climbers-- anyone keen to graduate from inside climbing walls--and seasoned climbers alike.
The main chapters evoke powerful themes--from Formations to Environment, Intensity to Flow--that exist at the intersection of sport and art. Thoughtful chapter texts, written by Carter and major names on the international climbing scene, narrate experiences on the rock face, exploring both the athletic and aesthetic value of climbing. A reference section includes practical details such as a glossary, grading table, and descriptions of ten selected routes.
Brian Doyle himself explains it best: A few years ago I was moaning to my wry gentle dad that basketball, which seems to me inarguably the most graceful and generous and swift and fluid and ferociously-competitive-without-being-sociopathic of sports, has not produced rafts of good books, like baseball and golf and cricket and surfing have . . . Where are the great basketball novels to rival The Natural and the glorious Mark Harris baseball quartet and the great Bernard Darwin's golf stories? Where are the annual anthologies of terrific basketball essays? How can a game full of such wit and creativity and magic not spark more great books?
'Why don't you write one?' said my dad, who is great at cutting politely to the chase. And so he has. In this collection of short essays, Brian Doyle presents a compelling account of a life lived playing, watching, loving, and coaching basketball. He recounts his passion for the gyms, the playgrounds, the sounds and scents, the camaraderie, the fierce competition, the anticipation and exhaustion, and even some of the injuries.In the 1980s, the world of sports was undergoing phenomenal change. No longer confined to the back pages of newspapers, sports were turning into a mega-business, an industry as much as a past-time that soon came to dominate American culture.
Award-winning author and Providence Journal columnist, Bill Reynolds, saw it all.
Story Days, a collection of Bill's columns spanning the last 40 years, documents this evolution in sports. With an eye for the offbeat, unusual access to some of the biggest names in sports and a willingness to travel to out-of-the-way places to get his story, Bill captured the changing times with depth, humor and verve.
No topic was off-limits for Bill, who wrote about the tragedies and social issues that arose under the umbrella of sports, as well as its successes and joy.
Story Days includes famous sports figures, but the less well known also appear, either because their stories were so poignant or because they reveal a side of sports seldom seen. This is the side where athletes don't always win, they don't always get rich and they don't always achieve their dreams.
What happens when the dream dies or is thwarted? What happens to the athlete then? These were the sort of questions that drove Bill's singular outlook on the people he talked to over the years, people justly remembered in Story Days.
IN DEEP by surf journalist Matt George is a soul-stirring compilation that spans nearly four decades of surf writing, offering readers an immersive journey into the heart of surfing culture through the lens of a master storyteller.
George's collection includes personality profiles, perspective essays, and travel accounts that transcend mere sport reporting, delivering a level of candid articulation reminiscent of literary greats like Theroux, Krakauer, and Finnegan.The book invites readers to ride the waves of George's experiences, exploring peak transcendence and moments of quiet reflection. Through his vivid narratives, readers are transported to famous beaches and lost islands, reliving competitive triumphs and navigating personal tragedies. IN DEEP is not just a surf anthology; it's a compelling montage assembled by a seasoned observer and an ardent participant in the sublime pursuit of a passion that comes in waves.
For over thirty-five years, Matt George has been a prominent figure in surfing journalism. Starting as Senior Contributing Editor for SURFER Magazine in 1985, he embarked on a global journey covering every facet of the sport. His feature articles and photographs have earned him numerous awards and accolades, solidifying his reputation as an influential voice in the surfing community. Beyond his journalistic achievements, George is recognized for his role in writing and co-producing the Columbia Tri-Star Feature film In Gods Hands, a captivating big wave surfing drama.
IN DEEP is not just a surf anthology; it's a testament to a life shaped by the rhythm of the ocean, inviting readers to catch a wave and immerse themselves in the profound beauty of the surfing world.
New York Times reporter John Branch's riveting, humane pieces about ordinary people doing extraordinary things at the edges of the sporting world have won nearly every major journalism prize. Sidecountry gathers the best of Branch's work for the first time, featuring 20 of his favorites from the more than 2,000 pieces he has published in the paper.
Branch is renowned for covering the offbeat in the sporting world, from alligator hunting to wingsuit flying. Sidecountry features such classic Branch pieces, including Snow Fall, about downhill skiers caught in an avalanche in Washington state, and Dawn Wall, about rock climbers trying to scale Yosemite's famed El Capitan. In other articles, Branch introduces people whose dedication and decency transcend their sporting lives, including a revered football coach rebuilding his tornado-devastated town in Iowa and a girls' basketball team in Tennessee that plays on despite never winning a game. The book culminates with his moving personal pieces, including Children of the Cube, about the surprising drama of Rubik's Cube competitions as seen through the eyes of Branch's own sports-hating son, and The Girl in the No. 8 Jersey, about a mother killed in the 2017 Las Vegas shooting whose daughter happens to play on Branch's daughter's soccer team.
John Branch has been hailed for writing American portraiture at its best (Susan Orlean) and for covering sports the way Lyle Lovett writes country music--a fresh turn on a time-honored pleasure (Nicholas Dawidoff). Sidecountry is the work of a master reporter at the top of his game.
John Updike wrote about the lure of golf for five decades, from the first time he teed off at the age of twenty-five until his final rounds at the age of seventy-six. Golf Dreams collects the most memorable of his golf pieces, high-spirited evidence of his learning, playing, and living for the game. The camaraderie of golf, the perils of its present boom, how to relate to caddies, and how to manage short putts are among the topics he addresses, sometimes in lyrical essays, sometimes in light verse, sometimes in wickedly comic fiction. All thirty pieces have the lilt of a love song, and the crispness of a firm chip stiff to the pin.
Here's a question for any Browns fan: Why?
Why, more than four long decades after your team's last championship . . . despite a relentless pattern of heartbreak, teasing, and more heartbreak . . . capped with a decade of utter futility . . . do you still stick with the Cleveland Browns?
Veteran sportswriter Terry Pluto gets a daily barrage of email from fans letting their hearts bleed out orange and brown. So he decided to ask his readers: Just what is it about this team that makes you love them, hate them, and still keep coming back for more?
A thousand fans responded--in detail. Their stories--along with interviews with former players and Pluto's own expert analysis--deliver the answer. Answers, actually. Because like any intense relationship, it's a little complicated . . .
Covering the Browns from 1964 through present day, this book does for Cleveland football what Pluto's classic about the Indians, The Curse of Rocky Colavito, did for Cleveland baseball: It won't make the pain go away, but it might help you remember why it's worth enduring.