As Dorian Lynskey writes, People have been contemplating the end of the world for millennia. In this immersive and compelling cultural history, Lynskey reveals how religious prophecies of the apocalypse were secularized in the early 19th century by Lord Byron and Mary Shelley in a time of dramatic social upheaval and temporary climate change, inciting a long tradition of visions of the end without gods.

With a discerning eye and acerbic wit, Lynskey examines how various doomsday tropes and predictions in literature, art, music, and film have arisen from contemporary anxieties, whether they be comets, pandemics, world wars, the Cuban Missile Crisis, Y2K, or the climate emergency. Far from being grim, Lynskey guides readers through a rich array of fascinating stories and surprising facts, allowing us to keep company with celebrated works of art and the people who made them, from H.G. Wells, Jack London, W.B. Yeats and J.G. Ballard to The Twilight Zone, Dr. Strangelove, Mad Max and The Terminator.

Prescient and original, Everything Must Go is a brilliant, sweeping work of history that provides many astute insights for our times and speaks to our urgent concerns for the future.

We embraced the mediated life--from Facetune and Venmo to meme culture and the Metaverse--because these technologies offer novelty and convenience. But they also transform our sense of self and warp the boundaries between virtual and real. What are the costs? Who are we in a disembodied world?

In The Extinction of Experience, Christine Rosen investigates the cultural and emotional shifts that accompany our embrace of technology. In warm, philosophical prose, Rosen reveals key human experiences at risk of going extinct, including face-to-face communication, sense of place, authentic emotion, and even boredom. Considering cultural trends, like TikTok challenges and mukbang, and politically unsettling phenomena, like sociometric trackers and online conspiracy culture, Rosen exposes an unprecedented shift in the human condition, one that habituates us to alienation and control. To recover our humanity and come back to the real world, we must reclaim serendipity, community, patience, and risk.

Fast-talking, warm-hearted, and endlessly rewatchable, Gilmore Girls has bonded real-life mothers and daughters since 2000, when its iconic pilot introduced us to Lorelai, Rory, and their idyllic Connecticut town of Stars Hollow. More than twenty years later, it has become one of the most-streamed TV shows, ever.

In an anthology as intimate and quick-witted as Gilmore Girls itself, best-selling author Ann Hood invites fifteen writers to investigate their personal relationships to the show. (It's a show? It's a lifestyle. It's a religion.) Joanna Rakoff considers how Emily Gilmore helped her understand her own mother; Sanjena Sathian sees herself--and Asian American defiance--in Lane Kim; Freya North connects with her son through the show; Francesco Sedita discovers an antidote to pandemic loneliness; Nina de Gramont offers a comic ode to the unreality of Stars Hollow. For anyone who identifies as Team Logan, Team Jess, or even Team Dean, Life's Short, Talk Fast reveals what Gilmore Girls tells us about ourselves--and why it matters.

This publication has not been prepared, approved, or licensed by Warner Bros. Entertainment, Inc.; Warner Bros Television; or any other entity or individual associated with the creation or production of Gilmore Girls.

From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture--from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele

America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can't escape the thrall of scary stories.

In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele.

With the dexterous weave of insight and style that have made him one of America's leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind.

The remedies the book outlines should be considered on college campuses, among parents of current and future students, and by anyone longing for a more sane society. --Pittsburgh Post-Gazette

Something has been going wrong on many college campuses in the last few years. Speakers are shouted down. Students and professors say they are walking on eggshells and are afraid to speak honestly. Rates of anxiety, depression, and suicide are rising--on campus as well as nationally. How did this happen?

First Amendment expert Greg Lukianoff and social psychologist Jonathan Haidt, author of The Anxious Generation, show how the new problems on campus have their origins in three terrible ideas that have become increasingly woven into American childhood and education: What doesn't kill you makes you weaker; always trust your feelings; and life is a battle between good people and evil people. These three Great Untruths contradict basic psychological principles about well-being and ancient wisdom from many cultures. Embracing these untruths--and the resulting culture of safetyism--interferes with young people's social, emotional, and intellectual development. It makes it harder for them to become autonomous adults who are able to navigate the bumpy road of life.

Lukianoff and Haidt investigate the many social trends that have intersected to promote the spread of these untruths. They explore changes in childhood such as the rise of fearful parenting, the decline of unsupervised, child-directed play, and the new world of social media that has engulfed teenagers in the last decade. They examine changes on campus, including the corporatization of universities and the emergence of new ideas about identity and justice. They situate the conflicts on campus within the context of America's rapidly rising political polarization and dysfunction.

This is a book for anyone who is confused by what is happening on college campuses today, or has children, or is concerned about the growing inability of Americans to live, work, and cooperate across party lines.

In The 50th Law, hip hop and pop culture icon 50 Cent (aka Curtis Jackson) joins forces with Robert Greene, bestselling author of The 48 Laws of Power, to write a bible for success in life and work based on a single principle: fear nothing. With stories from 50 Cent's life on the streets and in the boardroom as he rose to fame after the release of his album Get Rich or Die Tryin', as well as examples of others who have overcome adversity through understanding and practicing the 50th Law, this deeply inspirational book is perfect for entrepreneurs as well as anyone interested in the extraordinary life of Curtis Jackson.

This brand-new second edition of the best-selling The Psilocybin Mushroom Bible is the most comprehensive source of information on the market regarding mushroom cultivation, harvesting, and consumption. This book uses detailed, straightforward language and high-resolution color, step-by-step photos to ensure readers can understand and apply everything they need to know about growing mushrooms. The Psilocybin Mushroom Bible will teach readers the efficient, safe, and quick process of cultivating their own magic mushrooms.

In 2015, The Psilocybin Mushroom Bible was the first new book on magic mushroom cultivation published since 2006. Since its publication, it has sold over 100,000 copies and has established itself as one of the most accessible, enjoyable, and informative books on the topic, with its authors directly assisting home growers through forums and courses in the years since. This new edition expands and revises the original, with brand new photos, how to photo essays, new chapters on both low tech and advanced growing methods, and additional indoor and outdoor techniques for new species. Processes include how to build containers and equipment at home and comprehensive instructions on multiple methods of producing magic mushrooms. This new edition also discusses current research on psilocybin as medicine, the recent decriminalization movements, as well as methods for consuming magic mushrooms, from simply eating them, to making tea or discreet pills, and even turning the mushrooms into delicious treats to be enjoyed with friends.

The first edition of The Psilocybin Mushroom Bible was truly ground-breaking and this new edition not only expands on the previous topics with updated research but also provides new, in-depth information and methods that will ensure it continues to be the number one choice for anyone wanting to know as much as they want about psilocybin mushroom cultivation.

Now featuring an introduction by Geoff Dyer, The Electric Kool-Aid Acid Test is a wild, psychedelic, utterly Wolfe-ian romp through the rise of the counterculture movement of the 1960s.

The Electric Kool-Aid Acid Test is Tom Wolfe's seminal portrait of Ken Kesey, one of the most magnetic figures of the 1960s, and his band of Merry Pranksters. Along the way, even as Wolfe vividly recounts the group's infamous Acid Tests and the country's changing attitudes toward psychedelic drugs, he ropes in a who's who of the early years of the hippie movement, from the Hells Angels to the Grateful Dead to Allen Ginsberg.

Wolfe's clear, unblinking depiction of the travels, experiments, and exploits of his subjects have made his book the quintessential text in New Journalism, which he was instrumental in creating.

Readers will find an unparalleled examination of this pivotal moment in American history. The Electric Kool-Aid Acid Test is a prescient, evergreen classic, as groundbreaking now as it was when it first stormed onto the scene and forever changed what we thought nonfiction was capable of.

'A must read for modernists, and for anyone who misses the future.' Bob Stanley, musician, journalist, author, and film producer

A smart, page-turning exploration of the business and creative decisions that transformed Taylor Swift into an unprecedented modern cultural phenomenon.

Named one of Thirty books we're excited to read in the first half of 2025 by The Sydney Morning Herald

Named to the Financial Times What to Read in 2025 list

Singer-songwriter. Trailblazer. Mastermind. The Beatles of her generation. From her genre-busting rise in country music as a teenager to the economic juggernaut that is the Eras Tour, Taylor Swift has blazed a path that is uniquely hers.

But how exactly has she managed to scale her success--multiple times--while dominating an industry that cycles through artists and stars like fashion trends? How has she managed to make and remake herself time and again while remaining true to her artistic vision? And how has she managed to master the constant disruption in the music business that has made it so hard for others to adapt and endure?

In There's Nothing Like This, Kevin Evers, a senior editor at Harvard Business Review, answers these questions in riveting detail. With the same thoughtful analysis usually devoted to iconic founders, game-changing innovators, and pioneering brands, Evers chronicles the business and creative decisions that have defined each phase of Swift's career.

Mixing business and art, analysis and narrative, and pulling from research in innovation, creativity, psychology, and strategy, There's Nothing Like This presents Swift as the modern and multidimensional superstar that she is--a songwriting savant and a strategic genius.

Swift's fans will see their icon from a fresh perspective. Others will gain more than a measure of admiration for her ability to stay at the top of her game. And everyone will come away understanding why, even after two decades, Swift keeps winning.

In the history of cinema, trans people are usually murdered, made into a joke, or viewed as threats to the normal order -- relegated to a lost highway of corpses, fools, and monsters.

In this book, trans film critics Caden Mark Gardner and Willow Catelyn Maclay take the reader on a drive down this lost highway, exploring the way that trans people and transness have evolved on-screen.

Starting from the very earliest representations of transness in silent film, through to the multiplex-conquering Matrix franchise and on to the emergence of a true trans-authored cinema, Corpses, Fools and Monsters spans everything from musicals to body horror to avant garde experimental film to tell the story of the trans film image. In doing so, the authors investigate the wider history of trans representation -- an exhilarating journey of compromise, recuperation, and potential liberation that they argue is only just the beginning.

In her first book, How to Do Nothing, Jenny Odell wrote about the importance of disconnecting from the attention economy to spend time in quiet contemplation. But how can we reclaim our time?

In order to answer this seemingly simple question, Odell took a deep dive into the fundamental structure of our society and found that the clock we live by was built for profit, not people. This is why our lives, even in leisure, have come to seem like a series of moments to be bought, sold, and processed ever more efficiently. Odell shows us how our painful relationship to time is inextricably connected not only to persisting social inequities but to the climate crisis, existential dread, and a lethal fatalism.

This dazzling, subversive, and deeply hopeful book offers us different ways to experience time--inspired by pre-industrial cultures, ecological cues, and geological timescales--that can bring within reach a more humane, responsive way of living. As planet-bound animals, we live inside shortening and lengthening days alongside gardens growing, birds migrating, and cliffs eroding; the stretchy quality of waiting and desire; the way the present may suddenly feel marbled with childhood memory; the slow but sure procession of a pregnancy; the time it takes to heal from injuries. Odell urges us to become stewards of these different rhythms of life in which time is not reducible to standardized units and instead forms the very medium of possibility.

Saving Time tugs at the seams of reality as we know it--the way we experience time itself--and rearranges it, imagining a world not centered on work, the office clock, or the profit motive. If we can save time by imagining a life, identity, and source of meaning outside these things, time might also save us.

From the author of But What If We're Wrong comes an insightful, funny reckoning with a pivotal decade

It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. Landlines fell to cell phones, the internet exploded, and pop culture accelerated without the aid of technology that remembered everything. It was the last era with a real mainstream to either identify with or oppose. The '90s brought about a revolution in the human condition, and a shift in consciousness, that we're still struggling to understand. Happily, Chuck Klosterman is more than up to the job.

In The Nineties, Klosterman dissects the film, the music, the sports, the TV, the pre-9/11 politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan, and (almost) everything else. The result is a multidimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.

Why does the Twilight saga--Stephanie Meyer's Twilight books, movies, and unforgettable characters--continue to inspire both passionate fandom and heated critique? In Why We Love (and Hate) Twilight, Sarah Elizabeth Gallagher unpacks the cultural obsession with Bella Swan, Edward Cullen, and the supernatural love story that redefined YA literature and pop culture forever.

#1 Best Seller in Gothic & Romantic Literary Criticism

#1 New Release in Popular Culture in Social Sciences

Explore the Phenomenon That Sparked a Generation. Delve into the world of Stephanie Meyer's Twilight series--the books, movies, and cultural whirlwind that have captivated and divided fans for over a decade. Why We Love (and Hate) Twilight examines the global sensation through a fresh, thought-provoking lens, exploring why it continues to ignite adoration and debate alike.

From Edward and Bella to Taylor Lautner's Werewolf Charm. This book dives deep into the Twilight Saga book set, from New Moon to Breaking Dawn Part 2, unpacking the stories, characters, and themes that have kept Twilight in the spotlight. Whether you're fascinated by Bella Swan's journey, mesmerized by Edward Cullen's allure, or just curious about the frenzy behind the movies, Sarah Elizabeth Gallagher offers insights for every kind of reader.

Inside, you'll find:

• A behind-the-scenes look at the making of the Twilight movies and their role in shaping modern YA adaptations.
• An exploration of the series' themes of love, identity, and power, and how they resonate with readers across generations.
• A discussion of the controversies surrounding Twilight, from its depiction of relationships to its influence on pop culture.
• Insights into the impact of the Twilight fandom, including fanfiction, conventions, and the rise of Team Edward and Team Jacob.
• An analysis of how Twilight paved the way for other supernatural romance phenomena in books and film.

If you liked Midnight Sun, Life and Death, or Why We Love Middle-Earth, you'll love Why We Love (and Hate) Twilight.

California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur. . . The Menace is loose again.

Thus begins Hunter S. Thompson's vivid account of his experiences with California's most notorious motorcycle gang, the Hell's Angels. In the mid-1960s, Thompson spent almost two years living with the controversial Angels, cycling up and down the coast, reveling in the anarchic spirit of their clan, and, as befits their name, raising hell. His book successfully captures a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying and horrifying America. Thompson, the creator of Gonzo journalism, writes with his usual bravado, energy, and brutal honesty, and with a nuanced and incisive eye; as The New Yorker pointed out, For all its uninhibited and sardonic humor, Thompson's book is a thoughtful piece of work. As illuminating now as when originally published in 1967, Hell's Angels is a gripping portrait, and the best account we have of the truth behind an American legend.

Friends may have stopped filming in 2004 but Ross, Rachel, Monica, Chandler, Phoebe and Joey have never left our screens or our hearts. Now let their words comfort and cajole you through the tricky, sticky and downright funny times in life.

The One About Their Best One Liners contains 170 quotes straight from the mouths of Manhattan's most famous sextet. They'll be there for you as you tackle some of the biggest topics in our existences: life, work, dating, relationships, self-knowledge, sarcasm and ... food. Could it BE any easier to get life advice from your favorite Friends characters?

I'm gonna go get one of those job things. Rachel faces reality after cutting financial ties with her dad As seen on BuzzFeed.com, 16 December 2015